Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 50 teost Louis Gauffier meie kataloogis
Lühidalt
Kõigist Louis Gauffier jäetud originaalteostest on kõige kuulsam A Portrait of Johan Claes Lagersvard ) (1756), mis kuulub Nationalmuseum kogele linnas Stockholm. Järgnevad sellest Christ and the Canaanite Woman (1784) ja The Canaanite Woman at the Feet of Jesus Christ (1784). Meie kataloogist löytyb 50 teost kunstnikult Louis Gauffier; galeriist on säilitatud 49 maailmas kõige imetlustunud teost, millest iga on esitatud koos kuupäeva, museumi ja oma luguga.
A seated gentleman occupies the center of this formal composition, his posture projecting a quiet authority. He is positioned slightly off-center, creating a sense of natural movement within a rigid, structured interior. A table laden with books sits before him, while a bust of a woman rests upon a pedestal to his left, adding layers of depth to the scene. Through a window in the background, an urban landscape is…
The composition centers on a profound encounter between Christ and a Canaanite woman. He is rendered in a blue and white robe, his presence marked by a measured, serene detachment. Below him, the woman kneels in a white garment, her posture one of desperate hope and vulnerability. The interaction is framed by a theatrical grouping of disciples and onlookers, their faces caught in various states of observation and quiet discussion.…
In this oil on canvas, titled The Canaanite Woman at the Feet of Jesus Christ, Louis Gauffier captures a moment of profound supplication. The scene depicts a woman from the region of Tyre and Sidon approaching Jesus to ask for the healing of her daughter. This specific narrative, found in the Gospels of Matthew and Mark, is rendered here with a sense of dramatic weight. The woman is positioned low…
The composition is anchored by two massive fluted Doric columns, creating a shallow, stage-like arena for a moment of profound tension. On the left, a seated woman draped in white and gold holds an infant, her posture suggesting a heavy, grounded sorrow. Beside her, a young boy and a woman in dark robes add to the weight of the scene. To the right, a procession of women approaches, their gestures…
In the oil painting Portrait of a Lady Seated in a Landscape by Louis Gauffier, dated about 1794, the composition is organized asymmetrically. A young woman reclines against the base of a large tree, her figure positioned on the right side of the frame. A massive, textured tree trunk anchors this side of the scene, providing a vertical element that stabilizes the subject. At the lady's feet lies a lyre,…
This oil painting, executed in 1793, presents a family group positioned within an outdoor, pastoral setting. The composition is structured around a central female figure seated prominently, her form defined by the soft folds of her clothing and a yellow shawl. To the right, a male figure, the artist, occupies the edge of the frame, while two children are situated in the lower left. The figures are set against a…
In "Eleven Sample Portraits" by Louis Gauffier, the viewer encounters a composite collection of nine distinct miniature portrait scenes arranged in a precise 3x3 grid. This Neoclassical arrangement invites the eye to wander through various social settings, each populated by figures dressed in the elegant attire of the late 18th century. The color palette shifts with every panel, moving through warm ochres, deep blues, creams, and earthy tones that distinguish…
The portrait depicts a young man positioned in the foreground on the right side of the composition. He is dressed in late 18th-century attire, featuring a white cravat and dark clothing that contrasts with the lighter tones of his skin. His right arm is outstretched toward the viewer, and he holds a sketchbook and a brush, identifying him as a scholar or an artist. The subject is rendered with smooth…
In "Portrait Of An Officer Of The Cisalpine Republic," by Louis Gauffier, a young man commands the viewer's attention through a centered composition. He occupies most of the frame, his presence filling the space with a sense of quiet authority. He wears elaborate 19th-century military attire, an ensemble that speaks clearly of his high status and specific military rank. Every detail of his uniform suggests a life of discipline and…
In the sweeping canvas of Louis Gauffier’s Cleopatra and Octavian, we are transported to a moment of profound historical tension and unparalleled opulence. Painted in 1788, on the precipice of the French Revolution, this masterpiece captures the legendary Queen of the Nile in a gesture of both diplomacy and allure. Cleopatra sits regally upon an ornate couch, her hand outstretched as if offering a silent negotiation or a fateful greeting…
Andre-francois Miot, Envoy Of The French Republic To The Grand Duke Of TuscanyNational Gallery of Victoria
12
General Jean-joseph Dessole
