Retrato de Charles Harris

Las 91 pinturas más famosas de Charles Harris, una selección de la galería

Actualizado noviembre 2026 · clasificado según nuestro índice de popularidad (búsquedas, visitas y pedidos de cada obra) · 32 obras de Charles Harris en nuestro catálogo

En resumen

De todos los originales que dejó Charles Harris, la más famosa es Una marcha pacífica en reconocimiento al Día Nacional de Duelo de MLK (1968), que forma parte de la colección del Sistema de Bibliotecas de la Universidad de Pittsburgh, Pittsburgh. Le siguen muy de cerca Un oficial de policía levanta su porra durante la Marcha por la Paz de Pittsburgh (1968) y Un hombre observa a la policía formar una barricada durante la marcha por la paz en Pittsburgh (1968). Nuestro catálogo cuenta con 32 obras de Charles Harris; la galería ha conservado las 91 que el mundo más admira, cada una presentada con su fecha, su museo y su historia.

1908 – 1998, Pittsburgh Fotografía documental Más obras: Sistema de Bibliotecas de la Universidad de Pittsburgh

Las 10 mejores pinturas de Charles Harris: la elección de la galería

1
Una marcha pacífica en reconocimiento al Día Nacional de Duelo de MLK (1968) de Charles Harris

Una marcha pacífica en reconocimiento al Día Nacional de Duelo de MLK

1968 · Fotografía en blanco y negro · Sistema de Bibliotecas de la Universidad de Pittsburgh, Pittsburgh

Una marcha pacífica en reconocimiento al Día Nacional de Duelo de MLK es una fotografía en blanco y negro de Charles Harris. Capturada en 1968, la imagen documenta un momento específico de movimiento social en Pittsburgh, Pensilvania. La fotografía funciona como un registro visual de la respuesta de la ciudad ante el malestar civil tras el asesinato del Dr. Martin Luther King, Jr. Esta obra forma parte de una serie…

2
Un oficial de policía levanta su porra durante la Marcha por la Paz de Pittsburgh (1968) de Charles Harris

Un oficial de policía levanta su porra durante la Marcha por la Paz de Pittsburgh

1968 · Fotografía en blanco y negro · Sistema de Bibliotecas de la Universidad de Pittsburgh, Pittsburgh

Esta fotografía en blanco y negro, capturada en 1968, retrata una escena de la Marcha por la Paz de Pittsburgh. La composición se centra en un oficial de policía situado en el primer plano, quien, con un casco puesto, sostiene su porra elevada hacia el cielo. Tras él, una multitud de individuos ocupa el espacio urbano; algunas figuras visten corbatas y atuendo formal, mientras que otras lucen vestimentas más casuales.…

3
Un hombre observa a la policía formar una barricada durante la marcha por la paz en Pittsburgh (1968) de Charles Harris

Un hombre observa a la policía formar una barricada durante la marcha por la paz en Pittsburgh

1968 · Fotografía en blanco y negro · Sistema de Bibliotecas de la Universidad de Pittsburgh, Pittsburgh

En esta fotografía en blanco y negro de 1968, nos encontramos en una calle de Pittsburgh, situados justo detrás de un hombre que se ha convertido en un ancla silenciosa para toda la escena. Viste traje y sombrero, con la espalda vuelta hacia nosotros y la atención totalmente fija en la tensión que se desarrolla ante sus ojos. No es un participante en el movimiento, sino un testigo. Delante de…

4
La multitud se reúne cerca de Mendelsohn (1968) de Charles Harris

La multitud se reúne cerca de Mendelsohn

1968 · Fotografía en blanco y negro · Sistema de Bibliotecas de la Universidad de Pittsburgh, Pittsburgh

Esta fotografía captura una densa reunión de personas en una calle de Pittsburgh, congelada en los tonos de escala de grises de 1968. En el primer plano, dos hombres con chaquetas de cuero caminan hacia el espectador, cuya presencia ancla una composición definida por las líneas de fuga de la arquitectura urbana. Detrás de ellos, una gran multitud llena la calle, creando formas orgánicas y amorfas que contrastan con la…

5
Cuatro individuos de pie en las escaleras del Edificio Federal durante la Marcha por la Paz de Pittsburgh (1968) de Charles Harris

Cuatro individuos de pie en las escaleras del Edificio Federal durante la Marcha por la Paz de Pittsburgh

1968 · Fotografía en blanco y negro · Sistema de Bibliotecas de la Universidad de Pittsburgh, Pittsburgh

