Uuendatud oktoober 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 35 teost Bertel Thorvaldsen meie kataloogis
Lühidalt
Galleriist vaadatuna on Bertel Thorvaldsen kõige kuulsam teos The three Graces, mille originaal ripub Accademia di San Luca-is, Rooma. Adonis (1808) ja Christ täidavad kolmikut, mille iga silm tunnistab. Kunstnii Bertel Thorvaldsen 35 teose põhjal esitleb galeriis allpool 29 kõige kuulsumat, kus iga originaal on märgitud aastaga, muuseumiga ja kirjeldatud, mis teeb selle unikaalseks.
In the quiet, hallowed halls of Neoclassical mastery, few works resonate with the same ethereal tenderness as Bertel Thorvaldsen’s The Three Graces. Sculpted in 1817 during the artist's most prolific years in Rome, this marble masterpiece is far more than a mere depiction of mythological figures; it is a profound meditation on harmony, intimacy, and the timeless ideals of beauty. As one gazes upon the smooth, luminous surfaces of the…
This marble sculpture, created by Bertel Thorvaldsen, depicts the mythological figure of Adonis. The work is a full-length portrait of a young male figure presented in a contrapposto pose. The figure stands with his body slightly angled towards the viewer, holding a staff or spear in one hand, while drapery is loosely gathered around his other arm and leg. The sculpture is set upon a simple, rectangular base.
To stand before this depiction of Christ is to encounter an immediate hush, a profound stillness captured in pale stone. The sculpture presents the upper torso and head of Jesus, rendered with the idealized perfection characteristic of Neoclassicism. Its surface, smooth and luminous—suggesting either fine marble or expertly finished plaster—seems to absorb and diffuse light, giving the figure an ethereal quality. The composition centers entirely on this divine presence; Christ’s…
To stand before this magnificent representation of Ganymede and the Eagle is to step directly into the luminous halls of classical mythology. The sculpture, a masterful testament to Neoclassical ideals, captures a moment suspended between divine favor and earthly devotion. It portrays Ganymede, the eternally youthful cupbearer to the gods, in an act of tender offering—presenting sustenance to the majestic eagle that perches nearby. The sheer physicality of the piece,…
The sculpture Christ is a work by the Danish-Icelandic artist Bertel Thorvaldsen. Created about 1821, this piece depicts Jesus Christ in a moment of quiet contemplation. It is a religious subject, rendered as a marble or plaster sculpture. The figure is presented with a sense of serene presence, capturing a specific devotional mood through its form.
The Lion of Lucerne, also known as the Lion Monument, emerges from the stone as a profound presence in Switzerland. Designed by the Danish sculptor Bertel Thorvaldsen, this rock relief captures a moment of heavy stillness. The work was hewn between 1820 and 1821 by Lukas Ahorn, carving a permanent memory into the cliff face. It remains one of the most famous monuments in Switzerland, drawing eyes to its silent,…
In the hallowed, quietude of a Roman church interior, where light dances softly against ancient stone, stands a masterpiece that transcends the boundaries of time. The Monument of Pius VIII, sculpted by the legendary Danish master Albert Bertel Thorvaldsen in 1853, is far more than a mere commemorative marker; it is a profound dialogue between the mortal and the divine. Through the medium of exquisite Carrara marble, Thorvaldsen captures not…
The Three Graces with Cupid1817 · Thorvaldseni Muuseum
12
Hebe1816 · Staatliche Kunsthalle Karlsruhe
13
Ganymede Waters Zeus as an Eagle1817 · Thorvaldseni Muuseum
14
Statue of Byron1831
15
Triumph of Alexander the Great - Detail of the frieze1812 · Quirinale Palace
16
Hebe1806 · Thorvaldseni Muuseum
17
Jason with the Golden Fleece1803 · Thorvaldseni Muuseum
18
Self Portrait1810
19
Hebe1806 · Thorvaldseni Muuseum
20
Shepherd1817 · Manchester Art Gallery
21
Hylas Abducted by the Nymphs1831 · Thorvaldseni Muuseum
22
Untitled (DAQP3C)
23
Ganymede and the EagleChrysler Museum of Art
24
Venus
25
Cupid and Psyche
26
Apolo
27
Paris
28
Head of Paris
29
Venus with Apple
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Bertel Thorvaldsen teosid | Selle nimekirja maalid |
|---|---|---|---|
 Thorvaldseni Muuseum |
Koopenaga | 9 | Christ, Shepherd Boy, Mercury Preparing to Kill Argus |
 Accademia di San Luca |
Rooma | 3 | The three Graces, Christ, Ganimede and the eagle |
 Neue Pinakothek |
München | 1 | Adonis |
 Püha Peetri basiilika |
Vatikan | 1 | Monument of Pius VIII |
 Statens Museum For Kunst |
Kooberemaa | 1 | Døgnets tider. Symboliseret ved fire vingede skikkelser |
 Staatliche Kunsthalle Karlsruhe |
Karlsruhe | 1 | Hebe |
 Quirinale Palace |
Rooma | 1 | Triumph of Alexander the Great - Detail of the frieze |
 Manchester Art Gallery |
Manchester | 1 | Shepherd |
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
This marble sculpture, created by Bertel Thorvaldsen, depicts the mythological figure of Adonis. The work is a full-length portrait of a young male figure presented in a contrapposto pose. The figure stands with his body slightly angled towards the viewer, holding a staff or spear in one hand, while drapery is loosely gathered around his other arm and leg. The sculpture is set upon a simple, rectangular base.
