Michele Marieschi portree

43 kulubumatamatumat Michele Marieschi maalist, millist on vaid üks

Uuendatud oktoober 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 46 teost Michele Marieschi meie kataloogis

Lühidalt

The Grand Canal near the Salute (1733) on Michele Marieschi maalide kõige silmapaistvam teos; originaal kuulub museumi Louvre'i muuseum, Pariis. Pärast seda suunatakse pilk Capriccio with Classical Arch and Goats (1741) ja The Grand Canal with the Ca' Rezzonico and the Campo San Samuele (1742) suunas. Meie kataloogis olevatest Michele Marieschi 46 teosest on need 43 kõige kuulsumat, millist igaüks on esitatud koos aasta, muuseumi ja põhjusega, miks teos on püsiv.

1710 – 1743, Venice Rococo Enamama teoseid: Varssavi Rahvusmuuseum

Michele Marieschi top 10 maalist galeriist vaatenurgast

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The Grand Canal near the Salute (1733) autor Michele Marieschi

The Grand Canal near the Salute

1733 · Oil On Canvas · Louvre'i muuseum, Pariis

The Grand Canal near the Salute is a breathtaking oil on canvas painting created by Michele Marieschi in 1733. This stunning artwork measures 125 x 213 cm and is currently housed at the Musée du Louvre in Paris, France. As a prominent artist of the Rococo period, Marieschi's work embodies the essence of 18th-century Venetian art. Artistic Style and Composition The painting showcases Marieschi's exceptional skill in capturing the vibrant…

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Courtyard with a Staircase (1735) autor Michele Marieschi

Courtyard with a Staircase

1735 · Oil On Canvas · Hermitage muuseum, Stiiitlinburg

Courtyard with a Staircase is an oil on canvas work by Michele Marieschi, executed in 1735. The composition functions as an architectural fantasy, presenting a structured arrangement of a staircase within a courtyard setting. This work belongs to the Venetian School, reflecting the topographical and imaginative traditions of 18th-century Italy.

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The Grand Canal in Venice (1700) autor Michele Marieschi

The Grand Canal in Venice

1700 · Oil · Museo di Capodimonte, Neapel

In the heart of the eighteenth century, Venice was not merely a city but a stage, a shimmering spectacle of light and water where every canal served as a corridor for drama and commerce. Michele Marieschi, a master of the veduta, captures this ephemeral magic in his breathtaking work, The Grand Canal in Venice. This painting serves as a portal to a bygone era, inviting the viewer to step onto…

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Rialto Köök Riva del Vin (1740) autor Michele Marieschi

Rialto Köök Riva del Vin

1740 · Akrüül võimlusel · Hermitage muuseum, Stiiitlinburg

Michele Marieschi: Venice Captured in Light and Shadow The painting “The Rialto Bridge from the Riva del Vin” by Michele Marieschi stands as a testament to Venetian Veduta painting—a genre dedicated to capturing the vibrant essence of cityscapes with unparalleled realism and artistic flair. Executed around 1740, this artwork isn’t merely a depiction of Venice; it's an immersive experience for the viewer, transporting them back to the bustling atmosphere of…

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The Grand Canal with Santa Maria della Salute (1730) autor Michele Marieschi

The Grand Canal with Santa Maria della Salute

1730 · Oil On Canvas · Thyssen-Bornemisza Museum, Madrid

The oil on canvas depicts the Grand Canal in Venice, Italy, as it appeared in 1730. At the terminus of the waterway, the Santa Maria della Salute church occupies the central focus. The structure features a prominent dome and smaller domes situated on either side. The building's architecture is characterized by its position at the end of the canal, which directs the eye toward the church's facade. Numerous gondolas and…

