Paper

Student Artwork Guide

Passage Series

Name Class Date

ward jackson, Passage Series (1988), MOMA - Museum of Modern Art. Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
ward jackson originaluniqueart.com/en/artists/ward-jackson/
Artist’s dates
1928 – 2004
Painted
1988
Medium
Acrylic On Canvas
Movement
Post Painterly Abstraction
Held at
MOMA - Museum of Modern Art originaluniqueart.com/en/museums/moma-museum-of-modern-art-new-york-city/
Artistic style
Minimalism
Influences
hans hofmann
Notable elements or techniques
Geometric shapes, Grid pattern
Subject or theme
Abstract Composition

In context

Passage Series — ward jackson

When was this painted?

  1. 1920
  2. 1930
  3. 1940
  4. 1950
  5. 1960
  6. 1970
  7. 1980
  8. 1990
  9. 2000

Shaded: the lifetime of ward jackson (1928–2004) ▲ this work, 1988

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/ward-jackson-passage-series-D3BFQP-en/

Colours

Measured from the image

    Main colour

    Putty #edeada

    Catalogued palette

    • #EDEADA
    • #6E574C
    • #9D9F9A
    • #DDA14E
    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Putty
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Passage Series — ward jackson

    Ward Jackson’s Passage Series: A Meditation on Geometric Harmony

    The Passage Series by Ward Jackson stands as a testament to the understated elegance of post painterly abstraction and a profound exploration of geometric principles. Created in 1988, this artwork embodies a deliberate rejection of expressive brushstrokes and vibrant color palettes—a conscious decision to prioritize form and structure above all else—reflecting the broader artistic currents of its time. Jackson’s approach aligns seamlessly with the minimalist movement gaining momentum during the late 20th century, where artists sought to distill visual experience into its purest essence.

    Subject Matter: The series comprises six distinct geometric shapes – squares, rectangles, triangles – meticulously arranged in a grid format on a canvas of unknown dimensions. These forms are not intended to depict recognizable objects or landscapes; rather, they exist as autonomous entities, inviting contemplation and stimulating visual perception.

    Style & Technique: Jackson’s technique is characterized by precise execution and a masterful control over color—primarily monochrome shades of gray—creating a striking contrast against the textured surface of the canvas. The artist employed a layering process, applying thin washes of pigment to build up subtle variations in tone and texture, resulting in an ethereal quality that transcends mere visual representation.

    Historical Context: Emerging from the aftermath of Abstract Expressionism, Jackson’s work represents a pivotal shift away from emotionally charged canvases toward intellectual engagement with geometric abstraction. This stylistic evolution coincided with a growing fascination for mathematical concepts and their application to artistic creation, mirroring broader cultural trends focused on rationality and order.

    Symbolism & Interpretation: While devoid of overt narrative content, the Passage Series possesses inherent symbolic resonance. The repetition of geometric forms speaks to ideas of balance, harmony, and interconnectedness—concepts frequently explored in Eastern philosophies and influencing contemporary art discourse. Each shape can be interpreted as representing a fundamental element of visual experience, prompting viewers to consider the underlying structure of perception itself.

    Emotional Impact: Despite its apparent simplicity, the Passage Series evokes a powerful emotional response. The monochrome palette fosters a sense of calm contemplation, encouraging viewers to immerse themselves in the subtle nuances of texture and tonal gradation. Ultimately, Jackson’s work invites us to appreciate beauty not as an outpouring of emotion but as an achievement of intellectual precision—a celebration of form's ability to communicate profound ideas without resorting to figurative imagery.

    The Passage Series resides within prestigious collections including the Smithsonian American Art Museum and the Whitney Museum of American Art, cementing Jackson’s legacy as a pioneer of minimalist abstraction and demonstrating the enduring appeal of geometric harmony in visual art. Its influence continues to inspire artists today who strive to capture complex concepts through elegant simplicity.

    Artist and museum

    Artist

    ward jackson

    Born in Petersburg, United States of America

    ward jackson was an american visual artist most closely associated with post painterly abstraction and minimalism. he was born in petersburg, virginia in 1928 and died in manhattan, new york in 2004. he received his bachelor's and mfa from the richmond professional institute of the college of william and mary in 1952 and studied with the painter hans hofmann. his opus is known for its diamond shaped works and his work is held in the permanent collections of the smithsonian american art museum, the whitney museum of american art, and moma, among others.

    Museum

    MOMA - Museum of Modern Art

    On show in New York City, United States of America

    A Sanctuary of Modernity: Exploring the Soul of MoMA

    Nestled within the vibrant pulse of Midtown Manhattan, the Museum of Modern Art (MoMA) stands as far more than a mere repository for artistic treasures; it’s a living testament to the relentless spirit of innovation and the enduring power of human expression. Established in 1929 by visionary philanthropists, MoMA emerged from the shadows of the Great Depression not merely as an institution, but as a defiant declaration: a dedicated space consecrated solely to embracing the radical, the challenging, and profoundly influential works destined to shape the future of art. From its humble beginnings within the Heckscher Building, it has blossomed into an architectural marvel and a globally recognized landmark, inviting visitors on a profound journey through over a century of artistic evolution – a continuous narrative woven from groundbreaking movements and individual genius.