The Lion of Lucerne, also known as the Lion Monument, emerges from the stone as a profound presence in Switzerland. Designed by the Danish sculptor Bertel Thorvaldsen, this rock relief captures a moment of heavy stillness. The work was hewn between 1820 and 1821 by Lukas Ahorn, carving a permanent memory into the cliff face. It remains one of the most famous monuments in Switzerland, drawing eyes to its silent,…
The sculpture Christ is a work by the Danish-Icelandic artist Bertel Thorvaldsen. Created about 1821, this piece depicts Jesus Christ in a moment of quiet contemplation. It is a religious subject, rendered as a marble or plaster sculpture. The figure is presented with a sense of serene presence, capturing a specific devotional mood through its form.
The three Graces, Accademia di San Luca, Rooma. Järgnevad Adonis (1808) ja Christ.
The three Graces, Adonis, Christ, Ganimede and the eagle, Christ, The Lion of Lucerne, Monument of Pius VIII, Døgnets tider. Symboliseret ved fire vingede skikkelser, Shepherd Boy ja Mercury Preparing to Kill Argus. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 35 teost kunstnikult Bertel Thorvaldsen, mis on pärinevad ajastust 1794 kuni 1831.
Peamiselt Thorvaldseni Muuseum (Koopenaga), Accademia di San Luca (Rooma) ja Neue Pinakothek (München) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Ajal 1810s: 8 29 sellel lehel olevat teost on sellel perioodil loodud, მათart közül The Lion of Lucerne.
Sellel lehel on kõige vanem teos Døgnets tider. Symboliseret ved fire vingede skikkelser (1794) ja kõige värskeim Statue of Byron (1831).
Sculpture (8), Mythology (4) ja Classical art (4), kogu selle lehekülje 29 teose kohta.
Marble, 7 teoseks 29 töödelt sellel lehel.
Neoclassicism, seda lähtudes selle lehe originaalteostest.
Christ, Shepherd Boy ja Mercury Preparing to Kill Argus: Thorvaldseni Muuseum, Koopenaga säilitab 9 selle lehel olevat teost.
Albert Bertel Thorvaldsen (1770-1844) oli rahvusvaheliselt tuntud Taani ja Islandi skulptuurmeister, kelle teosest peegeldavad klassitsimi kunstipõhimõtted. Tema elu on lugu hästiast ilmneva erakordse talenti, pühendunud õppimisest ja laialdisest tunnustusesest.
Sündinud Kopenhaagenis, Taani, töölise perekonnas koos Islandi juurtele pöörduva pärandiga, näitas Thorvaldsen juba lapsepõlves suurepärast kunstilist potentsiaali. Juubelikuna oli ta juba võetud vastu Kuninglikku Taani Kunstiakadeemiasse. Tema erakordne oskus tõi talle 11797. aastal stipendi Rooma reisamiseks – see oli määrav mullapind, mis kujundas tema edaspidist karjääri.
Room tõustus Thorvaldseni kunstiliseks arenguks ideaalseks keskkonnaks. Ta uputas end klassikalise antikviidi uuringutesse, koopia pilu täpsusega muinaisi skulptuure ja imavad endasse vormi ja proportsiooni põhimõtteid. See pühendumus viis teda kujundama selgelt eristuvat klassitsistlikku stiili, mida iseloomustasid joone puhtus, idealiseeritud vormid ja rahulik suurejoonalisus.
Thorvaldsenil oli sügav mõju muinaiste Greek ja Rooma skulptuuride loomingul, samuti kaasaegsete kunstnike nagu Antonio Canova töudel. Kuid ta liikus ajapärast Canova lennukamast stiilist ülespoole, rõhutades lihtsust ja kesisust. Ta püüdis oma kujundites tabada mitte ainult füüsilist ilu, vaid ka moraalset väärtust.
1838. aastal naasid Thorvaldsen Taani riiki rahvusheroena. Taani valitsus rajastas Kopenhaagenisse Thorvaldseni Muuseumi, et säilitada tema teoseid, mis on tunnistus tema tohutule populaarsusele ja kunstilisele tähtsusele. Ta surmas 1844. aastal ning on peetud matusteks muuseumi sise двоore.
Bertel Thorvaldsen mängis võtuvrolli klassitsimi suunangu kujundamisel. Tema skulptuure imetleti ja jälgitati laialdaselt, mõjutades terveid kunstnikutassandeid. Ta õnnestus taaseldada klassikalisi ideaale skulptuuris, luues teoseid, mis inspireerivad austust ja imetust ka täna. Tema võime ühendada tehniline oskus koos kunstilise visiooniga kinnitas tema positsiooni kui ühe 19. sajandi olulisema skulpturi.
