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Student Artwork Guide

The Annunciation

Name Class Date

Zanobi Strozzi, The Annunciation (1453), Philadelphia Museum of Art. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Zanobi Strozzi originaluniqueart.com/en/artists/zanobi-strozzi/
Artist’s dates
1412 – 1468
Painted
1453
Medium
Acrylic
Original size
37 x 30 cm
Movement
Early Renaissance The first generation to rebuild depth and lifelike bodies in painting after the Middle Ages.
Held at
Philadelphia Museum of Art originaluniqueart.com/en/museums/philadelphia-museum-of-art-philadelphia/
Artistic style
Stylized, Byzantine influences
Influences
Byzantine Art
Notable elements or techniques
Gold leaf, Tempera layering
Subject or theme
Biblical Narrative

In context

The Annunciation — Zanobi Strozzi

How big is it?

The original measures 37 × 30 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1410
  2. 1420
  3. 1430
  4. 1440
  5. 1450
  6. 1460

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 56 at death.

Painted when the artist was 41. The artist lived to 56. 12 of the 14 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Zanobi Strozzi (1412–1468) ▲ this work, 1453 every dated painting, decade by decade

First works: up to 1437 Main working years: 1437–1450 Late works: from 1450

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/zanobi-strozzi-the-annunciation-8Y3JCF-en/

Colours

Measured from the image

    Main colour

    Putty #e0beaa

    Catalogued palette

    • #E0BEAA
    • #32313D
    • #D4986D
    • #965549

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Putty
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Zanobi Strozzi over the last twelve months — 6 countries in all. Where these figures come from

    The ten leading countries

    1. 1 Sweden 36.8%
    2. 2 China 26.3%
    3. 3 Germany 15.8%
    4. 4 Italy 10.5%
    5. 5 Spain 5.3%
    6. 6 United States of America 5.3%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 8 most looked-at works by Zanobi Strozzi

    1. 1 Camaldolese Friars in Choir, 1450 42.1%
    2. 2 The Abduction of Helen 26.3%
    3. 3 King David in Prayer in an Initial B, 1450 5.3%
    4. 4 Vallombrosan Gradual, 1437 5.3%
    5. 5 Madonna and Child with Angels, 1434 5.3%
    6. 6 The Annunciation, 1453 this painting 5.3%
    7. 7 St Agnes, 1448 5.3%
    8. 8 Book of Hours for the Use of Rome (Folios 169v-170r), 1445 5.3%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 16 works by this artist, of which 8 were looked at at least once. This painting ranks 6 of them, with 5.3% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Zanobi Strozzi

    Born in Florence, Italy

    The Florentine Visionary: The Life and Legacy of Zanobi Strozzi

    In the golden era of the Florentine Renaissance, where light and shadow began to dance with newfound humanistic depth, the name Zanobi Strozzi emerged as a vital thread in the city's artistic tapestry. Born in 1412 into the illustrious Strozzi family, Zanobi’s early life was shaped by the profound political shifts of Florence. Though his lineage connected him to nobility, the untimely death of his father when Zanobi was only fifteen years old thrust him toward a different kind of destiny. This period of personal loss led him into the transformative embrace of an apprenticeship under Battista di Biagio Sanguigni, a mentorship that would eventually refine his hand and instill in him the technical precision required to master the delicate art of manuscript illumination and panel painting.

    Strozzi’s artistic evolution was deeply intertwined with the spiritual and aesthetic currents of his time. His most significant connection, however, was his association with the revered Fra Angelico. As a pupil within this influential circle, Strozzi did not merely mimic the master; he absorbed a profound sense of devotion and a luminous approach to color that would become hallmarks of his own style. This relationship allowed for a beautiful stylistic convergence, where the ethereal, divine light characteristic of Fra Angelico met Strozzi’s meticulous attention to detail. His work often bridged the gap between the intimate, miniature worlds of illuminated manuscripts and the grand, emotive presence of religious altarpieces.

    Mastery of Detail and Devotional Beauty

    The breadth of Strozzi’s talent is most evident in his ability to navigate diverse mediums with equal grace. He was a master of tempera on panel, a medium that demanded immense patience and a steady hand to achieve the vibrant, jewel-like tones seen in his religious works. His repertoire included several significant altarpieces and poignant depictions of the Virgin and Child, pieces designed to evoke deep spiritual reflection in the viewer. In these works, Strozzi utilized the Florentine Early Renaissance style to weave narratives of faith, using soft transitions and intricate patterns to breathe life into sacred figures.

    Beyond the larger panels, Strozzi achieved legendary status through his contributions to manuscript illumination. His ability to command small spaces allowed him to create miniature worlds of breathtaking complexity. Some of his most notable artistic achievements include:

    Sts Cosmas and Damian Saved from Drowning: A 1435 masterpiece that captures a poignant moment of divine intervention, showcasing his skill in depicting communal faith and dramatic movement.

