Uuendatud oktoober 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 172 teost Lucas Cranach Noorem meie kataloogis
Lühidalt
Portrait of Martin Luther (1555) on Lucas Cranach Noorem maalide kõige silmapaistvam teos; originaal kuulub museumi Philadelphia Museum of Art, Philadelphia. Pärast seda suunatakse pilk Portrait of Martin Luther (1559) ja Martin Luther (1575) suunas. Meie kataloogis olevatest Lucas Cranach Noorem 172 teosest on need 100 kõige kuulsumat, millist igaüks on esitatud koos aasta, muuseumi ja põhjusega, miks teos on püsiv.
The portrait presents a bust-length view of an older man, positioned slightly off-center and facing toward the right side of the frame. He is depicted against a flat, dark, neutral background that provides a stark contrast to the subject. The man's face and hands are rendered in warm flesh tones, while his clothing consists of deep blacks, navy blues, and dark browns. A small strip of bright red is visible…
An elderly man sits in a quiet, scholarly stillness, his presence filling the space with a heavy, somber gravity. He is positioned slightly off-center, his gaze directed toward the right of the frame as if lost in a profound thought or a silent dialogue with the text before him. The light, soft and directional, descends from the upper left, carving the deep lines of his face and casting gentle shadows…
This portrait of Martin Luther by Lucas Cranach the Younger captures the man who stood at the center of the Protestant Reformation. The subject is presented with a heavy, quiet presence. He is a figure of conviction, rendered with the steady hand of an artist who lived through the very shifts the reformer ignited. The work is dated 1575.
To stand before this depiction of Martin Luther and the Wittenberg Reformers is to step directly into the charged atmosphere of a pivotal moment in Western history. This painting, executed by Lucas Cranach the Younger around 1543, is far more than a mere portrait; it is a visual manifesto. The composition buzzes with intellectual energy, capturing not just a group of men, but an entire movement—the seismic shift that would…
To gaze upon this depiction of Saint Mary Magdalene is to encounter a moment suspended between earthly beauty and profound spiritual yearning. Painted around 1550, this work by Lucas Cranach the Younger captures not merely a portrait, but an entire state of grace—a confluence of human vulnerability and divine calling. The subject herself, richly adorned in robes of vibrant red, commands attention. Her posture suggests both contemplation and readiness, as…
The scene unfolds within the sprawling landscape of The Stag Hunt of the Elector Johann Friedrich of Saxony, or Frederic the Wise. Painted by Lucas Cranach the Younger in 1544, the work captures a moment of high-stakes pursuit. We find ourselves amidst a grand aristocratic sport, where the air seems to hold the tension of the chase. The composition centers on Elector Johann Friedrich of Saxony, who is actively participating…
A middle-aged man gazes toward the right, his expression settled into a contemplative stillness. He is positioned in a half-length composition against a muted blue backdrop, a choice that pushes his presence to the foreground. The heavy black drapery of his outer robe absorbs much of the light, creating a somber silhouette that emphasizes the structural weight of his attire. Beneath this dark layer, a flash of bright red fabric…
Step closer to observe the quiet authority of this sitter. He meets your gaze with a directness that feels remarkably personal, even after centuries. There is a certain weight to his presence, anchored by the dark, textured doublet he wears—a garment of heavy fabric, perhaps silk or velvet, marked by subtle horizontal patterns and the careful slashing on the sleeves that speaks to a specific 16th-century fashion. His reddish-brown beard…