En esta fotografía histórica, titulada "Cuatro individuos de pie en las escaleras del Edificio Federal durante la Marcha por la Paz de Pittsburgh", nos encontramos ante un momento silencioso y congelado de un día trascendental en la historia estadounidense. Capturada por Charles Martin Hardie el 7 de abril de 1968, la imagen documenta una convergencia específica entre la humanidad y la arquitectura. La escena se desarrolla sobre las escaleras del…

6
Una marcha pacífica que se extiende por varias manzanas (1968) de Charles Harris

Una marcha pacífica que se extiende por varias manzanas

1968 · Fotografía en blanco y negro · Sistema de Bibliotecas de la Universidad de Pittsburgh, Pittsburgh

Un río de trajes oscuros y camisas claras fluye a través de los cañones urbanos de 1968. La calle es un corredor gris, flanqueado por la geometría dura e inflexible de los edificios de la ciudad. Los hombres avanzan en una procesión constante y rítmica, donde su vestimenta formal establece un marcado contraste con la urgencia visceral de su propósito. Un micrófono se alza en lo alto, una pequeña herramienta…

7
Dos coches pasan por un cordón policial durante la marcha por la paz en Pittsburgh (1968) de Charles Harris

Dos coches pasan por un cordón policial durante la marcha por la paz en Pittsburgh

1968 · Fotografía en blanco y negro · Sistema de Bibliotecas de la Universidad de Pittsburgh, Pittsburgh

El aire se siente pesado, cargado con el peso de una ciudad en constante transformación. En una calle de Pittsburgh, la quietud de una tarde cualquiera se ve destrozada por el movimiento repentino de dos automóviles. Estos atraviesan un cordón policial, cortando las líneas organizadas destinadas a contener la marea de la marcha por la paz. Un hombre permanece de pie en la acera, con el cuerpo inmóvil y la…

8
Henry R. Smith mira a un individuo fuera de cámara durante la Marcha por la Paz de Pittsburgh (1968) de Charles Harris

Henry R. Smith mira a un individuo fuera de cámara durante la Marcha por la Paz de Pittsburgh

1968 · Fotografía en blanco y negro · Sistema de Bibliotecas de la Universidad de Pittsburgh, Pittsburgh

Un hombre con un suéter oscuro de cuello alto ancla la composición. No mira a la lente; sus ojos están fijos en algo invisible, un punto de interés que se encuentra justo más allá del límite del mundo de haluro de plata. Su expresión es densa, una gravedad silenciosa que arrastra al espectador hacia su quietud. A su alrededor, el mundo está en movimiento. Figuras se desdibujan y se desplazan…

