Tamaño de papel

Guía de obras estudiantiles

The Block

Nombre Clase Fecha

Romare Bearden, The Block (1971). Reproducido con fines de referencia; todos los derechos reservados por el titular. Observe este lienzo bajo una luz en movimiento: el dibujo, el color real bajo el barniz, el pigmento puro

Datos clave

Artista
Romare Bearden originaluniqueart.com/es/artists/romare-bearden_es/
Fechas del artista
1911 – 1988
Pintura al óleo
1971
Tamaño original
128 x 97 cm

En contexto

The Block — Romare Bearden

Dimensiones

Las medidas originales son 128 × 97 cm (alto × ancho), representadas aquí junto a un adulto de estatura media.

¿Cuándo se pintó esta obra?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960
  7. 1970
  8. 1980

Fila superior: los años. Fila inferior: la edad del artista al inicio y al final de cada periodo — 0 al nacer, 77 al morir.

Pintado cuando el artista tenía 60. El artista vivió hasta los 77. 1 de las 2 obras fechadas de este artista en nuestro catálogo son anteriores.

Sombreado: la trayectoria de Romare Bearden (1911–1988) ▲ esta obra, 1971 cada pintura fechada, década tras década

Comparar con

  • Recuerdo de Pittsburgh, 1964 originaluniqueart.com/es/art/romare-bearden-recuerdo-de-pittsburgh-d2rab6-es/
  • Patchwork quilt originaluniqueart.com/es/art/romare-bearden-patchwork-quilt-A25F5Y-en/
  • The train originaluniqueart.com/es/art/romare-bearden-the-train-A25QM3-en/

Elige una de las obras anteriores: menciona dos cosas que comparta con esta y una diferencia.

Más obras para acompañar a esta: originaluniqueart.com/es/art/similar/romare-bearden-the-block-D2UUKK-en/

Colores

Medido a partir de la imagen

    Color principal

    Rosy Brown #a8a2a6

    Paleta catalogada

    • #A8A2A6
    • #4A515D
    • #1C6EB2
    • #866962

    Estos colores integrados en toda la paleta del artista Encuentra otras pinturas por color

    Nombre del color principal
    Rosy Brown
    Intensidad
    Balanced Qué saturados y variados son los colores, desde un único tono tenue hasta una gran variedad de tonos brillantes.
    Contraste
    Gentle El grado de diferencia entre los colores en cuanto a luminosidad y saturación a lo largo de la obra.
    Armonía
    Discordant Palette El grado de armonía entre los colores, desde el contraste hasta la total unidad.
    Brillo
    Balanced El grado de luminosidad o oscuridad general de la imagen, desde las sombras profundas hasta las luces intensas.
    Saturación
    Balanced Soft Qué puros y fuertes son los colores, desde un gris casi tenue hasta una viveza total.

    ¿En qué parte del mundo se contempla esta pintura?

    • menos del 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% o más
    Esta pintura por sí sola cuenta con muy pocos visitantes registrados para realizar un mapeo, por lo que la lámina muestra cada obra de Romare Bearden durante los últimos doce meses: 1 países en total. Origen de estas cifras

    Los diez principales países

    1. 1 Estados Unidos 100,0%

    Localiza los tres países más oscuros en el mapa. ¿Se encuentra alguno de ellos en el país donde se custodia esta pintura? Escribe una razón por la cual personas de lugares lejanos podrían viajar para verla.

    Las 3 obras más vistas de Romare Bearden

    1. 1 The Block, 1971 esta obra 33,3%
    2. 2 Patchwork quilt 33,3%
    3. 3 Recuerdo de Pittsburgh, 1964 33,3%

    En conjunto, estas obras representan el 99,9% de toda la atención que recibieron las pinturas de este artista durante los últimos doce meses. El catálogo contiene 4 obras de este artista, de las cuales 3 fueron consultadas al menos una vez. Esta pintura ocupa el puesto 1 entre ellas, con un 33,3% de esa atención. Los mismos datos, mes a mes

    Las barras miden la atención, no la calidad. Elige la obra de arriba y esta otra: menciona un factor que podría hacer que una pintura sea famosa más allá de su técnica.

