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          • Francisco De Zurbarán
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          Francisco De Zurbarán Populaarseimad maalid

          The 25 artworks by Francisco De Zurbarán our visitors ask for most, ranked by popularity and presented one by one, with the specification and the price of each hand-painted reproduction.

          Edition 2026 · 25 artworks Each artwork painted to order
          Lina-põhine kangas · Autentsiidi sertifikaat · Tarne üle maailma Francisco De Zurbarán · 1598 – 1664

          Stillelife sid silmade, apelsinide ja roosiga

          Stillelife sid silmade, apelsinide ja roosiga — Francisco De Zurbarán

          Avastage Francisco Zurbaráni teos 'Stillelife sid limoni ja roosidega'. Barokkmeisteriteos, mis esitab realismile, draamatilisele valgusele ja sümbolile ilu. Avastage see ajatu Temple klassika!

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          Portugalist Püha Elisabet

          Portugalist Püha Elisabet — Francisco De Zurbarán

          Avastage Francisco de Zurbaráni vapust käsitsi maalatud reproduktsiooni "Portugalist Püha Elisabet". See Renessants/Barokk-portree on rikkete värvide, dramaatilise valguse ja elegantsete detailidega. Lisage oma kodu kunstile!

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          Magid imetavad

          Magid imetavad — Francisco De Zurbarán

          Koge Francisco Zurbaráni barokkmeisterteost Adoration of the Magi. Leidke meie käsitöö õlimaalide reproduktsioonid OriginalUniqueArt.com lehelt.

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          Lamboinimeste imetlus

          Lamboinimeste imetlus (1640) — Francisco De Zurbarán
          1640 · Museo de Arte de Ponce, Ponce · original 158 x 202 cm

          Kogete Francisco de Zurbaráni Adoration of the Shepherds sügavat vaimset vaikusest; see barokkklassik, mis koosneb dramalistest valgusest ja varjust, kutsub teid tooma selle booguse armu oma koju.

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          from$20036 × 28 cm Commission this artwork
          Same size as the original$1231202 × 158 cm Commission at original size

          Neitsi Mari lapsepuid

          Neitsi Mari lapsepuid (1660) — Francisco De Zurbarán
          1660 · Hermitage muuseum, Saint Petersburg · original 74 x 54 cm

          Koge Francisco de Zurbaráni barokkmeisteriteose Neitsi Mari lapsepuid sügavat rahu – sublime valgus ja pühendumus, mis kutsub teid tuoma ajatut vaimset armu oma koju.

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          Same size as the original$30154 × 74 cm Commission at original size

          Padua püha Antoon

          Padua püha Antoon (1640) — Francisco De Zurbarán
          1640 · Prado muuseum, Madrid · original 148 x 108 cm

          Baroki tenebrismi sügav väljendus jäädvustab Francisco de Zurbaránie emotiivses meistriteoses Padua püha Antooni lapseliku Kristuse kandes, kutsumdes kogema Hispaania kunsti vaimset sügavust.

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          Same size as the original$702108 × 148 cm Commission at original size

          Stillelife nelja vahendiga

          Stillelife nelja vahendiga (1664) — Francisco De Zurbarán
          1664 · Museu Nacional d'Art de Catalunya, Barcelona · original 790 x 470 cm

          Avastage Francisco de Zurbaráni meistriteos Still Life with Four Vessels – vaaside ja tupide rahulik kujutis, mis kehastab baroki lihtsust ja vaimset mediteerimist. Avastage selle ajalugu Museo Nacional del Prados.

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          from$20041 × 24 cm Commission this artwork

          Jumala Karv Lamb

          Jumala Karv Lamb (1635) — Francisco De Zurbarán
          1635 · Metropolitani Kunstimuuseum, New York · original 38 x 56 cm

          Koge Francisco de Zurbaránie Agnus Dei sügavat vaikust – Hispaania baroki meistriteost, mis on täis dramalist valgust ja püha pühendumust, pakkudes ajatut ohri sümbolit teie kogumusse.

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          Same size as the original$23856 × 38 cm Commission at original size

          El papa Urbano II y san Bruno, su confesor

          El papa Urbano II y san Bruno, su confesor — Francisco De Zurbarán
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          from$20034 × 29 cm Commission this artwork

          Püha Marina

          Püha Marina — Francisco De Zurbarán
          Museo Carmen Thyssen Málaga, Málaga · original 88 x 111 cm

          Francisco Martínez de Zurbaráni Püha Marina on monumentaalne religioospait, mis esitab Zurbaránie stiili: karu realism, valguse ja varju (chiaroscuro) meisterlik kasutus ning pühendumuse ja vaimse vastupidavuse sügav psühholoogiline sügavus.

