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Student Artwork Guide

Untitled

Name Class Date

Yeh Chi-Wei, Untitled (1981), National Museum of Singapore. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Yeh Chi-Wei originaluniqueart.com/en/artists/yeh-chi-wei/
Artist’s dates
1913 – 1981
Painted
1981
Original size
85 x 965 cm
Held at
National Museum of Singapore originaluniqueart.com/en/museums/national-museum-of-singapore-singapore/

In context

Untitled — Yeh Chi-Wei

How big is it?

The original measures 85 × 965 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960
  7. 1970
  8. 1980

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 68 at death.

Painted when the artist was 68. The artist lived to 68. 2 of the 4 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Yeh Chi-Wei (1913–1981) ▲ this work, 1981 every dated painting, decade by decade

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/yeh-chi-wei-untitled-D9DJH7-en/

Colours

Measured from the image

    Main colour

    Putty #d1d3c5

    Catalogued palette

    • #D1D3C5
    • #5F4D3E
    • #908068
    • #2A1F1B

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Putty
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Yeh Chi-Wei over the last twelve months — 1 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 100.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 2 most looked-at works by Yeh Chi-Wei

    1. 1 The Dayak Plays the Musical Instrument, 1981 100.0%
    2. — Untitled, 1981 this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 5 works by this artist, of which 1 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Untitled — Yeh Chi-Wei

    Yeh Chi Wei (1913-1981) was born in Fuzhou, China and is included among a group referred to as Singapore

    Artist and museum

    Artist

    Yeh Chi-Wei

    Born in Fuzhou, China

    a pioneer in singapore's art scene

    yeh chi-wei, a trailblazer in singapore's art landscape, left an indelible mark with his unique style. born in fuzhou, china in 1913, yeh's artistic journey is a testament to the confluence of asian and southeast asian influences.

    early life and education

    yeh graduated from xinhua academy of fine arts in shanghai in 1936. this foundational education laid the groundwork for his future endeavors as an art teacher in malaya and singapore until 1964.

    artistic contributions and style

    yeh was an active member of various art groups, initiating a series of painting trips to southeast asian and asian countries since 1960.

    his works often feature elongated figures in black, framed by textured fields of muted color, reflecting his quiet and thoughtful approach.

    notable artworks include:

    untitled (85 x 965 cm, national museum of singapore, oil on canvas)

    the dayak plays the musical instrument (550 x 1640 cm, national museum of singapore, oil on canvas)

    untitled (two standing figures with horse carriage) (50 x 920 cm, national museum of singapore, oil on canvas)

    legacy and influence

    yeh chi-wei's legacy is a blend of asian sensibilities with the essence of southeast asian culture. his art not only reflects his own experiences but also influences future generations of artists. view more of yeh chi-wei's artworks on AllPaintingsStore.com: [https://AllPaintingsStore.com/@/yeh-chi-wei](https://AllPaintingsStore.com/@/yeh-chi-wei) explore the national museum of singapore's collection on AllPaintingsStore.com: /en/art/show/art-d3c6uh-en/ learn more about yeh chi-wei's life and art on wikipedia: [https://en.wikipedia.org/wiki/yeh_chi_wei](https://en.wikipedia.org/wiki/yeh_chi_wei)

    Museum

    National Museum of Singapore

    On show in Singapore, Singapore

    A Bastion of Heritage: The Soul of Singapore

    The National Museum of Singapore is far more than a mere repository for artifacts; it is a living, breathing embodiment of a nation’s soul. Established in 1849 as a modest section within the Raffles Library and Museum, its storied history mirrors the very evolution of Singapore itself—a journey from a colonial outpost to a vibrant, cosmopolitan metropolis. Standing proudly on Stamford Road, the museum serves as a luminous beacon that illuminates the past while actively participating in the dialogues that shape Singapore's future. To walk through its doors is to embark on a temporal odyssey, where every corridor offers a chance to witness the resilience and transformation of an island nation.