The Duke sits within a shallow space, his chest rising against a muted blue backdrop. He wears a heavy black hat, its surface catching a dull light where jewels are set into the fabric. A thick gold chain hangs across his torso, its metallic links interlocking with precise, hard edges. The weight of the metal rests heavily upon a fur-lined cloak. This dark, tactile mass of clothing defines his silhouette…
A heavy, jewel-encrusted gold crown rests upon a dark cap, catching a soft light from the upper left. Below it, a thick, textured beard flows in individual strands, catching the dim glow of the room. The man, identified as King Siegreich, gazes out with a solemnity that feels weighted by the very metal he wears. His red garment is a landscape of intricate gold embroidery and soft fur trim, each…
Portrait of a Man1557 · Royal Museum of Fine Arts Antwerp
12
Heinrich the Lion, Duke, grandson of Heinrich the Black, died 11951579 · Kunsthistorisches Museum
13
Duke Heinrich the Proud (son of Duke Heinrich the black of Bavaria), died 11391579 · Kunsthistorisches Museum
14
Albrecht the Bold, son of Friedrich II., died 15001579 · Kunsthistorisches Museum
15
Portrait of a Man1545 · Fine Arts Museums of San Francisco
16
Christ Blessing the Children1547 · Metropolitan Museum of Art
17
Anna of Denmark, Duchess of Saxony1565 · Kunsthistorisches Museum
18
Female Portrait1564 · Kunsthistorisches Museum
19
Prince Elector Moritz of Saxony1578 · Staatliche Kunstsammlungen Dresden
20
Elector Johann Georg of Brandenburg (1525-1598)1572 · Staatliche Kunstsammlungen Dresden
21
Ernst, Archbishop of Magdeburg and Administrator in Halberstadt, son of Duke Ernst, died 15131579 · Kunsthistorisches Museum
22
Ernst, son of Friedrich II., died 14861579 · Kunsthistorisches Museum
23
Albrecht II., Duke, son of Albrechts I., died 12981579 · Kunsthistorisches Museum
24
Magnus, Duke, son of Ordulf, died 11061579 · Kunsthistorisches Museum
25
Hermann Billung, Duke, died 9731579 · Kunsthistorisches Museum
26
Portrait of a Man, Aged 441566 · Rahvuslik Galerii Praha
27
Portrait of Sigismund I the Old1556 · Krakovi Riiklik Muuseum
28
Christ Blessing the ChildrenJohanniterkirche
29
The Conversion of St Paul1545 · Kunsthistorisches Museum
30
Portrait of a bearded Man1546 · Varssavi Rahvusmuuseum
31
Portrait of a Woman, Aged 381566 · Rahvuslik Galerii Praha
32
Portrait of Philipp Melanchton1550 · National Museum of Ancient Art
33
Heinrich the Pious, son of Duke Albrecht the Bold, died 15411579 · Kunsthistorisches Museum
34
Rudolf I., Duke, son of Albrechts II., died 13561579 · Kunsthistorisches Museum
35
Bernhard of Anhalt, Duke of Saxony, son of Albrecht the Bear, died 12121579 · Kunsthistorisches Museum
36
Allegory of Virtue1548 · Kunsthistorisches Museum
37
August, Elector of Saxony1564 · Staatliche Kunstsammlungen Dresden
38
Portrait of Philipp Melanchthon1570 · Kunstmuseum Basel
39
Portrait of Agnes von Hayn, née von Rabenstein1543 · Staatsgalerie Stuttgart
40
Rudolf II., Duke, son of Rudolf I., died 13701579 · Kunsthistorisches Museum
41
Johann Friedrich III., son of Johann Friedrich I., died 15651579 · Kunsthistorisches Museum
42
Augustus, Elector of Saxony (1526-1586)1565 · Kunsthistorisches Museum
43
Mark Anthony1546 · Hermitage muuseum
44
Portrait of a Man1538 · The Nelson-Atkins Museum of Art
45
Portrait of a Woman1539 · Thyssen-Bornemisza Museum
46
Johann Ernst, Duke of Koburg, son of Johann the Steadfast, died 15531579 · Kunsthistorisches Museum
47
Suicide of Lucretia1530 · Bavaria riiklikud maalidema kogumikud
48
Moritz, Elector of Saxony1550 · Staatliche Kunstsammlungen Dresden
49
Christ blessing the children1540 · Staatliche Kunstsammlungen Dresden
50
Samson and Delilah1537 · Staatliche Kunstsammlungen Dresden
51
David and Bathsheba1537 · Staatliche Kunstsammlungen Dresden
52
Johann, Duke of Saxony1534 · Bavaria riiklikud maalidema kogumikud
53
The Conversion of Saul1549 · Bavaria riiklikud maalidema kogumikud
54
Christ and the Adulteress1545 · Bavaria riiklikud maalidema kogumikud
55
