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Student Artwork Guide

Night

Name Class Date

Thomas Cantrell Dugdale, Night (1926). Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Thomas Cantrell Dugdale originaluniqueart.com/en/artists/thomas-cantrell-dugdale/
Artist’s dates
1880 – 1952
Painted
1926
Original size
63 x 76 cm

In context

Night — Thomas Cantrell Dugdale

How big is it?

The original measures 63 × 76 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940
  8. 1950

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 72 at death.

Painted when the artist was 46. The artist lived to 72. 15 of the 66 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Thomas Cantrell Dugdale (1880–1952) ▲ this work, 1926 every dated painting, decade by decade

First works: up to 1926 Main working years: 1926–1941 Late works: from 1941

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/thomas-cantrell-dugdale-night-AQS8M5-en/

Colours

Measured from the image

    Main colour

    Phthalo Green #283030

    Catalogued palette

    • #283030
    • #A2997E
    • #574D42
    • #7F725F

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Phthalo Green
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Balanced How much the colours differ in lightness and saturation across the picture.
    Harmony
    Softly Mixed Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Thomas Cantrell Dugdale over the last twelve months — 5 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 55.6%
    2. 2 United States of America 36.1%
    3. 3 Egypt 2.8%
    4. 4 United Kingdom 2.8%
    5. 5 Singapore 2.8%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 19 most looked-at works by Thomas Cantrell Dugdale

    1. 1 The Arrival of the Jarrow Marchers in London, Viewed from an Interior, 1936 65.1%
    2. 2 Underground, 1932 3.2%
    3. 3 Sir Thomas Forster, KG, Chairman of Middlesex Court of Quarter Sessions (1934–1936), 1936 3.2%
    4. 4 Wing Commander A. D. Farquhar, DFC, 1940 3.2%
    5. 5 Allenby's White Mice Feeding the Pack Donkeys Desert Corps HQ, 1918 3.2%
    6. 6 The Charge of the Royal Buckinghamshire Hussars at El Mughar, Palestine, 13 November 1917, 1920 1.6%
    7. 7 A Street Scene in Chelsea, London, 1907 1.6%
    8. 8 Ernest Bevin, 1945 1.6%
    9. 9 Captain Adrian Jones (1845–1938), 1932 1.6%
    10. 10 Air Vice Marshal Ronald Graham (1896–1967), CB, CBE, DSO, DSC, DFC, 1945 1.6%
    11. 11 W. B. Pritchard, 1912 1.6%
    12. 12 Miss E. H. Davis, OBE, 1942 1.6%
    13. 13 Air Marshal Sir Arthur Barratt, KCB, CMG, MC, 1941 1.6%
    14. 14 Night, 1926 this painting 1.6%
    15. 15 Ewart Gladstone Culpin (1877–1946), Architect 1.6%
    16. 16 Air Vice Marshal Sir Norman Howard Bottomley (1891–1970), CB, CIE, DSO, AFC 1.6%
    17. 17 Military Policemen in Palestine, 1918 1.6%
    18. 18 Jimmy Messenger of Suffolk 1.6%
    19. 19 Life 1.6%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 90 works by this artist, of which 19 were looked at at least once. This painting ranks 14 of them, with 1.6% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Thomas Cantrell Dugdale

    Born in Blackburn, United Kingdom

    Thomas Cantrell Dugdale: A Life Dedicated to Art and Service

    Thomas Cantrell Dugdale (1880-1952) stands as a testament to the enduring spirit of British art – blending meticulous observation with expressive brushstrokes, underpinned by a profound commitment to both artistic excellence and civic duty. Born in Blackburn, Lancashire, Dugdale’s early life instilled within him a passion for visual representation that would define his entire career trajectory. His formative years at Manchester Grammar School provided a foundation for intellectual curiosity, followed by studies at the Manchester School of Art before embarking on a broader artistic education at the Royal College of Art and the City Guilds of London Art School – experiences that cultivated his technical skills and exposed him to diverse artistic traditions, notably Parisian Impressionism.

