Paper

Student Artwork Guide

Love

Name Class Date

Sudarshan Shetty, Love, Devi Art Foundation. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Sudarshan Shetty originaluniqueart.com/en/artists/sudarshan-shetty/
Artist’s dates
1961 –
Held at
Devi Art Foundation originaluniqueart.com/en/museums/devi-art-foundation-gurugram/

In context

Love — Sudarshan Shetty

When might this have been painted?

  1. 1960

Row above: the years. Row below: how old the artist was at the start and at the end of each span, counting 0 from birth.

every dated painting, decade by decade

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

  • Love originaluniqueart.com/en/art/sudarshan-shetty-love-D5DG7N-en/
  • Untitled originaluniqueart.com/en/art/sudarshan-shetty-untitled-D5DG7G-en/
  • Love originaluniqueart.com/en/art/sudarshan-shetty-love-D5DG7L-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/sudarshan-shetty-love-D9HSWX-en/

Colours

Measured from the image

    Main colour

    Driftwood #a29872

    Catalogued palette

    • #A29872
    • #655934
    • #231C0A
    • #E4DDBD

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Driftwood
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    The 2 most looked-at works by Sudarshan Shetty

    1. 1 Untitled 100.0%
    2. — Love this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 9 works by this artist, of which 1 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Love — Sudarshan Shetty

    A steel dinosaur fornicating with a Jaguar car. This is the work that took centre stage in Sudarshan Shetty’s 2006 exhibition Love. In this installation, Shetty makes clever use of two iconic symbols: the fibreglass cast of a 1972 Jaguar car which is the symbol of luxury, and a relic from the past, a dinosaur, made of steel plates. The willing car has its rear cranked up, and the dinosaur has an exaggeratedly large phallus. By adding motion Shetty makes the act of fornication something the viewer cannot avoid seeing. The work’s largeness and the visibility of its mechanical devices add to the viewer’s discomfort.The brute emphasis on the act of fornication declares the artist’s delusion/ disillusion with ‘love’. However, Shetty’s dinosaur is an enlarged toy, not a recreated skeleton from a natural history museum. Is it the element of play involved in the act of love that prompts this decision? Or is it to show that the two animals, jaguar and dinosaur, are both reduced to boy’s toys? Is Shetty lamenting a paradise lost by invoking the extinct dinosaur? Or is he saying that there is no ‘real’ love in the age of consumerism, when man’s ultimate turn-on is a car?Sudarshan Shetty’s Love series of 2006 explored the phenomenon of love as comic, ironic, absurd, complex, perverse. In this overblown installation of a T-Rex ‘making love’ to a Jaguar, the perverse physical act does not seem threatening because it is rendered comical. Sudarshan’s unlikely juxtapositions bring disparate worlds into a shared frame. Unlike the facsimile of the Jaguar, the T-Rex is literally stripped to the very bone. The mechanics of his ‘humping’ can be clearly observed. The giant ego-affirming phallus enters the backside of the car, articulating the pure carnality embedded in the act of love. This is nowhere better reflected than in the way the ‘heart’ of the dinosaur moves in tandem with the phallus, both acting on a single mechanical impulse. The conventional hierarchy that places love at a higher level than sex seems to be dismantled here.The phallus itself is scythe-shaped, reminding one of the Grim Reaper and his scythe. Love and death seem to be placed in a circuitous relationship via the heart. Does one read life in love or death in sex? Nothing is given to the viewer easily. The artist seems to be contemplating love and poking fun at it at the same time. It is left to the viewer/ voyeur to construe meaning or non-meaning in this installation.

    Artist and museum

    Artist

    Sudarshan Shetty

    Born in Mangaluru, India

    Sudarshan Shetty: A Biography

    Early Life and Education

    Born in Mangaluru, India, in 1961, Sudarshan Shetty is a prominent figure in contemporary Indian art. Details regarding his formal artistic education are not widely publicized; however, he developed a strong foundation that allowed him to explore diverse mediums and concepts throughout his career.

    Artistic Development and Style

    Shetty’s artistic practice is remarkably versatile, encompassing painting, sculpture, installation, video, sound, and performance. He doesn't adhere to a single style but rather employs various approaches depending on the concept he wishes to convey. His work often features everyday objects recontextualized to provoke thought and challenge perceptions. A key characteristic of his art is its immersive quality; installations frequently invite viewers to engage physically and emotionally with the artwork.

    Themes and Influences

    Shetty’s artistic explorations center around themes of memory, domesticity, temporality, and human connection. He often examines the relationship between personal experiences and broader cultural contexts. His work is influenced by a range of sources, including Indian philosophy, traditional crafts, and contemporary art movements. The influence of minimalism and conceptual art can also be observed in his reductive forms and emphasis on ideas over aesthetics.

    Major Achievements and Exhibitions

    1999: Commissioned to create the public sculpture “Home and Away” as part of the Hakata Reverain Art Project in Fukuoka, Japan. This was a significant milestone, making him the only Indian artist selected for this project.

    International Exhibitions: Shetty’s work has been showcased at prestigious institutions such as the Fukuoka Asian Art Museum (Japan) and the Tate Modern (London), solidifying his international presence.

    Residencies & Fellowships: He has held residencies at the Mattress Factory in Pittsburgh, USA, and was a Ford Foundation fellow at The New School for General Studies in New York, fostering artistic growth and exchange.

    Public Collections

    Shetty’s artworks are part of numerous important public collections, including:

    Kiran Nadar Museum of Art (India)

    Devi Art Foundation (Anupam Poddar, India)

    Fukuoka Asian Art Museum (Japan)

    FC MOCA (Frank Cohen Museum of Modern Art, Manchester, UK)

    Historical Significance

    Sudarshan Shetty is considered a leading voice in contemporary Indian art. His innovative use of materials and his exploration of complex themes have contributed significantly to the evolving landscape of modern sculpture and installation art. He has paved the way for other Indian artists to gain international recognition, and his work continues to inspire dialogue about culture, memory, and identity.

