Paper

Student Artwork Guide

One Second

Name Class Date

Xueyang Zhao, One Second (2019), Song Art Museum. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Xueyang Zhao originaluniqueart.com/en/artists/xueyang-zhao/
Artist’s dates
1999 –
Painted
2019
Original size
56 x 76 cm
Held at
Song Art Museum originaluniqueart.com/en/museums/song-art-museum-beijing/

In context

One Second — Xueyang Zhao

How big is it?

The original measures 56 × 76 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1990
  2. 2000
  3. 2010

Row above: the years. Row below: how old the artist was at the start and at the end of each span, counting 0 from birth.

Painted when the artist was 20. 6 of the 9 dated works by this artist in our catalogue came earlier.

▲ this work, 2019 every dated painting, decade by decade

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/xueyang-zhao-one-second-D7BPFB-en/

Colours

Measured from the image

    Main colour

    Rosy Brown #9f9b97

    Catalogued palette

    • #9F9B97
    • #37261B
    • #E3E4E2
    • #615953

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Rosy Brown
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Xueyang Zhao over the last twelve months — 1 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 100.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 2 most looked-at works by Xueyang Zhao

    1. 1 Peaches, 2018 100.0%
    2. — One Second, 2019 this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 10 works by this artist, of which 1 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    One Second — Xueyang Zhao

    One second is the time limitation of painting. Time can be seen through this limitation, and one second would appear differently. The great distinction between one second and one year sometime could be subtle as well. Many things could be changed in one year, or perhaps nothing happens. Zhao painted numerous lines by the second. Short and constrained, they exist in their way but appear to be trivial and meaningless. Two of these line paintings were dramatically blown up, which took a whole year for Zhao to finish them. Considering 31,536,000 seconds in a year, it may seem like a work in vain. However, for his own life of the year, no matter how much attention he had paid to this painting, it finally became a sporadic memory. We all have similar experiences: time flies, and the future remains uncertain, just like a sealed book.The juxtaposition of one second and one year is like a story with an untold beginning and ending. Thus, people can imagine any unknown happenings during this period. Things may be trivial, painful or depressive, but perhaps he is so happy that he doesn’t care about it.When One Second appears as a conceptual action, it raises a challenge to painting, and counters against slow temporality, controllability, and repeatability in the history of painting. In other words, One Second is the questioning to time or the span of life. However, more or less, there is a touch of heroism.

    Artist and museum

    Artist

    Xueyang Zhao

    Born in Washington, United States of America

    The Convergence of Heritage and Intellect

    In the burgeoning landscape of contemporary art, few voices resonate with as much poised duality as Xueyang Zhao. Born in Washington, D.C., in 1999, Zhao—often known by her name Erica—is an artist whose work is deeply informed by a rigorous intellectual foundation. Currently navigating the complex intersection of finance and art history through Tulane University’s prestigious Altman Program, she brings a unique analytical depth to her creative practice. This academic pursuit of language, culture, and economic structure does not compete with her artistry; rather, it provides the scaffolding upon which her visual narratives are built, allowing her to bridge the gap between classical tradition and modern innovation. Her journey is one of constant exploration, where the precision of her studies meets the fluid, emotive power of her brushwork.

    A Symphony of Symbolism and Color

    Zhao’s aesthetic is a vibrant dialogue between the seen and the symbolic, characterized by an unapologetic use of bold, emotive colors and meticulous detail. Her work often functions as a bridge between Eastern and Western influences, weaving together disparate cultural threads into a single, cohesive tapestry. She frequently employs motifs that act as profound cultural anchors; for instance, her recurring use of peaches serves as a nod to Eastern symbolism, representing longevity and prosperity. This is paired with the ethereal beauty of jade constellations, inspired by Chinese mythology, creating a stylistic fusion that feels both ancient and avant-garde. In signature pieces such as Peach, her impressionistic oil technique utilizes textured brushstrokes to capture an essence of intimacy and natural grace, inviting the viewer into a world where nature and myth are inextricably linked.

    Materiality and the Weight of Memory

    Beyond the surface beauty of her palette, Zhao’s exploration extends into the profound weight of human experience and the permanence of memory. Her ability to manipulate medium is as striking as her use of color, demonstrating a mastery over both the delicate and the monumental. In the poignant work Fragments, created in 2015, she responds to the tragedy of the Tianjin explosion by utilizing a large-scale brass plate. Here, the jagged edges of the metal mimic broken glass, transforming a moment of chaotic destruction into an object of eternal, golden contemplation. This capacity for introspection is equally evident in her Self-Portrait, where light and shadow are used to sculpt a quiet, internal monologue. Whether capturing the photographic realism of architectural grandeur in Madrid or the visceral textures of historical trauma, Zhao’s art remains a powerful testament to the resilience of the human spirit and the enduring power of visual storytelling.

    Museum

    Song Art Museum

    On show in Beijing, People's Republic of China

    A Private Oasis of Vision: Exploring the Song Art Museum in Beijing

    Nestled within the vibrant heart of Beijing, the Song Art Museum stands as a singular testament to the discerning eye and passionate collecting spirit of Mr. Wang Zhongjun. More than just a repository of art, it’s an immersive experience—a carefully curated dialogue between Chinese contemporary expression and the enduring legacy of international masters. Established in 2017, this private institution offers visitors a rare glimpse into a world shaped by individual vision, far removed from the often-rigid structures of state-run museums. The museum's design itself is integral to its appeal: a seamless blend of indoor tranquility and the serene beauty of pine gardens, creating an atmosphere conducive to contemplation and artistic appreciation.