    The architecture of the museum is a masterful dialogue between eras, reflecting a dual heritage that is both reverent of tradition and optimistic about progress. Its magnificent façade, characterized by Neoclassical elegance, utilizes stately columns and symmetrical proportions to evoke the stability and prestige of Singapore's colonial era. Yet, this historic grandeur does not exist in isolation; it seamlessly integrates with contemporary extensions crafted from glass and steel. This deliberate juxtaposition of old and new symbolizes a nation that honors its roots while relentlessly embracing innovation, creating an environment where the weight of history meets the lightness of modern design.

    A Tapestry of Artistic Brilliance and Cultural Identity

    Within these meticulously curated halls, visitors encounter a breathtaking collection that serves as a microcosm of Singapore’s multicultural identity. The museum does not simply display objects; it crafts immersive narratives that invite deep contemplation. Art lovers will find themselves captivated by the opulent textures of Sir Lawrence Alma-Tadema’s

    “Faust and Marguerite,”

    a masterpiece of Victorian romance that showcases masterful brushwork and profound human emotion. This European classic finds its companion in the evocative sculptures of Julius Mordecai Pinchas, such as

    “Seated Nude with Blue Slippers,”

    which explores the delicate interplay of form and texture. The collection even offers glimpses into the Impressionistic serenity of the Parisian landscape through Theodore Earl Butler’s

    “Lili Butler in Claude Monet’s Garden.”

    Beyond the fine arts, the museum’s collection is uniquely characterized by its commitment to documenting the tangible evolution of Singaporean life. The inclusion of unexpected contemporary relics—such as furniture salvaged from decommissioned SMRT trains and components from Singapore Airlines’ inaugural Airbus A380—demonstrates a profound dedication to capturing the pulse of modern society. This blend of high art, ethnographic treasures, and industrial history makes the museum an essential destination for collectors and historians alike, offering a layered perspective on how identity is forged through both grand movements and everyday transitions.

    A Legacy of Discovery and Connection

    What truly distinguishes the National Museum of Singapore is its dynamic approach to exhibition and education. The museum’s programming transcends static displays, opting instead for interactive explorations that delve into maritime heritage, colonial influences, and the arduous struggles for independence. These exhibitions are designed to foster intellectual curiosity, utilizing storytelling to ensure that intangible cultural heritages are preserved and understood by future generations. For the interior designer or the art enthusiast, the museum serves as a profound source of inspiration, showcasing how history can be woven into the fabric of modern aesthetic appreciation.

    Ultimately, the mission of the National Museum extends far beyond the preservation of the past; it is an active participant in shaping a collective future. By cultivating national pride and encouraging intercultural dialogue, the museum empowers its visitors with knowledge and fosters a deep sense of empathy. It stands as a testament to the power of museums to act as catalysts for understanding, reminding us that our shared history is the foundation upon which we build our ever-changing world.

    Where to read more

    Find this online

    QR code linking to the download page for Untitled

    originaluniqueart.com/en/art/download/yeh-chi-wei-untitled-D9DJH7-en/

    Cite this artwork

    MLA
    Chi-Wei, Yeh. Untitled. 1981, National Museum of Singapore. https://originaluniqueart.com/en/art/yeh-chi-wei-untitled-D9DJH7-en/
    APA
    Chi-Wei, Yeh (1981). Untitled [Painting]. National Museum of Singapore. https://originaluniqueart.com/en/art/yeh-chi-wei-untitled-D9DJH7-en/
    Chicago
    Yeh Chi-Wei. Untitled. 1981. National Museum of Singapore. https://originaluniqueart.com/en/art/yeh-chi-wei-untitled-D9DJH7-en/
    Harvard
    Chi-Wei, Yeh (1981) Untitled. National Museum of Singapore. Available at: https://originaluniqueart.com/en/art/yeh-chi-wei-untitled-D9DJH7-en/

    Look closely

    Untitled — Yeh Chi-Wei

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Drummer, earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Yeh Chi-Wei was about 68 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What is the dominant color of "Untitled" by Yeh Chi-Wei?

    putty (#d1d3c5) is the leading color of "Untitled" by Yeh Chi-Wei.

    Where can I see a preview of "Untitled"?

    The Preview page of "Untitled" lets you preview the artwork before ordering.

    How much light do the colors of "Untitled" appear to reflect?

    The luminance recorded for "Untitled" by Yeh Chi-Wei is soft shadow.