Paper

Student Artwork Guide

Flames

Name Class Date

Uemura Tsune, Flames (1918), Tokyo National Museum. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Uemura Tsune originaluniqueart.com/en/artists/uemura-tsune/
Artist’s dates
1875 – 1949
Painted
1918
Original size
191 x 92 cm
Movement
Nihonga Japanese painting made with traditional mineral pigments and materials, in answer to imported Western styles.
Held at
Tokyo National Museum originaluniqueart.com/en/museums/tokyo-national-museum-tokyo/

In context

Flames — Uemura Tsune

How big is it?

The original measures 191 × 92 cm (height × width), drawn here beside an adult of average height. It is too large to draw to scale on this page.

When was this painted?

  1. 1870
  2. 1880
  3. 1890
  4. 1900
  5. 1910
  6. 1920
  7. 1930
  8. 1940

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 74 at death.

Painted when the artist was 43. The artist lived to 74. 4 of the 14 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Uemura Tsune (1875–1949) ▲ this work, 1918 every dated painting, decade by decade

First works: up to 1915 Main working years: 1915–1943 Late works: from 1943

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/uemura-tsune-flames-D3H8QB-en/

Colours

Measured from the image

    Main colour

    Driftwood #948763

    Catalogued palette

    • #948763
    • #27251B
    • #E7DACE
    • #B6A885

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Driftwood
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Balanced How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Uemura Tsune over the last twelve months — 2 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 83.3%
    2. 2 Japan 16.7%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 7 most looked-at works by Uemura Tsune

    1. 1 Title Name (Japanese): 富勇1 14.3%
    2. 2 Title Name (Japanese): 鼓の音 14.3%
    3. 3 Jo-no-mai (Dance Performed in Noh Play), 1936 14.3%
    4. 4 Title Name (Japanese): 花がたみ 14.3%
    5. 5 Title Name (Japanese): 夕暮 14.3%
    6. 6 Title Name (Japanese): 雪 14.3%
    7. 7 Flames, 1918 this painting 14.3%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 38 works by this artist, of which 7 were looked at at least once. This painting ranks 7 of them, with 14.3% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Uemura Tsune

    Born in Shimogyo Ward, Japan

    early life and training

    uemura shōen, known by her real name uemura tsune, was a pioneering artist in meiji, taishō, and early shōwa period japanese painting. born on april 23, 1875, in shimogyō-ku, kyoto, she grew up in an all-female household after her father's passing. her mother's tea shop attracted refined clientele for the art of japanese tea ceremony, exposing uemura to a cultured environment from an early age.

    artistic career

    by 12, uemura tsune demonstrated considerable skill in drawing human figures. at 15, she began exhibiting her work and winning awards in official art contests, as well as receiving private commissions. her mother supported her decision to pursue an artistic career, which was unusual for the time.

    key achievements:

    first female recipient of the order of culture award

    hired as the imperial household's official artist

    produced numerous works on historical themes and traditional subjects, especially bijin-ga (paintings of beautiful women) in the nihonga style

    notable works:

    花がたみ (129 x 219 cm, shohaku art museum, paper)

    鼓の音 (95 x 77 cm, shohaku art museum, silk)

    夕暮 (95 x 187 cm, shohaku art museum, paper)

    museums and collections:

    shohaku art museum (nara, japan)

    legacy and influence

    uemura tsune's success paved the way for future generations of female artists in japan. her work can be seen as a bridge between traditional japanese art forms and the evolving role of women in society during the taisho era.

    related art movements:

    the kanō school style art movement

    the ukiyo-e art movement

    further reading:

    uemura shōen on wikipedia

    uemura tsune's artist page on AllPaintingsStore

    conclusion

    uemura tsune's remarkable career, marked by her trailblazing achievements and dedication to traditional japanese art forms, continues to inspire artists and art enthusiasts alike. her legacy serves as a testament to the evolving role of women in japanese society and the enduring power of art to transcend time and culture.

    Museum

    Tokyo National Museum

    On show in Tokyo, Japan

    A Living Chronicle of the Japanese Soul

    Nestled within the verdant, tranquil expanse of Ueno Park, the Tokyo National Museum stands as a monumental testament to Japan’s profound cultural heritage and its ancient, intricate connections with the Asian continent. Established in 1872 during the transformative Meiji era, this venerable institution has evolved into one of the world’s most significant repositories of human creativity, safeguarding an astonishing collection of over 120,000 cultural properties. To walk through its halls is to embark on a journey through time, where the whispers of the past meet the vibrant pulse of the present. The museum serves not merely as a storehouse for relics, but as a living chronicle that illuminates Japan’s metamorphosis from its earliest prehistoric roots to its emergence as a modern global power.

