Actualizado octubre 2026 · clasificado según nuestro índice de popularidad (búsquedas, visitas y pedidos de cada obra) · 53 obras de Edwaert Collier en nuestro catálogo
En resumen
Para la galería, la pintura más famosa de Edwaert Collier es Edward Collier (1683). Naturaleza muerta con un volumen de 'Emblemes' de Wither (1696) y Naturaleza muerta Vanitas (10) (1697) completan el trío que toda mirada reconoce. De las 53 obras de Edwaert Collier en nuestro catálogo, la galería presenta a continuación las 46 más famosas; cada una original, con su año, su museo y aquello que la hace única.
El óleo sobre lienzo titulado Edward Collier es una obra de Evert Collier. Esta pieza específica data de 1683 y mide 44 x 53 cm. La superficie contiene una quietud profunda, un momento capturado de un hombre envuelto en una túnica roja.
Naturaleza muerta con un volumen de 'Emblemes' de Wither es una obra al óleo sobre lienzo ejecutada por Evert Collier en 1696. Esta pieza tiene su origen durante el periodo de actividad del artista en Inglaterra, tras su llegada desde los Países Bajos en 1693. Collier, nacido en Breda, Países Bajos, pasó sus últimos años en Londres, ciudad donde falleció en 1708.
La obra óleo sobre lienzo titulada Naturaleza muerta Vanitas (10) es una pieza magistral de Evert Collier, ejecutada en el año 1697. El artista, nacido en Breda, Países Bajos, en 1642, se erigió como una figura prominente de la Edad de Oro neerlandesa. Collier vivió hasta 1708, dejando tras de sí un legado artístico definido por la observación meticulosa de los objetos materiales y su profundo peso simbólico.
La escena se despliega a través de la Naturaleza muerta de vanitas con un laúd boca arriba, un globo terráqueo orientado hacia el océano Pacífico, un ejemplar abierto de The British Merlin de Rider Cardanus y un grabado de César Octavianus Augustus. Esta composición emerge de la mano de Evert Collier, un artista nacido en Breda. Los objetos descansan en una atmósfera silenciosa y densa, como si hubieran quedado atrapados…
This work, titled Vanitas Still Life, was executed by Evert Collier in 1662. It is an oil on wood painting that measures 94 x 112 cm. The piece belongs to the Dutch Golden Age, a period when Collier began establishing his reputation for meticulous detail and symbolic depth.
A Vanitas Still Life is an oil on canvas work by Evert Collier. Executed about 1675, the painting belongs to the Dutch Golden Age. The artist, born in Breda, Netherlands, in 1642, utilized the vanitas genre to contemplate the transience of earthly existence through a dense arrangement of symbolic objects.
Trompe l'oeil still-life of a letter rack is an oil on canvas work by Evert Collier, dated 1684. The artist, born in Breda, Netherlands, in 1642, was a prominent figure of the Dutch Golden Age. Collier lived until 1708.
The scene unfolds within Vanitas Still Life with a Statuette of an Antique Athlete and a Print of Michelangelo, a work that invites a quiet contemplation of existence. Evert Collier presents this still life as a meditation on the fleeting nature of life and the weight of human achievement. Every object rests upon a red velvet tablecloth, waiting for the viewer to notice the subtle interplay of shadow and light.…
The scene unfolds within Vanitas with Books, Instruments, and an Astronomical Globe on a table, a work that captures a quiet, heavy moment of contemplation. Created around 1688, this painting presents a collection of objects that whisper of human knowledge and the inevitable passage of time. Every item resting upon the draped surface invites a gaze into the depths of the Dutch Golden Age, a period where the pursuit of…
This portrait of Charles I is a work by the Dutch Golden Age artist Evert Collier. Created in 1698, the piece captures the monarch in a manner that reflects the artist's specific technical interests. Collier, who was born in Breda, Netherlands, in 1642, brought a particular sensibility to this depiction, shaped by his training and his later movements through the artistic centers of Europe.
