94 kulubumatamatumat Federico Barocci maalist, millist on vaid üks

Uuendatud oktoober 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 116 teost Federico Barocci meie kataloogis

Lühidalt

Virgin and Child with Sts Simon and Jude (Madonna di San Simone) (1567) on Federico Barocci maalide kõige silmapaistvam teos; originaal kuulub museumi Galleria Nazionale delle Marche, Urbino. Pärast seda suunatakse pilk River Divinity (Città del Vaticano, Casino of Pius IV) (1563) ja Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo) (1569) suunas. Meie kataloogis olevatest Federico Barocci 116 teosest on need 94 kõige kuulsumat, millist igaüks on esitatud koos aasta, muuseumi ja põhjusega, miks teos on püsiv.

1535 – 1612, Urbino Mannerism Enamama teoseid: Galleria degli Uffizi

1. Virgin and Child with Sts Simon and Jude (Madonna di San Simone) 1567

2. River Divinity (Città del Vaticano, Casino of Pius IV) 1563

3. Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo) 1569

Federico Barocci top 10 maalist galeriist vaatenurgast

Virgin and Child with Sts Simon and Jude (Madonna di San Simone)

1567 · Acrylic On Canvas · Galleria Nazionale delle Marche, Urbino

Federico Fiori Barocci’s “Virgin and Child with Sts Simon and Jude,” painted in 1567, stands as a cornerstone of Italian Renaissance art—a pivotal moment marking the transition towards the exuberant dynamism of the Baroque style. Executed for the Santuario Madonna dei Miracoli basilica in Saronno, Lombardy, this altarpiece embodies Barocci’s signature blend of meticulous observation and emotive spirituality, capturing an idealized depiction of motherhood and faith.

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River Divinity (Città del Vaticano, Casino of Pius IV)

1563 · Graphite · Galleria degli Uffizi, Firenze

To gaze upon Federico Fiori Barocci's "River Divinity" is to step into a moment suspended between classical repose and profound vulnerability. This exquisite drawing, executed with the delicate precision of graphite on paper, immediately draws the viewer into its monochromatic embrace. It is not merely an image; it is a meditation rendered in shades of gray, black, and white—a visual whisper from the heart of the Renaissance spirit, yet imbued…

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Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo)

1569 · Charcoal · Galleria degli Uffizi, Firenze

To gaze upon this preparatory drawing by Federico Fiori Barocci is to witness art not as a finished statement, but as pure, unbridled thought taking physical form. This piece, titled "Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo)," offers us an intimate glimpse into the mind of a master at work. It is less a depiction to be admired…

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Holy Family with Saint Giovannino and Saint Elizabeth (Città del Vaticano, Casino of Pius IV)

1563 · Oil On Canvas · Galleria degli Uffizi, Firenze

In this 1563 fresco, Federico Barocci arranges the figures of the Holy Family within a pyramidal structure. At the center, the Virgin Mary and the infant Jesus are positioned beneath a concentrated halo of light. To their side, Saint Elizabeth is depicted with an outstretched hand, a gesture directed toward the central group. The young Saint Giovannino, representing John the Baptist, is also present within the scene. Surrounding these primary…

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Five Studies of Male Figure and two of His Right Hand and Arm (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi)

1579 · Acrylic On Canvas · Galleria degli Uffizi, Firenze

Federico Barocci’s “Five Studies of Male Figure and two of His Right Hand and Arm,” created in 1579, isn’t merely a preparatory drawing; it’s a profound meditation on the act of creation itself. This intimate charcoal study, measuring just 20 x 32 cm, offers an unparalleled glimpse into the artist's meticulous process – a testament to Barocci’s dedication and his revolutionary approach to capturing human form. Far from a static…

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Francesco II della Rovere

1572 · Acrylic On Canvas · Galleria degli Uffizi, Firenze

Federico Fiori Barocci’s “Francesco II della Rovere” – A Portrait of Power and Renaissance Grace Federico Fiori Barocci, later known simply as Baroccio, stands as a pivotal figure bridging the Mannerist elegance of the late 16th century with the burgeoning dynamism of the Baroque. His portrait of Francesco Maria II della Rovere, painted in 1572, is not merely a likeness; it’s a carefully constructed tableau of power, lineage, and the…