La selección de Charles Harris continúa, de 11 a 91

11Marchers Walk Hand in Hand During Pittsburgh Peace March (1968) de Charles HarrisMarchers Walk Hand in Hand During Pittsburgh Peace March1968 · Sistema de Bibliotecas de la Universidad de Pittsburgh 12Byrd Brown Speaks to Marchers During Pittsburgh Peace March (1968) de Charles HarrisByrd Brown Speaks to Marchers During Pittsburgh Peace March1968 · Sistema de Bibliotecas de la Universidad de Pittsburgh 13George Barbour of KDKA Radio Interviews Man holding Child (1968) de Charles HarrisGeorge Barbour of KDKA Radio Interviews Man holding Child1968 · Sistema de Bibliotecas de la Universidad de Pittsburgh 14Local Residents Watch as Crowd Gathers for Pittsburgh Peace March (1968) de Charles HarrisLocal Residents Watch as Crowd Gathers for Pittsburgh Peace March1968 · Sistema de Bibliotecas de la Universidad de Pittsburgh 15Nate Smith Surrounded by Crowd as He Speaks to David W. Craig in Preparation March (1968) de Charles HarrisNate Smith Surrounded by Crowd as He Speaks to David W. Craig in Preparation March1968 · Sistema de Bibliotecas de la Universidad de Pittsburgh 16George Barbour of KDKA Radio Interviews Man During Pittsburgh Peace March (1968) de Charles HarrisGeorge Barbour of KDKA Radio Interviews Man During Pittsburgh Peace March1968 · Sistema de Bibliotecas de la Universidad de Pittsburgh 17George Barbour of KDKA Radio Interviews Nun During Pittsburgh Peace March (1968) de Charles HarrisGeorge Barbour of KDKA Radio Interviews Nun During Pittsburgh Peace March1968 · Sistema de Bibliotecas de la Universidad de Pittsburgh 18Nate Smith Surrounded by Crowd While Man Photographs During Pittsburgh Peace March (1968) de Charles HarrisNate Smith Surrounded by Crowd While Man Photographs During Pittsburgh Peace March1968 · Sistema de Bibliotecas de la Universidad de Pittsburgh 19Elmer Charles and Gerald W. Fox Speak with Police during the Pittsburgh Peace March (1968) de Charles HarrisElmer Charles and Gerald W. Fox Speak with Police during the Pittsburgh Peace March1968 · Sistema de Bibliotecas de la Universidad de Pittsburgh 20Elmer Charles Shouts While Man Attempts to Talk to Police Officer During Pittsburgh Peace March (1968) de Charles HarrisElmer Charles Shouts While Man Attempts to Talk to Police Officer During Pittsburgh Peace March1968 · Sistema de Bibliotecas de la Universidad de Pittsburgh 21Firefighters Battle Fire During Pittsburgh Peace March (1968) de Charles HarrisFirefighters Battle Fire During Pittsburgh Peace March1968 · Sistema de Bibliotecas de la Universidad de Pittsburgh 22Young Boys Watch as Barricade Forms During Pittsburgh Peace March (1968) de Charles HarrisYoung Boys Watch as Barricade Forms During Pittsburgh Peace March1968 · Sistema de Bibliotecas de la Universidad de Pittsburgh 23Man Holds Woman as Crowd Gathers Near Church During MLK Morning March (1968) de Charles HarrisMan Holds Woman as Crowd Gathers Near Church During MLK Morning March1968 · Sistema de Bibliotecas de la Universidad de Pittsburgh 24The Crowd Grows in Anticipation of the Pittsburgh Peace March (1968) de Charles HarrisThe Crowd Grows in Anticipation of the Pittsburgh Peace March1968 · Sistema de Bibliotecas de la Universidad de Pittsburgh 25Preparing to March From the Hill District to Downtown for Pittsburgh Peace March (1968) de Charles HarrisPreparing to March From the Hill District to Downtown for Pittsburgh Peace March1968 · Sistema de Bibliotecas de la Universidad de Pittsburgh 26Firefighters Battle Fire in the Hill District During Pittsburgh Peace March (1968) de Charles HarrisFirefighters Battle Fire in the Hill District During Pittsburgh Peace March1968 · Sistema de Bibliotecas de la Universidad de Pittsburgh 27Los manifestantes se acercan unos a otros durante la Marcha por la Paz de Pittsburgh (1968) de Charles HarrisLos manifestantes se acercan unos a otros durante la Marcha por la Paz de Pittsburgh1968 · Sistema de Bibliotecas de la Universidad de Pittsburgh 28Police Move Across Street During Pittsburgh Peace March (1968) de Charles HarrisPolice Move Across Street During Pittsburgh Peace March1968 · Sistema de Bibliotecas de la Universidad de Pittsburgh 29Byrd Brown, Elmer Charles, Alecia Gady and Alma Speed Fox Gather During Pittsburgh Peace March (1968) de Charles HarrisByrd Brown, Elmer Charles, Alecia Gady and Alma Speed Fox Gather During Pittsburgh Peace March1968 · Sistema de Bibliotecas de la Universidad de Pittsburgh 30Byrd Brown lidera a los manifestantes durante la Marcha por la Paz de Pittsburgh (1968) de Charles HarrisByrd Brown lidera a los manifestantes durante la Marcha por la Paz de Pittsburgh1968 · Sistema de Bibliotecas de la Universidad