Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 39 teost Giovanni Pisano meie kataloogis
Lühidalt
Last Judgment (detail) (1310) on Giovanni Pisano maalide kõige silmapaistvam teos; originaal kuulub museumi Pisa katedraal, Pisa. Pärast seda suunatakse pilk Pulpit (1301) ja Plato (1280) suunas. Meie kataloogis olevatest Giovanni Pisano 39 teosest on need 39 kõige kuulsumat, millist igaüks on esitatud koos aasta, muuseumi ja põhjusega, miks teos on püsiv.
The Last Judgment (detail) is a marble sculpture created by Giovanni Pisano around 1310. This intricate work is a fragment of a larger scene located at the Pisa Cathedral in Italy. The piece is characterized by its high level of detail and a dense composition of numerous figures engaged in various activities.
Located within the Sant'Andrea church in Pistoia, Italy, the Pulpit by Giovanni Pisano represents a significant achievement in late thirteenth-century sculpture. Created between 1298 and 1301, this hexagonal pulpit reflects the artist's extensive career across the Italian cities of Pisa, Siena, and Pistoia. The structure is characterized by its complex geometry and the integration of architectural form with narrative relief.
Plato is a marble sculpture by the Italian artist Giovanni Pisano. Created about 1280, the figure represents the Greek philosopher. It is part of a sequence of all-round statues integrated into the architectural program of the Siena Cathedral.
This detailed close-up presents a sculpted bust, likely depicting Plato, rendered in a grayscale palette that emphasizes texture and form. The composition focuses tightly on the head and upper shoulders, creating an intimate and intense portrait where the subject is centered with a slight tilt to the right. The view eliminates background distractions, directing all attention to the facial features and the beard.
The Madonna and Child by Giovanni Pisano emerges from the stone as a quiet, sacred encounter. Created about 1280, this sculpture captures a traditional religious icon that has long invited devotion. The figures of the Virgin Mary and Jesus Christ exist here in a moment of profound stillness, their presence filling the space with a sense of solemnity and reverence.
The marble breathes with a quiet, rhythmic life. In this intimate encounter, the Madonna holds the Christ Child, her form swaying in a gentle, undulant S-shape that flows from her right foot up through the graceful curve of her head. There is a profound sense of movement held within the stillness of the stone. The infant rests slightly beyond the contours of her body, creating a dynamic balance that defies…
This marble bust captures the Prophet Haggai in a moment of intense, solemn contemplation. Carved with a deliberate boldness, the figure is presented in a three-quarter profile, turning away from the viewer to suggest a private, spiritual urgency. The weathered surface of the marble reveals the deep, rhythmic chiseling used to define the flowing hair and the heavy, textured beard. Every line of the face—from the furrowed brow to the…
Maria Moise (Miriam) is a religious sculpture created by the artist Giovanni Pisano. The figure represents the biblical subject Maria Moise (Miriam), who is identified as the sister of Moses. This work is a facade sculpture, originally positioned on the exterior of the Siena Cathedral (Duomo di Siena) in Italy. The piece is carved from marble.
The marble figure of Maria Moise (Miriam) emerges from the stone, a presence that commands attention through its sheer vitality. Created by the artist Giovanni Pisano, this sculpture captures the sister of Moses in a moment of profound movement. She is not a static icon but a figure caught in a sudden, energetic shift, her very form suggesting a life lived in the midst of a great biblical narrative. The…
Isaiah (detail) is a stone sculpture by the artist Giovanni Pisano. This specific work focuses on the head of the prophet Isaiah. The figure is part of a larger statue that originally occupied a position on the façade of the Cathedral of Siena in Italy. The carving dates to about 1285.