Christ as man of sorrows1537 · Bavaria riiklikud maalidema kogumikud
56
The Fall of Man1549 · Museum of Fine Arts
57
Portrait of a Woman1549 · Museum of Fine Arts
58
Christ and the Adulteress1550 · Metropolitan Museum of Art
59
Lucretia1549 · Pinacoteca Nazionale
60
Portrait of Martin Luther1549
61
The Conversion of Saint Paul1549
62
Saint Paul1547
63
Portrait of Martin Luther1546 · Güstrow Castle
64
Martin Luther1543
65
Salome1540 · Gothenburg Museum of Art
66
Venus and Cupid as the Honey Thief1540
67
Christ as the Man of Sorrows1540
68
Christ as Man of Sorrows1540
69
Man of Sorrows flanked by the Virgin and St John1540
70
Reclining Water Nymph1537
71
The Crucifixion with the Converted Captain1539 · Anhaltische Gemäldegalerie
72
Charity1540 · Belgia Kuninglikud Fine Artsi muuseumid
73
Venus with Cupid as the Honey Thief1537
74
Charity1540
75
The Sermon of John the Baptist1549 · Herzog Anton Ulrich Museum
76
Christ Blessing the Children1547
77
Virgin and Child with a Bunch of Grapes1537
78
The Virgin and Child with infant Saint John the Baptist sleeping1537
79
Christ as the Man of Sorrows together with the Virgin and Saint John1540
80
Portrait of a man in a hat1548
81
Portrait of a Lady in a green velvet and orange dress and a pearl-embroidered black hat1541
82
Portrait of Duke Philip I of Pomerania.1541 · National Museum in Szczecin
83
Portrait of Prinzessin Agnes Gräfin Barby1560
84
Portrait of Prince Joachim Ernst von Anhalt1560
85
Reclining Fountain Nymph1550 · National Museum of Art, Architecture and Design
86
Moritz, Elector of Saxony and his wife Agnes1559 · Gemäldegalerie Alte Meister
87
The awakened Hercules and the Pygmies1551 · Staatliche Kunstsammlungen Dresden
88
The sleeping Hercules with the Pygmies1551 · Staatliche Kunstsammlungen Dresden
89
Three Pairs of Lovers1561 · Staatliche Kunstsammlungen Dresden
90
Cleopatra1550 · Hermitage muuseum
91
Christ defeating Death and Devil1561 · Johanniterkirche
92
Allegory of Redemption1557 · Museum der bildenden Künste
93
Christ blessing the children1556
94
Christ and the woman taken in Adultery1554
95
Anna Jagiellon1556 · Krakovi Riiklik Muuseum
96
Sophia Jagiellon1556 · Krakovi Riiklik Muuseum
97
Barbara Radziwill1556 · Krakovi Riiklik Muuseum
98
Elisabeth of Austria1556 · Krakovi Riiklik Muuseum
99
Sigismund II. August, King of Poland1556 · Krakovi Riiklik Muuseum
100
Bona Sforza1556 · Krakovi Riiklik Muuseum
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Lucas Cranach Noorem teosid | Selle nimekirja maalid |
|---|---|---|---|
 Kunsthistorisches Museum |
Viin | 23 | The Stag Hunt of the Elector Johann Friedrich of Saxony, or Frederic the Wise, Male Portrait, Johann Wilhelm, Duke of Saxe-Weimar, son of Johann Friedrich I., died 1573 |
 Staatliche Kunstsammlungen Dresden |
Dresden | 13 | Prince Elector Moritz of Saxony, Elector Johann Georg of Brandenburg (1525-1598), August, Elector of Saxony |
 Krakovi Riiklik Muuseum |
Krakov | 8 | Portrait of Sigismund I the Old, Anna Jagiellon, Sophia Jagiellon |
 Bavaria riiklikud maalidema kogumikud |
München | 6 | Suicide of Lucretia, Johann, Duke of Saxony, The Conversion of Saul |
 Metropolitan Museum of Art |
New York | 3 | Christ Blessing the Children, Christ and the Adulteress |
 Hermitage muuseum |
Stiiitlinburg | 3 | Mark Anthony, Cleopatra |
 Staatsgalerie Stuttgart |
Stuttgardi | 2 | Portrait of Jobst von Hayn, Portrait of Agnes von Hayn, née von Rabenstein |
 Rahvuslik Galerii Praha |
Praha | 2 | Portrait of a Man, Aged 44, Portrait of a Woman, Aged 38 |
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
The work before us is titled Portrait of a Man, a significant creation by the German Renaissance artist Lucas Cranach the Younger. Painted in 1538, this portrait offers a quiet glimpse into the social fabric of the sixteenth century. It currently resides within the collection of The Nelson-Atkins Museum of Art, where it has been preserved as a fine example of the artist's ability to render individual presence.
