Retrato de Carybé

Las 24 pinturas más famosas de Carybé, cada una única en su clase

Actualizado octubre 2026 · clasificado según nuestro índice de popularidad (búsquedas, visitas y pedidos de cada obra) · 24 obras de Carybé en nuestro catálogo

En resumen

Baiana Sambando - Série Bonfim (1950) es la pintura de Carybé que más llama la atención; la obra original pertenece al Museo de Arte de Bahia, Salvador. Después, la mirada se dirige a Baiana e Pescador (1950) y Baianas Chegando Para a Lavagem (1950). De las 24 obras de Carybé en nuestro catálogo, estas 24 son las más famosas; cada una es un original único presentado con su año, su museo y la razón de su trascendencia.

1911 – 1997, Lanús Contemporary realism Más obras: Museo de Arte de Bahia

Las 10 mejores pinturas de Carybé, bajo la mirada de la galería

1
Baiana Sambando - Série Bonfim (1950) de Carybé

Baiana Sambando - Série Bonfim

1950 · Ink · Museo de Arte de Bahia, Salvador

In the delicate dance of ink and paper, Baiana Sambando - Série Bonfim emerges as a profound celebration of cultural identity and movement. Created in 1950 by the master Argentine-Brazilian artist Héctor Julio Páride Bernabó, famously known as Carybé, this work is far more than a mere sketch; it is a rhythmic capture of the very heartbeat of Bahia. The piece depicts a woman dressed in traditional Bahian attire, caught…

2
Baiana e Pescador (1950) de Carybé

Baiana e Pescador

1950 · Ink On Paper · Museo de Arte de Bahia, Salvador

In the quiet, rhythmic strokes of "Baiana e Pescador," we are transported to a moment of profound stillness captured by the legendary Argentine-Brazilian master, Héctor Julio Páride Bernabó, known affectionately as Carybé. Created in 1950, this evocative black and white drawing serves as a window into a world where human connection and cultural identity intersect through the medium of pen and ink. The artwork depicts two figures seated in profile,…

3
Baianas Chegando Para a Lavagem (1950) de Carybé

Baianas Chegando Para a Lavagem

1950 · Lithograph · Museo de Arte de Bahia, Salvador

In the evocative lithograph Baianas Chegando Para a Lavagem, created in 1950 by the master Héctor Julio Páride Bernabolt—affectionately known as Carybé—we are transported into the heart of a Brazilian cultural ritual. The artwork captures a fleeting, high-energy moment of a procession, where the figures of the Baianas move with a grace that is both grounded and ethereal. Through the medium of black and white lithography, Carybé strips away the…

4
Jangadas ao Mar - Série Pesca do Xaréu (1950) de Carybé

Jangadas ao Mar - Série Pesca do Xaréu

1950 · Drawing · Museo de Arte de Bahia, Salvador

In the evocative work Jangadas ao Mar - Série Pesca do Xaréu, the legendary Argentine-Brazilian master Carybé (Héctor Julio Páride Bernabó) invites us to witness a timeless ritual of the sea. Created in 1950, this piece serves as a profound window into the coastal soul of Brazil, capturing the rhythmic dance between man and the Atlantic. The artwork belongs to a series dedicated to the pesca do xaréu (the fishing…

5
Torso retangular IV (1950) de Carybé

Torso retangular IV

1950 · Painting · Museo de Arte de Bahia, Salvador

In the evocative realm of mid-century Latin American modernism, few names resonate with as much cultural depth and rhythmic grace as Héctor Julio Páride Bernabó, known affectionately to the world as Carybé. His work, Torso retangular IV, serves as a profound window into a period of intense artistic exploration. Created in 1950, this piece captures a moment where form and identity converge. The composition presents a captivating study of femininity,…

6
Baiana Sambando - Série Bonfim (1950) de Carybé

Baiana Sambando - Série Bonfim

1950 · Ink · Museo de Arte de Bahia, Salvador

In the evocative lines of Baiana Sambando - Série Bonfim, we are transported to the heart of Bahia, where the pulse of the drum meets the spiritual essence of the streets. Created in 1950 by the master Héctor Julio Páride Bernabó, known affectionately as Carybé, this striking black and white drawing serves as a profound window into the soul of Brazilian folk culture. The piece captures a moment of intense…

