Papel

Guía de obras estudiantiles

The Crucifixion

Nombre Curso Fecha

Thomas Eakins, The Crucifixion (1880), Philadelphia Art Museum. Obra de dominio público. Observe este lienzo bajo una luz en movimiento: el dibujo, el color real bajo el barniz, el pigmento puro

Datos generales

Artista
Thomas Eakins originaluniqueart.com/es/artists/thomas-eakins_es/
Fechas del artista
1844 – 1916
Pintura
1880
Técnica y materiales
Acrylic On Canvas
Movimiento
Contemporary Realism Living artists painting the real world with traditional skill, often from photographs as well as from life.
Lugar de celebración
Philadelphia Art Museum originaluniqueart.com/es/museums/philadelphia-art-museum-filadelfia_es/
Artistic style
Realism, Narrative
Influences
Gérôme, Bonnat
Notable elements
Realistic depiction
Subject or theme
Religious iconography

En contexto

The Crucifixion — Thomas Eakins

Año de creación

  1. 1840
  2. 1850
  3. 1860
  4. 1870
  5. 1880
  6. 1890
  7. 1900
  8. 1910

Fila superior: los años. Fila inferior: la edad del artista al inicio y al final de cada periodo — 0 al nacer, 72 al morir.

Pintado cuando el artista tenía 36. El artista vivió hasta los 72. 38 de las 164 obras fechadas de este artista en nuestro catálogo son anteriores.

Sombreado: la trayectoria de Thomas Eakins (1844–1916) ▲ esta obra, 1880 cada pintura fechada, década tras década

Primeras obras: hasta 1880 Años principales de actividad: 1880–1899 Obras tardías: desde 1899

Estas tres franjas dividen las obras de este catálogo que cuentan con una fecha en un primer cuarto, una mitad central y un último cuarto. No representan la producción completa del artista: un periodo breve puede ser un vacío en el registro más que una etapa de inactividad. Los mismos años con la vida del artista trazada en ellos

Obras similares

Elige una de las obras anteriores: menciona dos cosas que comparta con esta y una diferencia.

Más obras para acompañar a esta: originaluniqueart.com/es/art/similar/thomas-eakins-the-crucifixion-8BWVNV-en/

Paleta de colores

Medido a partir de la imagen

    Color principal

    Putty #d1cfa8

    Paleta guardada

    • #D1CFA8
    • #381621
    • #8A5845
    • #C1AE77

    Estos colores dentro de toda la paleta del artista Buscar otras pinturas por color

    Paleta de colores
    Neutrals La gama cromática dominante en la imagen.
    Color principal
    Putty
    Intensidad
    Vivid Qué saturados y variados son los colores, desde un único tono tenue hasta una gran variedad de tonos brillantes.
    Contraste
    Statement El grado de diferencia entre los colores en cuanto a luminosidad y saturación a lo largo de la obra.
    Armonía
    Balanced Harmony El grado de armonía entre los colores, desde el contraste hasta la total unidad.
    Brillo
    Brilliant El grado de luminosidad o oscuridad general de la imagen, desde las sombras profundas hasta las luces intensas.
    Saturación
    Balanced Soft Qué puros y fuertes son los colores, desde un gris casi tenue hasta una viveza total.

    ¿En qué parte del mundo se contempla esta pintura?

    • menos del 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% o más
    Esta pintura por sí sola cuenta con muy pocos visitantes registrados para realizar un mapeo, por lo que la lámina muestra cada obra de Thomas Eakins durante los últimos doce meses: 20 países en total. Origen de estas cifras

    Los diez principales países

    1. 1 China 73,0%
    2. 2 Estados Unidos 8,5%
    3. 3 Singapur 3,5%
    4. 4 Hong Kong 2,5%
    5. 5 España 1,5%
    6. 6 Rumanía 1,5%
    7. 7 Chequia 1,0%
    8. 8 Francia 1,0%
    9. 9 Italia 1,0%
    10. 10 Corea del Sur 1,0%
    11. · 10 otros países 5,5%

    Encuentra los tres países más oscuros en el mapa. ¿Se encuentra el museo que custodia esta pintura en alguno de ellos? Escribe una razón por la cual personas de lugares lejanos podrían visitarlo.