de Pittsburgh 31Byrd Brown y otro hombre cerca de la Civic Arena mientras se preparan para participar en la Marcha por la Paz de Pittsburgh (1968) de Charles HarrisByrd Brown y otro hombre cerca de la Civic Arena mientras se preparan para participar en la Marcha por la Paz de Pittsburgh1968 · Sistema de Bibliotecas de la Universidad de Pittsburgh 32A Helicopter Flies Into Hill District During Pittsburgh Peace March (1968) de Charles HarrisA Helicopter Flies Into Hill District During Pittsburgh Peace March1968 · Sistema de Bibliotecas de la Universidad de Pittsburgh 33Steel Building with Flags at Half Staff in Recognition of MLK Assassination (1968) de Charles HarrisSteel Building with Flags at Half Staff in Recognition of MLK Assassination1968 · Sistema de Bibliotecas de la Universidad de Pittsburgh 34Pittsburgh Peace Marchers Gather (1968) de Charles HarrisPittsburgh Peace Marchers Gather1968 · Sistema de Bibliotecas de la Universidad de Pittsburgh 35Hill District Street View During Pittsburgh Peace March (1968) de Charles HarrisHill District Street View During Pittsburgh Peace March1968 · Sistema de Bibliotecas de la Universidad de Pittsburgh 36A Helicopter Makes Its Decent During Pittsburgh Peace March (1968) de Charles HarrisA Helicopter Makes Its Decent During Pittsburgh Peace March1968 · Sistema de Bibliotecas de la Universidad de Pittsburgh 37Byrd Brown Looks to the Camera During Pittsburgh Peace March (1968) de Charles HarrisByrd Brown Looks to the Camera During Pittsburgh Peace March1968 · Sistema de Bibliotecas de la Universidad de Pittsburgh 38Two Women Make Their Way to Join Pittsburgh Peace March (1968) de Charles HarrisTwo Women Make Their Way to Join Pittsburgh Peace March1968 · Sistema de Bibliotecas de la Universidad de Pittsburgh 39Alma Fox y otros esperan el inicio de la Marcha por la Paz de Pittsburgh (1968) de Charles HarrisAlma Fox y otros esperan el inicio de la Marcha por la Paz de Pittsburgh1968 · Sistema de Bibliotecas de la Universidad de Pittsburgh 40Byrd Brown and Several Youths Gather During Pittsburgh Peace March (1968) de Charles HarrisByrd Brown and Several Youths Gather During Pittsburgh Peace March1968 · Sistema de Bibliotecas de la Universidad de Pittsburgh 41Helicopters Survey the Pittsburgh Peace March (1968) de Charles HarrisHelicopters Survey the Pittsburgh Peace March1968 · Sistema de Bibliotecas de la Universidad de Pittsburgh 42Man and Woman Stand in Crowd During Pittsburgh Peace March (1968) de Charles HarrisMan and Woman Stand in Crowd During Pittsburgh Peace March1968 · Sistema de Bibliotecas de la Universidad de Pittsburgh 43Three Men Sit Near a Car During Pittsburgh Peace March (1968) de Charles HarrisThree Men Sit Near a Car During Pittsburgh Peace March1968 · Sistema de Bibliotecas de la Universidad de Pittsburgh 44US Steel Building Located on Grant Street in Downtown Pittsburgh (1968) de Charles HarrisUS Steel Building Located on Grant Street in Downtown Pittsburgh1968 · Sistema de Bibliotecas de la Universidad de Pittsburgh 45Police and Marchers Gathered on Corner During MLK Morning March (1968) de Charles HarrisPolice and Marchers Gathered on Corner During MLK Morning March1968 · Sistema de Bibliotecas de la Universidad de Pittsburgh 46Two Women, One in Wheelchair, Join the Pittsburgh Peace March (1968) de Charles HarrisTwo Women, One in Wheelchair, Join the Pittsburgh Peace March1968 · Sistema de Bibliotecas de la Universidad de Pittsburgh 47A Car Passes by Police Officer on Cruiser During Pittsburgh Peace March (1968) de Charles HarrisA Car Passes by Police Officer on Cruiser During Pittsburgh Peace March1968 · Sistema de Bibliotecas de la Universidad de Pittsburgh 48A Man Watches as Armed Police Barricade the Street Before Pittsburgh Peace March (1968) de Charles HarrisA Man Watches as Armed Police Barricade the Street Before Pittsburgh Peace March1968 · Sistema de Bibliotecas de la Universidad de Pittsburgh 49A Helicopter Flies Towards the Hill District During Pittsburgh Peace March (1968) de Charles HarrisA Helicopter Flies Towards the Hill District During Pittsburgh Peace March1968 · Sistema de Bibliotecas de la Universidad de Pittsburgh 50Manifestantes se toman de las manos en solidaridad durante la Marcha por la Paz de Pittsburgh (1968) de Charles HarrisManifestantes se toman de las manos en solidaridad durante la Marcha por la Paz de Pittsburgh1968 · Sistema de Bibliotecas de la Universidad de Pittsburgh 51A Car Passes By as Armed Police Barricade the Street Before Pittsburgh Peace March (1968) de Charles HarrisA Car Passes By as Armed Police Barricade the Street Before Pittsburgh Peace March1968 · Sistema de Bibliotecas de la Universidad de Pittsburgh 