7
Vendedora de Carimã - Série Feira de Água de Meninos (1950) de Carybé

Vendedora de Carimã - Série Feira de Água de Meninos

1950 · Drawing · Museo de Arte de Bahia, Salvador

In the delicate, monochromatic strokes of Vendedora de Carimã - Série Feira de Água de Meninos, we are transported to a mid-century world where the rhythm of daily life was dictated by the sun and the seasonal bounty of the market. Created in 1950 by the master Héctor Julio Páride Bernabó, known affectionately as Carybé, this evocative drawing captures more than just a scene; it captures an atmosphere. The subject—a…

8
Puxando o Barco - Série Rampa do Mercado (1950) de Carybé

Puxando o Barco - Série Rampa do Mercado

1950 · Drawing · Museo de Arte de Bahia, Salvador

In the evocative monochrome of Puxando o Barco - Série Rampa do Mercado, we are transported to a moment of raw, unadorned human effort. Created in 1950 by the master Héctor Julio Páride Bernabó—affectionately known as Carybé—this drawing captures the visceral essence of coastal life. The scene depicts a man engaged in the strenuous task of pulling a boat across the land, a moment caught between the stillness of the…

9
O Homem e a Jaca - Série Feira de Água de Meninos (1950) de Carybé

O Homem e a Jaca - Série Feira de Água de Meninos

1950 · Drawing · Museo de Arte de Bahia, Salvador

In the evocative black and white drawing O Homem e a Jaca, part of the evocative Série Feira de Água de Meninos, we are transported to a moment of profound simplicity and strength. Created in 1950 by the master Argentine-Brazilian artist Héctor Julio Páride Bernabó, known affectionately as Carybé, this work captures a singular, heavy moment in time. The composition centers on a man navigating a sandy path, his body…

10
O vendedor de rolete de cana/ Serie Bonfim (1950) de Carybé

O vendedor de rolete de cana/ Serie Bonfim

1950 · Ink · Museo de Arte de Bahia, Salvador

In the quiet, monochromatic depths of "O vendedor de rolete de cana," we are transported to a bygone era, where the rhythm of daily life was dictated by the sun and the simple commerce of the streets. Part of the evocative Serie Bonfim, this masterful drawing by the legendary Argentine-Brazilian artist Héctor Julio Páride Bernabó—affectionately known as Carybé—serves as a poignant window into the cultural fabric of mid-century Brazil. Through…

Pinturas famosas de Carybé, de la número 11 a la 24

Los temas que cautivaron la mirada de Carybé

Los cuatro temas que se repiten con más frecuencia en estas obras originales, cada uno con su mejor ejemplo.

Los museos que conservan los originales de Carybé

Los 2 museos que albergan la mayoría de las pinturas de esta página.

Museos Ciudad Obras de Carybé Pinturas de esta lista
Museo de Arte de Bahia, SalvadorMuseo de Arte de Bahia Salvador 23 Baiana Sambando - Série Bonfim, Baiana e Pescador, Baianas Chegando Para a Lavagem
Centro Cultural Banco do Brasil, BrasíliaCentro Cultural Banco do Brasil Brasília 1 The Pier

Carybé a través de los años: los originales únicos de cada uno

Una larga trayectoria de 38 años, de 1950 a 1987: las obras originales más famosas de Carybé, presentadas año tras año.

Obras por año

Selecciona un año para ver sus originales.

Pinturas de Carybé: preguntas para la galería

¿Cuál es la obra más famosa de Carybé?Descubre la respuesta

Baiana Sambando - Série Bonfim (1950), Museo de Arte de Bahia, Salvador. A Baiana e Pescador (1950) y Baianas Chegando Para a Lavagem (1950) le siguen.

¿A qué edad creó Carybé Baiana Sambando - Série Bonfim?Descubre la respuesta

39 años: Baiana Sambando - Série Bonfim data de 1950, y Carybé nació en 1911.

¿Cuáles son las diez pinturas más famosas de Carybé?Descubre la respuesta

Baiana Sambando - Série Bonfim, Baiana e Pescador, Baianas Chegando Para a Lavagem, Jangadas ao Mar - Série Pesca do Xaréu, Torso retangular IV, Baiana Sambando - Série Bonfim, Vendedora de Carimã - Série Feira de Água de Meninos, Puxando o Barco - Série Rampa do Mercado, O Homem e a Jaca - Série Feira de Água de Meninos y O vendedor de rolete de cana/ Serie Bonfim. La clasificación anterior indica el año y el museo de cada una.

¿Cuántas obras de Carybé se conocen?Descubre la respuesta

Nuestro catálogo cuenta con 24 obras de Carybé, datadas desde 1950 hasta 1987.

¿Dónde se pueden ver los originales más famosos de Carybé?Descubre la respuesta

Principalmente en Museo de Arte de Bahia (Salvador) y Centro Cultural Banco do Brasil (Brasília). La tabla de museos arriba los enumera todos.

