The Masters · Chromatic Profile
John
Parker
1745
—
1799
· Early Modern
The Formative Years in London and Chichester In the bustling streets of London, a young man named John Parker began to find his way through the study of form. His early training led him to the Duke of Richmond's gallery of casts, where he learned …
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The Palette Genome
A portrait built from John Parker's own colours
Every 6 approved work contributes its dominant tone to a single flowing field. Sorted along the hue wheel, the strip reads as a smooth spectrum. Click any band to reveal its full four-colour palette.
← Cool · Shadow
Warm · Earth
Gold · Light →
Bands follow the hue wheel; visually identical tones are merged.
Four-Colour Decomposition
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The Chromatic Knot
Every painting, placed on the hue wheel
Each dot is a work — its angle set by hue, its distance from the centre by saturation. Hover a dot to see the painting.
Reading the Genome
The signature, in numbers
The Source Works
Where the colour came from
Up to 24 paintings representing the most frequent palette tones — each shown with its dominant colours.