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          Same size as the original$49588 × 111 cm Commission at original size

          Püha Antoon murednud

          Püha Antoon murednud (1640) — Francisco De Zurbarán
          1640 · Uffizi galerii, Florence · original 177 x 117 cm

          Koge Francisco de Zurbaráni barokkmeisterteost täis vaimset intensiivsust. Avasta Hispaania kuldaja era piiratud pühendumus.

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          Nuestra Señora de la Defensióni klooster Jerez de la Fronteras, Ülevaatamine

          Nuestra Señora de la Defensióni klooster Jerez de la Fronteras, Ülevaatamine (1638) — Francisco De Zurbarán
          1638 · Musée de Grenoble, Grenoble · original 261 x 175 cm

          Francisco de Zurbaráni teos kujutab Ülevaatamist suurepäraselt. Avastage tema chiaroscuro ja püha ikonograafia täiuslikkus.

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          Thüringenist püha Elisabet

          Thüringenist püha Elisabet — Francisco De Zurbarán
          Museo de Bellas Artes de Bilbao, Bilbao

          Avastage Francisco Martínez de Zurbaráni vapustav barokkportreett. Imetlege selle dramaatilist valgust ja religioosset sümbolikat.

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          Säliitmatu nõuannu ja pühad Joakim ning Anna

          Säliitmatu nõuannu ja pühad Joakim ning Anna (1640) — Francisco De Zurbarán
          1640 · Šoti Rahvusgalerii, Edinburgh · original 256 x 177 cm

          Draamiline chiaroscuro ja vaimne rahu iseloomustavad Zurbaráni meistriteost. Avastage see ajatuhi pühendumuse teos.

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          Nuestra Señora de la Defensióni klooster Jerez de la Fronteras, stseen: Ümberetamine

          Nuestra Señora de la Defensióni klooster Jerez de la Fronteras, stseen: Ümberetamine (1639) — Francisco De Zurbarán
          1639 · Musée de Grenoble, Grenoble · original 261 x 175 cm

          Francisco Zurbaráni Barreoklik meistriteos Ümberetamine. Imetle dramaatilist chiaroscuro't ja usunduslikke detaile – suurepärane kunstinvesteering!

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          No. 15 of 422 artworks by Francisco De Zurbarán
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          Õnnistatud John Houghton

          Õnnistatud John Houghton — Francisco De Zurbarán

          Koge Francisco Zurbaráni sügavat pühendumust. See barokkmeisterteos koos dramaatilise chiaroscuro'ga kujutab munki suurepärasel realismil.

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          No. 16 of 422 artworks by Francisco De Zurbarán
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          Saint Francis of Assisi in His Tomb

          Saint Francis of Assisi in His Tomb (1630) — Francisco De Zurbarán
          1630 · original 204 x 113 cm

          Francisco de Zurbarán’s haunting depiction of Saint Francis in his tomb exemplifies Baroque solemnity—a masterful blend of realism and spiritual contemplation. Captured in 1630, this exquisitely detailed painting showcases Zurbarán's signature style, transporting viewers to a moment of profound reverence.

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          Same size as the original$937113 × 204 cm Commission at original size

          La Porciúncula

          La Porciúncula — Francisco De Zurbarán
          Cádizi muuseum, Cádiz

          Zurbarán's meticulous attention to detail—particularly the depiction of drapery and skin tones—is considered groundbreaking for its time. The painting’s luminous quality contributes significantly to its emotive power, transporting viewers into a realm of contemplative piety.

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          Saint James of the Marches

          Saint James of the Marches — Francisco De Zurbarán

          Experience the profound solemnity of Francisco Zurbarán's 'Saint James of the Marches.' This masterful Baroque painting, renowned for its dramatic chiaroscuro and meticulous detail, captures a pivotal moment in the saint’s life. Own a stunning replica today.

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          Saint Lucy

          Saint Lucy (1630) — Francisco De Zurbarán
          1630 · original 134 x 106 cm

          Zurbarán’s Saint Lucy exemplifies the Baroque preoccupation with idealized beauty and spiritual contemplation. The masterful use of light—particularly the dramatic illumination highlighting the woman's face—creates a sense of solemn grandeur and draws viewers into the scene’s contemplative atmosphere.