To stand before this depiction of Martin Luther and the Wittenberg Reformers is to step directly into the charged atmosphere of a pivotal moment in Western history. This painting, executed by Lucas Cranach the Younger around 1543, is far more than a mere portrait; it is a visual manifesto. The composition buzzes with intellectual energy, capturing not just a group of men, but an entire movement—the seismic shift that would…
The portrait presents a bust-length view of an older man, positioned slightly off-center and facing toward the right side of the frame. He is depicted against a flat, dark, neutral background that provides a stark contrast to the subject. The man's face and hands are rendered in warm flesh tones, while his clothing consists of deep blacks, navy blues, and dark browns. A small strip of bright red is visible…
Step closer to observe the quiet authority of this sitter. He meets your gaze with a directness that feels remarkably personal, even after centuries. There is a certain weight to his presence, anchored by the dark, textured doublet he wears—a garment of heavy fabric, perhaps silk or velvet, marked by subtle horizontal patterns and the careful slashing on the sleeves that speaks to a specific 16th-century fashion. His reddish-brown beard…
This portrait of Martin Luther by Lucas Cranach the Younger captures the man who stood at the center of the Protestant Reformation. The subject is presented with a heavy, quiet presence. He is a figure of conviction, rendered with the steady hand of an artist who lived through the very shifts the reformer ignited. The work is dated 1575.
Portrait of Martin Luther (1555), Philadelphia Museum of Art, Philadelphia. Järgnevad Portrait of Martin Luther (1559) ja Martin Luther (1575).
40 aastat vanus: teos Portrait of Martin Luther on pärinev aastast 1555 ning Lucas Cranach Noorem sündis aastal 1515.
Portrait of Martin Luther, Portrait of Martin Luther, Martin Luther, Martin Luther and the Wittenberg Reformers, Saint Mary Magdalene, The Stag Hunt of the Elector Johann Friedrich of Saxony, or Frederic the Wise, Portrait of Jobst von Hayn, Male Portrait, Johann Wilhelm, Duke of Saxe-Weimar, son of Johann Friedrich I., died 1573 ja King Siegreich. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 172 teost kunstnikult Lucas Cranach Noorem, mis on pärinevad ajastust 1530 kuni 1579.
Peamiselt Kunsthistorisches Museum (Viin), Staatliche Kunstsammlungen Dresden (Dresden) ja Krakovi Riiklik Muuseum (Krakov) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Ajal 1540s: 34 100 sellel lehel olevat teost on sellel perioodil loodud, მათart közül Martin Luther and the Wittenberg Reformers.
Sellel lehel on kõige vanem teos Suicide of Lucretia (1530) ja kõige värskeim Johann Wilhelm, Duke of Saxe-Weimar, son of Johann Friedrich I., died 1573 (1579).
Man (54), Woman (36) ja Beard (22), kogu selle lehekülje 100 teose kohta.
Oil On Panel, 77 teoseks 100 töödelt sellel lehel.
Northern renaissance, seda lähtudes selle lehe originaalteostest.
The Stag Hunt of the Elector Johann Friedrich of Saxony, or Frederic the Wise, Male Portrait ja Johann Wilhelm, Duke of Saxe-Weimar, son of Johann Friedrich I., died 1573: Kunsthistorisches Museum, Viin säilitab 23 selle lehel olevat teost.