    Current Practice

    As of today, Sudarshan Shetty continues to live and work in Mumbai, India, actively creating new works and participating in exhibitions worldwide. He remains a vital force in the contemporary art scene, constantly pushing boundaries and challenging conventional artistic norms.

    Museum

    Devi Art Foundation

    On show in Gurugram, India

    A Sanctuary of South Asian Vision: The Devi Art Foundation

    In the bustling heart of Gurugram, where industrial progress meets the rapid pulse of modern India, lies a profound sanctuary for the soul: the Devi Art Foundation. More than a mere repository for objects, this institution serves as a luminous beacon for the evolving artistic landscape of South Asia. Established through the visionary passion of Anupam and Lekta Poddar, the foundation was born from a deep-seated desire to elevate the visibility of creative expression within the subcontinent. It stands as a testament to the power of private patronage, transforming a personal devotion to art into a public stage where the diverse voices of a region can converge, clash, and coalesce into a shared cultural narrative.

    The collection itself is an expansive, breathing entity, boasting over 7,000 pieces that traverse the delicate boundaries between the ancient and the avant-garde. To wander through its halls is to embark on a temporal journey; one might find themselves captivated by the intricate precision of a Pahari miniature, such as Nainsukh’s

    “Durga Confronts the Buffalo Demon Mahisha,”

    where Mughal and Persian influences dance across the surface to recount the grandeur of Hindu mythology. Yet, this reverence for tradition is seamlessly juxtaposed with the raw energy of contemporary sculpture and tribal art that celebrates India’s rich, multifaceted heritage. The collection thrives on this tension, offering experimental works that push the limits of medium and meaning, challenging every preconceived notion of what South Asian art can be.

    Architectural Harmony and the Spirit of Innovation

    The physical presence of the Devi Art Foundation is as much a work of art as the treasures it houses. Designed by the architect Aniket Bhagwat, the museum’s structure is a masterclass in material dialogue. By blending the rugged, weathered texture of Corten steel with the organic warmth of handmade bricks, the architecture reflects a deliberate reverence for both industrial innovation and artisanal craftsmanship. This intentional marriage of materials mirrors the collection's own duality—the intersection of the modern moment and the enduring weight of history. The expansive, light-filled spaces are thoughtfully curated to prioritize visitor engagement, creating an immersive environment where the boundary between the observer and the observed begins to dissolve.

    What truly distinguishes the Devi Art Foundation is its pioneering spirit as India’s inaugural private museum dedicated specifically to contemporary art. This unique autonomy grants curators the freedom to pursue ambitious, unconstrained programming that transcends commercial limitations. Notable exhibitions, such as the groundbreaking

    “Still Moving Image,”

    have spotlighted the cinematic potential of video and photography through the eyes of twenty-five Indian artists, fostering a vibrant intellectual exchange. Through initiatives like Khoj Studios, the foundation actively bridges the gap between art production and public discourse, ensuring that art is never cloistered within institutional walls but remains an active, debating presence in the lives of the community.

    For the collector seeking depth or the interior designer searching for inspiration, the Devi Art Foundation offers a profound lesson in curation and atmosphere. It is a place where history is not just remembered but reimagined, and where every corner invites a new way of seeing. By fostering a culture of critical engagement and celebrating the shared histories of the Indian Subcontinent, the foundation continues to inspire a new generation of thinkers, ensuring that the pulse of South Asian creativity beats stronger and more vibrantly than ever before.

    Where to read more

    • The artist Sudarshan Shetty originaluniqueart.com/en/artists/sudarshan-shetty/
    • The museum Devi Art Foundation originaluniqueart.com/en/museums/devi-art-foundation-gurugram/
    • Similar works More works to compare originaluniqueart.com/en/art/similar/sudarshan-shetty-love-D9HSWX-en/

    Find this online

    QR code linking to the download page for Love

    originaluniqueart.com/en/art/download/sudarshan-shetty-love-D9HSWX-en/

    Cite this artwork

    MLA
    Shetty, Sudarshan. Love. n.d., Devi Art Foundation. https://originaluniqueart.com/en/art/sudarshan-shetty-love-D9HSWX-en/
    APA
    Shetty, Sudarshan (n.d.). Love [Painting]. Devi Art Foundation. https://originaluniqueart.com/en/art/sudarshan-shetty-love-D9HSWX-en/
    Chicago
    Sudarshan Shetty. Love. n.d. Devi Art Foundation. https://originaluniqueart.com/en/art/sudarshan-shetty-love-D9HSWX-en/
    Harvard
    Shetty, Sudarshan (n.d.) Love. Devi Art Foundation. Available at: https://originaluniqueart.com/en/art/sudarshan-shetty-love-D9HSWX-en/

    Look closely

    Love — Sudarshan Shetty

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Love, earlier in this guide. Name two things it shares with this work, and one that is different.
    4. What might the artist have wanted you to feel?
    5. If you could ask the artist one question about this work, what would it be?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What level of contrast does "Love" by Sudarshan Shetty show?

    The light-dark contrast of "Love" is recorded as statement. Contrast describes how strongly light and dark areas differ.

    How do I preview a reproduction of "Love" by Sudarshan Shetty?

    The Preview page of "Love" lets you preview the artwork before ordering.

    How light is "Love" overall?

    The perceived brightness of "Love" by Sudarshan Shetty is balanced. It can be matched to the light of the intended space.