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Young Man’s Head with His Right Hand on His Face (for “Assumption of the Virgin”, Milano, Collezione Castelbarco Albani)

1612 · Acrylic On Canvas · Galleria degli Uffizi, Firenze

Federico Fiori Barocci’s “Young Man’s Head with His Right Hand on His Face” – often referred to as “Assumption of the Virgin, Milano, Collezione Castelbarco Albani” – is not merely a portrait; it's a distilled essence of human vulnerability and a poignant meditation on mortality. Painted in 1612 during a period of profound artistic transition from Mannerism to Baroque, this intimate work offers a glimpse into the soul of its…

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Composition Study (for “Circumcision”, Paris, musée du Louvre)

1590 · Acrylic On Canvas · Galleria degli Uffizi, Firenze

Federico Fiori Barocci's "Composition Study (for ‘Circumcision’, Paris, musée du Louvre)” isn’t merely a preparatory sketch; it’s a profound distillation of the artist’s vision for a monumental work depicting a pivotal scene from biblical history. Completed around 1590, this drawing offers an intimate glimpse into Barocci's meticulous process and reveals a remarkable sensitivity to light, gesture, and the emotional weight of the subject matter – the Circumcision of Isaac. It’s…

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Ritratto di monsignor Giuliano della Rovere

1595 · Oil On Canvas · Kunsthistorisches Museum, Viin

The portrait presents Monsignore Giuliano della Rovere in a moment of quiet study. Seated at a three-quarter length, the subject faces the viewer with a direct, focused gaze. He is positioned within an austere room characterized by grey walls, which provides a somber backdrop for his dark clerical attire. A diagonal line guides the eye from the upper left across the composition, leading toward a collection of books stacked in…

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Painting of the Circumcision

1500 · Acrylic On Canvas · Taranto riiklik areeumimuuseum, Taranto

Federico Barocci’s “Painting of the Circumcision,” completed in 1590 for the Confraternita del Nome di Gesù in Pesaro, stands as a pivotal work bridging the Renaissance and Baroque eras. More than just a depiction of biblical scripture—the ritual purification of Jesus after birth—it embodies the burgeoning spirit of dramatic emotion and opulent ornamentation that would characterize the Baroque movement.

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Federico Barocci kuulsad maalid, numbrid 11 kuni 94

Portrait of a Man (1579) autor Federico Barocci

Portrait of a Man1579 · Hermitage muuseum 12

Madonna di san Giovanni (1564) autor Federico Barocci

Madonna di san Giovanni1564 · Galleria Nazionale delle Marche 13

Il Perdono di Assisi (1580) autor Federico Barocci

Il Perdono di Assisi1580 · Galleria Nazionale delle Marche 14

Quintilia Fischieri (1600) autor Federico Barocci

Quintilia Fischieri1600 · National Gallery of Art 15

Immacolata Concezione (1575) autor Federico Barocci

Immacolata Concezione1575 · Galleria Nazionale delle Marche 16

Head of an Old Bearded Man, 1584-1586 (1586) autor Federico Barocci

Head of an Old Bearded Man, 1584-15861586 · Albertina 17

Portrait of Ippolito della Rovere (1602) autor Federico Barocci

Portrait of Ippolito della Rovere1602 · Italian Embassy 18

Head of Saint Mary Magdalene (1550) autor Federico Barocci

Head of Saint Mary Magdalene1550 · Musée Bonnat-Helleu 19

Burial of Christ (1550) autor Federico Barocci

Burial of Christ1550 20

Communion of Saint Magdalene (1573) autor Federico Barocci

Communion of Saint Magdalene1573 · Bavaria riiklikud maalidema kogumikud 21

Crocifissione con i dolenti (1566) autor Federico Barocci

Crocifissione con i dolenti1566 · Galleria Nazionale delle Marche 22

The Virgin and Child in Glory with Saint Anthony Abbot and Saint Lucy (1587) autor Federico Barocci