Michele Marieschi kuulsad maalid, numbrid 11 kuni 43

11Fantastic Architecture of a Palace Courtyard (1730) autor Michele MarieschiFantastic Architecture of a Palace Courtyard1730 · Varssavi Rahvusmuuseum 12Riva degli Schiavoni (1730) autor Michele MarieschiRiva degli Schiavoni1730 · Varssavi Rahvusmuuseum 13Coastal Landscape (1730) autor Michele MarieschiCoastal Landscape1730 · Varssavi Rahvusmuuseum 14Fantastic Landscape with Ruins (1730) autor Michele MarieschiFantastic Landscape with Ruins1730 · Varssavi Rahvusmuuseum 15Italian scenery with figures (1727) autor Michele MarieschiItalian scenery with figures1727 16View of the Piazzetta dei Leoni (1734) autor Michele MarieschiView of the Piazzetta dei Leoni1734 · Bavaria riiklikud maalidema kogumikud 17Saint Mark's Church and the Square in Venice (1739) autor Michele MarieschiSaint Mark's Church and the Square in Venice1739 18View of the Grand Canal near Cà Pesaro (1734) autor Michele MarieschiView of the Grand Canal near Cà Pesaro1734 · Bavaria riiklikud maalidema kogumikud 19Landscape Capriccio (1735) autor Michele MarieschiLandscape Capriccio1735 · Minneapolis Institute of Art 20The Church of Santa Maria della Salute, Venice (1740) autor Michele MarieschiThe Church of Santa Maria della Salute, Venice1740 · Art Institute of Chicago 21Courtyard in a Renaissance House (1742) autor Michele MarieschiCourtyard in a Renaissance House1742 · Nationalmuseum 22Stairwell in a Renaissance Palace (1742) autor Michele MarieschiStairwell in a Renaissance Palace1742 · Nationalmuseum 23Architectural fantasy featuring a palace courtyard (1738) autor Michele MarieschiArchitectural fantasy featuring a palace courtyard1738 · Varssavi Rahvusmuuseum 24The Grand Canal with the Fishmarket (detail) (1740) autor Michele MarieschiThe Grand Canal with the Fishmarket (detail)1740 25The Grand Canal at San Geremia (1740) autor Michele MarieschiThe Grand Canal at San Geremia1740 26The Grand Canal with the Fishmarket (1740) autor Michele MarieschiThe Grand Canal with the Fishmarket1740 27View of the Rio di Cannareggio (1740) autor Michele MarieschiView of the Rio di Cannareggio1740 28The Grand Canal at San Geremia (detail) (1740) autor Michele MarieschiThe Grand Canal at San Geremia (detail)1740 29The Grand Canal with the Palazzo Labia and Entry to the Cannareggio (1742) autor Michele MarieschiThe Grand Canal with the Palazzo Labia and Entry to the Cannareggio1742 · Berliini Riigimuseumid 30Capriccio with Gothic Building and Obelisk (1741) autor Michele MarieschiCapriccio with Gothic Building and Obelisk1741 · Gallerie dell'Accademia di Venezia 31Piazza San Marco, Venice, with Saint Mark's Basilica, the Campanile and the Procuratie Nuove autor Michele MarieschiPiazza San Marco, Venice, with Saint Mark's Basilica, the Campanile and the Procuratie NuoveNational Gallery of Ireland 32View of the Dogana and Santa Maria della Salute autor Michele MarieschiView of the Dogana and Santa Maria della SaluteMuseum of Fine Arts 33View of Canale Grande in Venice with the Rialto Bridge autor Michele MarieschiView of Canale Grande in Venice with the Rialto BridgeStatens Museum For Kunst 34View of Canale Grande in Venice autor Michele MarieschiView of Canale Grande in VeniceStatens Museum For Kunst 35interior of a palazzo with scaffolding + figures autor Michele Marieschiinterior of a palazzo with scaffolding + figures 36View of a port autor Michele MarieschiView of a port 37palace - garden and walking people autor Michele Marieschipalace - garden and walking people 38St. Marcus place in Venice autor Michele MarieschiSt. Marcus place in Venice 39Landscape with ruins and a bridge autor Michele MarieschiLandscape with ruins and a bridgeVarssavi Rahvusmuuseum 40Landscape with ruins autor Michele MarieschiLandscape with ruinsVarssavi Rahvusmuuseum 41Architectural fantasy featuring a prison courtyard autor Michele MarieschiArchitectural fantasy featuring a prison courtyardVarssavi Rahvusmuuseum 42Imaginative View with Obelisk autor Michele MarieschiImaginative View with Obelisk 43View of Campo SS. Giovanni e Paolo, Venice autor Michele MarieschiView of Campo SS. Giovanni e Paolo, Venice

Teemad, mis püüdisid Michele Marieschi pilma

Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.

