Paper

Student Artwork Guide

At the Hippodrome

Name Class Date

William Patrick Roberts, At the Hippodrome (1921), New Walk Museum - Art Gallery. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
William Patrick Roberts originaluniqueart.com/en/artists/william-patrick-roberts/
Artist’s dates
1895 – 1980
Painted
1921
Original size
95 x 91 cm
Held at
New Walk Museum - Art Gallery originaluniqueart.com/en/museums/new-walk-museum-art-gallery-leicester/

In context

At the Hippodrome — William Patrick Roberts

How big is it?

The original measures 95 × 91 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960
  9. 1970
  10. 1980

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 85 at death.

Painted when the artist was 26. The artist lived to 85. 9 of the 46 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of William Patrick Roberts (1895–1980) ▲ this work, 1921 every dated painting, decade by decade

First works: up to 1922 Main working years: 1922–1935 Late works: from 1935

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/william-patrick-roberts-at-the-hippodrome-AQULQP-en/

Colours

Measured from the image

    Main colour

    Espresso #49362e

    Catalogued palette

    • #49362E
    • #734737
    • #A86345
    • #242122

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Espresso
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by William Patrick Roberts over the last twelve months — 6 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 50.0%800 visits
    2. 2 United States of America 18.8%300 visits
    3. 3 Germany 12.5%200 visits
    4. 4 Argentina 6.2%100 visits
    5. 5 Italy 6.2%100 visits
    6. 6 Ukraine 6.2%100 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 13 most looked-at works by William Patrick Roberts

    1. 1 Munitions Factory, 1940 16.7%300 visits
    2. 2 Les Routiers, 1931 11.1%200 visits
    3. 3 Kit (Katie Bissett Smith née Knewstub, 1907–2008) 11.1%200 visits
    4. 4 The Dentist, 1925 11.1%200 visits
    5. 5 The Rhododendron, 1948 5.6%100 visits
    6. 6 At the Hippodrome, 1921 this painting 5.6%100 visits
    7. 7 The Demolition Squad, 1941 5.6%100 visits
    8. 8 The Cinema, 1920 5.6%100 visits
    9. 9 The Ballet, 1932 5.6%100 visits
    10. 10 The Control Room, 1941 5.6%100 visits
    11. 11 Portrait of a Man Lighting a Pipe, 1948 5.6%100 visits
    12. 12 Playground (The Gutter), 1934 5.6%100 visits
    13. 13 The Char, 1924 5.6%100 visits

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 50 works by this artist, of which 13 were looked at at least once. This painting ranks 6 of them, with 5.6% of that attention (100 visits). The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    William Patrick Roberts

    The Architect of Fragmented Reality: The Life of William Patrick Roberts

    In the turbulent landscape of early twentieth-century British art, few figures navigated the tension between tradition and the avant-garde as uniquely as William Patrick Roberts. Born in London in 1895, Roberts emerged during a period of profound aesthetic upheaval, where the stability of Victorian realism was being dismantled by the rapid pulse of modernity. As an artist often categorized as an English Cubist, he did not merely adopt a style; he forged a visual language that captured the fractured, energetic essence of a world in transition. His journey was one of constant movement, reflecting the very dynamism he sought to portray on canvas.

    Roberts’ formative years were deeply shaped by his time at the Slade School of Fine Art, an institution that provided him with a rigorous foundation even as he began to push against academic constraints. It was here that he encountered the burgeoning influences of Vorticism and Futurism—movements characterized by their obsession with machine-age energy, geometric precision, and the violent beauty of motion. Through his association with the Vorticist circle, particularly under the influence of figures like Wyndham Lewis, Roberts learned to utilize sharp angles and interlocking planes to deconstruct his subjects, transforming ordinary scenes into rhythmic, structural compositions.

    A Vision of Modernity and War

    The evolution of Roberts’ work is inextricably linked to the historical tremors of his era. The experience of war left an indelible mark on his psyche and his palette, leading him to document the industrial grit and human endurance of the period. His paintings often serve as windows into the mechanical heart of the twentieth century, where the boundaries between man and machine begin to blur. In works such as Munitions Factory, one can witness his mastery of the Cubist technique applied to the heavy, rhythmic atmosphere of wartime production, using geometric forms to convey the relentless momentum of industry.

    Beyond the industrial, Roberts possessed a profound ability to find poetic resonance in the everyday. His explorations of human connection and social landscapes are marked by an unflinching honesty. Whether depicting the quiet intimacy of a portrait, such as Sarah, or the bustling, structured chaos of street scenes like Les Routiers, he maintained a commitment to emotional depth. He utilized color not just for descriptive accuracy, but as a symbolic tool to evoke the psychological weight of his subjects, often bathing his compositions in a light that felt both modern and strangely primordial.

    Legacy and Artistic Significance

    The significance of William Patrick Roberts lies in his ability to synthesize the radical abstractions of Continental Europe with a distinctly British sensibility. While he embraced the fractured perspectives of Cubism, he never abandoned the figurative essence that allowed him to communicate the human condition. His work stands as a bridge between the classical traditions of the past and the experimental fervor of the modern age.