    Las 20 obras más vistas de Thomas Eakins

    1. 1 La Clínica Gross, 1875 11,8%
    2. 2 Max Schmitt en una Cesta de Remo Individual, 1871 3,2%
    3. 3 John Biglin en un bote de remo individual, 1873 2,3%
    4. 4 Mrs. Gilbert Perker, 1910 1,8%
    5. 5 Study for The Crucifixion, 1880 1,8%
    6. 6 Portrait of Frank B. A. Linton, 1904 1,8%
    7. 7 The Veteran (also known as Portrait of Geo. Reynolds), 1886 1,8%
    8. 8 The Art Student 1,8%
    9. 9 The swimming hole amon carter museum, fort wo, 1885 1,8%
    10. 10 Weda Cook, 1891 1,4%
    11. 11 Monseñor Diomede Falconia, 1905 1,4%
    12. 12 El vestido a la antigua (también conocido como Retrato de Helen Montanverde Parker), 1908 1,4%
    13. 13 Self Portrait, 1902 1,4%
    14. 14 Study for the Referee in Taking the Count, 1898 1,4%
    15. 15 Max schmitt in a single scull moma ny 1,4%
    16. 16 Study for The Swimming Hole, 1884 1,4%
    17. 17 Portrait of Mrs. Hubbard (sketch), 1895 1,4%
    18. 18 Music, 1904 1,4%
    19. 19 An Actress 1,4%
    20. 93 The Crucifixion, 1880 esta pintura 0,5%

    En conjunto, estas obras representan el 42,6% de toda la atención que recibieron las pinturas de este artista durante los últimos doce meses. El catálogo contiene 228 obras de este artista, de las cuales 117 fueron consultadas al menos una vez. Esta pintura ocupa el puesto 93 entre ellas, con un 0,5% de esa atención. Los mismos datos, mes a mes

    Las barras miden la atención, no la calidad. Elige la obra en la parte superior y esta otra: menciona un factor que podría hacer que una pintura sea famosa más allá de lo bien que esté pintada.

    Sobre esta obra

    The Crucifixion — Thomas Eakins

    Thomas Eakins’ *The Crucifixion*: A Study in Stark Realism

    Thomas Eakins' 1880 painting, *The Crucifixion*, isn’t the grand, overtly religious depiction one might expect. Instead, it presents a profoundly unsettling and remarkably intimate portrayal of Christ on the cross—a work that reveals the artist’s deeply rooted commitment to unflinching realism and his unique perspective on human suffering. Far from glorifying martyrdom, Eakins strips away any sentimentalism, offering instead a brutally honest depiction of death and decay, rendered with an almost clinical precision.

    The painting immediately commands attention through its sheer scale—an imposing eight feet tall—placing the viewer directly within the scene. The composition is remarkably simple: a solitary figure, Christ, hangs suspended from the cross against a bleak, undefined landscape. There’s no dramatic sky, no crowd of mourners, no overt signs of grief. Instead, we are confronted with the stark reality of death – the pallor of the body, the rough texture of the wood, and the unsettling stillness of the scene. Eakins masterfully utilizes a muted palette of browns, grays, and ochres, further emphasizing the somber mood and the sense of isolation.

    A Masterclass in Anatomical Detail and Observation

    Eakins’ technical skill is undeniable. He was obsessed with accurate representation, honed through years of rigorous study and a deep understanding of human anatomy—a fascination evident in his portraits and medical illustrations. *The Crucifixion* showcases this expertise to its fullest extent. Every detail, from the subtle wrinkles on Christ's skin to the rough grain of the wood, is rendered with painstaking accuracy. This isn’t simply a depiction of a corpse; it’s an anatomical study—a testament to Eakins’ dedication to observing and faithfully recreating the physical world.

