Actualizado octubre 2026 · clasificado según nuestro índice de popularidad (búsquedas, visitas y pedidos de cada obra) · 91 obras de John Wootton en nuestro catálogo
En resumen
Para el ojo de la galería, la pintura más famosa de John Wootton es La muerte de la liebre (1735), cuya obra original se encuentra en el Yale Center for British Art, Nueva Haven. Retrato de un hombre a caballo (1720) y The Meet of a Hunt with Henry II Hoare (1705 - 1785) (1729) completan el trío que toda mirada reconoce. De las 91 obras de John Wootton en nuestro catálogo, la galería presenta a continuación las 91 más famosas; cada una original, con su año, su museo y aquello que la hace única.
En este óleo sobre lienzo, nos encontramos inmersos en la atmósfera silenciosa y densa de un paisaje tras la caza. La escena se desarrolla bajo la luz suave y difusa del atardecer, donde el cielo despliega azules pálidos y los tonos cálidos y cremosos de un sol poniente. Grandes y oscuros árboles enmarcan la composición a ambos lados, creando una viñeta natural que atrae la mirada hacia el drama central.…
En "Retrato de un hombre a caballo" de John Wootton, un caballero se encuentra montado sobre un caballo bayo oscuro. La composición es vertical y centrada, fijando la mirada del espectador directamente en el jinete. Viste un atuendo de equitación de carácter regio, con una presencia definida por un abrigo de un rojo saturado. Este color audaz atraviesa los matices apagados y tonos tierra del fondo. El sujeto se sitúa…
The composition centers on a group of horsemen and hounds assembled in a wide, rolling landscape. On the left, a tall stone obelisk rises vertically, providing a fixed point against the horizontal expanse of the countryside. The scene depicts a specific social gathering, identified by inscriptions as involving Henry Hoare and Benjamin Hoare. Henry Hoare is mounted on a horse, wearing a grey coat, while a groom leads a second…
The air feels heavy with the quiet dignity of the 18th century as a chestnut Arabian horse commands the center of the scene. Its sleek, muscular form catches the light from the upper left, casting soft shadows that define every curve of its powerful body. This is a portrait of poise and breeding. To the left, a man in classical attire holds the reins with a steady hand, his presence…
We are looking at The Duke of Hamilton's Grey Racehorse, 'Victorious,' at Newmarket, a significant work by the English painter John Wootton. Created about 1725, this oil painting captures a grey racehorse positioned within a vast, open landscape. The subject is presented with a sense of quiet dignity, set against an expansive backdrop that emphasizes the scale of the environment.
In this oil painting from about 1723, the viewer enters a moment of high social ritual. Lamprey at Newmarket, with a Group of Figures Including Sir William Morgan and Girolamo Bardoletti presents a formal presentation of a grey horse to a gathering of gentlemen. The scene unfolds in an outdoor setting, where the quiet tension of the assembly meets the presence of the animal. The artist, John Wootton, captures a…
A white stallion and a black stallion collide in a moment of intense physical struggle. The composition relies on a sharp diagonal tension, driving the eye from the bright, muscular form of the white horse on the left toward the deep, dark tones of its opponent on the right. Arched necks and outstretched limbs create a sense of chaotic movement, framed by the intervention of handlers and the sharp line…
The Shooting Party: Frederick, Prince of Wales with John Spencer and Charles Douglas, 3rd Duke of Queensberry is an oil on canvas executed by the English painter John Wootton. Dated 1740, the work belongs to the genre of Georgian Sporting Art. It captures a specific moment of aristocratic leisure, centering on a group of prominent figures engaged in a hunting scene.