The Virgin and Child in Glory with Saint Anthony Abbot and Saint Lucy1587 23

Cristo e la Maddalena (1590) autor Federico Barocci

Cristo e la Maddalena1590 · Bavaria riiklikud maalidema kogumikud 24

Assumption (1606) autor Federico Barocci

Assumption1606 · Galleria Nazionale delle Marche 25

Portrait of men (1602) autor Federico Barocci

Portrait of men1602 26

Saint Francis (1604) autor Federico Barocci

Saint Francis1604 · Metropolitan Museum of Art 27

Martyrdom of Saint Catherine of Alexandria (1610) autor Federico Barocci

Martyrdom of Saint Catherine of Alexandria1610 28

Annunciation (1610) autor Federico Barocci

Annunciation1610 29

Portrait of Antonio Galli (1600) autor Federico Barocci

Portrait of Antonio Galli1600 · Statens Museum For Kunst 30

Three Studies of Male Bust and Two of a Knee (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) (1583) autor Federico Barocci

Three Studies of Male Bust and Two of a Knee (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera)1583 · Galleria degli Uffizi 31

Aeneas' Flight from Troy (detail) (1598) autor Federico Barocci

Aeneas' Flight from Troy (detail)1598 · Galleria Borghese 32

Three Studies of Bending Figure and One of His Head (for “Assumption of the Virgin”, Milano, Collezione Castelbarco Albani) (1612) autor Federico Barocci

Three Studies of Bending Figure and One of His Head (for “Assumption of the Virgin”, Milano, Collezione Castelbarco Albani)1612 · Galleria degli Uffizi 33

The Nativity (1597) autor Federico Barocci

The Nativity1597 · Museo del Prado 34

Three Studies of Sitting Figure, Drapery Sketches (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) (1583) autor Federico Barocci

Three Studies of Sitting Figure, Drapery Sketches (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera)1583 · Galleria degli Uffizi 35

Three Studies of a Male Figure both Nude and Clothed (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche) (1595) autor Federico Barocci

Three Studies of a Male Figure both Nude and Clothed (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche)1595 · Galleria degli Uffizi 36

Head of a Woman, 1568-1569 (1569) autor Federico Barocci

Head of a Woman, 1568-15691569 · Albertina 37

Annunciation (1582) autor Federico Barocci

Annunciation1582 · Vatikani Pinakoteek 38

Donkey (for “Rest on the Flight to Egypt”, Città del Vaticano, Pinacoteca dei Musei Vaticani) (1573) autor Federico Barocci

Donkey (for “Rest on the Flight to Egypt”, Città del Vaticano, Pinacoteca dei Musei Vaticani)1573 · Galleria degli Uffizi 39

Nude Male Figure Playing Hurdy-gurdy, Studies of His Bust, Head and Hands (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi) (1579) autor Federico Barocci

Nude Male Figure Playing Hurdy-gurdy, Studies of His Bust, Head and Hands (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi)1579 · Galleria degli Uffizi 40

Presentation of Virgin Mary at the Temple (1600) autor Federico Barocci

Presentation of Virgin Mary at the Temple1600 · Santa Maria in Vallicella 41

Portrait of a Man (1572) autor Federico Barocci

Portrait of a Man1572 42

Portrait of a Lady (1595) autor Federico Barocci

Portrait of a Lady1595 · Hermitage muuseum 43

The Farewell of Christ to His Mother (1612) autor Federico Barocci

The Farewell of Christ to His Mother1612 · Musée Condé 44

Reclining Monk with Left Arm Leaning on a Rock (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche) (1595) autor Federico Barocci

Reclining Monk with Left Arm Leaning on a Rock (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche)1595 · Galleria degli Uffizi 45