    A Tapestry of Artistic Innovation

    At the heart of MoMA’s breathtaking collection lies a carefully curated panorama spanning the late 19th century to the present day. Iconic works resonate across generations, each piece a window into a specific moment in art history. Vincent van Gogh's Starry Night, with its turbulent brushstrokes and swirling vortex of emotion, embodies the raw intensity of Expressionism. The canvas seems to breathe, capturing not just a night sky but the artist’s profound inner turmoil. Pablo Picasso’s Les Demoiselles d’Avignon shattered artistic conventions, laying the foundation for Cubism and forever altering our perception of representation. Its fragmented forms and jarring perspectives challenged traditional notions of beauty and perspective, ushering in an era of unprecedented experimentation. And Andy Warhol’s iconic silkscreen prints – particularly Campbell Soup Cans – capture the electric energy of postwar America with their bold colors and playful engagement with popular culture. These seemingly mundane objects, elevated to the realm of art, became symbols of consumerism and mass production, reflecting a rapidly changing society.

    Beyond these monumental figures, MoMA boasts an astonishing breadth: from the delicate brushstrokes of early Impressionists like Monet, whose Water Lilies evoke a serene contemplation of nature, to the abstract explorations of Kandinsky, who pioneered non-representational art; the pioneering photography of Alfred Stieglitz, documenting the dawn of modern photography; and the architectural designs that have shaped our world. Each gallery unfolds as a new chapter in this ongoing story, revealing the diverse voices and perspectives that have defined modern artistic expression.

    A Space Designed for Contemplation

    The transformation of MoMA in 2004, spearheaded by Japanese architect Yoshio Taniguchi, was more than just a renovation; it was a reimagining of the museum’s very soul. Taniguchi's design prioritized natural light, creating an atmosphere of luminous serenity that profoundly enhances the impact of the artwork. The atrium, bathed in sunlight streaming through expansive windows, serves as a central gathering area – a space designed for quiet contemplation and a deeper engagement with the art on display. This deliberate architectural choice reflects MoMA’s commitment to fostering a holistic experience, recognizing that the environment itself can contribute significantly to our understanding and appreciation of artistic expression. The careful consideration given to light, space, and flow creates an immersive setting where visitors are invited to lose themselves in the world of modern art.

    Shaping Art Historical Narratives Through Landmark Exhibitions

    MoMA’s legacy extends far beyond its permanent collection; it has consistently been a catalyst for groundbreaking exhibitions that have fundamentally reshaped public perception and redefined art historical narratives. Alfred H. Barr Jr.’s “Cubism and Abstract Art” (1936) stands as a watershed moment, introducing audiences to Picasso, Braque, Kandinsky, and Mondrian – artists who dared to transcend representational limitations and explore uncharted territories of expression. This exhibition wasn’t simply an exposition; it was a bold assertion that art could move beyond mere imitation and delve into the realm of pure feeling and form. Later exhibitions have continued this legacy, tackling contemporary issues with remarkable insight and fostering critical dialogue about our world – from explorations of Surrealism to the rise of Pop Art and Minimalism. The museum’s curatorial team has consistently demonstrated a willingness to challenge conventional wisdom and present new perspectives on art history.

    A Museum for Our Time

    Today, MoMA remains deeply engaged with pressing social issues through exhibitions that address climate change, identity, and justice. It champions artistic innovation and fosters dialogue globally, recognizing the vital role of art in shaping a more equitable and sustainable future. The museum’s commitment to inclusivity is evident not only in its collection but also in its programming, which actively seeks to amplify diverse voices and perspectives. Furthermore, MoMA's dedication extends beyond the purely aesthetic; it embraces a responsibility to engage with the complexities of our time, using art as a tool for critical reflection and social change. The museum’s ongoing efforts to connect with contemporary concerns underscore its role as a vital cultural institution in the 21st century.

    Where to read more

    Find this online

    QR code linking to the download page for Passage Series

    originaluniqueart.com/en/art/download/ward-jackson-passage-series-D3BFQP-en/

    Cite this artwork

    MLA
    jackson, ward. Passage Series. 1988, MOMA - Museum of Modern Art. https://originaluniqueart.com/en/art/ward-jackson-passage-series-D3BFQP-en/
    APA
    jackson, ward (1988). Passage Series [Painting]. MOMA - Museum of Modern Art. https://originaluniqueart.com/en/art/ward-jackson-passage-series-D3BFQP-en/
    Chicago
    ward jackson. Passage Series. 1988. MOMA - Museum of Modern Art. https://originaluniqueart.com/en/art/ward-jackson-passage-series-D3BFQP-en/
    Harvard
    jackson, ward (1988) Passage Series. MOMA - Museum of Modern Art. Available at: https://originaluniqueart.com/en/art/ward-jackson-passage-series-D3BFQP-en/

    Look closely

    Passage Series — ward jackson

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: geometric shapes, grid pattern, monochrome print. Do you agree? What would you add, or take away?
    4. Look back at Vertical (1976), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. ward jackson was about 60 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Passage Series — ward jackson

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What artistic movement is Ward Jackson primarily associated with?

      • A Cubism
      • B Impressionism
      • C Post Painterly Abstraction
    2. 2. Where can you find reproductions of Ward Jackson's artwork in prominent museums?

      • A Louvre Museum
      • B British Museum
      • C Smithsonian American Art Museum
    3. 3. What is a distinctive feature of Ward Jackson’s artistic style?

      • A Detailed realism
      • B Bold color palettes
      • C Diamond-shaped geometric forms
    4. 4. Who influenced Ward Jackson's artistic development?

      • A Pablo Picasso
      • B Vincent van Gogh
      • C Hans Hofmann
    5. 5. What is the overall visual effect created by the arrangement of geometric shapes in ‘Passage Series’?

      • A A chaotic explosion of color
      • B A serene landscape scene
      • C An intriguing grid-like pattern

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1B · 2C · 3C · 4C · 5C