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Student Artwork Guide

Patch of grass

Name Class Date

Vincent Willem Van Gogh, Patch of grass (1887), Kröller-Müller Museum. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Vincent Willem Van Gogh originaluniqueart.com/en/artists/vincent-willem-van-gogh/
Artist’s dates
1853 – 1890
Painted
1887
Medium
Oil On Canvas
Original size
39 x 30 cm
Movement
Neo-Impressionism A stricter, more scientific Impressionism, building pictures from separate dots and dabs of pure colour.
Period
19th Century
Held at
Kröller-Müller Museum originaluniqueart.com/en/museums/kroller-muller-museum-otterlo/
Influences
Impressionism
Notable elements
Underpainting of a woman's head
Style
Impressionistic
Subject
Field of wildflowers and grasses

In context

Patch of grass — Vincent Willem Van Gogh

How big is it?

The original measures 39 × 30 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1850
  2. 1860
  3. 1870
  4. 1880
  5. 1890

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 37 at death.

Painted when the artist was 34. The artist lived to 37. 943 of the 1978 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Vincent Willem Van Gogh (1853–1890) ▲ this work, 1887 every dated painting, decade by decade

First works: up to 1884 Main working years: 1884–1889 Late works: from 1889

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/vincent-willem-van-gogh-patch-of-grass-D3VGML-en/

Colours

Measured from the image

    Main colour

    Driftwood #8c924d

    Catalogued palette

    • #8C924D
    • #375B35
    • #A8AA7E
    • #617B43

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Dark The dominant colour family in the image.
    Main colour name
    Driftwood
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Vincent Willem Van Gogh over the last twelve months — 117 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 38.9%546,000 visits
    2. 2 United States of America 8.2%115,500 visits
    3. 3 Hong Kong 6.8%95,600 visits
    4. 4 Singapore 6.3%89,000 visits
    5. 5 Spain 6.2%87,100 visits
    6. 6 France 5.2%73,200 visits
    7. 7 Italy 5.1%71,100 visits
    8. 8 Brazil 2.0%28,400 visits
    9. 9 Japan 2.0%27,700 visits
    10. 10 South Korea 1.8%25,500 visits
    11. · 107 other countries 17.5%244,200 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Vincent Willem Van Gogh

    1. 1 Starry Night (New York, MoMA), 1889 15.9%288,600 visits
    2. 2 Cafe Terrace on the Place du Forum, Arles, at Night, 1888 4.1%74,400 visits
    3. 3 Sunflowers, 1888 3.0%55,300 visits
    4. 4 Van Gogh's Bedroom in Arles (First version), 1888 2.6%46,700 visits
    5. 5 Skull with Burning Cigarette, 1886 2.2%40,600 visits
    6. 6 The Night Cafe, 1888 1.3%23,200 visits
    7. 7 Haystacks in Provence, 1888 0.8%15,000 visits
    8. 8 Self Portrait, 1889 0.8%14,400 visits
    9. 9 Portrait of Patience Escalier, 1888 0.7%12,800 visits
    10. 10 The Street, the Yellow House, 1888 0.7%12,500 visits
    11. 11 Flowering Garden, 1888 0.5%10,000 visits
    12. 12 Portrait of Dr. Gachet 0.5%9,900 visits
    13. 13 Twelve Sunflowers in a Vase, 1888 0.5%9,600 visits
    14. 14 The Church at Auvers, 1890 0.5%9,500 visits
    15. 15 Young Man with Cornflower, 1890 0.5%8,800 visits
    16. 16 Irises, 1889 0.5%8,400 visits
    17. 17 Roses, 1890 0.4%7,800 visits
    18. 18 First Steps (after Millet), 1890 0.4%7,700 visits
    19. 19 Still Life: Vase with Fourteen Sunflowers, 1889 0.4%7,700 visits
    20. 530 Patch of grass, 1887 this painting 0.0%600 visits

    Together these works take 36.3% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 2726 works by this artist, of which 2218 were looked at at least once. This painting ranks 530 of them, with 0.0% of that attention (600 visits). The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Patch of grass — Vincent Willem Van Gogh

    A Glimpse into Van Gogh’s Parisian Transformation

    Vincent van Gogh's “Patch of Grass,” painted in 1887, offers a captivating window into a pivotal moment in the artist’s stylistic evolution. This seemingly simple depiction of foliage is, in fact, a vibrant testament to his embrace of new artistic techniques and influences following his arrival in Paris. Measuring just 39 x 30 cm, this oil on canvas packs an emotional punch that belies its modest size.