52A Man Watches as Marchers Gather at Corner During Pittsburgh Peace March (1968) de Charles HarrisA Man Watches as Marchers Gather at Corner During Pittsburgh Peace March1968 · Sistema de Bibliotecas de la Universidad de Pittsburgh 53William Moore Leads the Way During Pittsburgh Peace March (1968) de Charles HarrisWilliam Moore Leads the Way During Pittsburgh Peace March1968 · Sistema de Bibliotecas de la Universidad de Pittsburgh 54Byrd Brown and Nate Smith Talk to David W. Craig During Pittsburgh Peace March (1968) de Charles HarrisByrd Brown and Nate Smith Talk to David W. Craig During Pittsburgh Peace March1968 · Sistema de Bibliotecas de la Universidad de Pittsburgh 55A Peaceful March Begins in Mourning of Dr. Martin Luther King, Jr. (1968) de Charles HarrisA Peaceful March Begins in Mourning of Dr. Martin Luther King, Jr.1968 · Sistema de Bibliotecas de la Universidad de Pittsburgh 56Two Police Officers Stand at the Corner of Crawford Street and Center Ave During March (1968) de Charles HarrisTwo Police Officers Stand at the Corner of Crawford Street and Center Ave During March1968 · Sistema de Bibliotecas de la Universidad de Pittsburgh 57A Second Fire truck Arrives to Help Battle Fire in the Hill District During Pittsburgh Peace March (1968) de Charles HarrisA Second Fire truck Arrives to Help Battle Fire in the Hill District During Pittsburgh Peace March1968 · Sistema de Bibliotecas de la Universidad de Pittsburgh 58Alma Speed Fox, Nate Smith, and Other Marchers Gather in Preparation of Pittsburgh Peace March (1968) de Charles HarrisAlma Speed Fox, Nate Smith, and Other Marchers Gather in Preparation of Pittsburgh Peace March1968 · Sistema de Bibliotecas de la Universidad de Pittsburgh 59Police Officer and Charles Moore Walk in Front of Marchers During Pittsburgh Peace March (1968) de Charles HarrisPolice Officer and Charles Moore Walk in Front of Marchers During Pittsburgh Peace March1968 · Sistema de Bibliotecas de la Universidad de Pittsburgh 60Woman, possibly Barbara Jones, posed next to car on Mulford Street, Homewood (1937) de Charles HarrisWoman, possibly Barbara Jones, posed next to car on Mulford Street, Homewood1937 61William (1938) de Charles HarrisWilliam1938 62Young Ahmad Jamal playing piano (1942) de Charles HarrisYoung Ahmad Jamal playing piano1942 63Homestead Grays baseball team on Forbes Field (1941) de Charles HarrisHomestead Grays baseball team on Forbes Field1941 64New York Cubans baseball player Horacio Martinez leaping above third base at Forbes Field (1941) de Charles HarrisNew York Cubans baseball player Horacio Martinez leaping above third base at Forbes Field1941 65Cab Calloway posed beside equipment trunk inscribed (1942) de Charles HarrisCab Calloway posed beside equipment trunk inscribed1942 66Children at cotton candy booth, possibly at Westview Park (1945) de Charles HarrisChildren at cotton candy booth, possibly at Westview Park1945 67Lena Horne reflected in mirror in dressing room at Stanley Theatre (1944) de Charles HarrisLena Horne reflected in mirror in dressing room at Stanley Theatre1944 68Woman modeling hairstyle seen from behind, in Harris Studio (1945) de Charles HarrisWoman modeling hairstyle seen from behind, in Harris Studio1945 69Lucky Thompson, Dizzy Gillespie, Charlie Parker, and Billy Eckstine performing in the Aragon Ballroom (1944) de Charles HarrisLucky Thompson, Dizzy Gillespie, Charlie Parker, and Billy Eckstine performing in the Aragon Ballroom1944 70Pittsburgh Crawfords baseball team posed in dugout at Forbes Field (1945) de Charles HarrisPittsburgh Crawfords baseball team posed in dugout at Forbes Field1945 71Alyce Brooks playing mirrored piano in Continental Bar at Crawford Grill No. 1 (1946) de Charles HarrisAlyce Brooks playing mirrored piano in Continental Bar at Crawford Grill No. 11946 72Brooklyn Dodgers baseball player Jackie Robinson at Forbes Field, Oakland (1947) de Charles HarrisBrooklyn Dodgers baseball player Jackie Robinson at Forbes Field, Oakland1947 73Little boy boxer seated in boxing ring, possibly in Kay Boys (1945) de Charles HarrisLittle boy boxer seated in boxing ring, possibly in Kay Boys1945 74Man greeting boys at entrance to Kay Boys (1945) de Charles HarrisMan greeting boys at entrance to Kay Boys1945 75Two men, and two women, possibly including Lola Givens on left, posed behind bar in Continental Bar at Crawford Grill No. 1 (1946) de Charles HarrisTwo men, and two women, possibly including Lola Givens on left, posed behind bar in Continental Bar at Crawford Grill No. 11946 76Duke Ellington at piano, with Billy Strayhorn looking on, and possibly dancer Ralph Brown on top, backstage in Stanley Theatre (1946) de Charles HarrisDuke