Figure genuflesse e studi di mani (per la autor Federico Barocci

Figure genuflesse e studi di mani (per laGalleria degli Uffizi 46

Portrait of a Young Lady (1600) autor Federico Barocci

Portrait of a Young Lady1600 · National Gallery of Denmark 47

Portrait of a Young Woman (1570) autor Federico Barocci

Portrait of a Young Woman1570 · Galleria degli Uffizi 48

The Adoration of the Magi (1561) autor Federico Barocci

The Adoration of the Magi1561 · Rijksmuseum 49

Christ on the Cross (1604) autor Federico Barocci

Christ on the Cross1604 · Museo del Prado 50

Male Figure Stooping to Lift a Cauldron (1590) autor Federico Barocci

Male Figure Stooping to Lift a Cauldron1590 · Louvre'i muuseum 51

Female PortraitHermitage muuseum 52

St Jerome1598 · Galleria Borghese 53

Eternal Father and Angels autor Federico Barocci

Eternal Father and AngelsGalleria Nazionale delle Marche 54

The Head of a Priest, study for The Circumcision autor Federico Barocci

The Head of a Priest, study for The CircumcisionNationalmuseum 55

Head of ChristBonnefanten Museum 56

Con una figura che sorregge l autor Federico Barocci

Con una figura che sorregge lGalleria degli Uffizi 57

Francesco II della Rovere autor Federico Barocci

Francesco II della Rovere 58

Rest on the Flight into Egypt autor Federico Barocci

Rest on the Flight into EgyptStädel Museum 59

Cloaked Male Figure and Studies of His Left Leg; Drapery Studies (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique)1583 · Galleria degli Uffizi 60

Stone-thrower for the Martyrdom of St Vitalis (1582) autor Federico Barocci

Stone-thrower for the Martyrdom of St Vitalis1582 · Art Gallery of South Australia 61

Head of a Shepherd, study for The Circumcision autor Federico Barocci

Head of a Shepherd, study for The CircumcisionNationalmuseum 62

Saint LawrenceGalleria Nazionale delle Marche 63

Half-Bust Nude Male Figure (for “Presentation of the Virgin in the Temple”, Roma, Church of Santa Maria in Vallicella) (1603) autor Federico Barocci

Half-Bust Nude Male Figure (for “Presentation of the Virgin in the Temple”, Roma, Church of Santa Maria in Vallicella)1603 · Galleria degli Uffizi 64

Two Figure Studies, One Nude and the Other Clothed with a Putto in His Arms (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi); Drapery Studies1579 · Galleria degli Uffizi 65

Man’s Head (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) (1583) autor Federico Barocci

Man’s Head (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique)1583 · Galleria degli Uffizi 66

Partial Study of Two Nude Male Figures, One with Raised Arm, the Other on the Ground and Leg and Arm Studies of the First One (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera)1583 · Galleria degli Uffizi 67

Three Studies and a Sketch of a Male Figure both Nude and Clothed (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche); Profile1595 · Galleria degli Uffizi 68

Self-Portrait (1600) autor Federico Barocci

Self-Portrait1600 · Residenzgalerie 69

Studies of Hand, Fingers and Leg, Foot Sketch (for “Rest on the Flight to Egypt”, Città del Vaticano, Pinacoteca Vaticana) (1573) autor Federico Barocci

Studies of Hand, Fingers and Leg, Foot Sketch (for “Rest on the Flight to Egypt”, Città del Vaticano, Pinacoteca Vaticana)1573 · Galleria degli Uffizi 70

Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) (1583) autor Federico Barocci

Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique)1583 · Galleria degli Uffizi 71

Bending Male Bust; Two Hand Studies (for “Presentation of the Virgin in the Temple”, Roma, Church of Santa Maria in Vallicella) (1603) autor Federico Barocci

Bending Male Bust; Two Hand Studies (for “Presentation of the Virgin in the Temple”, Roma, Church of Santa Maria in Vallicella)1603 · Galleria degli Uffizi 72

Study of a Bent Right Arm (1590) autor Federico Barocci

Study of a Bent Right Arm1590 · Louvre'i muuseum 73

Three Studies of One Figure Supporting Another and Figure Sketch (for “Lamentation”, Bologna, Palazzo D’Accursio) autor Federico Barocci

Three Studies of One Figure Supporting Another and Figure Sketch (for “Lamentation”, Bologna, Palazzo D’Accursio)Galleria degli Uffizi 74

Drapery Study (for “Immaculate Conception”, Urbino, Galleria Nazionale delle Marche) autor Federico Barocci

