Copyright This work is in the public domain. Thomas Tompion died in 1713; copyright lasts 70 years after the artist’s death, so it ended in 1783.
In context
Longcase clock — Thomas Tompion
Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 74 at death.
Painted when the artist was 61. The artist lived to 74. 0 of the 1 dated works by this artist in our catalogue came earlier.
Shaded: the lifetime of Thomas Tompion (1639–1713) ▲ this work, 1700 every dated painting, decade by decade
Measured from the image
Main colour
Walnut #7b5336
Catalogued palette
These colours inside the artist’s whole palette Find other paintings by colour
Artist and museum
Born in England, United Kingdom
Early Life and Background: Born in Northwich, Cheshire, England, in 1639, Thomas Tompion’s early life remains somewhat obscure. He began his career as a comb maker before entering the service of Henry Harris, a London watchmaker, around 1660. This apprenticeship provided him with foundational skills in horology and marked the beginning of his ascent to becoming one of England's most celebrated clockmakers.
Development and Innovations: Tompion rapidly surpassed his master and quickly established himself as an independent watchmaker and clockmaker. His workshop became a hub for innovation, attracting talented apprentices like George Graham and Joseph Williamson. He was elected a Fellow of the Royal Society in 1680, recognizing his contributions to science and mechanics. Tompion’s genius lay not only in crafting beautiful timepieces but also in pioneering new techniques and designs. Key innovations included:
The use of foliot balance springs – a significant improvement over earlier designs.
The introduction of the anchor escapement, which greatly improved accuracy.
Development of the pendulum suspension using a "grasswork" mechanism to reduce friction and improve timekeeping precision.
Experimentation with materials like brass and steel, pushing the boundaries of what was possible in clockmaking.
Major Achievements and Notable Works: Tompion’s legacy is cemented by a series of exceptional clocks and watches. Some of his most celebrated creations include:
The "Turnbull” clock (1670), known for its intricate design and innovative features.
Numerous longcase clocks, often featuring elaborate marquetry and striking mechanisms – examples can be viewed here.
Pocket watches of exceptional quality, demonstrating his mastery of miniature mechanics.
The Great Clock for the Royal Observatory at Greenwich (completed posthumously with George Graham), a testament to his ambition and technical skill. This clock was crucial for maritime navigation and establishing accurate timekeeping standards.
Historical Significance and Legacy: Thomas Tompion’s impact on English horology is undeniable. He elevated the craft of clockmaking from a trade to an art form, setting a standard of excellence that influenced generations of subsequent clockmakers. His innovations in escapement mechanisms and balance springs revolutionized timekeeping accuracy. He is rightfully considered the "father of English clockmaking," and his work continues to be highly prized by collectors worldwide. A plaque on Fleet Street commemorates the workshop he shared with George Graham, a lasting tribute to their combined contributions.
Explore more about Thomas Tompion here.
On show in Lisbon, Portugal
Stepping into the Medeiros e Almeida Museum is akin to entering a meticulously preserved dream—a world conjured by one man's passionate pursuit of beauty and historical resonance. Located in the heart of Lisbon, this remarkable institution isn’t merely a display of decorative arts; it’s an intimate journey through the discerning eye of António de Medeiros e Almeida, a Portuguese businessman whose collecting zeal spanned decades. The museum unfolds as two distinct yet harmonious narratives: the original residential wing, frozen in time as if its inhabitants have just stepped out, and a purposefully designed extension that evokes the refined elegance of 18th-century French interiors. This duality creates an atmosphere both personal and grand, inviting visitors to not simply observe art, but to experience it within the context of a life devoted to its appreciation.
The museum’s physical structure is integral to its charm, acting as a silent narrator of the collector's evolving taste. Housed within a late 19th-century manor, the building itself exudes an understated elegance that complements the treasures it contains. The original residence, with its carefully preserved interiors, offers a rare glimpse into the lifestyle of a Portuguese family during this period. However, it is the addition of the purpose-built museum wing—constructed on the site of the former garden—that truly elevates the visitor experience. This extension is designed to recreate the ambiance of an 18th-century French
hôtel particulier
. The architectural details, including ornate moldings and rich wood paneling, create a backdrop that enhances the beauty of the artworks on display, demonstrating a deliberate juxtaposition of historical preservation and recreated grandeur.
Medeiros e Almeida's collection is breathtaking in its scope and eclecticism, defined not by a singular focus but by a refined sensibility that embraces beauty across cultures and eras. Perhaps most celebrated are the museum’s holdings of Chinese ceramics, ranging from ancient Han and Tang dynasty
mingqi
burial vessels—poignant glimpses into beliefs about the afterlife—to exquisitely painted Ming dynasty porcelain created specifically for the Portuguese market. These pieces speak volumes about the early exchange between East and West, showcasing both artistic skill and the burgeoning global trade routes that shaped both cultures. This dialogue between distant worlds is a hallmark of the museum's soul.
Equally compelling is the museum’s renowned collection of clocks and watches, a testament to human ingenuity and our enduring fascination with time itself. Masterpieces by Abraham-Louis Breguet, whose name became synonymous with horological excellence, stand alongside intricate creations from other celebrated makers like François Linke, offering a glimpse into the evolution of precision engineering and artistic embellishment. Beyond these highlights, one encounters French furniture of exceptional quality—including stunning examples crafted by André-Charles Boulle—Dutch and Flemish paintings that capture the light and shadow of the Golden Age, and an array of textiles, jewelry, silversmith work, and fans, each object telling its own silent story within a vast, twenty-seven-room tapestry of human creativity.
The story of the Medeiros e Almeida Museum is inextricably linked to the life of its founder. António de Medeiros e Almeida was not simply a collector; he was a visionary who believed that art had the power to enrich lives and connect generations. Born in 1895, he began amassing his extraordinary collection over a lifetime fueled by an insatiable curiosity and a keen eye for quality. Recognizing the cultural significance of his holdings, he established the Medeiros e Almeida Foundation with the express purpose of bequeathing them to Portugal, ensuring that future generations could benefit from their beauty and historical importance. His foresight transformed a private passion into a public treasure.
What truly sets the Medeiros e Almeida Museum apart is its ability to seamlessly blend disparate elements into a cohesive whole. It is not simply a collection of beautiful objects; it is a carefully curated dialogue between cultures, eras, and artistic disciplines. The harmonious interplay between Chinese ceramics and French furniture, Dutch paintings and Portuguese silverware, creates a visual tapestry that is both stimulating and deeply satisfying for the modern observer. For interior designers seeking inspiration, collectors searching for rare treasures, or simply those who appreciate the finer things in life, the museum offers an unforgettable experience—a journey into a world where art transcends boundaries and speaks directly to the soul.
originaluniqueart.com/en/art/download/thomas-tompion-longcase-clock-DD22SW-en/
For art students and researchers
Longcase clock — Thomas Tompion
Answer in your own words. There are no wrong answers here — only answers you can explain.
Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.
The Stats page of "Longcase clock" by Thomas Tompion presents public visit statistics: monthly visits of this artwork, a comparison with the artist's most viewed works, and where its visitors come from.
"Longcase clock" by Thomas Tompion can be downloaded from the artwork's Download page, as a high-resolution digital image download.
A slideshow is available: the Diaporama page of "Longcase clock" by Thomas Tompion.
The color that stands out most in "Longcase clock" is walnut (#7b5336). The dominant color is useful when matching an artwork to an interior.
No - the artwork is kept abroad. Thomas Tompion was born in United Kingdom, and the original "Longcase clock" is held in a museum in Portugal.