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Presentación de diapositivasLe Pardon
The inversion of the relationship between the subject and the object brings the reunion of Golgotha and Corrida: the toreros and the bulls change places, are crucified or are united in a deadly embrace. Their fight is defined by their total, devouring appropriation of each other. Corrida and Golgotha do not only invoke death celebrated as an orgy, but also rebirth. Christian heroes are transformed into heathen gods of seasonal recurrence. Mexico became a mystery in Eisenstein’s epic: a cosmogony of life and death. Here he understood art as a “transition from biological mortality to social immortality.”
Serguéi Eisenstein (1898 – 1979)
Sergei Eisenstein (1898-1948): pionero soviético del montaje cinematográfico. Descubre sus épicas obras como 'El acorazado Potemkin' y su revolucionaria teoría del cine.
Detalles de la obra
- Título: Le Pardon
- Artista: Serguéi Eisenstein
- Estado de derechos de autor: Protegido por derechos de autor
- Contexto del corpus: christian & pagan fusion , social immortality theme
- Palabras clave: soviet art sketch , russian expressionism , black ink drawing
- Temas: mythological figures , religious symbolism , soviet art influence
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