13
Cliff at Vicovaro1787 · National Gallery
14
Vue sur la vallée de l'Arno à Florence1795 · Musée Fabre
15
Cleopatra And Octavian,1788
16
View of Falls at Vallombrosa1797 · Fine Arts Museums of San Francisco
17
The Salucci family
18
Portrait Of Prince Augustus FrederickStaatliche Kunsthalle Karlsruhe
19
Convent in Civita CastellanaMusée Bonnat-Helleu
20
The Valley Of The Arno
21
Cornelia Presenting Her Two Young Sons
22
A Woman Of Three-quarter With A Sleeve
23
Portrait of Elizabeth, Lady Webster, later Lady
24
Portrait Of An Officer Of The Cisalpine Republic
25
Portrait Of Victor Leopold Berthier
26
Portrait Of Sir Godfrey Webster, 4th Baronet
27
View Of Vallombrosa, Near Florence_2
28
Pygmalion And GalateaManchesteri Kunstigalerii
29
Nine Sample PortraitsBowes Museum
30
A Woman, Three-quarter-length, With A Muff
31
Retrato Do Poeta Thomas Penrose
32
Portrait De Philippe-henri Coclers
33
Arno ValleyPhiladelphia Museum of Art
34
Jacob With The Daughters Of LabanMusée Sainte-Croix
35
L'ensevelissement Du Christ
36
Portrait Of A Young Man, Full-length, With Mount Vesuvius Beyond
37
The Adoration Of The Shepherds
38
Portrait Of A Lady With Two Children And A Dog On A Terrace, An Extensive River Landscape Beyond
39
The Arno Valley -Musée Fabre
40
La Vallee De L'arno -
41
For An Italian Village In A Landscape With The Dome Of Church In The Background
42
Cleopatra And Octavian
43
Odysseus Recognises Achilles Amongst The Daughters Of LycomedesNationalmuseum
44
Unknown Man, Formerly Known As Henry Richard Vassall Fox, 3rd Baron HollandNational Portrait Gallery
45
Portrait Of Count Gustaf Mauritz Armfelt In FlorenceNationalmuseum
46
Portrait Of Elizabeth Holland With His Son
47
La Générosité des dames romaines1790 · Musée Sainte-Croix
48
Ulysse and Nausicaa1798 · Musée Sainte-Croix
49
Rest Of The Holy Family On The Flight Into EgyptMusée Sainte-Croix
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Louis Gauffier teosid | Selle nimekirja maalid |
|---|---|---|---|
 Musée Sainte-Croix |
Poitiers | 5 | Christ and the Canaanite Woman, Jacob With The Daughters Of Laban, La Générosité des dames romaines |
 Nationalmuseum |
Stockholm | 3 | A Portrait of Johan Claes Lagersvard ), Odysseus Recognises Achilles Amongst The Daughters Of Lycomedes, Portrait Of Count Gustaf Mauritz Armfelt In Florence |
 Musée Fabre |
Montpellier | 3 | Eleven Sample Portraits, Vue sur la vallée de l'Arno à Florence, The Arno Valley - |
 Wadsworth Atheneum |
Hartford | 1 | Portrait of a Lady Seated in a Landscape |
 Minneapolis Institute of Art |
Minneapolis | 1 | Portrait of Dr. Thomas Penrose |
 Scottish National Gallery |
Edinburgh | 1 | Cleopatra and Octavian |
 National Gallery of Victoria |
Melbourne | 1 | Andre-francois Miot, Envoy Of The French Republic To The Grand Duke Of Tuscany |
 National Gallery |
London | 1 | Cliff at Vicovaro |
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
The composition centers on a profound encounter between Christ and a Canaanite woman. He is rendered in a blue and white robe, his presence marked by a measured, serene detachment. Below him, the woman kneels in a white garment, her posture one of desperate hope and vulnerability. The interaction is framed by a theatrical grouping of disciples and onlookers, their faces caught in various states of observation and quiet discussion.…
The composition is anchored by two massive fluted Doric columns, creating a shallow, stage-like arena for a moment of profound tension. On the left, a seated woman draped in white and gold holds an infant, her posture suggesting a heavy, grounded sorrow. Beside her, a young boy and a woman in dark robes add to the weight of the scene. To the right, a procession of women approaches, their gestures…
In "Portrait Of An Officer Of The Cisalpine Republic," by Louis Gauffier, a young man commands the viewer's attention through a centered composition. He occupies most of the frame, his presence filling the space with a sense of quiet authority. He wears elaborate 19th-century military attire, an ensemble that speaks clearly of his high status and specific military rank. Every detail of his uniform suggests a life of discipline and…
A Portrait of Johan Claes Lagersvard ) (1756), Nationalmuseum, Stockholm. Järgnevad Christ and the Canaanite Woman (1784) ja The Canaanite Woman at the Feet of Jesus Christ (1784).
A Portrait of Johan Claes Lagersvard ), Christ and the Canaanite Woman, The Canaanite Woman at the Feet of Jesus Christ, Roman Ladies Supplicating the Family of Coriolanus, Portrait of a Lady Seated in a Landscape, Self-portrait by Louis Gauffier with his wife and his two children, Eleven Sample Portraits, Portrait of Dr. Thomas Penrose, Portrait Of An Officer Of The Cisalpine Republic, ja Cleopatra and Octavian. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 50 teost kunstnikult Louis Gauffier, mis on pärinevad ajastust 1784 kuni 1801.