The scene unfolds across a wide, panoramic landscape under a vast sky of blue and white. In the foreground, the immediate focus is a fallen stag, its body positioned amidst a group of hunting dogs that scatter around the carcass. Some of these animals actively engage with the animal, their forms creating a sense of movement against the earth. Beyond this central action, the midground contains a group of hunters,…
An expansive 18th-century landscape captures a group of aristocratic figures and their horses returning from a hunt. The composition utilizes a wide format to emphasize the scale of the estate, leading the eye from a detailed foreground of riders and attendants toward a distant, imposing stone manor situated on a slight rise. To the right, a dense cluster of mature trees provides verticality, framing the scene and adding depth to…
The Siege of Tournay1742 · Royal Collection
12
William Augustus, Duke of Cumberland (1721-65) at the Battle of Dettingen1744 · Royal Collection
13
Frederick, Prince of Wales (1707-1751) in the Hunting Field1734 · Royal Collection
14
A Fox Hunt1735 · Yale Center for British Art
15
Lord Portmore Watching Racehorses at Exercise on Newmarket Heath1735 · Yale Center for British Art
16
William Augustus, Duke of Cumberland (1721-1765)1745 · Royal Collection
17
Haycart Passing a Ruined Abbey1745 · Yale Center for British Art
18
Preparándose para la caza1745 · Yale Center for British Art
19
Abadía de Rievaulx1745 · Yale Center for British Art
20
Paisaje clásico: Mañana1740 · Yale Center for British Art
21
Paisaje clásico1725 · Yale Center for British Art
22
The Battle of Blenheim, 13 August (1704)
23
Horse Race at NewmarketPetworth House
24
Battle Scene on Bridge1706 · Antony House
25
George I at Newmarket, 4 or 5 October, 17171717 · Yale Center for British Art
26
El Duque de Rutland1715 · Yale Center for British Art
27
Sketch for ‘A prospect of Dover Castle’, Warmer Castle1727
28
Park Place, Henley1742 · Royal Collection
29
A Distant View of Henley-on-Thames1742 · Royal Collection
30
The Siege of Lille1742 · Royal Collection
31
A Grey Spotted Hound1738 · Yale Center for British Art
32
Two of the Duchess of Marlborough's Dogs1736
33
Classical Landscape1754 · Yale Center for British Art
34
Classical Landscape with Figures and Animals: Sunset1754 · Yale Center for British Art
35
Releasing the Hound1745 · Yale Center for British Art
36
Racing Scene at Newmarket1750 · Minneapolis Institute of Art
37
La partida de caza1740 · Royal Collection
38
Perros de caza y una urraca1740 · Museo del Hermitage
39
Classical LandscapeMuseo de Bellas Artes de Budapest
40
Paisaje clásico: Atardecer1740 · Yale Center for British Art
41
A Dark Bay Stallion, Possibly the Byerley Turk
42
Bowater Vernon (1683–1735), with Hanbury Hall and Its Formal GardenHanbury Hall
43
The Beauchamp-Proctor Family and Friends at Langley Park, Norfolk
44
The Bloody-Shouldered Arabian
45
Viscount Weymouth's Hunt The Hon. John Spencer beside a Hunter held by a Young Boy
46
Landscape with Angelica and Medoro
47
The Duke of Rutland
48
Classical Landscape with a Grecian Temple
49
Before the hunt
50
Paisaje clásico con gitanos1748 · Metropolitan Museum of Art
51
Retrato de Coplestone Warre Bampfylde (1720-96) frente a Hestercombe House con su cazador c. 1740Hestercombe House - Jardines
52
Rome from the Aventine HillBirmingham Museum and Art Gallery
53
Classical landscapeFitzwilliam Museum
54
Stag hunt
55
Horses Exercising on Newmarket Heath
56
'Lamprey' (A Racehorse)
57
A Race on the Round Course at NewmarketFitzwilliam Museum
58
Life-Size Horse with Huntsman Blowing a Horn
59
Landscape with Cattle
60
Lady Mary Churchill at the Death of the Hare
61
A View of Cassiobury Park
62
Coastal Scene with Shipping at DawnHartwell House
63
Muff, a Black and White Dog
64
A Turkey in a Landscape
65
Drovers at a Harbour
66
A Stag Hunt in Full CryWimpole Hall
67
George II (1683–1760), on HorsebackBlickling Hall
68
View of the Severn Valley with Haymaking and Figures
69
Landscape of a River Valley at SunsetHartwell House
70
Landscape with Fishermen
71
A Stag Hunt at Chirk
72
A Grey Horse and Jockey in Red Colours, before a StableClandon Park
73
Lionel Sackville, 1st Duke of Dorset, Lord Warden of the Cinque Ports, Returning in Procession to Dover CastleKnole
74
Italianate landscape
75
Equestrian Portrait of Sir Richard Hoare II (1709–1754), as Lord Mayor of London, at Temple Bar
76
William tregonwell frampton
77
Wooded Landscape and Coastal Town
78
A Bay Racehorse and Attendants
79
Sir Robert Walpole, 1st Earl of Orford, as a Ranger of Richmond Park
80
George II at the Battle of Dettingen, with the Duke of Cumberland and Robert, 4th Earl of Holderness, 27 June (1743)
81
Henry Hoare II (1705–1785), on Horseback
82
George Henry Lee, 3rd Earl of Litchfield, and his Uncle the Hon. Robert Lee, Subsequently 4th Earl of Litchfield, Shooting in 'True Blue' Frock Coats
83
A Classical Landscape with AnimalsUpton House
84
Dancing Dogs 'Lusette', 'Madore', 'Rosette' and 'Moucheby'Wallington Hall
85
Viscount Weymouth's Hunt A Groom holding a Saddled Grey Hunter with Hounds and Terriers
86
Viscount Weymouth's Hunt Two Hunt Servants on Hunters beside a Cottage
87
Gilbert Coventry (c.1688–1719), 4th Earl of Coventry, with Two Huntsmen in a LandscapeAntony House
88
A favorite poodle and monkey belonging to thomas osborn
89
Viscount Weymouth's Hunt Mr Jackson, the Hon. Henry Villiers and the Hon. Thomas Villiers, with Hunters and Hounds
90
Viscount Weymouth's Hunt Thomas, 2nd Viscount Weymouth, with a Black Page and other Huntsmen at the Kill
91
A View of Henley-on-Thames1742 · Royal Collection
Los cuatro temas que se repiten con más frecuencia en estas obras originales, cada uno con su mejor ejemplo.