    Interestingly, Eakins’ background as a student at Jefferson Medical College profoundly influenced his approach. He dissected cadavers extensively, gaining an unparalleled understanding of human musculature and skeletal structure. This knowledge is seamlessly integrated into the painting, lending it a remarkable sense of realism and immediacy. The way Christ's body hangs, the subtle tension in his limbs—all are informed by Eakins’ anatomical expertise.

    Symbolism Beyond the Biblical Narrative

    While rooted in Christian iconography, *The Crucifixion* transcends a simple retelling of the biblical story. It becomes a meditation on mortality, suffering, and the human condition. The lack of emotional expression—the absence of tears or lamentation—forces the viewer to confront the stark reality of death without sentimentality. Some art historians suggest that Eakins’ deliberate choice to omit traditional religious symbols reflects his own disillusionment with organized religion, prioritizing instead a direct engagement with the subject matter.

    Furthermore, the painting's setting – an undefined landscape—can be interpreted as representing the universal experience of death. It is not tied to any specific location or time period, but rather speaks to the fundamental human condition. The figure’s face, obscured in shadow, invites contemplation and encourages viewers to project their own emotions and interpretations onto the scene.

    Eakins' Legacy: A Realist Icon

    Despite its unsettling nature, *The Crucifixion* is considered one of Eakins’ most significant works. It exemplifies his commitment to realism, his meticulous attention to detail, and his willingness to confront difficult subjects with unflinching honesty. It stands as a powerful reminder of the artist's unique vision—a vision that continues to resonate with viewers today.

    Reproductions of *The Crucifixion* offer an exceptional opportunity to experience Eakins’ masterful technique and profound insights into the human condition. Whether displayed in a grand salon or a more intimate setting, this iconic painting remains a compelling testament to the power of realism and the enduring fascination with mortality.

    Artista y museo

    Artista

    Thomas Eakins

    Nacido en Filadelfia, Estados Unidos de América

    Una vida dedicada a capturar la realidad

    Thomas Cowperthwait Eakins, pintor realista estadounidense, fotógrafo, escultor y educador en bellas artes, dejó una huella imborrable en el lienzo de la historia del arte americano. Nacido el 25 de julio de 1844 en Filadelfia, Pensilvania, su vida fue un testimonio de su inquebrantable dedicación a capturar la esencia de la realidad.

    Primeros años y educación

    Los primeros años de Eakins estuvieron marcados por su agudo interés en el dibujo y las ciencias. Asistió a la escuela secundaria central y luego estudió en la Academia de Bellas Artes de Pensilvania, donde perfeccionó sus habilidades en dibujo y anatomía. Su tiempo en Europa, particularmente bajo la tutela de Jean-Léon Gérôme en París, influyó significativamente en su enfoque artístico.

    Una carrera definida por el realismo

    La obra de Eakins se caracteriza por su implacable realismo, una característica que lo distinguía de sus contemporáneos. Sus retratos, que suman varios cientos, ofrecen una visión conmovedora del tejido intelectual y social de finales del siglo XIX y principios del XX en Filadelfia. Obras notables incluyen Max Schmitt en una Cesta de Remo Individual, que no solo muestra la maestría de Eakins para capturar el movimiento, sino también su profundo interés en la forma humana.

    Enseñanza y controversia

    El período de Eakins como instructor en la Academia de Bellas Artes de Pensilvania se caracterizó tanto por la influencia como por la controversia. Su enfoque docente, que enfatizaba la importancia de estudiar la forma humana desde la vida, a menudo provocaba fricciones con sus colegas. Esto, junto con escándalos personales, truncó su éxito y dañó su reputación durante su vida.

    Legado

    A pesar de los desafíos que enfrentó, Eakins es ahora celebrado como "el realista más fuerte y profundo en el arte estadounidense del siglo XIX y principios del XX". Su obra se puede encontrar en varios museos, incluido el Museo Metropolitano de Arte, que alberga varias de sus obras notables.