    Impressionism & the Parisian Palette

    Prior to moving to Paris in February 1886, Van Gogh’s work was characterized by a darker, more somber palette reflective of his Dutch upbringing and early subject matter. Exposure to Impressionist masterpieces radically altered his approach. He recognized the limitations of his previous style and eagerly began experimenting with lighter hues and broken brushstrokes – techniques he observed in the works of artists like Monet, Renoir, and Pissarro. “Patch of Grass” embodies this shift; it’s a deliberate departure from his earlier, more restrained compositions.

    Asnières: Painting *En Plein Air*

    The painting likely originated during Van Gogh's frequent excursions to Asnières, a village just outside Paris. He wrote to his sister Willemien about discovering new color in the landscape there, and “Patch of Grass” feels like an immediate response to this revelation. It’s a work born from plein air painting – directly observing and capturing nature’s fleeting effects. Each blade of grass, petal, and stem is rendered with meticulous attention, yet retains a sense of spontaneity and energy.

    Hidden Layers & Artistic Process

    Intriguingly, “Patch of Grass” wasn't created on a pristine canvas. X-ray analysis reveals the underlying image of a woman’s head wearing a hat, painted approximately two and a half years earlier in Nuenen. This discovery highlights Van Gogh’s resourceful nature – he often reused canvases – but also underscores his dramatic stylistic development. The contrast between the somber tones of the earlier portrait and the vibrant colors of “Patch of Grass” is striking, visually demonstrating his artistic journey.

    Neo-Impressionism & Divisionism

    Van Gogh’s experimentation during this period aligns with the principles of Neo-Impressionism, a movement spearheaded by Georges Seurat and Paul Signac. While not fully embracing Pointillism (the application of distinct dots of color), “Patch of Grass” demonstrates an understanding of Divisionism – separating colors into individual strokes that optically blend when viewed from a distance. This technique aimed to maximize luminosity and create a more scientifically accurate representation of light, though Van Gogh infused it with his own expressive energy.

    Symbolism & Emotional Resonance

    Beyond its technical innovations, “Patch of Grass” evokes a sense of tranquility and the simple beauty of nature. The abundance of green symbolizes growth, renewal, and vitality. While seemingly unassuming, the painting captures a fleeting moment – a sun-drenched patch of grass teeming with life. It’s an invitation to pause, observe, and appreciate the often-overlooked wonders of the natural world.

    A Piece for Collectors & Interior Design

    “Patch of Grass” is currently housed at the Kröller-Müller Museum in Otterlo, Netherlands. For those seeking to bring a touch of Van Gogh’s Parisian period into their homes or collections, a high-quality reproduction offers an accessible way to experience this pivotal work. Its vibrant colors and dynamic brushwork make it a versatile piece that complements a range of interior styles – from modern minimalist spaces to more traditional settings. The painting's intimate scale also makes it suitable for smaller rooms or as part of a curated gallery wall. It’s a reminder that even in the smallest details, profound beauty can be found.

    Artist and museum

    Artist

    Vincent Willem Van Gogh

    Born in Zundert, Netherlands

    A Life Painted in Passion: Vincent van Gogh

    Vincent Willem van Gogh, a name synonymous with vibrant color and raw emotion, remains one of the most recognizable and beloved figures in art history. Born on March 30, 1853, in Zundert, Netherlands, his journey from a troubled young man seeking purpose to an artistic visionary is a poignant tale of dedication, struggle, and ultimately, enduring legacy. While he achieved little commercial success during his lifetime – selling only one painting, The Red Vineyard, before his death – Van Gogh’s impact on modern art is immeasurable, paving the way for Expressionism and influencing countless artists who followed. His story isn't just about brushstrokes and canvases; it's a testament to the power of human expression in the face of adversity.