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          A Cup of Water and a Rose

          A Cup of Water and a Rose — Francisco De Zurbarán

          Experience the profound spiritual stillness of Francisco de Zurbarán's Baroque masterpiece A Cup of Water and a Rose, where masterful chiaroscuro meets symbolic purity, inviting you to bring this timeless beauty home.

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          The Defence of Cadiz against the English

          The Defence of Cadiz against the English (1634) — Francisco De Zurbarán
          1634 · Prado muuseum, Madrid · original 302 x 323 cm

          A tense pre-battle moment unfolds in this dramatic Spanish Baroque masterpiece by Francisco de Zurbarán featuring stoic soldiers against a naval backdrop, inviting you to explore this powerful piece of history.

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          St. Engracia

          St. Engracia (1650) — Francisco De Zurbarán
          1650

          St. Engracia by Francisco Zurbarán (1598-1664) is a Baroque masterpiece depicting Saint Engracia, a Spanish nun known for her unwavering piety and serene countenance. Painted in 1650, the oil on canvas portrays Engracia dressed in a crimson robe with a hooded cowl, holding a book—a symbol of contemplation and spiritual devotion—against a muted landscape backdrop. Zurbarán’s masterful technique cap

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          St. Jerome with St. Paula and St. Eustochium

          St. Jerome with St. Paula and St. Eustochium (1640) — Francisco De Zurbarán
          1640 · original 247 x 174 cm

          Admire Francisco Zurbarán’s ‘Saint Jerome,’ a dramatic Baroque masterpiece depicting religious figures in chiaroscuro. A stunning portrayal of faith and devotion, perfect for art collectors.

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          Entierro de Santa Catalina 1

          Entierro de Santa Catalina 1 — Francisco De Zurbarán

          Experience the profound spirituality of Francisco de Zurbarán's 'Entierro de Santa Catalina.' Witness masterful realism, dramatic light, and a poignant depiction of religious devotion – a Baroque masterpiece.

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          The artist

          Francisco De Zurbarán

          1598 – 1664

          Francisco De Zurbarán portree
          Kiired faktid
          • NationalityHispaania
          • Mediumsõlimaal kangaruumil
          • Vibedraamatiline
          • Corpus themesreligious devotion, spanish baroque style, caravaggio's tenebrism influence, caravaggio influence, spanish austerity
          • Typical colorsmaapõhine
          • Creative periodsmature period
          • Also known asFrancisco Martínez De Zurbarán, Fransisko Surbaran, Francisco De Zurbaran, Francisco Zurbarán, Francisco de Zurbarán Salazar
          • Top-ranked workStillelife sid silmade, apelsinide ja roosiga
          Biography

          Early Life, Family and Training

          Francisco de Zurbarán was born in 1598 in the small town of Fuente de Cantos, located in the Extremadura region of Spain. He was the son of Luis de Zurbarán, who worked as a haberdasher, and Isabel Márquez. His life began in a quiet, rural setting, and he was baptized on 7 November 1598.

          As a child, he spent his time imitating objects with charcoal, a simple beginning for a man who would eventually spend his life studying the physical world. His early training began under Alejandro de la Mina, a local painter. This initial guidance provided the foundation for his technical development before he moved toward the larger artistic centers of Spain.

          In 1614, his path led him to Seville, a major cultural hub. There, he began a three-year apprenticeship with Pedro Díaz de Villanueva. He remained in the workshop of Díaz de Villanueva until 1617, absorbing the techniques and traditions of the city. This period of study in Seville was essential, providing him with the formal skills necessary to transition from a student of local craft to a professional painter.

          The Seville Period and Early Success

          By 1629, Zurbarán’s life in Seville had become a bustling affair. He moved to the city with his wife, Beatriz de Morales, accompanied by three children from his first marriage, a relative named Isabel de Zurbarán, and eight servants. This was a significant undertaking, but the city offered a level of stability and work that his earlier years had not yet provided. The local authorities recognized his growing reputation, and the Elders of Seville eventually invited him to settle in the city permanently. By that same year, he had been named the city's official painter.

