Uuendatud oktoober 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 131 teost Roelandt Savery meie kataloogis
Lühidalt
Bouquet of Flowers (1612) on Roelandt Savery maalide kõige silmapaistvam teos; originaal kuulub museumi Liechtenstein Museum, Vienna. Pärast seda suunatakse pilk Landscape with Wild Beasts (1629) ja Venus and Amor and the Castle of Love (1605) suunas. Meie kataloogis olevatest Roelandt Savery 131 teosest on need 100 kõige kuulsumat, millist igaüks on esitatud koos aasta, muuseumi ja põhjusega, miks teos on püsiv.
The Bouquet of Flowers by Roelant Savery emerges from the shadows of a dark setting, a still life that captures a moment of intense botanical life. Painted in 1612, this work presents a dense arrangement of blooms that seems to overflow from its vessel. The artist, Roelant Savery, uses oil on panel to render the delicate textures of the petals and the small creatures that share this space. It is…
In this 1629 landscape, we find ourselves drawn into a secluded realm where the boundaries between the human and the animal kingdom feel remarkably thin. The scene unfolds before a structure that suggests the presence of a temple or perhaps a distant castle, providing a sense of permanence against the movement of the wild. Various animals, including birds, deer, and horses, inhabit this space, moving through a landscape that feels…
Venus and Amor and the Castle of Love is a mythological painting attributed to Roelant Savery. Created circa 1605, the work centers on the figure of Venus. The composition places the goddess within a rugged, mountainous landscape, establishing a narrative framework common to the late Mannerist tradition.
A rugged mountain scene dominates the composition, defined by towering rock formations and spindly trees that draw the eye upward toward a misty, distant peak. Small figures are scattered throughout the landscape, engaged in the physical labor of woodcutting amidst the craggy terrain. The verticality of the cliffs creates a sense of scale, contrasting the immense, jagged geology with the minute, industrious presence of the human workers. Light enters from…
In "Mountain Landscape with Fruit Sellers" by Roelant Savery, we find an asymmetrical arrangement that directs the eye through a carefully structured space. On the right side, a strong vertical element composed of large, detailed trees frames the scene, providing a sense of weight and stability. This foreground structure leads the viewer toward a vast, misty mountain backdrop. The composition creates a quiet tension between the immediate, tangible details of…
The oil on panel work, titled Pillaging of a Village, presents a chaotic and dynamic historical scene. The composition is densely packed with numerous figures, animals, and structures, creating a complex, multi-layered landscape. The subject matter focuses on the violence and disorder of war, featuring soldiers on horseback, looting wagons, and terrified civilians. The perspective is elevated, offering a wide view of the village square and a receding street that…
In Paradiesische Tiergruppe, Roelant Savery presents a dense, multi-layered landscape where the natural order is intentionally suspended. The composition brings together a surreal assembly of species that would not naturally coexist in such proximity. A large, piebald horse dominates the right foreground, its form providing a heavy, grounded presence. To the left and center, a lion and a leopard occupy the immediate foreground, their predatory forms integrated into this quiet,…
Forest Landscape with Hunters is a work by Roelant Savery, an artist born in Kortrijk, Belgium, in 1576. This oil on panel composition emerged around 1604, a period during which Savery was establishing his presence within the artistic circles of the Low Countries. The painting captures a dense, verdant woodland, integrating human figures and wildlife into a structured natural environment.
This work, titled Forest Landscape with Orpheus, was painted by Roelant Savery. The artist, who was born in Kortrijk, Belgium, around 1576, created this piece in 1615. His life and career spanned much of the early seventeenth century, until his death in 1639.
Wooded Landscape with Lions is an oil on panel by Roelant Savery. The work measures 29.5 cm in height and 49.5 cm in width. It belongs to the Dordrechts Museum. This small scale invites a close, quiet observation of the figures held within its frame.