Drapery Study (for “Immaculate Conception”, Urbino, Galleria Nazionale delle Marche)Galleria degli Uffizi 75

Self portrait 76

One Study of a Standing Nude Male Figure and Two Studies of a Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique)1583 · Galleria degli Uffizi 77

PuttoGalleria degli Uffizi 78

Face of a Woman with Downcast Eyes autor Federico Barocci

Face of a Woman with Downcast EyesLouvre'i muuseum 79

Kneeling Male Figure and Studies of His Right Foot, Arms, Head and Drapery (for “Last Supper”, Urbino, Cathedral of Santa Maria Vergine Assunta) autor Federico Barocci

Kneeling Male Figure and Studies of His Right Foot, Arms, Head and Drapery (for “Last Supper”, Urbino, Cathedral of Santa Maria Vergine Assunta)Galleria degli Uffizi 80

Schizzo compositivo (per l autor Federico Barocci

Schizzo compositivo (per lGalleria degli Uffizi 81

Angels in Flight and Drapery Studies autor Federico Barocci

Angels in Flight and Drapery StudiesGalleria degli Uffizi 82

Tre schizzi di figure autor Federico Barocci

Tre schizzi di figureGalleria degli Uffizi 83

The Institution of the Eucharist (1608) autor Federico Barocci

The Institution of the Eucharist1608 · Basilica di Santa Maria sopra Minerva 84

The nativityMuseo del Prado 85

Studies for the figure of Christ in the painting Noli me tangere autor Federico Barocci

Studies for the figure of Christ in the painting Noli me tangereKupferstichkabinett 86

Madonna del Popolo (1575) autor Federico Barocci

Madonna del Popolo1575 · Galleria degli Uffizi 87

The Madonna of the Cat (La Madonna del Gatto) autor Federico Barocci

The Madonna of the Cat (La Madonna del Gatto)National Gallery 88

Descent from the Cross (1568) autor Federico Barocci

Descent from the Cross1568 89

Aeneas' Flight from Troy autor Federico Barocci

Aeneas' Flight from TroyGalleria Borghese 90

Rest on the Flight to Egypt autor Federico Barocci

Rest on the Flight to Egypt 91

Portrait of a Young Man (1580) autor Federico Barocci

Portrait of a Young Man1580 · Musée des Beaux-Arts de Strasbourg 92

AnnunciationNancy Fine Arts Museum 93

The Circumcision (1590) autor Federico Barocci

The Circumcision1590 · Louvre'i muuseum 94

Self-Portrait (1570) autor Federico Barocci

Self-Portrait1570 · Galleria degli Uffizi

Federico Barocci kuulsaimad maalid ajastult ajastule

Early Period

1550 – 1603 · 3 teost selles nimekirjas

Madonna di san Giovanni (1564), Federico Barocci

#12 Madonna di san Giovanni 1564 · Galleria Nazionale delle Marche

Head of Saint Mary Magdalene (1550), Federico Barocci

#18 Head of Saint Mary Magdalene 1550 · Musée Bonnat-Helleu

Half-Bust Nude Male Figure (for “Presentation of the Virgin in the Temple”, Roma, Church of Santa Maria in Vallicella) (1603), Federico Barocci

#63 Half-Bust Nude Male Figure (for “Presentation of the Virgin in the Temple”, Roma, Church of Santa Maria in Vallicella) 1603 · Galleria degli Uffizi

Early Renaissance

1569 – 1583 · 3 teost selles nimekirjas

Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo) (1569), Federico Barocci

#3 Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo) 1569 · Galleria degli Uffizi

Three Studies of Male Bust and Two of a Knee (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) (1583), Federico Barocci

#30 Three Studies of Male Bust and Two of a Knee (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) 1583 · Galleria degli Uffizi

#64 Two Figure Studies, One Nude and the Other Clothed with a Putto in His Arms (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi); Drapery Studies 1579 · Galleria degli Uffizi

Mature Period

1561 – 1612 · 64 teost selles nimekirjas

Virgin and Child with Sts Simon and Jude (Madonna di San Simone) (1567), Federico Barocci