¿En qué periodo creó Carybé sus pinturas más conocidas?Descubre la respuesta

En 1950: 23 de las 24 obras de esta página se realizaron entonces, Baiana Sambando - Série Bonfim de ellas.

¿Cuál es la pintura más antigua de Carybé y cuál es la más reciente?Descubre la respuesta

En esta página, la más antigua es Baiana Sambando - Série Bonfim (1950) y la más reciente The Pier (1987).

¿Qué temas prefería Carybé?Descubre la respuesta

Black and white (14), Daily life (5) y Fishing (4), en las 24 obras de esta página.

¿Con qué materiales pintó más Carybé?Descubre la respuesta

Drawing, para 12 de las 24 obras de esta página.

¿A qué movimiento pertenece la obra de Carybé?Descubre la respuesta

Contemporary realism y Modernism, a juzgar por los originales de esta página.

¿Qué obras originales de Carybé puedo ver en el Museo de Arte de Bahia?Descubre la respuesta

Baiana Sambando - Série Bonfim, Baiana e Pescador y Baianas Chegando Para a Lavagem: el Museo de Arte de Bahia, Salvador posee 23 de las obras de esta página.

Carybé: un retrato del artista

Biography

Héctor Julio Páride Bernabó, known by his artistic name Carybé (Argentina, 1911 – Brazil, 1997), was an Argentine-Brazilian artist, researcher, writer, historian, and journalist. His life was profoundly shaped by a fervent passion for the arts from a young age. He settled in Brazil and naturalized as a Brazilian citizen. Carybé’s artistic journey spanned decades, resulting in an astonishing output of approximately five thousand artworks—paintings, drawings, sculptures, and sketches—demonstrating remarkable versatility and creative genius. Throughout his career, Carybé explored diverse themes rooted in indigenous Brazilian culture and folklore, particularly the traditions of Bahia. His distinctive style combined meticulous observation with imaginative interpretation, capturing the essence of rituals, myths, and landscapes. He was recognized as an Obá de Xangô, a prestigious honorary position within Ilê Axé Opô Afonjá, a significant Afro-Brazilian religious community where he served as spiritual leader. Carybé’s dedication to preserving cultural heritage earned him considerable acclaim both in Argentina and Brazil.

Artistic Contributions

Carybé's artistic output encompassed a wide range of mediums and styles. He excelled in painting, producing monumental murals that celebrated Brazilian identity and spirituality—most notably two impressive works commissioned for Miami International Airport, which continue to inspire visitors today. His meticulous attention to detail and masterful use of color were particularly evident in his depictions of indigenous rituals and landscapes. Carybé’s artistic explorations extended beyond visual art; he conducted extensive research into Brazilian folklore and mythology, documenting traditions passed down through generations. Furthermore, Carybé collaborated closely with prominent literary figures like Jorge Amado and Gabriel García Márquez, illustrating their novels with evocative imagery that enriched the narratives and captured the spirit of Latin American storytelling. His illustrations for “One Hundred Years of Solitude” are considered masterpieces of visual literature, cementing his reputation as a storyteller alongside writers. He produced five thousand pieces of work, including paintings, drawings, sculptures and sketches.

Notable Works

Carybé’s artistic legacy includes several celebrated artworks that exemplify his distinctive style and thematic concerns. Among these stand out: “Torso Retangular Ou Pano Da Costa I,” a painting characterized by its masterful manipulation of form and texture—a testament to his technical prowess—available for viewing on OriginalUniqueArt's platform. The artwork "The Pier," an oil canvas piece showcased at the Centro Cultural Banco do Brasil in Brasília, Brazil, captivated audiences with its vibrant colors and symbolic representation of maritime traditions. Finally, “Baiana Sambando - Série Bonfim,” a pen drawing housed at the Museu de Arte da Bahia in Salvador, Brazil, captured the dynamism and vibrancy of Bahian religious processions.

Legacy and Honors

Carybé’s contributions to Brazilian art and culture are commemorated through numerous initiatives—including his murals at Miami International Airport—that underscore his enduring influence on artistic expression and cultural preservation. His unwavering commitment to documenting indigenous traditions and fostering intercultural dialogue solidified his position as a pivotal figure in Latin American intellectual history. He was honored with the Obá de Xangô title, recognizing his leadership within Ilê Axé Opô Afonjá and symbolizing his profound connection to Afro-Brazilian spirituality. Carybé’s artistic achievements continue to inspire artists and scholars alike, ensuring that his legacy persists for generations to come.