Paper

Student Artwork Guide

L'adieu de Marie Stuart

Name Class Date

William Powell Frith, L'adieu de Marie Stuart (1893), Mercer Art Gallery. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
William Powell Frith originaluniqueart.com/en/artists/william-powell-frith/
Artist’s dates
1819 – 1909
Painted
1893
Held at
Mercer Art Gallery originaluniqueart.com/en/museums/mercer-art-gallery-harrogate/

In context

L'adieu de Marie Stuart — William Powell Frith

When was this painted?

  1. 1810
  2. 1820
  3. 1830
  4. 1840
  5. 1850
  6. 1860
  7. 1870
  8. 1880
  9. 1890
  10. 1900

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 90 at death.

Painted when the artist was 74. The artist lived to 90. 31 of the 32 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of William Powell Frith (1819–1909) ▲ this work, 1893 every dated painting, decade by decade

First works: up to 1848 Main working years: 1848–1867 Late works: from 1867

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/william-powell-frith-l-adieu-de-marie-stuart-AQRCA7-en/

Colours

Measured from the image

    Main colour

    Phthalo Green #22231e

    Catalogued palette

    • #22231E
    • #F8F7F6
    • #A1B2C1
    • #6E7B87

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Phthalo Green
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by William Powell Frith over the last twelve months — 9 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 86.8%13,200 visits
    2. 2 United States of America 6.6%1,000 visits
    3. 3 France 1.3%200 visits
    4. 4 Italy 1.3%200 visits
    5. 5 Singapore 1.3%200 visits
    6. 6 Belgium 0.7%100 visits
    7. 7 Brazil 0.7%100 visits
    8. 8 Egypt 0.7%100 visits
    9. 9 Hong Kong 0.7%100 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by William Powell Frith

    1. 1 The Derby Day, 1858 3.1%500 visits
    2. 2 The railway station 3.1%500 visits
    3. 3 Pope Makes Love To Lady Mary Wortley Montagu, 1852 2.5%400 visits
    4. 4 The Artist's Model 2.5%400 visits
    5. 5 Hugh and Dolly Varden (from the novel 'Barnaby Rudge' by Charles Dickens), 1863 1.9%300 visits
    6. 6 Mr Honeywood Introduces the Bailiffs to Miss Richland as His Friends (also known as rom Oliver Goldsmith's 'The Good Natured Man', Act III, Scene 1), 1850 1.9%300 visits
    7. 7 Lancaster Sands, Lancashire, 1848 1.9%300 visits
    8. 8 The Duel Scene from 'Twelfth Night' by William Shakespeare, 1842 1.9%300 visits
    9. 9 The Knight and the Maid, 1868 1.9%300 visits
    10. 10 Katharina 1.9%300 visits
    11. 11 Landscape with Cattle 1.9%300 visits
    12. 12 Lovers 1.9%300 visits
    13. 13 The Sketch for 'Many Happy Returns of the Day' 1.9%300 visits
    14. 14 A Maid With A Flagon - 1.9%300 visits
    15. 15 Love Token 1.9%300 visits
    16. 16 After The Bath 1.9%300 visits
    17. 17 Sterne's Maria 1.9%300 visits
    18. 18 Study of Miss Mortimer holding a Parasol 1.9%300 visits
    19. 19 The Road To Ruin - 1.9%300 visits
    20. — L'adieu de Marie Stuart, 1893 this painting 0.0%0 visits

    Together these works take 39.7% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 138 works by this artist, of which 94 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    William Powell Frith

    Born in Aldfield, United Kingdom

    Early Life and Training

    Born: January 9, 1819, Aldfield, near Ripon, North Yorkshire, England

    Died: November 2, 1909, London

    William Powell Frith’s father was a hotelier in Harrogate.

    He initially intended to be an auctioneer but his father recognized his artistic talent.

    Frith studied at Sass's Academy in Charlotte Street, London and later attended the Royal Academy Schools.

    Early career focused on portrait painting and literary subjects (Shakespeare, Scott).

    Career Highlights and Artistic Style

    Membership: Member of The Clique, a group of artists including Richard Dadd, Augustus Egg, Henry O’Neil, John Phillip, Edward Ward, and Thomas Creswick.

    Influences: Heavily influenced by Sir David Wilkie's domestic subjects.

    Genre Painting & Panoramic Narrative: Frith became renowned for his detailed genre scenes and panoramic narrative works depicting Victorian life in public places.

    Notable Works:

    Ramsgate Sands (1854): Depicts a lively scene at the seaside resort of Ramsgate.

    The Derby Day (1858): Captures the atmosphere and social interactions at Epsom Downs Racecourse. This painting was incredibly popular, requiring railings to manage crowds viewing it.

    The Railway Station (1862): A detailed depiction of Paddington Station.

    The Sleeping Model (1853): Presented as his Diploma work at the Royal Academy.

    The Crossing Sweeper (1858): Explores the contrast between wealth and poverty in London.

    Photographic Influence: Frith utilized photographic studies by Robert Howlett to achieve remarkable detail and accuracy in his paintings, particularly in works like The Derby Day.

    Style: Characterized by meticulous observation, a large number of figures, and a focus on capturing the details of everyday life. He was known for his realism and attention to social commentary within his scenes.

    Development and Later Years

    Autobiographies: Frith wrote two autobiographies, My Autobiography (1887) and Further Reminiscences (1888), providing insights into Victorian art and society.