    St Agnes: Created in 1448, this work exemplifies his ability to render serene, profile portraits set against swirling, decorative patterns that highlight the elegance of the period.

    Book of Hours for the Use of Rome: A testament to his prowess as an illuminator, where every folio serves as a window into the meticulous craftsmanship of the Florentine scriptorium.

    A Lasting Impression on the Renaissance

    The historical significance of Zanobi Strozzi lies in his role as a bridge between the medieval tradition of decorative illumination and the burgeoning Renaissance focus on human emotion and naturalism. While much of his work was destined for private devotion within the grand residences of Florence, his influence rippled through the workshops of the city. He helped disseminate a specific brand of Florentine beauty—one that was both intellectually rigorous and emotionally accessible. Through his hands, the sacred stories of the saints and the Virgin were rendered with a clarity and vibrancy that captured the very essence of the Quattrocento spirit.

    Though he passed away in 1468, leaving behind a legacy etched in gold leaf and tempera, Strozzi remains a symbol of the artist's ability to find profound meaning within the minute. His life, marked by the transition from a noble orphan to a celebrated master, mirrors the very transformation of Florence itself: a journey from the structured traditions of the past toward the luminous, human-centered brilliance of the Renaissance.

    Museum

    Philadelphia Museum of Art

    On show in Philadelphia, United States of America

    A Sanctuary of Artistic Voices: The Philadelphia Museum of Art

    Nestled on the crest of Benjamin Franklin Parkway in the heart of Philadelphia, the Philadelphia Museum of Art is more than just a repository for art; it’s an immersive experience, a testament to centuries of human creativity and a vibrant reflection of American culture. From its humble beginnings as a showcase for the Centennial Exposition to its current status as one of the nation's premier art institutions, the museum has consistently evolved while remaining deeply rooted in its rich history. The iconic steps, immortalized in the film Rocky, beckon visitors not just to admire the building’s grandeur but to participate in a shared cultural narrative—a symbol of perseverance and the enduring power of artistic aspiration. More than simply displaying masterpieces, the museum invites contemplation, sparking dialogue and fostering a profound connection between the viewer and the art itself.

    The story begins with the grand vision of the 1876 Centennial Exposition. Initially conceived as a showcase for applied arts and sciences—a celebration of industry and innovation—it quickly blossomed into a comprehensive institution dedicated to preserving and exhibiting art from across globe. The architectural design, spearheaded by Horace Trumbauer and brought to life through the crucial contributions of Julian Abele—the first African-American graduate of the University of Pennsylvania’s Department of Architecture—is itself a work of art. Constructed from Minnesota dolomite, the building exudes an elegance and grandeur befitting its contents, a physical embodiment of artistic ideals. Abele's meticulous detailing – the delicate carvings, the precisely placed columns, the subtle variations in stone texture – adds a layer of refined beauty that elevates the entire structure beyond mere functionality. It’s a building designed not just to house art, but to celebrate it, a harmonious blend of classical inspiration and modern sensibility.

    Stepping inside is akin to embarking on a journey through time and across continents. The museum's collection boasts over 240,000 objects, encompassing an astonishing range of artistic mediums and historical periods. European paintings dominate the early galleries, offering a sweeping panorama from the Renaissance masters—Botticelli’s ethereal Venus, a study in delicate color and idealized beauty, Rembrandt’s dramatic lighting, capturing both the grandeur and vulnerability of human experience, to the Impressionists—Monet’s shimmering water lilies, evoking the fleeting nature of light and atmosphere, Renoir’s joyful gatherings, brimming with life and the celebration of everyday moments. However, to limit the museum to its European holdings would be a profound disservice. A comprehensive survey of American art unfolds before the visitor’s eyes, tracing the evolution of artistic expression within the United States from colonial times to contemporary explorations. This section provides a rich understanding of how America's unique cultural landscape has shaped its artistic identity, showcasing works by artists like William Michael Harnett, whose “Still Life: Writing Table” exemplifies the mastery of trompe-l’œil realism—a technique so convincing that it appears to leap off the canvas, blurring the line between art and reality, and Nettie Pettway Young, whose iconic Gee’s Bend quilts embody the spirit of African American artistry—each stitch a testament to tradition, resilience, and profound storytelling. Beyond Europe and America, the museum extends its reach across continents with an extensive collection of Asian art—ceramics, bronzes, paintings, and sculptures that offer glimpses into the region's profound artistic heritage, including the exquisite works of Gim Eung-won, a Korean master painter renowned for his intricate depictions of orchids and rocks – capturing both their delicate beauty and the strength of nature.