#1 Virgin and Child with Sts Simon and Jude (Madonna di San Simone) 1567 · Galleria Nazionale delle Marche

Holy Family with Saint Giovannino and Saint Elizabeth (Città del Vaticano, Casino of Pius IV) (1563), Federico Barocci

#4 Holy Family with Saint Giovannino and Saint Elizabeth (Città del Vaticano, Casino of Pius IV) 1563 · Galleria degli Uffizi

Five Studies of Male Figure and two of His Right Hand and Arm (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi) (1579), Federico Barocci

#5 Five Studies of Male Figure and two of His Right Hand and Arm (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi) 1579 · Galleria degli Uffizi

Francesco II della Rovere (1572), Federico Barocci

#6 Francesco II della Rovere 1572 · Galleria degli Uffizi

Young Man’s Head with His Right Hand on His Face (for “Assumption of the Virgin”, Milano, Collezione Castelbarco Albani) (1612), Federico Barocci

#7 Young Man’s Head with His Right Hand on His Face (for “Assumption of the Virgin”, Milano, Collezione Castelbarco Albani) 1612 · Galleria degli Uffizi

Late Period

1602 – 1612 · 6 teost selles nimekirjas

#24 Assumption 1606 · Galleria Nazionale delle Marche

Portrait of men (1602), Federico Barocci

#25 Portrait of men 1602

Martyrdom of Saint Catherine of Alexandria (1610), Federico Barocci

#27 Martyrdom of Saint Catherine of Alexandria 1610

#28 Annunciation 1610

The Farewell of Christ to His Mother (1612), Federico Barocci

#43 The Farewell of Christ to His Mother 1612 · Musée Condé

Teemad, mis püüdisid Federico Barocci pilma

Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.

Muuseumid, kus on säilitatud Federico Barocci originaalteosed

Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.

Muuseumid	Linn	Federico Barocci teosid	Selle nimekirja maalid
Galleria degli Uffizi	Firenze	36	River Divinity (Città del Vaticano, Casino of Pius IV), Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo), Holy Family with Saint Giovannino and Saint Elizabeth (Città del Vaticano, Casino of Pius IV)
Galleria Nazionale delle Marche	Urbino	8	Virgin and Child with Sts Simon and Jude (Madonna di San Simone), Madonna di san Giovanni, Il Perdono di Assisi
Louvre'i muuseum	Pariis	4	Male Figure Stooping to Lift a Cauldron, Study of a Bent Right Arm, Face of a Woman with Downcast Eyes
Hermitage muuseum	Stiiitlinburg	3	Portrait of a Man, Portrait of a Lady, Female Portrait
Galleria Borghese	Rooma	3	Aeneas' Flight from Troy (detail), St Jerome, Aeneas' Flight from Troy
Museo del Prado	Madrid	3	The Nativity, Christ on the Cross, The nativity
Albertina	Viin	2	Head of an Old Bearded Man, 1584-1586, Head of a Woman, 1568-1569
Bavaria riiklikud maalidema kogumikud	München	2	Communion of Saint Magdalene, Cristo e la Maddalena

Federico Barocci aastakatega: iga aastakannaga üks unikaalne originaal

Teosed aastakate kaupa

Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.

1560s

Virgin and Child with Sts Simon and Jude (Madonna di San Simone)

Reiting: 1 / 94 · Galleria Nazionale delle Marche, Urbino

Vanus 25–34 9 teost selle kümnendi jooksul

Lugupõhja lugu selle originaali taga

Federico Barocci maalid: küsimused galeriile

Mis on Federico Barocci kõige kuulsam teos?Paljasta vastus

Virgin and Child with Sts Simon and Jude (Madonna di San Simone) (1567), Galleria Nazionale delle Marche, Urbino. Järgnevad River Divinity (Città del Vaticano, Casino of Pius IV) (1563) ja Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo) (1569).

Mis vanuses luunud Federico Barocci teos Virgin and Child with Sts Simon and Jude (Madonna di San Simone)?Paljasta vastus

32 aastat vanus: teos Virgin and Child with Sts Simon and Jude (Madonna di San Simone) on pärinev aastast 1567 ning Federico Barocci sündis aastal 1535.