    The heart of the Song Art Museum lies in its remarkably diverse collection. A cornerstone of the experience is undoubtedly the presentation of Chinese contemporary art – a vibrant reflection of current trends and innovative approaches emerging from China’s dynamic art scene. Here, you'll encounter works that challenge conventions, explore new mediums, and offer poignant commentary on modern life. Juxtaposed against this are the museum’s impressive holdings of international masterpieces. Iconic pieces by Van Gogh, whose turbulent brushstrokes capture raw emotion, and Modigliani, renowned for his elegant portraits, reside within these walls, inviting viewers to engage with artistic traditions spanning centuries. The collection isn't simply a display; it’s an invitation to consider the connections—and sometimes, the contrasts—between diverse artistic voices.

    Architectural Harmony: Design and Ambiance

    The museum’s architecture is as thoughtfully designed as its collection. Spanning twelve halls, each space has been meticulously crafted to maximize the viewing experience. The design philosophy prioritizes a seamless integration between indoor and outdoor spaces, with the lush pine gardens acting as a calming counterpoint to the intensity of the artwork. Sunlight filters through the trees, casting dappled shadows on the walls and creating an atmosphere that is both invigorating and contemplative. This deliberate orchestration of space isn’t merely aesthetic; it's intended to enhance the emotional impact of each piece, encouraging visitors to linger and truly absorb the art’s essence.

    A History Rooted in Passion

    The Song Art Museum’s unique character stems directly from its private ownership. Founded by Mr. Wang Zhongjun, a world-class artwork collector, philanthropist, and Chairman of Huayi Brothers Media Group, the museum reflects his deeply personal passion for art and culture. This structure allows for an unparalleled level of curation—a focused collection driven not by governmental mandates but by a singular artistic vision. The story behind the museum’s creation is fascinating; it began with Mr. Wang's own extensive private collection, which he generously decided to share with the public. The museum’s opening in September 2017 marked a significant moment for Beijing’s cultural landscape, and its subsequent inclusion in Google Arts & Culture further solidified its position as a vital resource for art enthusiasts worldwide.

    Notable Exhibitions and Ongoing Engagement

    The Song Art Museum consistently presents engaging exhibitions that showcase the breadth of its collection and explore diverse artistic themes. Recent highlights include “Abstraction(s),” featuring works by renowned artists such as Xu Qu, Kim Tschang-Yeul, and John Armleder; “Green,” a compelling exploration of color and form through the lens of Chen Man and Song Yige’s collaborative work; and exhibitions spotlighting the evocative paintings of Hsiao Chin. The museum's commitment to showcasing both established masters and emerging talents ensures that visitors are continually exposed to fresh perspectives and innovative approaches. Furthermore, its partnership with Google Arts & Culture allows for global accessibility, bringing the museum’s treasures to a worldwide audience.

    A Unique Perspective: Intimacy and Dialogue

    What truly distinguishes the Song Art Museum is its intimate atmosphere—a direct result of its private status. Unlike larger state-run institutions, visitors can experience a sense of personal connection with the art and the museum’s vision. The combination of Chinese contemporary art and international masterpieces creates a compelling dialogue between different artistic traditions, prompting reflection on universal themes of beauty, emotion, and human experience. The serene environment, enhanced by the lush gardens, offers a welcome respite from the bustling city of Beijing—a true oasis for art lovers seeking inspiration and contemplation.

    Where to read more

    • The artist Xueyang Zhao originaluniqueart.com/en/artists/xueyang-zhao/
    • The museum Song Art Museum originaluniqueart.com/en/museums/song-art-museum-beijing/
    • Similar works More works to compare originaluniqueart.com/en/art/similar/xueyang-zhao-one-second-D7BPFB-en/

    Find this online

    QR code linking to the download page for One Second

    originaluniqueart.com/en/art/download/xueyang-zhao-one-second-D7BPFB-en/

    Cite this artwork

    MLA
    Zhao, Xueyang. One Second. 2019, Song Art Museum. https://originaluniqueart.com/en/art/xueyang-zhao-one-second-D7BPFB-en/
    APA
    Zhao, Xueyang (2019). One Second [Painting]. Song Art Museum. https://originaluniqueart.com/en/art/xueyang-zhao-one-second-D7BPFB-en/
    Chicago
    Xueyang Zhao. One Second. 2019. Song Art Museum. https://originaluniqueart.com/en/art/xueyang-zhao-one-second-D7BPFB-en/
    Harvard
    Zhao, Xueyang (2019) One Second. Song Art Museum. Available at: https://originaluniqueart.com/en/art/xueyang-zhao-one-second-D7BPFB-en/

    Look closely

    One Second — Xueyang Zhao

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Project of In Extremis (2018), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Xueyang Zhao was about 20 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Where do the visitors of "One Second" by Xueyang Zhao come from?

    The Stats page of "One Second" by Xueyang Zhao presents public visit statistics: monthly visits of this artwork, a comparison with the artist's most viewed works, and where its visitors come from.

    How can I get a print of "One Second" by Xueyang Zhao?

    A print of "One Second" by Xueyang Zhao can be ordered directly on its Fine Art Print page: a fine art print on cotton canvas or archival canvas paper.

    Where is "One Second" by Xueyang Zhao on display today?

    You can see the original "One Second" at the Song Art Museum, Beijing, People's Republic of China.