    Throughout his long career, which spanned until 1980, Roberts earned prestigious recognition, including frequent exhibitions at the Royal Academy. His ability to capture the "vortex" of modern life ensured that his work remained relevant even as art movements shifted toward total abstraction. Today, he is remembered not just as a follower of a movement, but as a pioneer who helped define the visual identity of a generation caught between the old world and the new.

    Museum

    New Walk Museum - Art Gallery

    On show in Leicester, United Kingdom

    A Tapestry of Time: The Soul of Leicester Museum & Art Gallery

    Nestled along the historic promenade of New Walk, the

    Leicester Museum & Art Gallery

    stands as a profound testament to the enduring human impulse to collect, preserve, and celebrate. This venerable institution has evolved from a modest showcase of British art into a sprawling, multidisciplinary sanctuary where the boundaries between science, history, and fine art dissolve. To walk through its halls is to embark on a curated journey through the epochs, moving seamlessly from the primordial whispers of the Mesozoic Era to the avant-garde provocations of the twentieth century. The museum does not merely display objects; it orchestrates an encounter with the very essence of our shared heritage.

    The architectural grandeur of the museum serves as a stately prelude to the treasures within. Designed by the ingenious

    Joseph Hansom

    —the mastermind behind the iconic hansom cab—the building itself is a masterpiece of Victorian ambition, reflecting an era defined by progress and aesthetic rigor. Its structure provides a dignified stage for a collection that is as diverse as it and deep, offering a sense of stability and permanence amidst the ever-changing currents of history.

    A Confluence of Artistic Mastery and Scientific Wonder

    For the art lover, the gallery offers a breathtaking panorama of styles, most notably within its celebrated

    German Expressionist

    section. Here, the canvas erupts with bold, emotive colors and distorted forms that capture the raw psychological intensity of a transformative period in European history. This visceral energy is balanced by the exquisite

    Attenborough Collection of Picasso Ceramics

    , a world-renowned assemblage meticulously curated by Sir David Attenborough. This collection serves as a poignant intersection of scientific curiosity and artistic passion, showcasing how form and medium can transcend their physical boundaries.

    Beyond the realm of the canvas, the museum invites a deeper exploration into the mysteries of life and death. The halls are haunted by the magnificent silhouettes of prehistoric giants, including the formidable

    Tyrannosaurus Rex

    and the intricately detailed skeletons of the

    Cetiosaurus

    and

    Plesiosaur

    . These fossils, such as the beloved "George," offer a humbling perspective on the vast scales of geological time. This sense of wonder extends into the Ancient Egypt exhibit, where the quiet majesty of sarcophagi and intricately decorated mummies transports visitors to the banks of the Nile.

    For the interior designer or the discerning aesthete, the Leicester Museum & Art Gallery offers more than just educational value; it provides a profound source of inspiration. The museum’s unique ability to harmonize the rugged textures of paleontological finds with the delicate elegance of fine ceramics and the dramatic shadows of Expressionist works makes it a cornerstone of cultural enrichment. It remains a beacon for those who seek to find beauty in the intersection of the ancient and the modern, the scientific and the sublime.

    Where to read more

    Find this online

    QR code linking to the download page for At the Hippodrome

    originaluniqueart.com/en/art/download/william-patrick-roberts-at-the-hippodrome-AQULQP-en/

    Cite this artwork

    MLA
    Roberts, William Patrick. At the Hippodrome. 1921, New Walk Museum - Art Gallery. https://originaluniqueart.com/en/art/william-patrick-roberts-at-the-hippodrome-AQULQP-en/
    APA
    Roberts, William Patrick (1921). At the Hippodrome [Painting]. New Walk Museum - Art Gallery. https://originaluniqueart.com/en/art/william-patrick-roberts-at-the-hippodrome-AQULQP-en/
    Chicago
    William Patrick Roberts. At the Hippodrome. 1921. New Walk Museum - Art Gallery. https://originaluniqueart.com/en/art/william-patrick-roberts-at-the-hippodrome-AQULQP-en/
    Harvard
    Roberts, William Patrick (1921) At the Hippodrome. New Walk Museum - Art Gallery. Available at: https://originaluniqueart.com/en/art/william-patrick-roberts-at-the-hippodrome-AQULQP-en/

    Look closely

    At the Hippodrome — William Patrick Roberts

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Munitions Factory (1940), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. William Patrick Roberts was about 26 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Does "At the Hippodrome" by William Patrick Roberts use strong contrasts or soft harmonies?

    The color analysis of "At the Hippodrome" by William Patrick Roberts records a gentle contrast and a strong color unity harmony.

    Is "At the Hippodrome" by William Patrick Roberts a portrait, landscape or square composition?

    The format of "At the Hippodrome" is square. This is useful when planning where a reproduction will be placed.

    Can I examine "At the Hippodrome" in more detail?

    The X-Ray page of "At the Hippodrome" by William Patrick Roberts is an interactive viewer that lets you slide through eleven optical layers of the artwork's image, including an X-ray style view.