    Sobre esta obra

    The Block — Romare Bearden

    The Block is a tribute to Harlem, a neighborhood in New York City that nurtured both the life and work of artist Romare Bearden. Although he was born in Charlotte, North Carolina, Bearden spent part of each year in New York throughout his childhood. In 1940 he established his first studio in Harlem, at 306 West 125th Street, in the same building as the artist Jacob Lawrence and the poet­novelist Claude McKay. During the 1940s Bearden was active in the Harlem cultural community as part of the informal artists" organization known as the 306 Group and as a member of the Harlem Artists Guild.Each of the six panels of The Block presents an aspect of life in Harlem, depicting such neighborhood institutions as the Evangelical church, the barbershop, and the corner grocery store. Bearden took artistic license in revealing the private moments of tenement life as well as the exuberant humanity that existed in the prototypical city block. His concern with social issues reflects the influence of the German artist George Grosz, with whom Bearden had studied at the Art Students League in the 1930s. The "Cubist" character of Bearden"s cut-paper collage, a technique with which he is associated, resulted from formal experimentation, the documentary impulse of Dadaist photomontage, and Bearden"s own modern vision, which matured during the 1940s and 1950s.The original installation of this work included a tape recording of street sounds to enhance the viewer"s visual experience of the work, but even without this accompaniment the vitality of the scene is palpable.

    Artista y museo

    Artista

    Romare Bearden

    Nacido en Charlotte, Estados Unidos

    A Life Immersed in Culture: The Journey of Romare Bearden

    Romare Howard Bearden, born in Charlotte, North Carolina, in 1911, was more than just an artist; he was a cultural architect, a visual storyteller whose work resonated with the rhythms and realities of African-American life. His early years were marked by constant movement, a childhood spent between the burgeoning artistic hub of Harlem, New York, and the quieter landscapes of Pittsburgh, Pennsylvania. This geographic fluidity instilled in him a unique perspective, an ability to observe and absorb the diverse experiences that would later fuel his creative vision. The Bearden home wasn’t simply a residence; it was a salon, a gathering place for luminaries of the Harlem Renaissance—writers, musicians, intellectuals—who shaped young Romare's understanding of art as a vehicle for social commentary and cultural preservation. His mother, Bessye Bearden, a prominent figure in New York City’s civic life and a journalist for the Chicago Defender, further nurtured this environment, instilling in him a sense of responsibility to his community and a deep appreciation for storytelling.

    From Social Realism to Abstract Exploration

    Bearden's formal education was equally diverse, encompassing studies at Lincoln University, Boston University, and ultimately New York University, where he earned a degree in science and education in 1935. However, his true calling lay in the realm of art, and he continued his training under the tutelage of German artist George Grosz. His early artistic endeavors were rooted in social realism, depicting scenes from the American South with a keen eye for detail and a commitment to portraying the lives of ordinary people. These works often reflected the influence of Mexican muralists like Diego Rivera and José Clemente Orozco, whose powerful narratives and bold compositions resonated with Bearden’s own desire to address issues of social justice and human dignity. He believed that art had a crucial role in confronting societal injustices and celebrating cultural heritage—a conviction that would permeate his entire artistic career.

    The Power of Collage: A Defining Aesthetic

    It was in the late 1950s and early 1960s that Romare Bearden truly found his signature style—collage. He didn’t simply adopt collage as a technique; he elevated it to an art form, transforming humble materials like magazine clippings, fabric scraps, and photographs into vibrant, emotionally resonant compositions. This choice wasn't accidental. Collage allowed him to fragment and reassemble reality, mirroring the complexities of memory, identity, and experience. His collages weren’t merely representations of scenes; they were evocations of moods, atmospheres, and cultural narratives. He often drew inspiration from jazz music—its improvisational spirit, its layered harmonies, its ability to convey profound emotions through seemingly simple melodies. Bearden saw parallels between the artist's process and the musician's performance, both relying on intuition, spontaneity, and a deep understanding of their respective mediums. This innovative approach distinguished him from many of his contemporaries and cemented his place as one of the foremost collage artists of his time.