Ellington at piano, with Billy Strayhorn looking on, and possibly dancer Ralph Brown on top, backstage in Stanley Theatre1946 77Woman wearing pants standing outside of Kay (1945) de Charles HarrisWoman wearing pants standing outside of Kay1945 78John Nelson Jr. licking birthday cake icing off of knife, surrounded by boys and girls, at birthday party in Nelson home, 2224 Tustin Street, Hill District (1946) de Charles HarrisJohn Nelson Jr. licking birthday cake icing off of knife, surrounded by boys and girls, at birthday party in Nelson home, 2224 Tustin Street, Hill District1946 79Pittsburgh Crawfords baseball players, Maurice Peatross, Jimmy (1945) de Charles HarrisPittsburgh Crawfords baseball players, Maurice Peatross, Jimmy1945 80Duke Ellington signing autographs in a crowd, including Audrey Brannom with folded arms wearing bracelets, Isadora Marable, and Marverine and Blanche Cathcart (1947) de Charles HarrisDuke Ellington signing autographs in a crowd, including Audrey Brannom with folded arms wearing bracelets, Isadora Marable, and Marverine and Blanche Cathcart1947 81Young women eating caramel apples, including Helen Ruth Daniels in center, and possibly Cora on right, on lawn with building in background, possibly Schenley High School (1946) de Charles HarrisYoung women eating caramel apples, including Helen Ruth Daniels in center, and possibly Cora on right, on lawn with building in background, possibly Schenley High School1946 82Frank Bolden at left and Sarah Vaughan at right, with another woman and man at piano, in club with portrait of Ann Baker (1950) de Charles HarrisFrank Bolden at left and Sarah Vaughan at right, with another woman and man at piano, in club with portrait of Ann Baker1950 83Alberta Jordan Reaves and Willa Mae James protesting in front of Isaly (1953) de Charles HarrisAlberta Jordan Reaves and Willa Mae James protesting in front of Isaly1953 84Josephine Baker accepting Hill City membership card from Leslie Powell, with George Fairley holding police badges honoring Dean Martin and Jerry Lewis, and Howard McKinney and Jo Bouillon in background (1951) de Charles HarrisJosephine Baker accepting Hill City membership card from Leslie Powell, with George Fairley holding police badges honoring Dean Martin and Jerry Lewis, and Howard McKinney and Jo Bouillon in background1951 85Checkers players, including Albert Valentine, John Gray, Clarence Walker, Ray Harris, Joe Mitchell, R. L. Lipscomb, Richard Reed, West Wall, Ted Campbell, Claud Foster, Clifford L. Brown Jr., and (1949) de Charles HarrisCheckers players, including Albert Valentine, John Gray, Clarence Walker, Ray Harris, Joe Mitchell, R. L. Lipscomb, Richard Reed, West Wall, Ted Campbell, Claud Foster, Clifford L. Brown Jr., and1949 86Pittsburgh Courier newspaper press operator, possibly William Brown, possibly printing Chicago or other Midwestern edition (1954) de Charles HarrisPittsburgh Courier newspaper press operator, possibly William Brown, possibly printing Chicago or other Midwestern edition1954 87Three boys watching demolition of buildings by R. J. Omslaer Wrecking Company crane, at future site of Civic Arena, Lower Hill District (1956) de Charles HarrisThree boys watching demolition of buildings by R. J. Omslaer Wrecking Company crane, at future site of Civic Arena, Lower Hill District1956 88Girl holding doll, possibly in Stevenson Doll Shop (1960) de Charles HarrisGirl holding doll, possibly in Stevenson Doll Shop1960 89Charlene Foggie Barnett, on her first birthday, in light colored dress and hair bow, seated on table beside cake with dancer on top, in parsonage of Wesley Center Church (1959) de Charles HarrisCharlene Foggie Barnett, on her first birthday, in light colored dress and hair bow, seated on table beside cake with dancer on top, in parsonage of Wesley Center Church1959 90Singer Carol Thompson posing with boys, including Sherman Parker on left, Harold Wilkes on right, Louis Murrell Jr. on right in pool, and Donald (1961) de Charles HarrisSinger Carol Thompson posing with boys, including Sherman Parker on left, Harold Wilkes on right, Louis Murrell Jr. on right in pool, and Donald1961 91Boys, front row from left: Eddie Purdom, Charles Perry, Robert Price, James Norman, Donald Jones, Alton Dickson, Roland Pryor; back row: Harold Wilkes, Ronald Johnson, Robert Jackson, Donald Wilkes, Wilbur Fultz, Eugene Nelson, and Will Purdom, holdi.... (1957) de Charles HarrisBoys, front row from left: Eddie Purdom, Charles Perry, Robert Price, James Norman, Donald Jones, Alton Dickson, Roland Pryor; back row: Harold Wilkes, Ronald Johnson, Robert Jackson, Donald Wilkes, Wilbur Fultz, Eugene Nelson, and Will Purdom, holdi....1957