    The sheer breadth of the collection is nothing short of breathtaking, offering an unparalleled glimpse into the aesthetic evolution of an entire civilization. Collectors and art enthusiasts will find themselves captivated by the exquisite Horyuji Treasures, which include sacred relics from Nara’s legendary temple, representing some of the most poignant and delicate examples of early Buddhist art. The museum’s mastery lies in its ability to showcase the dialogue between cultures; through its significant holdings of Silk Road treasures and Greco-Buddhist sculptures, visitors can witness a fascinating fusion of Greek iconography and Buddhist spirituality. This intersection of East and West provides a compelling narrative of trade, conquest, and the enduring exchange of artistic ideas that shaped the ancient world.

    Architectural Harmony and the Art of Preservation

    The physical presence of the Tokyo National Museum is an art form in itself, characterized by a seamless integration of tradition and modernity. The main Honkan building, designated as an Important Cultural Property, embodies the quiet elegance of traditional Japanese design. Its architecture is a deliberate study in balance, utilizing meticulously crafted wooden structures and expansive galleries that invite contemplation. For the interior designer or lover of aesthetics, the building offers a masterclass in the subtle interplay of light and space. The way natural tones of wood interact with carefully curated lighting creates an atmosphere of reverence, making the museum a sanctuary for those seeking beauty in simplicity and structural grace.

    Beyond its architectural splendor, the institution remains a vital center for global scholarship and ongoing discovery. As the custodian of approximately 89 National Treasures—the highest designation for Japan’s most precious cultural assets—the museum carries a heavy yet noble responsibility of preservation. This commitment to excellence is reflected in its rotating exhibitions, which ensure that the museum remains a dynamic entity, constantly revealing new layers of history to the public. Whether one is studying the intricate brushstrokes of ancient scrolls or marveling at the imposing grandeur of ceramic masterpieces, the Tokyo National Museum offers an immersive encounter with the artistic soul of Japan, making it an essential pilgrimage for anyone devoted to the enduring legacy of human craftsmanship.

    Where to read more

    • The artist Uemura Tsune originaluniqueart.com/en/artists/uemura-tsune/
    • The museum Tokyo National Museum originaluniqueart.com/en/museums/tokyo-national-museum-tokyo/
    • Similar works More works to compare originaluniqueart.com/en/art/similar/uemura-tsune-flames-D3H8QB-en/

    Find this online

    QR code linking to the download page for Flames

    originaluniqueart.com/en/art/download/uemura-tsune-flames-D3H8QB-en/

    Cite this artwork

    MLA
    Tsune, Uemura. Flames. 1918, Tokyo National Museum. https://originaluniqueart.com/en/art/uemura-tsune-flames-D3H8QB-en/
    APA
    Tsune, Uemura (1918). Flames [Painting]. Tokyo National Museum. https://originaluniqueart.com/en/art/uemura-tsune-flames-D3H8QB-en/
    Chicago
    Uemura Tsune. Flames. 1918. Tokyo National Museum. https://originaluniqueart.com/en/art/uemura-tsune-flames-D3H8QB-en/
    Harvard
    Tsune, Uemura (1918) Flames. Tokyo National Museum. Available at: https://originaluniqueart.com/en/art/uemura-tsune-flames-D3H8QB-en/

    Look closely

    Flames — Uemura Tsune

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 1 — do you agree?)
    4. Look back at Title Name (Japanese): 楊貴妃, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Nihonga: Japanese painting made with traditional mineral pigments and materials, in answer to imported Western styles. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Who created "Flames"?

    "Flames" was created by Uemura Tsune. The information on this page describes Uemura Tsune's original work.

    Toward which tone does "Flames" lean?

    The dominant hue of "Flames" by Uemura Tsune is ochre to sepia. The hue is the underlying tone of the palette.

    Is "Flames" by Uemura Tsune kept in the artist's home country?

    Yes - the artwork is kept in the artist's home country. Uemura Tsune was born in Japan, and the original "Flames" is held in a museum in Japan.