Muuseumid, kus on säilitatud Michele Marieschi originaalteosed

Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.

Muuseumid Linn Michele Marieschi teosid Selle nimekirja maalid
Varssavi Rahvusmuuseum, VarssaviVarssavi Rahvusmuuseum Varssavi 10 Ponte di Rialto, Fantastic Architecture of a Prison Courtyard, Fantastic Architecture of a Palace Courtyard
Gallerie dell'Accademia di Venezia, VeneetsiaGallerie dell'Accademia di Venezia Veneetsia 2 Capriccio with Classical Arch and Goats, Capriccio with Gothic Building and Obelisk
Berliini Riigimuseumid, BerliinBerliini Riigimuseumid Berliin 2 The Grand Canal with the Ca' Rezzonico and the Campo San Samuele, The Grand Canal with the Palazzo Labia and Entry to the Cannareggio
Hermitage muuseum, StiiitlinburgHermitage muuseum Stiiitlinburg 2 Courtyard with a Staircase, Rialto Köök Riva del Vin
Bavaria riiklikud maalidema kogumikud, MünchenBavaria riiklikud maalidema kogumikud München 2 View of the Piazzetta dei Leoni, View of the Grand Canal near Cà Pesaro
Nationalmuseum, StockholmNationalmuseum Stockholm 2 Courtyard in a Renaissance House, Stairwell in a Renaissance Palace
Statens Museum For Kunst, KooberemaaStatens Museum For Kunst Kooberemaa 2 View of Canale Grande in Venice with the Rialto Bridge, View of Canale Grande in Venice
Louvre'i muuseum, PariisLouvre'i muuseum Pariis 1 The Grand Canal near the Salute

Michele Marieschi aastakatega: iga aastakannaga üks unikaalne originaal

Teosed aastakate kaupa

Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.

Michele Marieschi maalid: küsimused galeriile

Mis on Michele Marieschi kõige kuulsam teos?Paljasta vastus

The Grand Canal near the Salute (1733), Louvre'i muuseum, Pariis. Järgnevad Capriccio with Classical Arch and Goats (1741) ja The Grand Canal with the Ca' Rezzonico and the Campo San Samuele (1742).

Mis vanuses luunud Michele Marieschi teos The Grand Canal near the Salute?Paljasta vastus

23 aastat vanus: teos The Grand Canal near the Salute on pärinev aastast 1733 ning Michele Marieschi sündis aastal 1710.

Millised on Michele Marieschi kümneks kuulsumat maalatist?Paljasta vastus

The Grand Canal near the Salute, Capriccio with Classical Arch and Goats, The Grand Canal with the Ca' Rezzonico and the Campo San Samuele, Courtyard with a Staircase, The Grand Canal in Venice, Rialto Köök Riva del Vin, The Grand Canal with Santa Maria della Salute, An Architectural Capriccio with Figures beside a River, Ponte di Rialto ja Fantastic Architecture of a Prison Courtyard. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.

Kui palju teoseid kunstniku Michele Marieschi kohta on teada?Paljasta vastus

Meie kataloogist leiate 46 teost kunstnikult Michele Marieschi, mis on pärinevad ajastust 1727 kuni 1742.

Kust saab näha kõige kuulsamaid Michele Marieschi originaalteoseid?Paljasta vastus

Peamiselt Varssavi Rahvusmuuseum (Varssavi), Gallerie dell'Accademia di Venezia (Veneetsia) ja Berliini Riigimuseumid (Berliin) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.

Mille perioodi jooksul lõi Michele Marieschi oma tuntumad maalid?Paljasta vastus

Ajal 1730s: 14 43 sellel lehel olevat teost on sellel perioodil loodud, მათart közül The Grand Canal near the Salute.

Milline kuuls Michele Marieschi maal on kõige varasem ja milline kõige hiljema?Paljasta vastus

Sellel lehel on kõige vanem teos Italian scenery with figures (1727) ja kõige värskeim The Grand Canal with the Ca' Rezzonico and the Campo San Samuele (1742).