Millised on Federico Barocci kümneks kuulsumat maalatist?Paljasta vastus

Virgin and Child with Sts Simon and Jude (Madonna di San Simone), River Divinity (Città del Vaticano, Casino of Pius IV), Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo), Holy Family with Saint Giovannino and Saint Elizabeth (Città del Vaticano, Casino of Pius IV), Five Studies of Male Figure and two of His Right Hand and Arm (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi), Francesco II della Rovere, Young Man’s Head with His Right Hand on His Face (for “Assumption of the Virgin”, Milano, Collezione Castelbarco Albani), Composition Study (for “Circumcision”, Paris, musée du Louvre), Ritratto di monsignor Giuliano della Rovere ja Painting of the Circumcision. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.

Kui palju teoseid kunstniku Federico Barocci kohta on teada?Paljasta vastus

Meie kataloogist leiate 116 teost kunstnikult Federico Barocci, mis on pärinevad ajastust 1550 kuni 1612.

Kust saab näha kõige kuulsamaid Federico Barocci originaalteoseid?Paljasta vastus

Peamiselt Galleria degli Uffizi (Firenze), Galleria Nazionale delle Marche (Urbino) ja Louvre'i muuseum (Pariis) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.

Mille perioodi jooksul lõi Federico Barocci oma tuntumad maalid?Paljasta vastus

Ajal 1570s: 13 94 sellel lehel olevat teost on sellel perioodil loodud, მათart közül Five Studies of Male Figure and two of His Right Hand and Arm (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi).

Milline kuuls Federico Barocci maal on kõige varasem ja milline kõige hiljema?Paljasta vastus

Sellel lehel on kõige vanem teos Head of Saint Mary Magdalene (1550) ja kõige värskeim Young Man’s Head with His Right Hand on His Face (for “Assumption of the Virgin”, Milano, Collezione Castelbarco Albani) (1612).

Millist teemasid Federico Barocci eelistas?Paljasta vastus

Renaissance (30), Woman (19) ja Man (18), kogu selle lehekülje 94 teose kohta.

Mida Federico Barocci kõige rohkem kasutas oma maalide nimiseks?Paljasta vastus

Oil On Canvas, 32 teoseks 94 töödelt sellel lehel.

Millisse toomangu kuulub Federico Barocci teos?Paljasta vastus

Mannerism, seda lähtudes selle lehe originaalteostest.

Mida Federico Barocci originaalte ma näen Galleria degli Uffizi muuseumis?Paljasta vastus

River Divinity (Città del Vaticano, Casino of Pius IV), Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo) ja Holy Family with Saint Giovannino and Saint Elizabeth (Città del Vaticano, Casino of Pius IV): Galleria degli Uffizi, Firenze säilitab 36 selle lehel olevat teost.

Federico Barocci: kunstniku portree

Varajane Elu ja Koolkonna Algus

Federico Fiori Barocci, sündinud 1535. aastal Urbino linnas Itaalias, oli renessansi hilisema perioodi ning baroki varase arengu silmapaistev maalikunstnik ja graafik. Tema algne nimi oli Federico Fiori, kuid ta sai tuntuks hüüdnimega “il Baroccio” – väljend, mis Põhja-Itaalia murretes tähendab veokartu, tõmmatud härjadega. See nime valik viitab tema perekonna tagasihoidlikule päritolule ja võib-olla ka tema iseloomuliku maalimisstiili jõulisusele. Barocci kunstnikutee algas isa Ambrogio Barocci juures, kes oli kohalikus ringkonnas tuntud skulptor. See varajane õpetus andis Federicole esimesed oskused vormi ja ruumi tajumises. Hiljem siirdus ta Battista Franco õpilaseks Urbino linnas, mis kujundas tema tulevase karjääri aluse. Battista Franco juhendamisel omandas Barocci põhjalikud maalikunstitehnilised teadmised ning tutvus renessansi kunstipärandiga.