    A Living Cultural Hub: Exhibitions and Engagement

    The Philadelphia Museum of Art is not merely a place to view art; it’s a space designed to foster engagement and inspire creativity. The museum consistently hosts rotating special exhibitions that bring fresh perspectives and introduce new artists to the public eye, ranging from groundbreaking retrospectives celebrating the legacies of masters like Cézanne – exemplified by his poignant “Seated Peasant,” a study in muted tones and expressive brushstrokes – to thematic explorations of specific artistic movements. These initiatives ensure that the museum remains a dynamic cultural hub, constantly evolving and adapting to the needs of its community. Beyond these temporary displays, the museum offers a wealth of educational programs tailored for audiences of all ages—from family workshops and school tours designed to spark curiosity in young minds, to lectures and artist talks offering insights into the creative process, making art accessible and engaging for everyone.

    Architectural Marvels and Historical Context

    The building itself is an integral part of the museum’s story. The original design by Horace Trumbauer, complemented by Julian Abele's masterful detailing, reflects a commitment to architectural grandeur and artistic harmony. However, the museum’s evolution has continued through significant expansions and renovations. The addition of the Rodin Museum, housing Auguste Rodin’s iconic sculptures including The Thinker, provides a dedicated space for this influential artist’s work – a powerful meditation on contemplation and humanity's inner struggles, and more recently, the Perelman Building, designed by Frank Gehry, opened in 2007, dramatically reshaping the interior and adding new galleries for prints, drawings, photographs, and design objects. This modern addition seamlessly integrates with the historic building, creating a dynamic and visually stunning space – a testament to the museum’s ability to embrace innovation while honoring its past.

    A Legacy of Innovation and Expansion

    Throughout its history, the Philadelphia Museum of Art has demonstrated a commitment to growth and innovation. The museum’s dedication to diversity, equity, inclusion, and accessibility is reflected in ongoing efforts to ensure that all visitors feel welcome and valued. The Core Project, completed in 2021, represents a monumental investment in the museum's future, transforming the interior with new galleries, improved circulation, and enhanced visitor amenities. The addition of stunning views of the city skyline from the renovated spaces further elevates the visitor experience. “Rocky Steps” themselves are more than just a visual landmark; they’re a symbol of determination and achievement, attracting visitors from around globe who come to reenact the iconic scene and connect with the spirit of perseverance. The museum's commitment extends beyond its main building, encompassing the historic colonial-era houses of Mount Pleasant and Cedar Grove in Fairmount Park, adding another layer to its historical significance and offering a glimpse into Philadelphia’s past.

    Where to read more

    Find this online

    QR code linking to the download page for The Annunciation

    originaluniqueart.com/en/art/download/zanobi-strozzi-the-annunciation-8Y3JCF-en/

    Cite this artwork

    MLA
    Strozzi, Zanobi. The Annunciation. 1453, Philadelphia Museum of Art. https://originaluniqueart.com/en/art/zanobi-strozzi-the-annunciation-8Y3JCF-en/
    APA
    Strozzi, Zanobi (1453). The Annunciation [Painting]. Philadelphia Museum of Art. https://originaluniqueart.com/en/art/zanobi-strozzi-the-annunciation-8Y3JCF-en/
    Chicago
    Zanobi Strozzi. The Annunciation. 1453. Philadelphia Museum of Art. https://originaluniqueart.com/en/art/zanobi-strozzi-the-annunciation-8Y3JCF-en/
    Harvard
    Strozzi, Zanobi (1453) The Annunciation. Philadelphia Museum of Art. Available at: https://originaluniqueart.com/en/art/zanobi-strozzi-the-annunciation-8Y3JCF-en/

    Look closely

    The Annunciation — Zanobi Strozzi

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 2 — do you agree?)
    4. Our catalogue files this work under: annunciation scene, virgin mary figure, angel gabriel. Do you agree? What would you add, or take away?
    5. Look back at Madonna and Child with Angels (1434), earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    The Annunciation — Zanobi Strozzi

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What artistic style is most prominently evident in ‘The Annunciation’?

      • A Impressionism
      • B Cubism
      • C Early Renaissance
    2. 2. Which biblical narrative does this painting depict?

      • A Creation of Adam
      • B Last Supper
      • C Annunciation
    3. 3. What technique was primarily used by Zanobi Strozzi to create the artwork’s luminous effect?

      • A Oil painting
      • B Watercolor
      • C Tempera
    4. 4. The lilies presented by the angel symbolize:

      • A Strength
      • B Wealth
      • C Purity
    5. 5. What architectural element is visible in the background of ‘The Annunciation’?

      • A Dome
      • B Column
      • C Arched Windows

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1C · 2C · 3C · 4C · 5C

    Check any answer against the catalogue record for this painting

    Questions & Answers

    Is there a slideshow for "The Annunciation" by Zanobi Strozzi?

    The diaporama of "The Annunciation" can be watched on the artwork's Diaporama page.

    Does "The Annunciation" show strong light-dark contrasts?

    The contrast level of "The Annunciation" by Zanobi Strozzi is bold.

    Is a high-resolution download of "The Annunciation" available?

    A digital image of "The Annunciation" by Zanobi Strozzi can be purchased on its Digital Image page: a high-resolution digital image download.