    Early Years and Artistic Awakening

    Van Gogh’s early life was marked by a series of unfulfilled aspirations. He tried his hand at various professions – an art dealer, a teacher, and even a missionary – before finally dedicating himself to painting at the relatively late age of 27. These earlier experiences profoundly shaped his worldview and found their way into his art. His initial works, depicting scenes of peasant life in rural Belgium, reflect a deep empathy for the working class and a somber palette reflecting their hardships. Influenced by artists like Jean-François Millet, Van Gogh sought to capture the dignity and resilience of these individuals through stark realism. However, it was his move to Paris in 1886 that proved transformative. There, he encountered Impressionism and Post-Impressionism, absorbing the techniques of masters like Monet, Renoir, and Pissarro. This exposure broadened his artistic horizons, leading him to experiment with brighter colors and looser brushwork, though retaining a distinct emotional intensity absent in many of his contemporaries. His brother Theo, an art dealer, played a crucial role during this period, providing financial support and acting as a vital link to the Parisian art world. Their extensive correspondence offers invaluable insights into Van Gogh’s artistic development and personal struggles.

    The Southern Light and Explosive Creativity

    Seeking a more vibrant landscape and a sense of renewal, Van Gogh relocated to Arles in southern France in 1888. This move marked a period of intense creative output, characterized by an explosion of color and a distinctive impasto technique – applying paint thickly onto the canvas, creating a textured surface that seems to pulsate with energy. It was here that he produced some of his most iconic works: *Sunflowers, The Night Cafe, and Starry Night*. The intense sunlight of Provence seemed to ignite his imagination, leading him to depict landscapes and still lifes with an unprecedented vibrancy. His desire for artistic collaboration led him to invite Paul Gauguin to join him in Arles, hoping to establish a utopian artists' colony. However, their relationship proved volatile, culminating in a dramatic confrontation that resulted in Van Gogh mutilating his own ear. This event underscored the fragility of his mental state and marked the beginning of a period of institutionalization and increasing psychological distress.

    Later Years and Enduring Legacy

    Following his breakdown, Van Gogh voluntarily entered an asylum at Saint-Rémy, where he continued to paint prolifically, capturing the surrounding landscapes with both beauty and turmoil. Works like *The Starry Night*, painted during this time, are imbued with a sense of cosmic wonder and profound emotional depth. He later moved to Auvers-sur-Oise under the care of Dr. Paul Gachet, but his struggles persisted. On July 29, 1890, at the age of 37, Van Gogh tragically died from a self-inflicted gunshot wound. Despite achieving little recognition during his lifetime, his work began to gain posthumous acclaim thanks largely to the tireless efforts of his sister-in-law, Johanna van Gogh-Bonger, who inherited his estate and dedicated herself to promoting his art. Today, Van Gogh’s paintings are celebrated worldwide for their emotional intensity, innovative techniques, and enduring beauty. His legacy extends far beyond the canvas; he has become a symbol of artistic passion, perseverance in the face of adversity, and the power of art to express the deepest human emotions.

    Key Influences and Artistic Development

    Early Realism: Jean-François Millet’s depictions of peasant life influenced Van Gogh's early works.

    Impressionism & Post-Impressionism: Exposure to Monet, Renoir, Pissarro and others in Paris broadened his palette and technique.

    Japanese Prints: Van Gogh was deeply influenced by Japanese woodblock prints, which he collected avidly. Their bold compositions and flat planes of color impacted his own style.

    Emotional Expression: Above all, Van Gogh sought to convey emotion through his art, prioritizing subjective experience over objective representation. This focus on emotional intensity became a defining characteristic of his work and paved the way for Expressionism.