    Early Influences & Artistic Style: Dugdale’s artistic sensibilities were profoundly shaped by Impressionist masters like Claude Monet and Pierre Auguste Renoir, whose techniques of capturing fleeting moments of light and color resonated deeply within his own approach to painting. He favored a bold palette and textured brushwork—particularly impasto—creating canvases that pulsed with vitality and conveying an immediacy rarely found in academic art.

    Royal Academy Recognition & Portraiture: Dugdale’s debut at the Royal Academy in 1901 marked a pivotal moment, establishing him as a respected figure within the British artistic landscape. He swiftly gained renown for his portrait commissions, capturing the likenesses of prominent individuals—politicians, businessmen, and artists alike—with remarkable sensitivity and psychological insight. His portraits are characterized by their careful attention to detail and their ability to convey not only physical appearance but also inner character.

    Military Service & Artistic Engagement During Wartime

    Dugdale’s artistic pursuits were inextricably linked with his military service, beginning in 1910 when he enlisted in the British Army and served as a Staff Sergeant in the Middlesex Yeomanry during World War I. This experience honed his observational skills and instilled within him a deep understanding of human resilience under pressure—themes that would permeate his artwork throughout the conflict. Notably, four paintings produced during his wartime service were acquired by the British War Memorials Committee, demonstrating his dedication to commemorating historical events through visual art. His involvement extended beyond mere artistic creation; he actively organized a Home Guard unit in Suffolk during World War II, embodying the spirit of civic responsibility alongside his creative endeavors.

    War Artist Commissions: Dugdale’s wartime commissions from the War Artists Advisory Committee focused on portraying Merchant Seamen and RAF Pilots—subjects that demanded both technical precision and empathetic portrayal. These paintings offer invaluable glimpses into the lives of ordinary Britons during extraordinary times, reflecting the anxieties and aspirations of a nation facing adversity.

    Beyond Painting: Textile Design & Illustration: Dugdale’s artistic versatility extended beyond easel painting; he excelled as a textile designer for Tootal Broadhurst Lee for twenty years, crafting decorative fabrics that blended aesthetic beauty with functional considerations. Furthermore, he undertook illustration work, contributing to books and publications—demonstrating his ability to adapt his artistic skills to diverse mediums.

    Legacy & Historical Significance

    Thomas Cantrell Dugdale’s contribution to British art is undeniable. His unwavering dedication to capturing the human spirit through portraiture and his engagement with historical events—particularly during wartime—solidified his place as a significant figure in 20th-century artistic history. His paintings continue to resonate today, offering insights into the social and cultural milieu of his time while upholding enduring principles of artistic excellence and humanist compassion. Dugdale’s work serves as an inspiring reminder that creativity can flourish alongside civic duty—a legacy worthy of remembrance.

    Where to read more

    Find this online

    QR code linking to the download page for Night

    originaluniqueart.com/en/art/download/thomas-cantrell-dugdale-night-AQS8M5-en/

    Cite this artwork

    MLA
    Dugdale, Thomas Cantrell. Night. 1926, https://originaluniqueart.com/en/art/thomas-cantrell-dugdale-night-AQS8M5-en/
    APA
    Dugdale, Thomas Cantrell (1926). Night [Painting]. https://originaluniqueart.com/en/art/thomas-cantrell-dugdale-night-AQS8M5-en/
    Chicago
    Thomas Cantrell Dugdale. Night. 1926. https://originaluniqueart.com/en/art/thomas-cantrell-dugdale-night-AQS8M5-en/
    Harvard
    Dugdale, Thomas Cantrell (1926) Night. Available at: https://originaluniqueart.com/en/art/thomas-cantrell-dugdale-night-AQS8M5-en/

    Look closely

    Night — Thomas Cantrell Dugdale

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Underground (1932), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Thomas Cantrell Dugdale was about 46 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Do the colors of "Night" appear strong or soft?

    The colors in "Night" by Thomas Cantrell Dugdale have a monochromatic intensity.

    What are the author and date of "Night"?

    The author of "Night" is Thomas Cantrell Dugdale, and the work is dated 1926.

    Who sells hand-painted copies of "Night" by Thomas Cantrell Dugdale?

    You can order a hand-painted reproduction of "Night" by Thomas Cantrell Dugdale directly on its Hand-Painted Reproduction page: a hand-painted oil reproduction on linen canvas, made to order.