Orpheus Charming the Animals with His Music1610 · Städel Museum
12
Boar hunting1609 · Bavaria riiklikud maalidema kogumikud
13
Polish Cavalry Marching through the Woods1614
14
Lions in a Landscape1622 · Hampton Court Palace
15
Nymphs and Satyr in front of a Temple1615 · Statens Museum For Kunst
16
Three Nymphs Dancing with a Satyr1615 · Statens Museum For Kunst
17
Wild Boar Hunt1615 · Museum Bredius
18
Landscape with Orpheus and the Animals1611 · Gemäldegalerie
19
Old farmer resting together with a dog1615 · Staatliche Kunsthalle Karlsruhe
20
Orpheus1628 · National Gallery
21
Orpheus playing the lyre in front of the animals1630 · Centraal Museum
22
The dapple-grey1625 · Centraal Museum
23
Noah's Ark1628 · Varssavi Rahvusmuuseum
24
Large flower still life with Crown Imperial1624 · Centraal Museum
25
Mountain Landscape with Travelers1608 · Kunsthistorisches Museum
26
Landscape with Birds (detail)1622 · Národní Galerie
27
Bouquet of Flowers in a Stone Niche1620 · Statens Museum For Kunst
28
Flowers in a Glass1613 · National Gallery
29
Landscape with Wild AnimalsRockox House
30
Landscape with Birds1628 · Kunsthistorisches Museum
31
Orpheus in the Underworld1610 · Kunsthistorisches Museum
32
Orpheus Among the Animals1626 · Kunsthistorisches Museum
33
The Paradise1626 · Berliini Riigimuseumid
34
Derelict Courtyard with a Beggar Woman, c. 16081608 · Albertina
35
Tyrolean Landscape (The Flight into Egypt)1606 · Hermitage muuseum
36
Tree Landscape1607 · Bavaria riiklikud maalidema kogumikud
37
Great Oak Forest1608 · Bavaria riiklikud maalidema kogumikud
38
Rocky Landscape with Mastiffs attacking Stags, and Hinds fleeing Hunters1600 · Dudmaston Hall
39
Landscape with a ruined church by a waterfall1607 · Bavaria riiklikud maalidema kogumikud
40
cows + goats1601
41
Forest Landscape with Deer1622 · Dordrechts Museum
42
Battle of the Turks1614 · Gemäldegalerie
43
Deer Hunt in a Forest1619 · Musée de Grenoble
44
Mountainous Landscape with an Entrance to a Mine1612 · Detroit Institute of Arts
45
The Stranded Whale1618
46
Landscape with animals and ruins1616 · National Museum of Art, Architecture and Design
47
Horse in a Landscape1622 · Szépművészeti Múzeum
48
Landscape with Animals1615 · Szépművészeti Múzeum
49
The Creation of Birds1619 · Fitzwilliam Museum
50
Orpheus with beasts and birds1622 · Fitzwilliam Museum
51
Tower Ruin at a Bird Pond1618 · Staatliche Kunstsammlungen Dresden
52
Castle in a Forest1614 · Staatliche Kunstsammlungen Dresden
53
Wooded landscape with animals1619 · Bonnefanten Museum
54
A Landscape with Birds1615 · Hampton Court Palace
55
Noah's Ark1620 · Auckland Art Gallery Toi o Tāmaki
56
Landscape with Ruins and Animals1621 · Dordrechts Museum
57
Bird's Paradise1616 · Royal Museum of Fine Arts Antwerp
58
Orpheus and the Animals1617 · Royal Museum of Fine Arts Antwerp
59
Birds1618 · Royal Museum of Fine Arts Antwerp
60
Day Lily and other Flowers in a Vase in a Niche1614 · Wallraf-Richartz-Museum
61
Flowers in a Glass in a Niche1611
62
Rocky Landscape with Animals1615 · Museum of Fine Arts
63
Mountain Landscape with Woodcutters1610 · Statens Museum For Kunst
64
Herds in Ruins1617 · Curtius Museum
65
Mountainous Landscape with Figures and a Bridge1610 · Nationalmuseum
66
Woodland Stream1610 · Rahvuslik Galerii Praha
67
Stag Hunt1611 · Rahvuslik Galerii Praha
68
Still life with a rose, a grasshopper and a mouse1622 · Noordbrabants Museum
69
Landscape with Orpheus playing the violin; trees and rocks move, beasts and birds are enchanted1619 · Bonnefanten Museum
