Actualizado noviembre 2026 · clasificado según nuestro índice de popularidad (búsquedas, visitas y pedidos de cada obra) · 76 obras de Augustus Vincent Tack en nuestro catálogo
En resumen
De todos los originales que dejó Augustus Vincent Tack, la más famosa es Autorretrato (1897), que forma parte de la colección del The Phillips Collection, Washington, D.C.. Le siguen muy de cerca Mountain Slopes (1914) y Elihu Root (1922). Nuestro catálogo cuenta con 76 obras de Augustus Vincent Tack; la galería ha conservado las 72 que el mundo más admira, cada una presentada con su fecha, su museo y su historia.
Autorretrato presenta una vista simétrica de una entrada con portón que conduce hacia una estructura de una sola planta. Un camino pavimentado ocupa el primer plano, cuya textura de grava gris guía la mirada a través de puertas de metal negro. La perspectiva se define por las líneas paralelas del sendero y la verticalidad de los árboles circundantes. Una exuberante vegetación y densos doseles enmarcan la escena, mientras que los…
The painting titled Mountain Slopes was created by the American painter Augustus Vincent Tack. This specific work was executed about 1914. It offers a glimpse into the early development of an artist who would eventually become a significant figure in American art history.
The portrait depicts an older man seated in a dark suit against a muted brown background. He is positioned centrally, his posture creating a strong vertical line within the frame. The subject wears a formal dark jacket and a white shirt, with the fabric of his clothing rendered through visible brushstrokes that suggest a textured surface. His face is oval-shaped, illuminated by a directional light source originating from above and…
In Rosa Mystica, Augustus Vincent Tack organizes the pictorial space through a hierarchical perspective that separates the celestial from the mortal. The composition centers on a divine female figure, likely the Virgin Mary, who floats within a luminous blue mandorla. She is positioned in a higher plane above the earthly realm, surrounded by a sky of fragmented, pale clouds. Her arms are outstretched in a gesture of grace, draped in…
In this formal portrait, Augustus Vincent Tack presents Benjamin Nathan Cardozo in a moment of quiet, judicial dignity. Painted about 1931, the work captures the subject in his capacity as a judge, a role that informs the entire gravity of the piece. There is a certain stillness here, a sense of the weight of responsibility that accompanies such a position. Tack avoids the superficiality of a mere likeness, focusing instead…
This oil portrait by Augustus Vincent Tack depicts John Munro Woolsey, a United States district judge. Painted about 1934, the work presents the subject in a formal setting that emphasizes his professional status. The composition focuses on the man seated behind a wooden desk, positioned in a medium close-up view that establishes a direct presence before the viewer.
This formal portrait of Charles Evans Hughes, executed by Augustus Vincent Tack, offers a quiet moment of reflection. Painted about 1941, the work captures the subject in a setting that suggests a private study or a professional office. There is a sense of stillness here, as if we have interrupted a moment of deep thought. The composition places Hughes at the center of the viewer's attention, establishing a presence that…
In this formal portrait of Harry S. Truman, Augustus Vincent Tack captures the subject in a half-length composition that centers the viewer's attention on the man's face and upper body. The figure sits slightly off-center to the right, creating a subtle tension within the frame. A strong light source emerges from the upper left, casting deep shadows that define the contours of the face and the heavy folds of the…
In this formal portrait, Augustus Vincent Tack presents Harlan F. Stone in a moment of quiet, seated dignity. Painted in 1944, the work captures the subject in a three-quarter view, a composition that emphasizes his presence and the weight of his position. There is a certain stillness to the figure, which is likely intended to reflect Stone's role as Chief Justice of the United States Supreme Court. The subject's expression…
The High Command Right Panel is a work by Augustus Vincent Tack, executed in 1949. The painting captures two men seated within the quiet confines of an office setting. Their presence is anchored by the weight of their surroundings, suggesting a moment of professional stillness. The subject matter centers on naval officers or individuals tied to maritime affairs, a theme reflected in the nautical elements that populate the scene.
GetsemaníThe Phillips Collection
12
CanyonThe Phillips Collection
13
Rising Wind and Tide1905 · Museo Público de Reading
14
Windswept (Snow Picture, Leyden)The Phillips Collection
15
PassacagliaThe Phillips Collection
16
Ideal Figure in RoseThe Phillips Collection
17
Court of Romance (Garden of Romance)The Phillips Collection
18
Allegro GiocosoThe Phillips Collection
19
Canyon (The Valley)1914 · The Phillips Collection
20
The Entombment1922 · The Phillips Collection
21
Spring Night1931 · The Phillips Collection
22
Outposts of Time II1929 · The Phillips Collection
23
Liberation1929 · The Phillips Collection
24
Flight (Fugue)1930 · The Phillips Collection
25
Far Reaches1930 · The Phillips Collection
26
Ecstasy1929 · The Phillips Collection
27
Christmas Night1931 · The Phillips Collection
28
Balance1929 · The Phillips Collection
29
Night, Amargosa Desert1935 · The Phillips Collection
30
Reverend Cornelius Clifford1937 · Campion Hall
31
The High Command Left Panel1949 · National Portrait Gallery
32
Truman and his Military Advisors1949 · National Portrait Gallery
33
Dwight D. Eisenhower1949
34
Winter1934 · The Phillips Collection
35
