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Student Artwork Guide

Raymond Beattie

Name Class Date

Tom Hallifax, Raymond Beattie. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Tom Hallifax originaluniqueart.com/en/artists/tom-hallifax/
Artist’s dates
1965 –
Original size
123 x 61 cm

In context

Raymond Beattie — Tom Hallifax

How big is it?

The original measures 123 × 61 cm (height × width), drawn here beside an adult of average height.

When might this have been painted?

  1. 1960
  2. 1970
  3. 1980
  4. 1990
  5. 2000

Row above: the years. Row below: how old the artist was at the start and at the end of each span, counting 0 from birth.

every dated painting, decade by decade

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/tom-hallifax-raymond-beattie-ARAM5S-en/

Colours

Measured from the image

    Main colour

    Rosy Brown #9ca9ad

    Catalogued palette

    • #9CA9AD
    • #161F23
    • #3C464A
    • #5E6563

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Rosy Brown
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Tom Hallifax over the last twelve months — 1 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 100.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 2 most looked-at works by Tom Hallifax

    1. 1 Professor Dame Ingrid Allen 100.0%
    2. — Raymond Beattie this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 6 works by this artist, of which 1 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Tom Hallifax

    Tom Hallifax: A Belfast Painter of the Everyday

    Tom Hallifax, born in Hampshire in 1965, is a compelling figure in contemporary British art – an Anglo-Irish artist whose distinctive style has captivated audiences and collectors alike. His journey from a privileged background steeped in naval history to a life dedicated to capturing the essence of ordinary subjects—tractors, chickens, dogs, and portraits—is as intriguing as his work itself. Hallifax’s career is marked by a deliberate rejection of grand narratives, instead focusing on the quiet beauty and inherent drama found within the commonplace.

    Early influences shaped Hallifax's artistic trajectory. Educated at Eton College and St Andrews University, he initially pursued art history before dedicating himself to painting at the University of Ulster in Northern Ireland. This formative period instilled a deep appreciation for both traditional techniques and a willingness to experiment with new approaches. Crucially, his upbringing within a family connected to the Royal Navy fostered a sense of adventure and an openness to diverse experiences – qualities that would later inform his artistic vision.

    The Rise to Prominence: Self-Portraits and the BP Portrait Award

    Hallifax’s breakthrough came in 1993 with a series of strikingly unconventional self-portraits. These weren't idealized representations of beauty; instead, they depicted Hallifax in various states of awkwardness, eccentricity, and even grotesque humor – gurning, grimacing, and generally presenting himself as an unlikely hero. These images were strategically utilized to promote the National Portrait Gallery’s BP Portrait Award Exhibition, appearing on London Underground posters and generating considerable public attention. This audacious move established Hallifax as a provocative and instantly recognizable artist.

    The success of these self-portraits paved the way for further commissions and exhibitions. He was appointed Royal Artist to Prince Charles in 1994, undertaking portraits of key figures within the royal circle. This experience broadened his artistic scope while simultaneously reinforcing his commitment to capturing authentic human character – a characteristic that would become central to his oeuvre.

    A Shift Towards Figurative Painting and Series

    Following his initial success with self-portraits, Hallifax began exploring more expansive figurative painting. He developed distinct series based on recurring subjects: the sturdy simplicity of Irish tractors, the frantic energy of running chickens, the endearing awkwardness of dogs, and, perhaps most famously, portraits of prominent figures in Northern Ireland – including Councillor Sammy Wilson, a politician whose image became synonymous with Hallifax’s distinctive style.

    These series are characterized by their bold color palettes, simplified forms, and a deliberate avoidance of photographic realism. Hallifax employs a technique that blends the immediacy of snapshot photography with the meticulousness of oil painting, creating images that feel both familiar and strangely unsettling. His work is often described as “undermining the heroic and heroising the ordinary,” elevating the mundane to the level of art.

    Style and Technique: A Unique Approach

    Hallifax’s artistic style is instantly recognizable. He favors large-scale canvases, utilizing a limited color palette – often dominated by earthy tones—to create a sense of depth and atmosphere. His brushwork is loose and expressive, conveying both the physicality of his subjects and an underlying emotional intensity. He frequently incorporates elements of collage and mixed media, adding texture and visual interest to his paintings.

    Beyond portraiture, Hallifax has also demonstrated a talent for landscape painting and charcoal drawing, further expanding the range of his artistic practice. His work reflects a deep engagement with both the natural world and the complexities of human relationships – themes that are consistently explored through his distinctive visual language.

    Legacy and Recognition

    Tom Hallifax’s career has been marked by critical acclaim and widespread recognition. He has exhibited extensively in Ireland, Britain, and internationally, and his work is held in numerous public collections. His unique approach to portraiture and figurative painting continues to resonate with audiences today, cementing his place as a significant figure in contemporary British art. Hallifax’s ability to find beauty and meaning in the everyday—to transform ordinary subjects into compelling works of art—is a testament to his artistic vision and enduring talent.

    Where to read more

    • The artist Tom Hallifax originaluniqueart.com/en/artists/tom-hallifax/
    • Similar works More works to compare originaluniqueart.com/en/art/similar/tom-hallifax-raymond-beattie-ARAM5S-en/

    Find this online

    QR code linking to the download page for Raymond Beattie

    originaluniqueart.com/en/art/download/tom-hallifax-raymond-beattie-ARAM5S-en/

    Cite this artwork

    MLA
    Hallifax, Tom. Raymond Beattie. n.d., https://originaluniqueart.com/en/art/tom-hallifax-raymond-beattie-ARAM5S-en/
    APA
    Hallifax, Tom (n.d.). Raymond Beattie [Painting]. https://originaluniqueart.com/en/art/tom-hallifax-raymond-beattie-ARAM5S-en/
    Chicago
    Tom Hallifax. Raymond Beattie. n.d. https://originaluniqueart.com/en/art/tom-hallifax-raymond-beattie-ARAM5S-en/
    Harvard
    Hallifax, Tom (n.d.) Raymond Beattie. Available at: https://originaluniqueart.com/en/art/tom-hallifax-raymond-beattie-ARAM5S-en/

    Look closely

    Raymond Beattie — Tom Hallifax

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 1 — do you agree?)
    4. Look back at Stanley D. Roberts (1997), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What are the dimensions of the original "Raymond Beattie" by Tom Hallifax?

    The recorded dimensions of "Raymond Beattie" by Tom Hallifax are 123 x 61 cm. Reproductions can be ordered in other sizes while keeping the same proportions.

    Can I see "Raymond Beattie" by Tom Hallifax on my own wall before buying?

    "Raymond Beattie" by Tom Hallifax can be previewed on your own wall with the artwork's AR Preview page, using augmented reality on a compatible device.

    How is the color composition of "Raymond Beattie" by Tom Hallifax built?

    In "Raymond Beattie", a bold contrast is paired with a discordant palette harmony.