    Artistic Views: He was a traditionalist and expressed his aversion to modern art developments.

    Royal Academician: Elected as a Royal Academician in 1853.

    Longevity: Frith lived a remarkably long life, witnessing significant changes in the art world during the Victorian era. He outlived many of his contemporaries from The Clique.

    Historical Significance and Legacy

    Social Commentary: His paintings provided valuable documentation of Victorian society, capturing its social dynamics, fashion, and leisure activities.

    Popularity & Commercial Success: Frith was one of the most commercially successful artists of his time, with his works widely admired and sought after.

    Influence on Genre Painting: He significantly contributed to the development of genre painting in Britain, elevating it to a respected art form.

    Detailed Realism: His meticulous attention to detail set a standard for realism in Victorian art.

    Legacy: Frith’s paintings continue to be exhibited and studied, offering a unique window into 19th-century life and solidifying his place as a significant figure in British art history.

    Museum

    Mercer Art Gallery

    On show in Harrogate, United Kingdom

    About The Mercer Art Gallery

    The Mercer Art Gallery in Harrogate is a vibrant cultural hub dedicated to showcasing both contemporary art and the rich artistic heritage of the Harrogate District. Offering free admission, it provides an accessible space for exploration and engagement with the arts.

    Specializations & Collections

    Contemporary Art:

    The gallery regularly hosts exhibitions featuring innovative works by emerging and established contemporary artists.

    Harrogate District Fine Art Collection:

    A significant portion of the gallery is dedicated to displaying artworks that reflect the history and character of the local area. This collection offers a fascinating glimpse into the region’s artistic past.

    Notable Installations:

    The Mercer Art Gallery has gained recognition for its immersive installations, most notably

    H.A.P.P.Y

    by Liz West. This captivating work uses color and light to create a unique sensory experience.

    Featured Artists:

    Exhibitions often highlight the works of artists like Tim Bird, showcasing pieces such as “Adrift on a Painted Sea”.

    Architecture & Setting

    The gallery is situated within Valley Gardens, a beautiful and expansive parkland in Harrogate. This idyllic setting enhances the visitor experience, providing a tranquil environment for art appreciation.

    History

    While specific historical details are limited in available information, The Mercer Art Gallery has become an integral part of Harrogate’s cultural landscape, serving as a key destination for both residents and tourists. It continues to evolve with dynamic exhibitions and community engagement.

    What Makes it Unique

    Free Admission:

    The gallery's commitment to free access makes art accessible to everyone.

    Immersive Experiences:

    Installations like

    H.A.P.P.Y

    offer visitors a unique and engaging way to interact with art.

    Local Focus:

    The gallery’s dedication to showcasing the Harrogate District Fine Art Collection provides a strong sense of place and celebrates local artistic talent.

    Parkland Setting:

    Its location within Valley Gardens adds to its appeal, creating a relaxing and inspiring atmosphere.

    The Mercer Art Gallery is more than just an art gallery; it’s a community space where creativity flourishes and artistic expression is celebrated. It's a must-visit destination for anyone interested in exploring the vibrant arts scene of North Yorkshire.

    Where to read more

    • The artist William Powell Frith originaluniqueart.com/en/artists/william-powell-frith/
    • The museum Mercer Art Gallery originaluniqueart.com/en/museums/mercer-art-gallery-harrogate/
    • Similar works More works to compare originaluniqueart.com/en/art/similar/william-powell-frith-l-adieu-de-marie-stuart-AQRCA7-en/

    Find this online

    QR code linking to the download page for L'adieu de Marie Stuart

    originaluniqueart.com/en/art/download/william-powell-frith-l-adieu-de-marie-stuart-AQRCA7-en/

    Cite this artwork

    MLA
    Frith, William Powell. L'adieu de Marie Stuart. 1893, Mercer Art Gallery. https://originaluniqueart.com/en/art/william-powell-frith-l-adieu-de-marie-stuart-AQRCA7-en/
    APA
    Frith, William Powell (1893). L'adieu de Marie Stuart [Painting]. Mercer Art Gallery. https://originaluniqueart.com/en/art/william-powell-frith-l-adieu-de-marie-stuart-AQRCA7-en/
    Chicago
    William Powell Frith. L'adieu de Marie Stuart. 1893. Mercer Art Gallery. https://originaluniqueart.com/en/art/william-powell-frith-l-adieu-de-marie-stuart-AQRCA7-en/
    Harvard
    Frith, William Powell (1893) L'adieu de Marie Stuart. Mercer Art Gallery. Available at: https://originaluniqueart.com/en/art/william-powell-frith-l-adieu-de-marie-stuart-AQRCA7-en/

    Look closely

    L'adieu de Marie Stuart — William Powell Frith

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Pope Makes Love To Lady Mary Wortley Montagu (1852), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. William Powell Frith was about 74 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    How is the palette of "L'adieu de Marie Stuart" by William Powell Frith described?

    The palette of "L'adieu de Marie Stuart" by William Powell Frith is described as neutrals. It is a compact description of the work's colors.

    What colors dominate "L'adieu de Marie Stuart" by William Powell Frith?

    "L'adieu de Marie Stuart" by William Powell Frith uses a neutrals palette, with phthalo green (#22231e) as the dominant color.

    Is "L'adieu de Marie Stuart" by William Powell Frith kept in the artist's home country?

    Yes - the artwork is kept in the artist's home country. "L'adieu de Marie Stuart" is held in United Kingdom, while William Powell Frith was born in United Kingdom.