Pinturas famosas de Charles Harris, época por época

Los temas que cautivaron la mirada de Charles Harris

Los cuatro temas que se repiten con más frecuencia en estas obras originales, cada uno con su mejor ejemplo.

Los museos que conservan los originales de Charles Harris

El museo que alberga la mayor parte de las obras de esta página.

Museos Ciudad Obras de Charles Harris Pinturas de esta lista
Sistema de Bibliotecas de la Universidad de Pittsburgh, PittsburghSistema de Bibliotecas de la Universidad de Pittsburgh Pittsburgh 59 Una marcha pacífica en reconocimiento al Día Nacional de Duelo de MLK, Un oficial de policía levanta su porra durante la Marcha por la Paz de Pittsburgh, Un hombre observa a la policía formar una barricada durante la marcha por la paz en Pittsburgh

Charles Harris década tras década: la obra original que define cada una

Obras por década

Elige una década para ver la obra original que la define.

Preguntas de coleccionistas sobre las pinturas de Charles Harris

¿Por qué obra es más famoso/a Charles Harris?Descubre la respuesta

Una marcha pacífica en reconocimiento al Día Nacional de Duelo de MLK (1968), Sistema de Bibliotecas de la Universidad de Pittsburgh, Pittsburgh. A Un oficial de policía levanta su porra durante la Marcha por la Paz de Pittsburgh (1968) y Un hombre observa a la policía formar una barricada durante la marcha por la paz en Pittsburgh (1968) le siguen.

¿Qué edad tenía Charles Harris cuando se creó Una marcha pacífica en reconocimiento al Día Nacional de Duelo de MLK?Descubre la respuesta

60 años: Una marcha pacífica en reconocimiento al Día Nacional de Duelo de MLK data de 1968, y Charles Harris nació en 1908.

¿Cuáles son las diez pinturas más famosas de Charles Harris?Descubre la respuesta

Una marcha pacífica en reconocimiento al Día Nacional de Duelo de MLK, Un oficial de policía levanta su porra durante la Marcha por la Paz de Pittsburgh, Un hombre observa a la policía formar una barricada durante la marcha por la paz en Pittsburgh, La multitud se reúne cerca de Mendelsohn, Cuatro individuos de pie en las escaleras del Edificio Federal durante la Marcha por la Paz de Pittsburgh, Una marcha pacífica que se extiende por varias manzanas, Dos coches pasan por un cordón policial durante la marcha por la paz en Pittsburgh, Henry R. Smith mira a un individuo fuera de cámara durante la Marcha por la Paz de Pittsburgh, A Speaks to Police Officer During Pittsburgh Peace March y Marchers Arm in Arm During Pittsburgh Peace March. La clasificación anterior indica el año y el museo de cada una.

¿Cuántas pinturas dejó Charles Harris?Descubre la respuesta

Nuestro catálogo cuenta con 32 obras de Charles Harris, datadas desde 1937 hasta 1968.

¿En qué museos se exhiben las obras maestras de Charles Harris?Descubre la respuesta

Principalmente en Sistema de Bibliotecas de la Universidad de Pittsburgh (Pittsburgh). La tabla de museos arriba los enumera todos.

¿En qué años pintó Charles Harris sus obras más famosas?Descubre la respuesta

En 1960s: 61 de las 91 obras de esta página se realizaron entonces, Una marcha pacífica en reconocimiento al Día Nacional de Duelo de MLK de ellas.

¿Cuáles son las primeras y las últimas obras originales de Charles Harris?Descubre la respuesta

En esta página, la más antigua es Woman, possibly Barbara Jones, posed next to car on Mulford Street, Homewood (1937) y la más reciente Una marcha pacífica en reconocimiento al Día Nacional de Duelo de MLK (1968).

¿Qué temas eligió Charles Harris con mayor frecuencia?Descubre la respuesta

Personas (10), Multitud (7) y Edificios (7), en las 91 obras de esta página.

¿Qué técnica utilizó más Charles Harris?Descubre la respuesta

Fotografía en blanco y negro, para 13 de las 91 obras de esta página.

¿A qué movimiento artístico pertenece Charles Harris?Descubre la respuesta

Fotografía documental, a juzgar por los originales de esta página.