Saksa renessanssi südames, ajast, mida isutasid sügavad teoloogilised muudatused ja intellektuaalne taassünd, tõusev Lucas Cranach noorem visuaalse lugemisoskuse meistrina. Sündinud 1515. aastal Kronachis, Baavarias, oli ta määratud pärima enam kui vaid nime; ta päris monumentaalset kunstilist pärandi. Olles legendarse Lucas Cranach vanema poeg, astus noorem Cranach maailma, kus kunst ja ideoloogia olid omavahel lahutamatu seotud. Tema elu töö kujunes sillaks oma isa töökoda establishedite traditsioonide ja protestantliku reformatsiooni kasvava ning sageli turbulensevuse vaimu vahel.
Tema talendi alused panid läbi rangist koolitusest, eriti suure Albrecht Dürer mõju all Nürnbergis. See varane kokkupuude Düreri hoolikas täpsus sisaldas temasse eluaalset pühendumust tehnilisele meisterlikusele ja teravat tähelepanu detailidele. Kuigi ta austas oma suguvõsa läbi pärandatud klassikalisi vorme, omastas Cranach noorem eraldi loovimpulsi. Ta püüdis liikuda kaugemale pelgust imitamisest, eksperimenteerides chiaroscuro ehk valgus-varjundite kontrastiga ning värvide peenema kasutamisega, et oma teemade ellu võtta, luues sügavuse ja psühholoogilise kohalolu tunnet, mis oli oma ajast hämmastavalt modernne.
Cranach nooremja loomingut mõistmine on sarnane 16. sajandi Wittenbergi pulssi tundmisega. Kuna reformatsioon levis üle Euroopa, leidis kunstnik end religiootse revolutsiooni keskpunktist. Toetatud võimsate protestantlike patroonide poolt, eriti Saxoni Frederick III poolt, sai tema pintsel tööriistaks ajastu teoloogiliste veendumuste edustamiseks. Tema altarid ei olnud pelgalt dekoratiivsed; need olid usku sügavad instrumentid, kirjeldades piibliste lugusid draamatilise realismiga, mis sünkroniseerus selle aja põletusega.
Tema korduvaimne panus ajalukku peitub ehk võimsalt reformatsiooni näod igavustamaks tegemises. Oma portretemaalide kaudu tabas ta Martin Lutheri ja teiste oluliste reformatorite sarnasu, sisustades neid väärikuse, veendumuse ja inimliku haavatavusega. Need teosed tegid rohkem kui vaid füüsiliste omaduste üleskirjutamist; need edastasid liikumise olemust. Tema võime segada ideaalne ilu sügava psühholoogilise selgitasusega võimaldas tal luua ikoneid, mis teenisid nii isiklikke austusteks kui ka uue religiootse identiteedi võimsate sümbolitena.
Lisaks oma religioossele põletusele oli Cranach noorem produktiivne aatelite portretist, suutes Euroopa eliidi luksust ja staatust edastada elegantsi ja sofistikatsiooniga. Tema töökoda, mida ta juhtis eranditust pärast 1550. aastat, jäi Saksamaa kunstiliseks keskpunktiks. Tema mitmekülgsus võimaldas tal navigeerida sekulaarsed ja püha tellimused keerulistes oludest, tagades, et tema mõju tungis nii võimukorrade saalidesse kui ka püha kohta.
Lucas Cranach nooremja ajalooline tähendus peitub tema rollis traditsiooni hoidjana ja uuenduse edasijoonena. Ta suutis edukalt navigeerida üleminekut oma isa hilisgotiiklikest tundlikkustest kõrgema renessanssi humanistlikumate ja valgusrikkamate lähenemisteni. Tema elu on tunnistus kunsti jõust dokumenteerida, kujundada ja vastu seista suurettelegentside perioodidel. Täna seisivad tema teosed kui elavad aknad transformatiivses ajastuses, meelestades meid ajast, mil iga pintstraoke kandis sügava usku raskust.