Peamiselt Musée Sainte-Croix (Poitiers), Nationalmuseum (Stockholm) ja Musée Fabre (Montpellier) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Ajal 1790s: 9 49 sellel lehel olevat teost on sellel perioodil loodud, მათart közül Roman Ladies Supplicating the Family of Coriolanus.
Sellel lehel on kõige vanem teos Christ and the Canaanite Woman (1784) ja kõige värskeim Portrait Of An Officer Of The Cisalpine Republic, (1801).
Portraits (10), Man (6) ja Woman (6), kogu selle lehekülje 49 teose kohta.
Oil, 5 teoseks 49 töödelt sellel lehel.
Neoclassicism, seda lähtudes selle lehe originaalteostest.
Christ and the Canaanite Woman, Jacob With The Daughters Of Laban ja La Générosité des dames romaines: Musée Sainte-Croix, Poitiers säilitab 5 selle lehel olevat teost.
Louis Gauffieri elu oli kurb ja sügav mõrv, mis oli kudatud klassikalise hiilguse ja ümbermuutuva kontinenti turbulentsete reaalsuste niitudest. Sündinud 1762. aastal Prantsusmaa rahikus linnas Poitiers, olid Gauffieri varajased aastad määratud rangale täiuslikkuse tsentrumile auverliku ajaloolise maali kunstniku Hugues Taravali vaima all. See alustav koolitus Pariisis installeeris temasse sügava austuse klassikalise kompositsiooni ja detailide hoolika jälgimise vastu — väärtused, mis võimaldasid tal hiljem vangistada nii piibliste narratiivide eepilist lajanust kui ka inimliku näo intiimseid nüansse. Tema kättesaamine oli kiire; võites 1779. aastal prestiižika Rome loa oma võimasate teosega Kristus ja kaanani naine, kindlustas Gauffier endale tee Itaaliasse, liikumisega, mis muutas liiugult tema hinge ja pintslit.
Lendades sisse Rooma vibratil kunstilisse õhukku, leidis Gauffier end antiigi ja modernuse ristmikul. Suurepärase kogujaga nagu Thomas Hope kohtumised laiendasid tema kunstilisi horisonte kaugemale kui pelgalt mineviku imiteerimine. Selliste kohtumiste kaudu hakkas Gauffieri töö omastama antiikse dekoratsiooni tekstuure ja klassikaliste motiivide elegantsi. Kuid Prantsuse revolutsiooni tuuled tõid endaga ka külma ebastabiilsuse. Louis XVI hukkamine ja järgnevad poliitilised sündmused sundisid Gauffieri eksili. Põgenedes Pariisi eskaleeruvate pingete eest, otsisid tema ja tema abika, talentne maalari Pauline Chatillon, peitu Floreentsis. See eksiil, kuigi täis isiklikku ebakindlust, sai hiilduva stiili tulundusjärgi, jossa tema kunstiline olemus uuesti vormis.
Toskaana päikeseloojendustes leidis Gauffier püsivuse, mida poliitiline segadus ei suutnud puudutada. Kuna teda marksiti lojaalsustunnetavaks monarhistide pooleks, jäid talt kinni need tradutsioonilised Prantsuse toetused, mistõttu pöördugi ta suurepärase ja sageli nõudliku ajaloolise maali kunstist parema ja igaviku looduse ilu poole. See üleminek ei olnud pelgalt ellujäämisstrateegia, vaid kunstiline evolutsioon. Ta hakkas looma maastikku, mis kõlastas sügavalt üle kogu kontinenti rändavate inglise turistide tundlikkust, vangistades Itaalia maapiirkonna eteerilist valgust ja pastoraalset rahu. Tema linaed muutusid aknaid maailma aasa, mida iseloomustasid meisterlik värvikasutus ja luminositeit, mis meenutas suurt Claude Lorraini.
Tema hilisema elu Itaalias nägi põnevust täis stiililist dualismi. Kuigi tema maastikud pakkusid puhkust Napoleonika ajastu kaosest, tõid 1799. aastal Prantsuse vägede saabumine Floreentsi kaasa uuesti inimfiguuri keskendumise portreemalu kaudu. Ta sai otsitav pealkirjaga ohvreride maalari, vangistades Itaalias paikateenistuses olevate sõdurite militaarset elegantsi ja peidetud psühholoogilist sügavust. See tema töö periood näitab märkimisväärset mitmekülgsust:
Kuigi tema elu lõpetati 1801. aastal Livornos, jättis Louis Gauffier jälgide maailma, mis ületab turbulente enough ajastu pelda)