70
Wooded landscape with animals and a ruin1619 · Kunsthandel P. de Boer
71
Flowers in a glass vase, 16151615 · Vancouver Art Gallery
72
Flower bouquet in a glass vase in a niche with a lizard and a dragonfly, 16121612
73
Flower still life in a niche1617 · Staatliche Kunsthalle Karlsruhe
74
Forest with Deer1610 · Saint Louis Art Museum
75
The Paradise (detail)1618 · Národní Galerie
76
Landscape with Birds (detail)1622 · Národní Galerie
77
Bouquet of Flowers (detail)1612 · Liechtenstein Museum
78
Forest Scene with Hunters1615 · Museum of Fine Arts
79
Landscape with Animals1610 · Indianapolis Kunstimuuseum
80
The Paradise1618 · Národní Galerie
81
The Paradise (detail)1618 · Národní Galerie
82
Mountainous Landscape with a Castle1609 · Thyssen-Bornemisza Museum
83
Birds and Animals in Rocky Landscape1623 · Bavaria riiklikud maalidema kogumikud
84
Forest Landscape1627 · Bavaria riiklikud maalidema kogumikud
85
Mountain Landscape with Tobias and the Angel1630 · Bavaria riiklikud maalidema kogumikud
86
Noah Thanking God for Having Saved Creation1625 · Musée des Beaux-Arts
87
Orpheus spielt vor den Tieren1626
88
Rocky Landscape1632 · Szépművészeti Múzeum
89
Landscape with Lions Attacking a Cow1628 · Szépművészeti Múzeum
90
Paradies (Im Hintergrund: Der Sündenfall)1628 · Kunsthistorisches Museum
91
Bison attacked by three dogs1626 · Museum of Fine Arts Ghent (MSK)
92
Landscape with Ruin and Cattle near a Pond1630 · Centraal Museum
93
Bouquet of Flowers1625 · Groeningemuseum
94
Landscape with the Flight into Egypt1624 · National Gallery of Art
95
Woods after a storm1630 · Hamburger Kunsthalle
96
Landscape with ruins1630 · Fondation Custodia
97
Still life with flowers in a glass berkemeyer with a lizard, frog and dragonfly on a ledge1637 · Fitzwilliam Museum
98
The Dodo
99
Flowers in a Niche1621
100
Rocky Landscape1606 · Hermitage muuseum
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Roelandt Savery teosid | Selle nimekirja maalid |
|---|---|---|---|
 Kunsthistorisches Museum |
Viin | 10 | Landscape with Wild Beasts, Venus and Amor and the Castle of Love, Mountain Landscape with Woodcutters |
 Bavaria riiklikud maalidema kogumikud |
München | 9 | Paradiesische Tiergruppe, Forest Landscape with Orpheus, Boar hunting |
 Národní Galerie |
Praha | 6 | Landscape with Birds (detail), The Paradise (detail), Landscape with Birds (detail) |
 Szépművészeti Múzeum |
Budapest | 7 | Horse in a Landscape, Landscape with Animals, Rocky Landscape |
 Centraal Museum |
Utrehti | 5 | Orpheus playing the lyre in front of the animals, The dapple-grey, Large flower still life with Crown Imperial |
 Statens Museum For Kunst |
Kooberemaa | 4 | Nymphs and Satyr in front of a Temple, Three Nymphs Dancing with a Satyr, Bouquet of Flowers in a Stone Niche |
 Dordrechts Museum |
Dordrecht | 3 | Wooded Landscape with Lions, Forest Landscape with Deer, Landscape with Ruins and Animals |
 Fitzwilliam Museum |
3 | The Creation of Birds, Orpheus with beasts and birds, Still life with flowers in a glass berkemeyer with a lizard, frog and dragonfly on a ledge |
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
Venus and Amor and the Castle of Love is a mythological painting attributed to Roelant Savery. Created circa 1605, the work centers on the figure of Venus. The composition places the goddess within a rugged, mountainous landscape, establishing a narrative framework common to the late Mannerist tradition.
