Paper

Student Artwork Guide

Amateur

Name Class Date

Vasily Grigoryevich Perov, Amateur (1862). Public domain.

The facts

Artist
Vasily Grigoryevich Perov originaluniqueart.com/en/artists/vasily-grigoryevich-perov/
Artist’s dates
1833 – 1882
Painted
1862
Original size
33 x 28 cm
Movement
Realism Painting ordinary people and ordinary work exactly as they are, without making them prettier or grander.

In context

Amateur — Vasily Grigoryevich Perov

How big is it?

The original measures 33 × 28 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1830
  2. 1840
  3. 1850
  4. 1860
  5. 1870
  6. 1880

Shaded: the lifetime of Vasily Grigoryevich Perov (1833–1882) ▲ this work, 1862

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/vasily-grigoryevich-perov-amateur-8XZ455-en/

Colours

Measured from the image

    Main colour

    Espresso #564a45

    Catalogued palette

    • #564A45
    • #282532
    • #D8CEB1
    • #8F8071
    Main colour name
    Espresso
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    Vasily Grigoryevich Perov

    Born in Tyumen, Russia

    A Life Etched in Realism: Vasily Perov and the Soul of Russia

    Vasily Grigoryevich Perov, born Vasily Vasiliev in 1834 in the remote Siberian town of Tobolsk, emerged as a pivotal figure in Russian art, a painter whose work became synonymous with critical realism. His life story is itself imbued with the social complexities he would later portray on canvas. Born out of wedlock to Baron Grigory Kridener and Akulina Ivanova, Perov’s early years were marked by an unconventional upbringing that instilled within him a keen sensitivity to societal inequalities. The adoption of the surname “Perov,” derived from the Russian word for ‘feather,’ a nod to his early skill in calligraphy, foreshadowed his dedication to meticulously detailing the world around him—a world often overlooked or deliberately obscured. His formal artistic journey began at the Alexander Stupin Art School in Arzamas, where he honed fundamental skills before progressing to the Moscow School of Painting, Sculpture and Architecture in 1853. This period was crucial in shaping his technical abilities and exposing him to a broader range of artistic influences. Early recognition came with silver and gold medals awarded by the Imperial Academy of Arts for works like “Commissary of Rural Police Investigating” and, most notably, "Sermon in a Village" in 1861—a painting that would propel him into the national spotlight and earn him the opportunity to study abroad.

    The Voice of the Voiceless: Themes and Techniques

    Perov’s artistic vision was deeply rooted in a commitment to portraying Russian society with unflinching honesty. He rejected the idealized depictions favored by many of his contemporaries, instead choosing to focus on the lives of ordinary people—peasants, laborers, the marginalized, and the forgotten. His paintings are not merely representations of reality; they are powerful social commentaries that expose the hardships, injustices, and spiritual emptiness prevalent in 19th-century Russia. “Sermon in a Village,” for example, subtly critiques religious hypocrisy by depicting a disengaged congregation during a church service, while "The Queue at the Fountain" starkly illustrates the daily struggles of rural life. His technique was characterized by meticulous detail, somber color palettes, and a masterful use of light and shadow to create dramatic effect. He wasn’t interested in romanticizing poverty or suffering; rather, he sought to present it with dignity and empathy, forcing viewers to confront uncomfortable truths about their own society. Works like “The Last Journey,” depicting a peasant funeral procession, and "Troika: Apprentice Workmen Carrying Water" are poignant examples of his ability to evoke profound emotional responses through realistic portrayals of everyday life. Perov’s skill extended beyond oil painting; he also excelled in etching, as demonstrated by the powerful monochromatic work “Naushnitsa. Before the storm,” which showcases his mastery of chiaroscuro and intricate detail.

    Founding a Movement: The Peredvizhniki

    Perov’s dedication to realism aligned perfectly with the burgeoning spirit of artistic rebellion that led to the formation of the Peredvizhniki (Wanderers) in 1870. This collective of Russian realist painters broke away from the constraints of the Academy, establishing an independent society dedicated to exhibiting art throughout Russia—reaching audiences beyond the confines of St. Petersburg and Moscow.

    The Peredvizhniki aimed to bring art directly to the people,

    to address social issues through their work,

    and to promote a uniquely Russian artistic identity.

    Perov was not merely a member; he was a founding force, instrumental in shaping the movement’s ideals and advocating for its principles. His commitment to portraying the lives of ordinary Russians resonated deeply with the Peredvizhniki's mission, solidifying his position as a leading figure within the group. The Wanderers’ exhibitions became immensely popular, attracting large crowds and sparking important conversations about art, society, and national identity.

    Legacy and Enduring Influence

    Vasily Perov’s untimely death from tuberculosis in 1882 at the age of 48 marked a significant loss for Russian art. However, his legacy continued to inspire generations of artists who followed in his footsteps. His influence can be seen in the works of Ilya Repin and Vasily Surikov, both masters of realist painting who further developed the tradition he helped establish. Perov’s paintings remain relevant today not only for their artistic merit but also for their enduring social commentary. They serve as a powerful reminder of the hardships faced by ordinary people throughout history and continue to provoke empathy and understanding. His works are now housed in prominent collections, including the Tropinin and Contemporary Moscow Artists Museum, ensuring that his vision continues to resonate with audiences worldwide. Perov’s contribution extends beyond mere artistic skill; he was a social conscience etched onto canvas, a voice for the voiceless, and a pioneer of Russian realism. He left behind a body of work that not only documented his time but also challenged it, forever changing the landscape of Russian art.

    Where to read more

    Find this online

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    originaluniqueart.com/en/art/download/vasily-grigoryevich-perov-amateur-8XZ455-en/

    Cite this artwork

    MLA
    Perov, Vasily Grigoryevich. Amateur. 1862, https://originaluniqueart.com/en/art/vasily-grigoryevich-perov-amateur-8XZ455-en/
    APA
    Perov, Vasily Grigoryevich (1862). Amateur [Painting]. https://originaluniqueart.com/en/art/vasily-grigoryevich-perov-amateur-8XZ455-en/
    Chicago
    Vasily Grigoryevich Perov. Amateur. 1862. https://originaluniqueart.com/en/art/vasily-grigoryevich-perov-amateur-8XZ455-en/
    Harvard
    Perov, Vasily Grigoryevich (1862) Amateur. Available at: https://originaluniqueart.com/en/art/vasily-grigoryevich-perov-amateur-8XZ455-en/

    Look closely

    Amateur — Vasily Grigoryevich Perov

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: arts. Do you agree? What would you add, or take away?
    4. Look back at Incorrigible One (1873), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Realism: Painting ordinary people and ordinary work exactly as they are, without making them prettier or grander. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.