Trompe L’oeil still life of an engraving with a portrait of Desiderius Erasmus (1466-1536) affixed to a wooden panel1694
12
A trompe l'oeil of a letter rack with a print, a quill, sealing wax and a knife1706
13
Still Life: The Smell1701 · Museum of Fine Arts
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Still life with books, globe, musical instruments and a print on a table1700
15
Naturaleza muerta Vanitas1675 · Mauritshuis
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Vanitas still life with a candlestick, books, musical instruments, an astrological globe, a pocket watch, and an hourglass all on a draped table
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Naturaleza muerta de Vanitas con monedas y otros objetos sobre una mesa1661 · Fine Arts Museums of San Francisco
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Vanitas still life with a globe, a violin and bow, lemon peel, a recorder, a musical score, an open book, an hour glass and other objects
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Vanitas1661 · Galería Nacional Finlandesa
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Vanitas still life with a globe, books, and a box of jewels all resting on a draped table1650
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Still life with roemer, oysters, bread and shrimp1661
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Still life with white jug with playing cards, smoker's requisites and passglass1650
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Vanitas still life with books, musical instruments, and a pair of globes1664 · Museo De Lakenhal
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Vanitas still life1662 · Rijksmuseum
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Toebackje, still life of smoking utensils1664 · Wallraf-Richartz-Museum
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Vanitas Still-Life (12)1665
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Self-Portrait with a Vanitas Still- Life1684 · Honolulu Museum of Art
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Vanitas Still Life with a Crowned Skull1689
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A Letter Rack1695 · Yale Center for British Art
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Vanitas Still-Life (14)1697
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A Trompe l'oeil of Newspapers, Letters and Writing Implements on a Wooden Board1699
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Vanitas Still-Life (13)1705
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Trompe l'oeil, Letter Rack1700
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Vanitas still life with a candlestick
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Still Life1699
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A vanitas still life with celestial and terrestial globes, a pair of dividers, a sextant, an inkwell with a quill and a candle, and a copy of A mathematical compendium, or, Useful practices in arithmetick, geometry, and astronomy, geography and navig....
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A Vanitas Still LifeAuckland Art Gallery Toi o Tāmaki
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A vanitasDenver Art Museum
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Letter rackGalería de Arte de Australia del Sur
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Vanitas - Still Life with Books and Manuscripts and a SkullMuseo Nacional de Arte Occidental
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Trompe l'oeil with Writing MaterialsVictoria and Albert Museum
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A vanitas still life with a candlestick, a skull, a shell, bubbles, a watch, a portrait of Charles I, and other objects on a draped table
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Still lifeMuseo de Arte de Indianápolis
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A Trompe L'Oeil Still Life with letters, a magazine, a notebook, a magnifying glass, scissors, a quill, a letter opener and a tortoise shell comb
45
A vanitas still life with books and leaflets, a globe, a princely flag, a musical score, musical instruments and an hourglass on a draped table with a silver tazza, coins, a watch and a purse
46
A vanitas still life with a violin, a recorder and a score of music on a marble table top
#1 Edward Collier
#2 Naturaleza muerta con un volumen de 'Emblemes' de Wither
#4 Naturaleza muerta de vanitas con un laúd boca arriba, un globo terráqueo orientado hacia el océano Pacífico, un ejemplar abierto de The British Merlin de Rider Cardanus y un grabado de César Octavianus Augustus
#15 Naturaleza muerta Vanitas
Los cuatro temas que se repiten con más frecuencia en estas obras originales, cada uno con su mejor ejemplo.
#16 Vanitas still life with a candlestick, books, musical instruments, an astrological globe, a pocket watch, and an hourglass all on a draped table
#18 Vanitas still life with a globe, a violin and bow, lemon peel, a recorder, a musical score, an open book, an hour glass and other objects
#26 Vanitas Still-Life (12)
#27 Self-Portrait with a Vanitas Still- Life
Los 8 museos que albergan la mayoría de las pinturas de esta página.
| Museos | Ciudad | Obras de Edwaert Collier | Pinturas de esta lista |
|---|---|---|---|
 Denver Art Museum |
Denver | 2 | Charles I, A vanitas |
 Metropolitan Museum of Art |
Nueva York | 1 | Vanitas Still Life |
 Museo de Bellas Artes de Budapest |
Budapest | 1 | A Vanitas Still Life |
 Museo de las Artes Visuales |
Leipzig | 1 | Vanitas with Books, Instruments, and an Astronomical Globe on a table |
 Museum of Fine Arts |
Houston | 1 | Still Life: The Smell |
 Mauritshuis |
La Haya | 1 | Naturaleza muerta Vanitas |
 Fine Arts Museums of San Francisco |
San Francisco | 1 | Naturaleza muerta de Vanitas con monedas y otros objetos sobre una mesa |
 Galería Nacional Finlandesa |
Helsinki | 1 | Vanitas |
Elige una década para ver la obra original que la define.
La escena se despliega a través de la Naturaleza muerta de vanitas con un laúd boca arriba, un globo terráqueo orientado hacia el océano Pacífico, un ejemplar abierto de The British Merlin de Rider Cardanus y un grabado de César Octavianus Augustus. Esta composición emerge de la mano de Evert Collier, un artista nacido en Breda. Los objetos descansan en una atmósfera silenciosa y densa, como si hubieran quedado atrapados…
This work, titled Vanitas Still Life, was executed by Evert Collier in 1662. It is an oil on wood painting that measures 94 x 112 cm. The piece belongs to the Dutch Golden Age, a period when Collier began establishing his reputation for meticulous detail and symbolic depth.