    El campeón en una cesta de remo individual (Max Schmitt en una cesta de remo individual) - Una obra fundamental que muestra la temprana maestría de Eakins para capturar el movimiento.

    Thomas Eakins - Explore la extensa colección de obras de Eakins en AllPaintingsStore, ofreciendo una inmersión profunda en su evolución artística y estilo.

    Wikipedia: Thomas Eakins - Profundice en la completa entrada de Wikipedia sobre Eakins, que detalla su vida, influencias y el impacto de su obra en la historia del arte americano.

    Conclusión El compromiso inquebrantable de Thomas Eakins con el realismo ha dejado un legado perdurable en el arte estadounidense. Su enfoque implacable para capturar la forma humana, tanto en movimiento como en reposo, continúa inspirando a artistas y entusiastas del arte por igual. A través de su obra, vislumbramos no solo la esencia de sus sujetos, sino también el propio tejido de la América temprana del siglo XX.

    Museo

    Philadelphia Art Museum

    En exposición en Filadelfia, Estados Unidos de América

    A Sanctuary of Artistic Voices: The Philadelphia Museum of Art

    Nestled majestically on the crest of Benjamin Franklin Parkway in the heart of Philadelphia, the Philadelphia Museum of Art is far more than a mere repository for art; it’s an immersive experience, a profound testament to centuries of human creativity and a vibrant reflection of American culture. From its modest beginnings as a showcase for the Centennial Exposition to its current status as one of the nation's premier artistic institutions, the museum has consistently evolved while remaining deeply rooted in its rich and storied past. The iconic steps, immortalized in the film Rocky, beckon visitors not just to admire the building’s grandeur but to participate in a shared cultural narrative—a symbol of unwavering perseverance and the enduring power of artistic aspiration. More than simply displaying masterpieces, the museum invites contemplation, sparking dialogue, and fostering a deeply felt connection between the viewer and the art itself, transforming each visit into an unforgettable journey.

    The story’s genesis lies in the ambitious vision of the 1876 Centennial Exposition. Initially conceived as a celebration of applied arts and sciences—a tribute to industry and innovation—the exhibition quickly blossomed into a comprehensive institution dedicated to preserving and exhibiting art from across the globe. The architectural design, masterfully spearheaded by Horace Trumbauer and brought to life through the crucial contributions of Julian Abele – the first African-American graduate of the University of Pennsylvania’s Department of Architecture – is itself a breathtaking work of art. Constructed from the luminous Minnesota dolomite, the building exudes an unparalleled elegance and grandeur, a physical embodiment of artistic ideals. Abele's meticulous detailing—the delicate carvings adorning every surface, the precisely placed columns reaching towards the heavens, the subtle variations in stone texture that create a mesmerizing interplay of light and shadow – elevates the entire structure beyond mere functionality, transforming it into a harmonious blend of classical inspiration and modern sensibility.

    Stepping inside is akin to embarking on a captivating voyage through time and across continents. The museum’s collection boasts an astonishing 240,000 objects, encompassing an extraordinary range of artistic mediums and historical periods. European paintings form the cornerstone of the early galleries, offering a sweeping panorama from the Renaissance masters—Botticelli's ethereal Venus, a study in delicate color and idealized beauty; Rembrandt’s dramatic lighting, capturing both the grandeur and vulnerability of human experience; the Impressionists—Monet’s shimmering water lilies, evoking the fleeting nature of light and atmosphere; Renoir’s joyful gatherings, brimming with life and celebrating the simple pleasures of everyday moments. However, to confine the museum solely to its European holdings would be a profound disservice. A comprehensive survey of American art unfolds before the visitor's eyes, tracing the evolution of artistic expression within the United States from colonial times to contemporary explorations. This section reveals how America’s unique cultural landscape has profoundly shaped its artistic identity, showcasing works by artists like William Michael Harnett, whose “Still Life: Writing Table” exemplifies the mastery of trompe-l'œil realism—a technique so convincingly realistic that it appears to leap off the canvas, blurring the line between art and reality; and Nettie Pettway Young, whose iconic Gee’s Bend quilts embody the spirit of African American artistry—each stitch a testament to tradition, resilience, and profound storytelling. Beyond Europe and America, the museum extends its reach across continents with an extensive collection of Asian art—ceramics, bronzes, paintings, and sculptures that offer glimpses into the region's rich artistic heritage, including the exquisite works of Gim Eung-won, a Korean master painter renowned for his intricate depictions of orchids and rocks – capturing both their delicate beauty and the strength of nature.