Sibyl (detail)1284 · Duomo
12
Pulpit (detail)1301 · Sant'Andrea
13
Isaiah (detail)1285 · Museo dell'Opera del Duomo
14
Pulpit (detail)1301 · Sant'Andrea
15
Story of the Birth of Jesus1301 · Sant'Andrea
16
Massacre of the Innocents1301 · Sant'Andrea
17
Adoration of the Magi1301 · Sant'Andrea
18
Pulpit (detail) (8)1302 · Pisa katedraal
19
Pulpit, detail1302 · Pisa katedraal
20
Madonna and Child1311 · Museo Civico
21
Madonna and Child1305 · Cappella Scrovegni
22
Pulpit, detail1302 · Pisa katedraal
23
Pulpit1302 · Pisa katedraal
24
Pulpit (detail)1302 · Pisa katedraal
25
Crucifixion1302 · Pisa katedraal
26
Nativity1302 · Pisa katedraal
27
Madonna with the Child and Two Angels1310 · Cappella Scrovegni
28
Sibül1285 · Museo dell'Opera del Duomo
29
A Prophet from the Fonte Maggiore1278 · Piazza 4 Novembre
30
Pulpit1301 · Sant'Andrea
31
Sibyl1285
32
Wolf1300
33
Exterior view of the Cathedral1284
34
Last Judgment (detail)1310 · Pisa katedraal
35
Pulpit1302 · Pisa katedraal
36
Pulpit1302 · Pisa katedraal
37
Deacons Holding Candles1310
38
St Anthony Abbot1350 · National Gallery
39
Head of a bearded Man1314 · National Gallery of Denmark
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Giovanni Pisano teosid | Selle nimekirja maalid |
|---|---|---|---|
 Pisa katedraal |
Pisa | 11 | Last Judgment (detail), Pulpit (detail) (8), Pulpit, detail |
 Sant'Andrea |
Pistoia | 7 | Pulpit, Pulpit (detail), Pulpit (detail) |
 Museo dell'Opera del Duomo |
Siena | 5 | Maria Moise (Miriam), Maria Moise (Miriam), Isaiah (detail) |
 Duomo |
Siena | 4 | Plato, Plato (detail), Haggai |
 Cappella Scrovegni |
Padova | 2 | Madonna and Child, Madonna with the Child and Two Angels |
 Campo Santo |
Pisa | 1 | Madonna and Child |
 Museo Civico |
Pisa | 1 | Madonna and Child |
 Piazza 4 Novembre |
Perugia | 1 | A Prophet from the Fonte Maggiore |
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
In this quiet moment of observation, we encounter A Prophet from the Fonte Maggiore, a work by the sculptor Giovanni Pisano. Created about 1278, this figure emerged from the artist's early period, a time when he was working closely within the tradition of his father's workshop. The sculpture is a singular component of the larger sculptural program of the fountain in Perugia, contributing to the complex narrative and architectural framework…
Plato is a marble sculpture by the Italian artist Giovanni Pisano. Created about 1280, the figure represents the Greek philosopher. It is part of a sequence of all-round statues integrated into the architectural program of the Siena Cathedral.
The marble breathes with a quiet, rhythmic life. In this intimate encounter, the Madonna holds the Christ Child, her form swaying in a gentle, undulant S-shape that flows from her right foot up through the graceful curve of her head. There is a profound sense of movement held within the stillness of the stone. The infant rests slightly beyond the contours of her body, creating a dynamic balance that defies…
Located within the Sant'Andrea church in Pistoia, Italy, the Pulpit by Giovanni Pisano represents a significant achievement in late thirteenth-century sculpture. Created between 1298 and 1301, this hexagonal pulpit reflects the artist's extensive career across the Italian cities of Pisa, Siena, and Pistoia. The structure is characterized by its complex geometry and the integration of architectural form with narrative relief.
The Last Judgment (detail) is a marble sculpture created by Giovanni Pisano around 1310. This intricate work is a fragment of a larger scene located at the Pisa Cathedral in Italy. The piece is characterized by its high level of detail and a dense composition of numerous figures engaged in various activities.
Last Judgment (detail) (1310), Pisa katedraal, Pisa. Järgnevad Pulpit (1301) ja Plato (1280).
62 aastat vanus: teos Last Judgment (detail) on pärinev aastast 1310 ning Giovanni Pisano sündis aastal 1248.
Last Judgment (detail), Pulpit, Plato, Plato (detail), Madonna and Child, Madonna and Child, Haggai, Maria Moise (Miriam), Maria Moise (Miriam) ja Isaiah (detail). Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 39 teost kunstnikult Giovanni Pisano, mis on pärinevad ajastust 1278 kuni 1314.
Peamiselt Pisa katedraal (Pisa), Sant'Andrea (Pistoia) ja Museo dell'Opera del Duomo (Siena) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Ajal 1300s: 18 39 sellel lehel olevat teost on sellel perioodil loodud, მათart közül Pulpit.
Sellel lehel on kõige vanem teos A Prophet from the Fonte Maggiore (1278) ja kõige värskeim Head of a bearded Man (1314).