Los 8 museos que albergan la mayoría de las pinturas de esta página.
| Museos | Ciudad | Obras de John Wootton | Pinturas de esta lista |
|---|---|---|---|
 Yale Center for British Art |
Nueva Haven | 18 | La muerte de la liebre, Retrato de un hombre a caballo, The Duke of Hamilton's Grey Racehorse, 'Victorious,' at Newmarket |
 Royal Collection |
Londres | 13 | The Hampton Court Chestnut Arabian, The Shooting Party: Frederick, Prince of Wales with John Spencer and Charles Douglas, 3rd Duke of Queensberry, The Death of the Stag |
 Antony House |
2 | Battle Scene on Bridge, Gilbert Coventry (c.1688–1719), 4th Earl of Coventry, with Two Huntsmen in a Landscape | |
 Fitzwilliam Museum |
2 | Classical landscape, A Race on the Round Course at Newmarket | |
 Hartwell House |
Aylesbury | 2 | Coastal Scene with Shipping at Dawn, Landscape of a River Valley at Sunset |
 Petworth House |
Petworth | 1 | Horse Race at Newmarket |
 Minneapolis Institute of Art |
Minneapolis | 1 | Racing Scene at Newmarket |
 Museo del Hermitage |
San Petersburgo | 1 | Perros de caza y una urraca |
Elige una década para ver la obra original que la define.
En "Retrato de un hombre a caballo" de John Wootton, un caballero se encuentra montado sobre un caballo bayo oscuro. La composición es vertical y centrada, fijando la mirada del espectador directamente en el jinete. Viste un atuendo de equitación de carácter regio, con una presencia definida por un abrigo de un rojo saturado. Este color audaz atraviesa los matices apagados y tonos tierra del fondo. El sujeto se sitúa…
En este óleo sobre lienzo, nos encontramos inmersos en la atmósfera silenciosa y densa de un paisaje tras la caza. La escena se desarrolla bajo la luz suave y difusa del atardecer, donde el cielo despliega azules pálidos y los tonos cálidos y cremosos de un sol poniente. Grandes y oscuros árboles enmarcan la composición a ambos lados, creando una viñeta natural que atrae la mirada hacia el drama central.…
The Shooting Party: Frederick, Prince of Wales with John Spencer and Charles Douglas, 3rd Duke of Queensberry is an oil on canvas executed by the English painter John Wootton. Dated 1740, the work belongs to the genre of Georgian Sporting Art. It captures a specific moment of aristocratic leisure, centering on a group of prominent figures engaged in a hunting scene.
La muerte de la liebre (1735), Yale Center for British Art, Nueva Haven. A Retrato de un hombre a caballo (1720) y The Meet of a Hunt with Henry II Hoare (1705 - 1785) (1729) le siguen.
53 años: La muerte de la liebre data de 1735, y John Wootton nació en 1682.
La muerte de la liebre, Retrato de un hombre a caballo, The Meet of a Hunt with Henry II Hoare (1705 - 1785), The Hampton Court Chestnut Arabian, The Duke of Hamilton's Grey Racehorse, 'Victorious,' at Newmarket, Lamprey at Newmarket, with a Group of Figures Including Sir William Morgan and Girolamo Bardoletti, Two Stallions Fighting, The Shooting Party: Frederick, Prince of Wales with John Spencer and Charles Douglas, 3rd Duke of Queensberry, The Death of the Stag y The Return from the Chase. La clasificación anterior indica el año y el museo de cada una.
Nuestro catálogo cuenta con 91 obras de John Wootton, datadas desde 1706 hasta 1754.
Principalmente en Yale Center for British Art (Nueva Haven), Royal Collection (Londres) y Antony House. La tabla de museos arriba los enumera todos.
En 1740s: 17 de las 91 obras de esta página se realizaron entonces, The Shooting Party: Frederick, Prince of Wales with John Spencer and Charles Douglas, 3rd Duke of Queensberry de ellas.
En esta página, la más antigua es Battle Scene on Bridge (1706) y la más reciente Classical Landscape (1754).
Landscape (24), Horse (10) y Hunting (10), en las 91 obras de esta página.
Oil On Canvas, para 13 de las 91 obras de esta página.
Baroque, a juzgar por los originales de esta página.
La muerte de la liebre, Retrato de un hombre a caballo y The Duke of Hamilton's Grey Racehorse, 'Victorious,' at Newmarket: el Yale Center for British Art, Nueva Haven posee 18 de las obras de esta página.