    A Living Cultural Hub: Exhibitions and Engagement

    The Philadelphia Museum of Art is not merely a place to passively observe art; it’s a dynamic space designed to foster engagement, ignite curiosity, and inspire creativity. The museum consistently hosts rotating special exhibitions that bring fresh perspectives and introduce new artists to the public eye, ranging from groundbreaking retrospectives celebrating the legacies of masters like Cézanne – exemplified by his poignant “Seated Peasant,” a study in muted tones and expressive brushstrokes – to thematic explorations of specific artistic movements. These carefully curated initiatives ensure that the museum remains a vibrant cultural hub, constantly evolving and adapting to meet the needs and interests of its diverse community.

    Beyond these temporary displays, the museum offers a wealth of educational programs tailored for audiences of all ages—from engaging family workshops designed to spark curiosity in young minds and school tours that provide valuable insights into artistic techniques and historical context, to stimulating lectures and artist talks offering profound perspectives on the creative process. These initiatives underscore the museum’s commitment to making art accessible and engaging for everyone, regardless of their background or experience.

    Architectural Marvels and Historical Context

    The building itself is an integral part of the museum's story—a testament to architectural grandeur and artistic harmony. The original design by Horace Trumbauer, complemented by Julian Abele’s masterful detailing, reflects a deep commitment to creating a space that celebrates both art and architecture. However, the museum’s evolution has continued through significant expansions and renovations over the years.

    The addition of the Rodin Museum, housing Auguste Rodin’s iconic sculptures including The Thinker, provides a dedicated space for this influential artist's work—a powerful meditation on contemplation and humanity’s inner struggles. More recently, the Perelman Building, designed by Frank Gehry, opened in 2007, dramatically reshaping the interior and adding new galleries specifically designed for prints, drawings, photographs, and design objects. This modern addition seamlessly integrates with the historic building, creating a dynamic and visually stunning space—a testament to the museum’s ability to embrace innovation while honoring its rich past.

    A Legacy of Innovation and Expansion

    Throughout its history, the Philadelphia Museum of Art has consistently demonstrated a commitment to growth, innovation, and inclusivity. The museum's dedication to diversity, equity, inclusion, and accessibility is reflected in ongoing efforts to ensure that all visitors feel welcomed, valued, and represented. The Core Project, completed in 2021, represents a monumental investment in the museum’s future, transforming the interior with new galleries, improved circulation, and enhanced visitor amenities – creating an even more welcoming and intuitive experience for all.

    And of course, no discussion of the Philadelphia Museum of Art would be complete without acknowledging “Rocky Steps” themselves—more than just a visual landmark, they’re a powerful symbol of determination, perseverance, and achievement, attracting visitors from around the globe who come to reenact the iconic scene and connect with the spirit of resilience that has become synonymous with this extraordinary institution. The museum's commitment extends beyond its main building, encompassing the historic colonial-era houses of Mount Pleasant and Cedar Grove in Fairmount Park, adding another layer to its historical significance and offering a glimpse into Philadelphia’s past.