The Bouquet of Flowers by Roelant Savery emerges from the shadows of a dark setting, a still life that captures a moment of intense botanical life. Painted in 1612, this work presents a dense arrangement of blooms that seems to overflow from its vessel. The artist, Roelant Savery, uses oil on panel to render the delicate textures of the petals and the small creatures that share this space. It is…
In this 1629 landscape, we find ourselves drawn into a secluded realm where the boundaries between the human and the animal kingdom feel remarkably thin. The scene unfolds before a structure that suggests the presence of a temple or perhaps a distant castle, providing a sense of permanence against the movement of the wild. Various animals, including birds, deer, and horses, inhabit this space, moving through a landscape that feels…
Orpheus playing the lyre in front of the animals, painted by Roelant Savery about 1630, presents a central mythological theme of harmony through music. The composition focuses on the figure of Orpheus, whose melodic performance exerts a transformative influence over the natural world. This specific subject matter draws upon the ancient legend of the musician capable of charming all living creatures through his art.
Bouquet of Flowers (1612), Liechtenstein Museum, Vienna. Järgnevad Landscape with Wild Beasts (1629) ja Venus and Amor and the Castle of Love (1605).
36 aastat vanus: teos Bouquet of Flowers on pärinev aastast 1612 ning Roelandt Savery sündis aastal 1576.
Bouquet of Flowers, Landscape with Wild Beasts, Venus and Amor and the Castle of Love, Mountain Landscape with Woodcutters, Mountain Landscape with Fruit Sellers, Pillaging of a Village, Paradiesische Tiergruppe, Forest Landscape with Hunters, Forest Landscape with Orpheus ja Wooded Landscape with Lions. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 131 teost kunstnikult Roelandt Savery, mis on pärinevad ajastust 1600 kuni 1637.
Peamiselt Kunsthistorisches Museum (Viin), Bavaria riiklikud maalidema kogumikud (München) ja Národní Galerie (Praha) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Ajal 1610s: 47 100 sellel lehel olevat teost on sellel perioodil loodud, მათart közül Bouquet of Flowers.
Sellel lehel on kõige vanem teos Rocky Landscape with Mastiffs attacking Stags, and Hinds fleeing Hunters (1600) ja kõige värskeim Still life with flowers in a glass berkemeyer with a lizard, frog and dragonfly on a ledge (1637).
Trees (22), Forest (17) ja Landscape (16), kogu selle lehekülje 100 teose kohta.
Oil On Panel, 16 teoseks 100 töödelt sellel lehel.
Baroque, seda lähtudes selle lehe originaalteostest.
Landscape with Wild Beasts, Venus and Amor and the Castle of Love ja Mountain Landscape with Woodcutters: Kunsthistorisches Museum, Viin säilitab 10 selle lehel olevat teost.
Roelandt Savery astub Hollandi kuldaja keskmeses figurena, tullest tuntud eelutama oma hingehäälestusega maastikute poolest, kuhu on segatud hoolikas flora ja fauna kujutamine — eristuv segu, mis kinnitas tema mainet ühe ajastu essilaumaste botaaniliste maalide näos. Sündides umbes 1576. aastal Belgia Kortrijki, oli Savery varajane elu tähistatud Hispaania inkvizitsiooni sügavate segadustega. Kuna tema perekond põgenes Lõuna-Hollandi kütist, leidis nad umbes 1eks 1585. aastaks pealkubuse Haarlemis. Just siin, madalmaade kasvavas kunstilises energias, alustas Savery oma õppeteeklust oma vanema venna Jacob Savery ja auastatud Hans Bol ka palgule all. Need varajased mentorid sisaldasid temasse maniermismi stiili aluslikku arusaamist, mida iseloomustasid elegants, kunstlikkus ja keerukad detailid, ning mis teenis hiljem alustana tema loomulikumatele uurimustele.