    Influences & Artistic Development

    Bearden’s artistic development was shaped by a constellation of influences—from Byzantine mosaics to African art traditions, which instilled in him a fascination with symbolism and visual storytelling. He studied under George Grosz, absorbing the artist's expressive use of distortion and caricature, and later honed his skills at the Art Students League, where he experimented with various mediums and techniques. His formative years were spent amidst the vibrant intellectual currents of Harlem, fostering collaborations with fellow artists and writers who championed social justice and artistic experimentation. The Second World War profoundly impacted Bearden’s worldview, prompting him to confront themes of trauma and resilience in his artwork—a preoccupation that would continue throughout his career. He embraced abstraction as a means of conveying emotion and exploring psychological landscapes, pushing the boundaries of visual representation while retaining a deep connection to cultural heritage.

    Legacy & Enduring Influence

    Throughout his prolific career, Bearden received numerous accolades, including honorary doctorates from several prestigious universities and, in 1987, the National Medal of Arts. He was also a gifted writer and songwriter, co-writing the jazz standard "Sea Breeze" with childhood friend Dizzy Gillespie—a testament to his multifaceted talents and enduring legacy as both an artist and cultural icon. Bearden’s work continues to inspire artists and audiences alike, reminding us that art can serve as a catalyst for social change and a conduit for profound human experience. His ability to synthesize diverse influences—from African art and Byzantine mosaics to jazz music and personal memory—created a unique visual language that remains instantly recognizable and profoundly moving. He established the Bearden Foundation, dedicating himself to nurturing young creatives and promoting artistic excellence—a lasting contribution to the cultural landscape of America. Romare Bearden's legacy extends far beyond his individual artworks; it resides in his unwavering commitment to fostering dialogue, confronting injustice, and celebrating the richness of human culture.

    Dónde leer más

    • El artista Romare Bearden originaluniqueart.com/es/artists/romare-bearden_es/
    • Obras similares Más obras para comparar originaluniqueart.com/es/art/similar/romare-bearden-the-block-D2UUKK-en/

    Consíguelo en línea

    Código QR que enlaza con la página de descarga de The Block

    originaluniqueart.com/es/art/download/romare-bearden-the-block-D2UUKK-en/

    Cómo citar esta obra

    MLA
    Bearden, Romare. The Block. 1971, https://originaluniqueart.com/es/art/romare-bearden-the-block-D2UUKK-en/
    APA
    Bearden, Romare (1971). The Block [Painting]. https://originaluniqueart.com/es/art/romare-bearden-the-block-D2UUKK-en/
    Chicago
    Romare Bearden. The Block. 1971. https://originaluniqueart.com/es/art/romare-bearden-the-block-D2UUKK-en/
    Harvard
    Bearden, Romare (1971) The Block. Available at: https://originaluniqueart.com/es/art/romare-bearden-the-block-D2UUKK-en/

    Observa de cerca

    The Block — Romare Bearden

    Observa con atención

    Responda con sus propias palabras. Aquí no hay respuestas incorrectas, solo respuestas que pueda explicar.

    1. ¿Qué es lo primero que le llama la atención y por qué?
    2. ¿Qué colores o formas crean la atmósfera, y cuál es esa atmósfera?
    3. Vuelva a consultar Recuerdo de Pittsburgh (1964), al principio de esta guía. Mencione dos elementos que comparta con esta obra y uno que sea diferente.
    4. Romare Bearden tenía unos 60 años cuando se realizó esta obra. ¿Qué elementos de la misma parecen reflejar la etapa creativa de un artista a esa edad?
    5. ¿Qué habrá querido transmitir el artista?

    Tu respuesta

    Escriba un breve párrafo sobre esta obra de arte. Utilice los datos de las secciones anteriores de esta guía y sus respuestas anteriores.

    Preguntas y respuestas

    ¿En qué año se creó "The Block" de Romare Bearden?

    "The Block" de Romare Bearden fue creada en 1971.

    ¿Qué orientación tiene "The Block" de Romare Bearden?

    "The Block" de Romare Bearden tiene un formato Panoramic. El formato describe las proporciones de la composición.

    ¿Qué nivel de luminosidad transmite "The Block" de Romare Bearden?

    En términos generales, "The Block" presenta una luminosidad de balanced. La luminosidad percibida describe qué tan clara u oscura parece la obra.