¿Qué obras de Charles Harris se exhiben en el Sistema de Bibliotecas de la Universidad de Pittsburgh?Descubre la respuesta

Una marcha pacífica en reconocimiento al Día Nacional de Duelo de MLK, Un oficial de policía levanta su porra durante la Marcha por la Paz de Pittsburgh y Un hombre observa a la policía formar una barricada durante la marcha por la paz en Pittsburgh: el Sistema de Bibliotecas de la Universidad de Pittsburgh, Pittsburgh posee 59 de las obras de esta página.

Charles Harris: vida y obra

Early Life and Career

Charles Harris, known affectionately as “Teenie” Harris, was born in Pittsburgh, Pennsylvania, on July 2, 1908, a city that would profoundly shape his life and artistic vision. His early years were marked by resilience and a keen observation of the world around him – experiences that would later inform his distinctive photographic style. Born into a family grappling with economic challenges, Harris’s childhood was rooted in the vibrant yet often overlooked African American community of Pittsburgh's Hill District. He developed an early passion for sports, particularly baseball and basketball, skills he honed during his youth. However, it was photography that ultimately captured his heart and became his enduring legacy. Harris’s self-taught approach to the craft began organically; he initially started taking photographs as a means of documenting his own life and the lives of those around him, capturing candid moments and everyday scenes with an intuitive eye. This early experimentation laid the foundation for his later career as a freelance photographer and staff member for the *Pittsburgh Courier*, one of the most influential African American newspapers in the United States.

A Chronicle of Pittsburgh’s African American Community

Harris's professional career truly blossomed in the 1930s when he established his own photography studio, “Harris Studios,” in the heart of the Hill District. He quickly gained recognition for his ability to capture the essence of his subjects – not through staged portraits but by documenting life as it unfolded. His photographs weren’t merely images; they were windows into a community—a vibrant tapestry woven with threads of resilience, joy, sorrow, and everyday existence. He meticulously documented the social, cultural, and political landscape of Pittsburgh's African American neighborhoods, offering an invaluable visual record that would later become a cornerstone of local history. His work frequently appeared in the *Pittsburgh Courier*, showcasing prominent residents, musicians, athletes, and visitors to the city—a testament to his growing reputation as a skilled and insightful photographer. Notably, Harris’s images captured the burgeoning jazz scene of Pittsburgh, immortalizing legendary musicians like Duke Ellington and Nina Simone, contributing significantly to their legacy.

Precisionism and a Unique Photographic Style

Harris's photographic style is often associated with the Precisionist movement, a late 19th- and early 20th-century artistic trend characterized by its emphasis on geometric shapes, sharp focus, and the use of light and shadow to create a sense of clarity and order. While he didn’t explicitly identify as a Precisionist, his work shares many of the movement's key characteristics—a meticulous attention to detail, a deliberate composition, and an appreciation for the formal elements of photography. However, what truly distinguishes Harris’s work is its deeply human quality. He possessed an extraordinary ability to connect with his subjects, capturing their personalities and emotions with remarkable sensitivity. His photographs weren’t simply technically proficient; they were imbued with warmth, authenticity, and a profound respect for the people he photographed. This intuitive approach, combined with his self-taught skills, resulted in a unique style that set him apart from other photographers of his time.

Legacy and Preservation

Today, Charles “Teenie” Harris’s extraordinary archive—comprising over 70,000 photographs, negatives, and films—is meticulously preserved at the Carnegie Museum of Art in Pittsburgh. This vast collection offers an unparalleled glimpse into mid-20th century African American life in Pittsburgh and beyond. The museum's ongoing efforts to digitize and exhibit Harris’s work have ensured that his legacy will continue to inspire and educate generations to come. His photographs are not just historical documents; they are powerful testaments to the resilience, creativity, and dignity of a community often overlooked by mainstream history. The Charles “Teenie” Harris Community Archivist, Charlene Foggie-Barnett, continues to work tirelessly to contextualize and share these images with the public, fostering a deeper understanding of Pittsburgh’s rich cultural heritage. The museum's gallery provides an immersive experience, allowing visitors to engage directly with Harris’s photographs, explore related ephemera, and hear firsthand accounts from community members whose lives were documented by this remarkable artist.

Notable Mentions

Charles Harris’s work has resonated deeply within the broader art world. His photography shares stylistic similarities with Andy Warhol, another Pittsburgh native who revolutionized pop art in the 1960s. Furthermore, his dedication to documenting the African American experience aligns with the broader social and political movements of the era. The legacy of Charles “Teenie” Harris stands as a powerful reminder of the importance of visual storytelling and the enduring value of preserving diverse voices and perspectives.