Millist teemasid Michele Marieschi eelistas?Paljasta vastus

Bridges (4), Canals and bridges (4) ja Architecture (3), kogu selle lehekülje 43 teose kohta.

Mida Michele Marieschi kõige rohkem kasutas oma maalide nimiseks?Paljasta vastus

Oil On Canvas, 3 teoseks 43 töödelt sellel lehel.

Millisse toomangu kuulub Michele Marieschi teos?Paljasta vastus

Rococo, seda lähtudes selle lehe originaalteostest.

Mida Michele Marieschi originaalte ma näen Varssavi Rahvusmuuseum muuseumis?Paljasta vastus

Ponte di Rialto, Fantastic Architecture of a Prison Courtyard ja Fantastic Architecture of a Palace Courtyard: Varssavi Rahvusmuuseum, Varssavi säilitab 10 selle lehel olevat teost.

Michele Marieschi: kunstniku portree

The Venetian Visionary: The Life and Legacy of Michele Marieschi

In the golden age of the Venetian Rococo, few artists captured the ephemeral magic of the Serenissima with as much vitality as Michele Giovanni Marieschi. Born in Venice in 1710, Marieschi emerged from a lineage of craftsmanship, being the son of a woodcarver—a background that likely instilled in him a profound respect for structure, texture, and the physical essence of the objects he depicted. While his life was relatively brief, spanning only until his death in early 1744, his impact on the veduta tradition remains indelible. He did not merely document the architecture of Venice; he breathed life into its stone and water, transforming static cityscapes into breathing, luminous narratives of light and movement.

The development of Marieschi’s unique style was deeply rooted in the artistic currents flowing through 18th-century Italy. Scholars often point to the influence of masters such as Gaspare Diziani and the legendary Canaletto, whose works provided a blueprint for capturing the grandeur of urban environments. However, where Canaletto sought a certain topographical precision and a more restrained, classical clarity, Marieschi found his voice in a bolder, more emotive approach. He embraced a palette that pulsed with color and a brushwork that felt spontaneous and energetic. This stylistic distinction allowed him to move beyond mere architectural recording, infusing his landscapes with a sense of theatricality and atmosphere that suggested the very pulse of Venetian life.

Mastery of Light and the Veduta Tradition

Marieschi’s contribution to the veduta—the genre of highly detailed, large-scale topographical paintings—is characterized by an extraordinary command of perspective and light. His works often feature iconic landmarks such as the Grand Canal, the Salute, and various majestic palaces, yet they are far from being mere postcards of the era. Instead, he utilized a technique that blended meticulous detail with imaginative embellishment, creating scenes that felt both real and dreamlike. Through his eyes, the water of the canals becomes a mirror for the shifting sky, and the shadows cast by ancient churches become vessels for mystery and depth.

His technical prowess is perhaps most evident in his ability to manipulate light to evoke specific moods:

  • Atmospheric Perspective: The use of soft, hazy tones to create a sense of immense distance and scale within his cityscapes.
  • Dynamic Brushwork: A lively application of paint that captures the shimmering reflections on the Venetian lagoons.
  • Architectural Grandeur: A profound understanding of structural geometry, allowing him to render complex facades with both accuracy and elegance.

Historical Significance and Artistic Resonance

The historical significance of Michele Marieschi lies in his ability to bridge the gap between the rigid documentation of the early 18th century and the more expressive, emotive landscapes that would follow. He was a pivotal figure in transitioning the Venetian view from a purely observational medium into an art form capable of conveying profound emotional resonance. His work serves as a vital window into a vanished world, preserving the splendor of Venice before the seismic shifts of the late 18th century altered its social and political landscape forever.

Today, Marieschi’s canvases continue to captivate collectors and historians alike. Whether it is the breathtaking view of the Grand Canal near the Salute or his more intimate architectural studies, his paintings remain masterclasses in the Rococo spirit. He remains a celebrated figure for those seeking to experience the vibrant energy, the luminous light, and the enduring elegance of a Venice that continues to haunt the collective imagination of the art world.