          His rise was fueled by heavy, demanding commissions from the religious orders that dominated the region. In 1626, he signed a contract with the prior of the Dominican monastery San Pablo el Real in Seville. The terms were rigorous: he was required to produce 21 paintings within a mere eight months. Such work required immense discipline and a steady hand. As his reputation grew, his workshop became a productive hub, eventually producing paintings intended for export to South America starting in the late 1630s.

          Patrons, Workshop and Royal Commissions

          Zurbarán’s livelihood was deeply tied to the religious life of southern Spain. Most of his commissions came from ecclesiastical and monastic patrons who sought his specific way of depicting faith. In 1628, the Mercedarians of Seville entrusted him with a significant task: producing twenty-two paintings for their cloister. This steady stream of work from religious orders provided the foundation for his growing reputation and the stability of his workshop.

          His success eventually reached the highest levels of Spanish society. Around 1630, he was appointed painter to Philip IV, a position that brought him into the orbit of the royal court. This connection led him to Madrid, where in 1634 he worked on mythological subjects for the Buen Retiro palace. While much of his fame rests on his devotion to sacred themes, these royal assignments showed his ability to handle diverse subject matter for the king.

          As his workshop grew, it became a productive center that looked far beyond the borders of Spain. By the late 1630s, his studio began producing works specifically for the market in South America. One notable series produced for these overseas collectors was the depiction of Jacob and his twelve sons. This commercial reach ensured that his influence traveled across the Atlantic, even as his primary focus remained the quiet, intense devotion of the Spanish monasteries.

          Technique and Artistic Style

          Zurbarán’s approach to the canvas was defined by a heavy, physical presence. He became known as the "Spanish Caravaggio" because of his forceful use of chiaroscuro, a method that relies on the sharp collision of light and deep shadow. This technique allowed him to pull figures out of a dark, velvety void, giving them a sense of weight and volume that felt almost sculptural. His style drew from the realism of Caravaggio and his followers, but it was also shaped by the quiet precision of Juan Sánchez Cotán and the influence of polychrome sculpture. He had a particular knack for rendering the heavy, sculptural folds of white draperies, making the fabric appear thick and tangible under a single, directed light source.

          There was a certain austerity in how he composed his scenes. Rather than relying on the grand, sweeping movements seen in other Baroque works, he focused on a severe and direct way of seeing. His work was influenced by the textures found in the paintings of Murillo and Titian, yet he maintained a hard-edged, solemn quality that suited his religious subjects. He used light not just to illuminate, but to direct the eye toward the essential truth of a moment, whether it was the quietude of a monk or the stillness of an object. This focus on the physical reality of his subjects helped create a sense of profound, quiet intensity.

          Key Religious and Still Life Works

          Zurbarán’s brush often focused on the quiet, heavy moments of faith. Between 1635 and 1640, he completed the Agnus Dei, a work that uses light to pull the viewer into a sense of solemnity. His ability to handle sacred subjects is also seen in The Circumcision, a significant work from 1639. In this piece, he uses light to guide the eye through a gathering of figures, creating a sense of communal devotion. His religious works were not merely decorations for monasteries; they were intended to be felt by those who knelt before them.

          The artist had a particular way of rendering the physical world, whether it was the texture of a saint's robe or the simple presence of an object. In Saint Francis in Meditation, found in the National Gallery, London, he captures a sense of profound stillness. He also turned his attention to the domestic and the everyday through his still lifes. One such example is Still Life with Four Vessels, which dates to about 1664. Even in these simpler arrangements, his command of light and shadow remains a central part of his visual language.

          Other significant works include:

          • The Immaculate Conception with Saint Joachim and Saint Anne, located in The Scottish National Gallery, Edinburgh

          Later Years and Death

          The later years of Francisco de Zurbarán's life were marked by a quiet decline. After years of significant success and the prestige of serving the court, his popularity began to fade as artistic tastes shifted. The economic difficulties facing Spain during the mid-17th century also made it harder for him to secure the large-scale commissions that had once defined his career. He continued to work, but the steady stream of high-profile projects that had sustained his workshop in Seville began to diminish.

          In 1658, he moved to Madrid, seeking new opportunities in the capital. However, this transition did not bring the professional resurgence he might have hoped for. His final years were difficult, and he faced increasing financial hardship. By the time he passed away in Madrid in 1664, he was living in poverty. The man who had once been a leading figure in the Spanish Baroque ended his life with very little to his name.