Savery karjääri traject oli sügavalt mõjutatud tema reisidest ja Euroopa intellektuaalsetest vooludest. Umbes 1604. aastal reesis ta Pragusse, kuhu sisenes ta Püha Rooma keisrite Rudolf II ja Matthias orbiti. See periood oli võib olla tema elu transformaarmsim; keiserlik aukogu Pragus oli uuenduslikkuse, teadusliku uurimise ja kunstilise eksperimenteerimise varjupaik. Sukeldudes sellesse keskkonda, võttis Savery ette intensiivseid botaanilisi uuringuid, tabades taimeelu keerukusi võrratu detailitasusega. Tema fassinatsioon loodusmaailma vastu ei olnud pelgalt akadeemiline, vaid peegeldas laiemat humanistlikku huvi jälgida ja esitada loodust nii teadusliku täpsusega kui ka esteetilise iluga. See pühendumus botaanilisele illustreerimisele eristab Savery kaasaegastest ja aitab märkimisväärselt tema püsivalale pärandile kui miniatuuride ja suurepärasuse meistrile.
Savery kunstiline teekond ei olnud kordagi staatiline, kuna ta jätkas kontinenti mitmekülgsete stiilikeelade imelust.
Tema reisid läbi Itaalia võimaldasid tal kohtuda Andrea Palladio ja Tiziani monumentaalsete päranditega — mõjutid, mis aitasid täpsustada tema tehnikat ja laiendada tema stiililist repertuaari kaugemale kui maniermismi rangetest struktuuridest. Integreerides Itaalia kunsti klassikalist suurmeedlust Põhja traditsiooni täpse ja observantse vaimuga, arendas Savery unikaalse visuaalse keele, mis suutas edastada nii maastiku lahtust kui ka üksiku õlaklasteri õrna tekstuurit. See stiilide süntees võimaldas tal liivalaamatu liikuda suuremõõmiliste panoraamanõkkuste ja loomade ning taudega intiimsete, teaduslikult rangete uuringute vahel.
Pärast Amsterdamisse naasmist 1616. aastal kujundas Savery end Hollandi kunstimaastikul prominentse isikuna. Asunedes Sint Antoniesbreestraatile ja abiarmisides Maria van Berckenhorstiga, integreerus ta sügavalt ajastu professionaalsetse struktuuri. Tema liide Utrechti kunstikummi 1618. aastal tugevidas veelgi tema sidemeid teistega luminaaridega, edlustades loovate vahetuste võrgustikku, mis rikastas tema tööd. Tema hilisemaid aastaid iseloomustas jätkupidev meistriklõuna looduse kujundamisel, keskudes sageli eksotilistele liikidele, mis kütitasid globaalistuva Euroopa kuj कल्पना.
Roelandt Savery ajalooline olulisus peitub tema võimes ühendada kunst ja teadus. Tema loomingut on ehk kõige kuulsamalt märkisid varajased illustratsioonid välj mõisule läinud või haruldaste fauna kujutused, nagu ikoonilised dodo kirjeldused. Need teosed on rohkem kui lihtsalt maalid; need toimivad elutähtsete ajalooliste dokumentidena, mis jäävad alles hetkeks enne kui inimkonna ekspansiooni täielik mõju muuts loodusmaastiku igavesti. Tema pintslis አበባ efemeerne ilu või eksotilise linnu unikaalne anatoomia muutub igavendatud täpsusega, mis puudutab entsklopedialikku taset.
Savery panust maastiku- ja botaanilise kunsti arenduses saab kokkuvõtlikult esitada järgmistena saavutustena:
Tänapäeval jätkub Savery töö publikut võlustama, pakkudes akenit maailma, kus piirid looduse teadusliku uuringu ja kunstilise ilu otsingu vahel olid kaunilt hägunenud. Tema maastikud jäävad tunnistuseks Kuldaja vaimust — perioodist, mida iseloomustas armatustund maailma vastu ja võrratu oskus selle ülemängijate lennukaid imelusi tabada.