    Más información

    Disponible en línea

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    Cómo citar esta obra

    MLA
    Eakins, Thomas. The Crucifixion. 1880, Philadelphia Art Museum. https://originaluniqueart.com/es/art/thomas-eakins-the-crucifixion-8BWVNV-en/
    APA
    Eakins, Thomas (1880). The Crucifixion [Painting]. Philadelphia Art Museum. https://originaluniqueart.com/es/art/thomas-eakins-the-crucifixion-8BWVNV-en/
    Chicago
    Thomas Eakins. The Crucifixion. 1880. Philadelphia Art Museum. https://originaluniqueart.com/es/art/thomas-eakins-the-crucifixion-8BWVNV-en/
    Harvard
    Eakins, Thomas (1880) The Crucifixion. Philadelphia Art Museum. Available at: https://originaluniqueart.com/es/art/thomas-eakins-the-crucifixion-8BWVNV-en/

    Observa de cerca

    The Crucifixion — Thomas Eakins

    Observa de cerca

    Responda con sus propias palabras. Aquí no hay respuestas incorrectas, solo respuestas que pueda explicar.

    1. ¿Qué es lo primero que le llama la atención y por qué?
    2. ¿Qué colores o formas crean la atmósfera, y cuál es esa atmósfera?
    3. Nuestro catálogo clasifica esta obra bajo: crucifixion, jesus, eakins. ¿Está de acuerdo? ¿Qué añadiría o qué eliminaría?
    4. Vuelva a consultar La Clínica Gross (1875), al principio de esta guía. Mencione dos elementos que comparta con esta obra y uno que sea diferente.
    5. Contemporary Realism: Living artists painting the real world with traditional skill, often from photographs as well as from life. ¿Dónde se puede apreciar esto en esta obra?

    Tu respuesta

    Redacte un breve párrafo sobre esta obra de arte. Utilice la información de las secciones anteriores de esta guía y sus respuestas previas.

    Trivia de arte

    The Crucifixion — Thomas Eakins

    ¿Qué tanto conoces esta obra de arte?

    Selecciona una respuesta para cada una de las 5 preguntas a continuación. Cada una tiene exactamente una respuesta correcta.

    1. 1. What is the primary subject depicted in Thomas Eakins’ ‘The Crucifixion’?

      • A A portrait of a prominent Philadelphia citizen.
      • B Jesus Christ on the cross.
      • C A scene from daily life in 19th-century Philadelphia.
    2. 2. In what year was ‘The Crucifixion’ painted by Thomas Eakins?

      • A 1864
      • B 1880
      • C 1916
    3. 3. According to the provided text, what did Thomas Eakins consider his painting of ‘The Crucifixion’?

      • A One of his most idealized works.
      • B One of his 'very best' paintings.
      • C A deliberately challenging and controversial piece.
    4. 4. What artistic movement did Thomas Eakins primarily represent in his work?

      • A Impressionism
      • B Realism
      • C Romanticism
    5. 5. The text mentions that Eakins studied anatomy at which institution?

      • A Pennsylvania Academy of the Fine Arts
      • B École des Beaux Arts in Paris
      • C Jefferson Medical College

    Mi puntuación: ____ de 5

    Clave de respuestas — para el profesor

    Esto inicia una página nueva, por lo que puede omitirse fácilmente en las copias.

    1B · 2B · 3B · 4B · 5C

    Compruebe cualquier respuesta con el registro del catálogo de esta pintura

    Preguntas y respuestas

    ¿Puedo ver una vista previa de "The Crucifixion" de Thomas Eakins antes de realizar el pedido?

    La página de Vista previa de "The Crucifixion" le permite previsualizar la obra antes de realizar su pedido.

    ¿Qué tema y atmósfera combina "The Crucifixion" de Thomas Eakins?

    "The Crucifixion" de Thomas Eakins combina crucifixion, jesus, eakins, philadelphia, realism, pain, suffering, biblical con una atmósfera Dramatic.

    ¿Es "The Crucifixion" de Thomas Eakins una composición en formato retrato, paisaje o cuadrado?

    "The Crucifixion" de Thomas Eakins tiene un formato Tall. El formato describe las proporciones de la composición.