    Museum

    Kröller-Müller Museum

    On show in Otterlo, Netherlands

    A Sanctuary of Color: The Kröller-Müller Museum’s Enduring Legacy

    Nestled within the vast expanse of the Hoge Veluwe National Park in Otterlo, Netherlands, the Kröller-Müller Museum stands as a testament to one woman's profound passion and foresight – Helene Kröller-Müller. More than just a museum, it’s an immersive experience, a dialogue between art, nature, and history, all housed within a strikingly modern architectural masterpiece designed by Henry van de Velde. Established in 1938, the museum’s story is inextricably linked to its founder's remarkable vision: to create a space where the brilliance of Vincent van Gogh could be celebrated not just as an artist, but as a deeply human being whose work continues to resonate with profound emotional power.

    The Kröller-Müller’s collection isn’t merely comprised of paintings; it's a carefully curated narrative. The undisputed centerpiece is undoubtedly the second-largest collection of Van Gogh works globally – nearly ninety paintings and over one hundred eighty drawings, offering an unparalleled opportunity to trace the evolution of his distinctive style and explore the raw emotion that fueled his brushstrokes. Stand before Café Terrace at Night, mesmerized by the vibrant hues and the palpable sense of Parisian atmosphere, or contemplate the haunting intensity of Sorrowing Old Man (At Eternity’s Gate), a portrait brimming with vulnerability and existential questioning. Beyond Van Gogh, however, the museum boasts an impressive array of works from other masters: Claude Monet's luminous landscapes, Georges Seurat’s meticulously detailed portraits, Pablo Picasso’s groundbreaking cubist experiments, Piet Mondrian’s geometric abstractions, and countless others spanning the 19th and 20th centuries. The collection deliberately showcases a breadth of artistic movements, reflecting Helene Kröller-Müller's discerning eye and her commitment to celebrating innovation in art.

    The Sculpture Garden: A Dialogue with Nature

    Leaving the gallery spaces, visitors are immediately struck by the sheer scale and beauty of the sculpture garden. This expansive outdoor realm, encompassing over seventy acres within the national park, is a deliberate extension of the museum’s artistic vision – a harmonious blend of art and nature. The garden's design, conceived in collaboration with landscape architect Jan van Eyck, creates a series of interconnected pathways that guide visitors through a diverse collection of modern and contemporary sculptures by renowned artists such as Auguste Rodin, Henry Moore, Jean Dubuffet, Mark di Suvero, and Claes Oldenburg. The placement of each sculpture is carefully considered, responding to the surrounding landscape and creating unexpected visual encounters. It’s not simply a display of statues; it's an orchestrated choreography between human creativity and the natural world – a space designed for contemplation, discovery, and a profound appreciation of both art and environment.

    A Building as Art: The Architecture of Henry van de Velde

    The Kröller-Müller Museum building itself is a remarkable achievement of architectural design. Designed by the renowned architect Henry van de Velde, it’s a strikingly modern structure that seamlessly integrates with its natural surroundings. Constructed primarily from concrete and glass, the museum's exterior reflects the stark beauty of the Dutch landscape while simultaneously offering expansive views into the surrounding park. The building’s interior spaces are equally impressive, characterized by soaring ceilings, abundant natural light, and a sense of spaciousness that enhances the viewing experience for the artwork. Van de Velde’s design wasn’t merely functional; it was an artistic statement in itself – a bold declaration of modernism within the context of a historic estate.

    Echoes of War and Resilience

    The museum's history is inextricably linked to the tumultuous events of World War II. Helene Kröller-Müller’s estate, including the museum building, served as a vital hub for the Dutch resistance during the occupation. The secret telephone line installed by an electrician in Otterlo – still standing today – represents a remarkable act of defiance and collaboration. The museum's survival through the war is a testament to the resilience of its founder and the enduring spirit of the Netherlands. This poignant history adds another layer of depth to the museum’s experience, reminding visitors of the sacrifices made during that era and the importance of preserving cultural heritage.