Sculpture (18), Drapery (18) ja Marble (17), kogu selle lehekülje 39 teose kohta.
Marble, 24 teoseks 39 töödelt sellel lehel.
Gothic ja Proto-renaissance, seda lähtudes selle lehe originaalteostest.
Last Judgment (detail), Pulpit (detail) (8) ja Pulpit, detail: Pisa katedraal, Pisa säilitab 11 selle lehel olevat teost.
Giovanni Pisano sai maailmale osaks Itaalia Pisas 1248. aastal, sündides kunstilises tulistuses. Tema varajane elu oli täidetud monumentaalsete käsitöötraditsioonidega, kuna ta oli kuulus skulptor Nicola Pisano poeg. Just oma isa töökoda õhus hakkas Giovanni omastama ranget distsipliini ja kõrget ambitsiooni, mis on iseloomulik Itaalia gootika stiilile. Need esimesed aastad olid kujundavate, olles periood, kus establishedud kunstiline genius kaja andis tema algavale talentile suunata. Tema varajased koostööd Nicola eest asutatud oluliste teostega, nagu Siena katedraali pulpiit (1265–1268) ja Perugia suure uus fontein (lõpetatud 1278), paljastavad hädavõimetut vormivaldabust, mis pärines otse tema isa käest. Kuigi need esimesed teosed kannavad Nicola stiili vältimatut jälgi, toimivad need kui elutähtis proloog revolutsionaasile, keda Giovanni oli suunatud olema.
Giovanni Pisano isikliku geniusi tõeline õitsemine märgib selgelt tuvastatavat pöördet oma isa töö rahustavast kaja kahanemisest eemale. Pivotaalne hetk saabus tema tellimustega Pisa katedraalis, kus ta hoolis aastatel 1277 kuni 1284 skulptureerima kujud, mis kaunistavad ristamisjärgi kahte nokaosa. Need figuurid omavad uut elujõlu, energiat, mis annab märku tema kunstilisest emantsipatsioonist. Just siin hakkas Giovanni kootma kokku ajalugu erinevaid niite: Prantsuse gootika arhitektuuri künstitav vertikaalsus sulandus koos tugeva, klassikalise väärikusega, mida lahti lahtistati muinasromaanlikust kunstist. See süntees ei olnud pelgalt dekoratiivne; see esitas sügavalt intellektuaalse hüppe skulpturaalses esituses.
Tema ambitsioon lahendus peagi üle puhtalt skulptuuri, hõlates püha ruumide struktuuri enda alla. Vahemikus 1287 kuni 1296 usaldati Giovanni Pisanole Siena katedraali peaarhitekti roll. Fassaad seisab monumentaalsete tunnistajana tema arenevale visioonile — hingustoppav dialoog gootika detailrikkuse ja klassikalise kirematuse vahel. Tema võime harmoniseerida neid nägemisväärselt erinevaid mõjutid sünnitas esteetika, mis määris suure osa järgnenust Itaalia kunstiline suundast. Hiljem, kui ta naasid Pissasse, et alustada töid San Giovanni kirjas ja hiljem võttis ette keerulise pulpiidi Pistoia Sant' Andrea kirjas (projekt, mis oli algatud varem), jäi tema käekirjast otsustav. Reliefrid, mis seda pulpiiti kaunistavad — kujutades stseenid Ülesütlemisest kuni Viimase Pihtamise kuni — on meistriteosena loodud narratiivid, mis on ühendatud nii tehnilise briljantsusega kui ka sügava teoloogilise resonansiga.
Giovanni Pisano mõju kõlas nii sügavalt, et isegi tema kaasajad tunnistasid teda uuendajaks. Henry Moore määras hiljumal talle tiitli "esimene modernne skulptor", tunnustus, mis räägib tohutult tema revolutsionäärsest vaimust. Tema töö ei olnud pelgalt dekoratiivne; see redefineeris suhte kunsti, narratiivi ja inimliku vormi vahel. Segades enesekindlalt gootika disaini künstitavat vaimsust romaanse antikva põhjalikule lihaslikule ehitusele ja idealiseeritud vormidele, koostas Giovanni Pisano visuaalse keele, mis sillutas tee keskaajalust uuenevasse Renessanssi. Tema püsiv pärand on dünaamiline üleminek — meistri käekirja, mis juhendas Itaalia kunsti ühest ajast järgmiseni.