John La Farge1897 · Metropolitan Museum of Art
36
La voz de las muchas aguasThe Phillips Collection
37
Nubes nocturnas y polvo de estrellasMetropolitan Museum of Art
38
Study for Mr. Winthrop's PortraitThe Phillips Collection
39
Self-PortraitThe Phillips Collection
40
Self-PortraitThe Phillips Collection
41
Sea of HillsThe Phillips Collection
42
Sketch for Portrait of Nicholas Murray ButlerThe Phillips Collection
43
Portrait of Nicholas Murray ButlerThe Phillips Collection
44
Portrait of Man with DogThe Phillips Collection
45
Elizabeth HudsonThe Phillips Collection
46
Palace of EnchantmentThe Phillips Collection
47
Ox CartThe Phillips Collection
48
Winter (New York in Snow)The Phillips Collection
49
Allegory - Love and Life (Mother and Child)The Phillips Collection
50
Magi's JourneyThe Phillips Collection
51
LargoThe Phillips Collection
52
Hill and Sky (Hilltop?)The Phillips Collection
53
Head of Model, ProfileThe Phillips Collection
54
The GlacierThe Phillips Collection
55
Forgotten PoemThe Phillips Collection
56
Figure in Red with BeadsThe Phillips Collection
57
EveningThe Phillips Collection
58
Deerfield in Twilight (The Dance)The Phillips Collection
59
Study of Sister Death for Death of St. FrancisThe Phillips Collection
60
Death of St. FrancisThe Phillips Collection
61
DaybreakThe Phillips Collection
62
DawnThe Phillips Collection
63
The CrowdThe Phillips Collection
64
Cloud WrackThe Phillips Collection
65
Christ Bearing the CrossThe Phillips Collection
66
Blue OvalThe Phillips Collection
67
TwilightThe Phillips Collection
68
Above the TreetopsThe Phillips Collection
69
David E. Finley
70
John Russell Pope
71
Gran patioThe Phillips Collection
72
Madonna de las colinas eternasThe Phillips Collection
Los cuatro temas que se repiten con más frecuencia en estas obras originales, cada uno con su mejor ejemplo.
Los 7 museos que albergan la mayoría de las pinturas de esta página.
| Museos | Ciudad | Obras de Augustus Vincent Tack | Pinturas de esta lista |
|---|---|---|---|
 The Phillips Collection |
Washington, D.C. | 55 | Autorretrato, Mountain Slopes, Getsemaní |
 National Portrait Gallery |
Washington, D.C. | 4 | Elihu Root, The High Command Right Panel, The High Command Left Panel |
 Metropolitan Museum of Art |
Nueva York | 2 | John La Farge, Nubes nocturnas y polvo de estrellas |
 Cleveland Museum of Art |
Cleveland | 1 | Rosa Mystica |
 Sociedad Histórica de Nueva York |
Nueva York | 1 | John Munro Woolsey |
 Museo Público de Reading |
Reading | 1 | Rising Wind and Tide |
 Campion Hall |
Oxford | 1 | Reverend Cornelius Clifford |
Elige una década para ver la obra original que la define.
Autorretrato presenta una vista simétrica de una entrada con portón que conduce hacia una estructura de una sola planta. Un camino pavimentado ocupa el primer plano, cuya textura de grava gris guía la mirada a través de puertas de metal negro. La perspectiva se define por las líneas paralelas del sendero y la verticalidad de los árboles circundantes. Una exuberante vegetación y densos doseles enmarcan la escena, mientras que los…
The painting titled Mountain Slopes was created by the American painter Augustus Vincent Tack. This specific work was executed about 1914. It offers a glimpse into the early development of an artist who would eventually become a significant figure in American art history.
The portrait depicts an older man seated in a dark suit against a muted brown background. He is positioned centrally, his posture creating a strong vertical line within the frame. The subject wears a formal dark jacket and a white shirt, with the fabric of his clothing rendered through visible brushstrokes that suggest a textured surface. His face is oval-shaped, illuminated by a directional light source originating from above and…
In this formal portrait, Augustus Vincent Tack presents Benjamin Nathan Cardozo in a moment of quiet, judicial dignity. Painted about 1931, the work captures the subject in his capacity as a judge, a role that informs the entire gravity of the piece. There is a certain stillness here, a sense of the weight of responsibility that accompanies such a position. Tack avoids the superficiality of a mere likeness, focusing instead…
This formal portrait of Charles Evans Hughes, executed by Augustus Vincent Tack, offers a quiet moment of reflection. Painted about 1941, the work captures the subject in a setting that suggests a private study or a professional office. There is a sense of stillness here, as if we have interrupted a moment of deep thought. The composition places Hughes at the center of the viewer's attention, establishing a presence that…
Autorretrato (1897), The Phillips Collection, Washington, D.C.. A Mountain Slopes (1914) y Elihu Root (1922) le siguen.
27 años: Autorretrato data de 1897, y Augustus Vincent Tack nació en 1870.
Autorretrato, Mountain Slopes, Elihu Root, Rosa Mystica, Benjamin Nathan Cardozo, John Munro Woolsey, Charles Evans Hughes, Harry S. Truman, Harlan F. Stone y The High Command Right Panel. La clasificación anterior indica el año y el museo de cada una.
Nuestro catálogo cuenta con 76 obras de Augustus Vincent Tack, datadas desde 1897 hasta 1949.
Principalmente en The Phillips Collection (Washington, D.C.), National Portrait Gallery (Washington, D.C.) y Metropolitan Museum of Art (Nueva York). La tabla de museos arriba los enumera todos.
En 1930s: 9 de las 72 obras de esta página se realizaron entonces, Benjamin Nathan Cardozo de ellas.
En esta página, la más antigua es Autorretrato (1897) y la más reciente The High Command Right Panel (1949).
Man (4), Árboles (3) y Portraiture (3), en las 72 obras de esta página.
Oil On Canvas, para 6 de las 72 obras de esta página.
Autorretrato, Mountain Slopes y Getsemaní: el The Phillips Collection, Washington, D.C. posee 55 de las obras de esta página.