A Vanitas Still Life is an oil on canvas work by Evert Collier. Executed about 1675, the painting belongs to the Dutch Golden Age. The artist, born in Breda, Netherlands, in 1642, utilized the vanitas genre to contemplate the transience of earthly existence through a dense arrangement of symbolic objects.
El óleo sobre lienzo titulado Edward Collier es una obra de Evert Collier. Esta pieza específica data de 1683 y mide 44 x 53 cm. La superficie contiene una quietud profunda, un momento capturado de un hombre envuelto en una túnica roja.
Naturaleza muerta con un volumen de 'Emblemes' de Wither es una obra al óleo sobre lienzo ejecutada por Evert Collier en 1696. Esta pieza tiene su origen durante el periodo de actividad del artista en Inglaterra, tras su llegada desde los Países Bajos en 1693. Collier, nacido en Breda, Países Bajos, pasó sus últimos años en Londres, ciudad donde falleció en 1708.
A trompe l'oeil of a letter rack with a print, a quill, sealing wax and a knife emerges from the shadows, inviting the eye to believe in its physical presence. This work, painted by Evert Collier, captures a moment of suspended animation where stationery and tools rest against a dark void. The scene feels immediate, as if the viewer has just stepped into a private study where correspondence remains half-finished…
Edward Collier (1683). A continuación, Naturaleza muerta con un volumen de 'Emblemes' de Wither (1696) y Naturaleza muerta Vanitas (10) (1697).
41 años: Edward Collier data de 1683, y Edwaert Collier nació en 1642.
Edward Collier, Naturaleza muerta con un volumen de 'Emblemes' de Wither, Naturaleza muerta Vanitas (10), Naturaleza muerta de vanitas con un laúd boca arriba, un globo terráqueo orientado hacia el océano Pacífico, un ejemplar abierto de The British Merlin de Rider Cardanus y un grabado de César Octavianus Augustus, Vanitas Still Life, A Vanitas Still Life, Trompe l'oeil still-life of a letter rack, Vanitas Still Life with a Statuette of an Antique Athlete and a Print of Michelangelo, Vanitas with Books, Instruments, and an Astronomical Globe on a table y Charles I. La clasificación anterior indica el año y el museo de cada una.
Nuestro catálogo cuenta con 53 obras de Edwaert Collier, datadas desde 1650 hasta 1706.
Principalmente en Denver Art Museum (Denver), Metropolitan Museum of Art (Nueva York) y Museo de Bellas Artes de Budapest (Budapest). La tabla de museos arriba los enumera todos.
En 1660s: 8 de las 46 obras de esta página se realizaron entonces, Vanitas Still Life de ellas.
En esta página, la más antigua es Vanitas still life with a globe, books, and a box of jewels all resting on a draped table (1650) y la más reciente A trompe l'oeil of a letter rack with a print, a quill, sealing wax and a knife (1706).
Life (13), Books (7) y Calavera (3), en las 46 obras de esta página.
Óleo sobre lienzo, para 4 de las 46 obras de esta página.
Barroco, a juzgar por los originales de esta página.
Charles I y A vanitas: el Denver Art Museum, Denver posee 2 de las obras de esta página.
Evert Collier, born circa 1642 in Breda, Noord-Brabant, emerged as a prominent figure within the Dutch Golden Age artistic landscape—a period characterized by unparalleled innovation and opulent patronage. His early training in Haarlem under Vincent Laurensz van der Vinne instilled foundational principles of observation and draughtsmanship, shaping his distinctive approach to still life painting.
Collier distinguished himself from many of his contemporaries through his masterful execution of trompe-l'œil—a technique designed to deceive the eye by creating illusions of depth and dimensionality on a flat surface. Unlike conventional realism, trompe-l'œil prioritized visual trickery over accurate representation, transforming ordinary objects into captivating spectacles.
Collier’s still lifes transcended mere depiction; they functioned as meditations on mortality—a central preoccupation within the vanitas genre prevalent during his era. Each element meticulously chosen conveyed a profound message about decay, remembrance, and the inevitability of death.
Collier’s artistic legacy extends beyond his individual oeuvre—he exerted considerable influence on subsequent generations of Dutch painters, particularly those exploring the trompe-l'œil technique. His works are housed in prominent museums worldwide, including the Rijksmuseum (Amsterdam), Tate London, Denver Art Museum and Honolulu Museum of Art, ensuring that his visionary artistry continues to inspire admiration and scholarly inquiry.
Sources: Bryan’s Dictionary of Painters and Engravers; Netherlands Institute for Art History; Biographical Notices from Various Art Historical Databases