          Legacy and Influence

          After Velázquez, Francisco de Zurbarán was the most significant painter of the Spanish Golden Age. His impact was felt far beyond the walls of the monasteries that commissioned him. While his fame was built on the quiet, intense devotion of his religious subjects, his influence traveled through the dissemination of his style and the circulation of engravings of his works. This allowed his specific way of seeing the world to reach artists who never met him, spreading his visual language across Spain and beyond.

          A group of artists eventually emerged, influenced by his particular approach to art. These painters absorbed his austere realism and the spiritual intensity that defined his canvases. They looked to his ability to render the weight of a monk's habit or the starkness of a single light source in a dark room. However, the shifting tastes of the mid-17th century brought changes to his standing. As Murillo rose to prominence in the 1650s, the popularity of Zurbarán's more severe and direct style began to wane.

          Where to See His Works Today

          To encounter the quiet intensity of Zurbarán’s vision, one must travel to the great repositories of Spanish and international art. In Madrid, Spain, the Prado Museum houses a version of his Agnus Dei, a work that captures the stark, heavy presence of the lamb. Nearby, the Museo del Prado also holds a depiction of St. Anthony of Padua, allowing viewers to see how he handled sacred figures with such directness.

          His reach extends far beyond the borders of Spain, finding homes in major collections across the globe. In New York, the Metropolitan Museum of Art holds another Agnus Dei, offering a different way to experience his use of light and shadow. For those traveling to Saint Petersburg, Russia, the Hermitage Museum contains The Childhood of the Virgin, a piece that reflects the spiritual gravity he brought to his subjects.

          • Museum of Cádiz, Cadiz
          • Museu Nacional d'Art de Catalunya, Barcelona
          • Musée de Grenoble, France
          • Museo del Prado, Madrid
          • Metropolitan Museum of Art, New York
          • Hermitage Museum, Saint Petersburg

          Küsimused ja vastused

          Kuidas leian kõik Francisco De Zurbarán teosed teatud materjali järgi?

          Et leida kõik Francisco De Zurbarán teosed teatud tehnikas, külastage artisti lehte Kõik tehnikad.

          Kui palju Francisco De Zurbarán teoseid on kataloogis vaatamiseks saadaval?

          Lehelt Kõik teosed saab vaadata 422 teost teost kunstnikult Francisco De Zurbarán.

          Milliseid värve kasutas Francisco De Zurbarán kõige sagedamini?

          Francisco De Zurbarán teoste väriprofiil on nähtav kunstniku Palettide genoom lehel.

          OriginalUniqueArt.com toimetus Uuendatud: 13. oktoober 2026
          Francisco De Zurbarán
          Kogumisi harrastavate quiz
          1. Millises Hispaania linnas asutas Francisco De Zurbarán edukat töökoda ja saavutas suure fama?

          2. Millist tehnikat, mis iseloomustab dramaatiline kontrast valgus ja varjundite vahel, Francisco De Zurbarán on tuntud kasutamist?

          3. Mille Hispaania monarhi koobospeigiks Francisco De Zurbarán umbes aastal 1630?

          4. Kus Francisco De Zurbarán sündis?

          5. Milline neist on loetletud ühe Francisco De Zurbaráni märkimismisväärse teosena?

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          Tellinige oma Francisco De Zurbarán

          Every artwork by Francisco De Zurbarán in our catalog can be painted to order, in the size that suits the room.

          Kõik teosed kunstnikult Francisco De Zurbarán
          Mõistetavult unikaalne◆ Kui müüdud, siis igaveseks kadunud◆ Mida te riputate, seda keegi teine ei suuda◆ Kadu, kui ei kapi – kaota igavesti◆ Kunst, mis kuulub ühele◆ Otse stuudiost◆ Ainult sinu ja mitte kellegi teise◆ Eksklusiivsed kunstnikud◆ Üks teos, üks omanik, puuduvad kopeed◆ Üks kunstnik, üks lõvet, üks lugu◆ Mõistetavult unikaalne◆ Kui müüdud, siis igaveseks kadunud◆ Mida te riputate, seda keegi teine ei suuda◆ Kadu, kui ei kapi – kaota igavesti◆ Kunst, mis kuulub ühele◆ Otse stuudiost◆ Ainult sinu ja mitte kellegi teise◆ Eksklusiivsed kunstnikud◆ Üks teos, üks omanik, puuduvad kopeed◆ Üks kunstnik, üks lõvet, üks lugu◆
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