    Contemporary Exhibitions and Future Directions

    The Kröller-Müller Museum continues to evolve, offering a dynamic program of temporary exhibitions that explore diverse themes and artistic movements. From retrospectives dedicated to individual artists to thematic explorations of specific periods or styles, the museum consistently seeks to engage audiences with new perspectives on its permanent collection. Currently, the museum is hosting “Between Worlds,” an exhibition exploring the intersection of art and nature, while a future exhibition titled "Lilian Kreutzberger. Rauhfaser" promises to delve into the work of this contemporary artist. The Kröller-Müller Museum remains committed to fostering dialogue, inspiring creativity, and preserving its legacy as one of the world’s leading art institutions – a place where the past informs the present and the future.

    Where to read more

    Find this online

    QR code linking to the download page for Patch of grass

    originaluniqueart.com/en/art/download/vincent-willem-van-gogh-patch-of-grass-D3VGML-en/

    Cite this artwork

    MLA
    Gogh, Vincent Willem Van. Patch of grass. 1887, Kröller-Müller Museum. https://originaluniqueart.com/en/art/vincent-willem-van-gogh-patch-of-grass-D3VGML-en/
    APA
    Gogh, Vincent Willem Van (1887). Patch of grass [Painting]. Kröller-Müller Museum. https://originaluniqueart.com/en/art/vincent-willem-van-gogh-patch-of-grass-D3VGML-en/
    Chicago
    Vincent Willem Van Gogh. Patch of grass. 1887. Kröller-Müller Museum. https://originaluniqueart.com/en/art/vincent-willem-van-gogh-patch-of-grass-D3VGML-en/
    Harvard
    Gogh, Vincent Willem Van (1887) Patch of grass. Kröller-Müller Museum. Available at: https://originaluniqueart.com/en/art/vincent-willem-van-gogh-patch-of-grass-D3VGML-en/

    Look closely

    Patch of grass — Vincent Willem Van Gogh

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: vibrant meadow, van gogh landscape, floral impressionism. Do you agree? What would you add, or take away?
    4. Look back at Starry Night (New York, MoMA) (1889), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Neo-Impressionism: A stricter, more scientific Impressionism, building pictures from separate dots and dabs of pure colour. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Patch of grass — Vincent Willem Van Gogh

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. In what year was Vincent van Gogh's "Patch of Grass" created?

      • A 1877
      • B 1887
      • C 1897
    2. 2. What artistic movement significantly influenced Van Gogh’s style during the period he painted "Patch of Grass"?

      • A Cubism
      • B Neo-Impressionism
      • C Surrealism
    3. 3. An X-ray analysis of the canvas revealed what hidden element beneath the visible painting?

      • A A landscape scene
      • B The portrait of a man
      • C The head of a woman with a hat
    4. 4. What technique, characterized by small dots or patches of color, is associated with the artistic movement that influenced this work?

      • A Sfumato
      • B Pointillism
      • C Chiaroscuro
    5. 5. Where is "Patch of Grass" currently housed?

      • A The Louvre Museum, Paris
      • B The Metropolitan Museum of Art, New York
      • C Kröller-Müller Museum, Otterlo

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1B · 2B · 3C · 4B · 5C

    Check any answer against the catalogue record for this painting

    Questions & Answers

    What emotion does "Patch of grass" by Vincent Willem Van Gogh convey?

    The emotional tone recorded for "Patch of grass" by Vincent Willem Van Gogh is tranquil. It summarizes the feeling the work expresses.

    Is "Patch of grass" by Vincent Willem Van Gogh in the public domain, and why?

    "Patch of grass" by Vincent Willem Van Gogh is in the public domain - its copyright has expired. Copyright terms are measured from the artist's death, and Vincent Willem Van Gogh died in 1890.

    What technique was used for "Patch of grass" by Vincent Willem Van Gogh?

    Vincent Willem Van Gogh used the oil on canvas technique for "Patch of grass". The technique defines the material nature of the original work.