Kunstiline Karjäär ja Mõjutused

Barocci loomingu väärtustati kõrgelt ning see mõjutas oluliselt baroki stiili arengut, eriti Peter Paul Rubensi loomingut. Ta töötas Rooma preeminentseimas Zuccari ateljees, kus ta puutus kokku erinevate kunstiliste suundadega ja ideedega. Esimene tähelepanuväärne teos oli “Püha Margareeta”, mis valmis Pühima Sakramendi vennaskonna tellimusel. See töö näitas juba Barocci andekust figuuride kujutamisel ning värvikasutuses. 16. sajandi lõpus kutsus paavst Pius IV ta kaasa Rooma Vatikani Belvedere palee dekoreerimistöödele, kus ta maalis Neitsi Maarjat lapsega koos pühikutega ja freskod lakke, kujutades Teatevangeliust. Barocci stiili iseloomustas manerismi ja baroki elementide segu – elegantsed figuurid, intensiivsed emotsioonid ning dünaamiline kompositsioon. Tema loomingus kohtuvad renessansi harmoonia ja baroki dramaatilisus.

Olulised Teosed ja Pärand

Barocci jättis kunstiajalukku mitmeid silmapaistvaid teoseid, mis demonstreerivad tema meisterlikkust ja uuenduslikku lähenemist maalikunstile. Näiteks “Viis meeste figuuri uuringut ning kaks tema parema käe ja käeharja uuringut” (Uffizi galerii, Firenze) on tunnistuseks Barocci oskusest tabada inimkeha ilu ja anatooliat. "Koostöökooslusõpe" ("Circumcision", Pariis, Louvre'i muuseum) näitab tema võimet tasakaalustada kompositsiooni ja emotsioone. “Mehe pea” (“Püha Andrea kutsumine”, Brüssel, Kuninglike Kunstide Muuseumid Belgias) tõstab esile Barocci tähelepanu detailidele ja väljendusvõimet. Üks tema tuntumaid teoseid on "Sündimine" (1597. aasta õlimaal Prados), mis kujutab Neitsi Maarja, Joosepit ja imikut Jeesust. Samuti väärib tähelepanu “Madonna del Popolo” (Uffizi galerii, Firenze) ning eriti armas "Kassi Madonna" ("La Madonna del Gatto"). 1582. aastal valminud "Teatevangelius" on veel üks oluline teos tema loomingu hulgas.

Kunstiline Mõju ja Järglased

Barocci loomingut on imetletud ja jäljendatud paljude kunstnike poolt, eriti Peter Paul Rubensi, kes ammutas inspiratsiooni Barocci dramaatilisest ja emotsionaalsest pintslikäsitlusest. Tema stiil mõjutas ka teisi Itaalia maalikunstnikke ning levis Euroopasse. Barocci pärandit tähistavad tema arvukad teosed, mis on tänapäeval eksponeeritud erinevates muuseumides nagu Uffizi galerii (Firenze) ja Louvre'i muuseum (Pariis). Tema loomingut iseloomustab sügav religioossus, inimlikud emotsioonid ning uuenduslik tehnika. Barocci on oluline kunstnik renessansi ja baroki vaheperioodil, kes aitas kaasa uue kunstisuuna kujunemisele Euroopas. Tema pastelsete toonide kasutamine ja pehme valgus andsid tema teostele erilise atmosfääri ning mõjutasid hilisemaid kunstnikke.

Kõik 116 teost Federico Barocci →

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Federico Barocci kuulsad maalid, numbrid 11 kuni 94

Federico Barocci kuulsaimad maalid ajastult ajastule

Early Period

Early Renaissance

Mature Period

Late Period

Teemad, mis püüdisid Federico Barocci pilma

Renaissance 30 teost

Woman 19 teost

Man 18 teost

Baroque 16 teost

Muuseumid, kus on säilitatud Federico Barocci originaalteosed

Federico Barocci aastakatega: iga aastakannaga üks unikaalne originaal

Teosed aastakate kaupa

Federico Barocci maalid: küsimused galeriile

Federico Barocci: kunstniku portree

Varajane Elu ja Koolkonna Algus

Kunstiline Karjäär ja Mõjutused

Olulised Teosed ja Pärand

Kunstiline Mõju ja Järglased