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Student Artwork Guide

Serial Project #1 ABCD

Name Class Date

Solomon Lewitt, Serial Project #1 ABCD (1966), MOMA - Museum of Modern Art. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Solomon Lewitt originaluniqueart.com/en/artists/solomon-lewitt/
Artist’s dates
1928 – 2007
Painted
1966
Movement
Minimalism Stripping a work back to the fewest possible elements, so nothing is there for decoration.
Held at
MOMA - Museum of Modern Art originaluniqueart.com/en/museums/moma-museum-of-modern-art-new-york-city/

In context

Serial Project #1 ABCD — Solomon Lewitt

When was this painted?

  1. 1920
  2. 1930
  3. 1940
  4. 1950
  5. 1960
  6. 1970
  7. 1980
  8. 1990
  9. 2000

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 79 at death.

Painted when the artist was 38. The artist lived to 79. 1 of the 23 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Solomon Lewitt (1928–2007) ▲ this work, 1966 every dated painting, decade by decade

First works: up to 1974 Main working years: 1974–2001 Late works: from 2001

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/solomon-lewitt-serial-project-1-abcd-D3JGXP-en/

Colours

Measured from the image

    Main colour

    Rosy Brown #aaa7a0

    Catalogued palette

    • #AAA7A0
    • #020202
    • #6C6960
    • #DDDBD6

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Rosy Brown
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Solomon Lewitt over the last twelve months — 4 countries in all. Where these figures come from

    The ten leading countries

    1. 1 Brazil 76.7%
    2. 2 China 16.7%
    3. 3 Germany 3.3%
    4. 4 United Kingdom 3.3%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 10 most looked-at works by Solomon Lewitt

    1. 1 Blue Vertical, 2000 63.9%
    2. 2 Wall Drawing #391, 1983 11.1%
    3. 3 Distorted Cubes Bozuk Küpler 5.6%
    4. 4 Wall drawing #1091: arcs, circles and bands (room), 2003 2.8%
    5. 5 Four Color Woodcuts-Curvy Bands I-IV, 1996 2.8%
    6. 6 Wal Drawing #999, 2001 2.8%
    7. 7 Irregular tower 2.8%
    8. 8 Serial Project #1 ABCD, 1966 this painting 2.8%
    9. 9 Untitled from Squares with a Different Line Direction in Each Half Square 2.8%
    10. 10 Untitled 2.8%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 40 works by this artist, of which 10 were looked at at least once. This painting ranks 8 of them, with 2.8% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Solomon Lewitt

    Born in Hartford, United States of America

    The Architect of Ideas: The Life and Legacy of Sol LeWitt

    In the vast landscape of twentieth-century modernism, few figures cast as long or as intellectually profound a shadow as Solomon LeWitt. Born on September 9, 1928, in Hartford, Connecticut, to a family of Jewish immigrants from Russia, LeWitt’s journey was one defined by the pursuit of pure thought over mere physical execution. His early years were shaped by a rigorous analytical curiosity, a trait nurtured by his studies at Syracuse University between 1945 and 1949. This academic foundation in mathematics and geometry would later become the very heartbeat of his artistic language, allowing him to strip away the decorative excesses of traditional art to reveal the skeletal beauty of logic and structure.

    LeWitt’s evolution as an artist was not a sudden rupture but a deliberate migration from the tangible to the conceptual. While his early explorations involved the tactile nature of painting and drawing, he soon found himself increasingly drawn to the idea behind the mark rather than the mark itself. This shift marked the birth of a pioneer who would bridge the gap between Minimalism and Conceptual Art. He began to view the artist not as a craftsman bound by the hand, but as an architect of instructions. By prioritizing the mental blueprint over the finished object, LeWitt challenged the very definition of authorship, suggesting that once an idea is conceived, its physical manifestation is merely a secondary consequence.

    The Revolution of the Wall Drawing

    The late 1960s witnessed one of the most radical transformations in contemporary art with the emergence of LeWitt’s iconic wall drawings. Rejecting the permanence and preciousness of traditional sculpture, he introduced "structures"—a term he preferred over "sculptures" to emphasize their mathematical essence—and a series of instructions that could be executed by anyone trained to follow them. These works were not merely decorations but lived experiences, often composed of precise geometric patterns, arcs, and interlocking shapes that breathed life into the architectural spaces they inhabited.

    To witness a LeWitt wall drawing is to see logic transformed into poetry. Whether it was the stark, rhythmic repetition found in Black with White Lines, Vertical Not Touching or the vibrant, exuberant energy of Wall Drawing #1091: arcs, circles and bands, his work utilized the power of the line to command space. These pieces often relied on a system of logical, often mathematical instructions that guided assistants or museum installers in their production. This method democratized the act of creation while simultaneously elevating the importance of the concept, ensuring that the artwork existed fundamentally as an intellectual spark before it ever touched a wall.

    A Lasting Impression on Modernity

    Throughout his prolific career, which spanned decades and included mastery in printmaking, photography, and installation, LeWitt remained steadfast in his commitment to clarity and precision. His ability to find profound beauty in the simplest of forms—such as the striking white Pyramid or the complex, colorful rhythms of his crayon-based wall works—redefined the aesthetic boundaries of the late 20th century. He proved that art could be stripped of its ego and its ornament, yet still retain a soul that resonates deeply with the human desire for order and discovery.

    The historical significance of Sol LeWitt cannot be overstated. He provided the vocabulary for generations of artists to explore the boundaries between thought and matter. His legacy lives on in every museum and gallery where the line between the creator and the executor is blurred, and where the strength of an idea is recognized as the ultimate medium. As we look back upon his life, from his beginnings in Hartford to his final days in New York City in 2007, we see a man who did not just make art, but who taught us how to see the profound architecture of thought itself.

    Museum

    MOMA - Museum of Modern Art

    On show in New York City, United States of America

    A Sanctuary of Modernity: Exploring the Soul of MoMA

    Nestled within the vibrant pulse of Midtown Manhattan, the Museum of Modern Art (MoMA) stands as far more than a mere repository for artistic treasures; it’s a living testament to the relentless spirit of innovation and the enduring power of human expression. Established in 1929 by visionary philanthropists, MoMA emerged from the shadows of the Great Depression not merely as an institution, but as a defiant declaration: a dedicated space consecrated solely to embracing the radical, the challenging, and profoundly influential works destined to shape the future of art. From its humble beginnings within the Heckscher Building, it has blossomed into an architectural marvel and a globally recognized landmark, inviting visitors on a profound journey through over a century of artistic evolution – a continuous narrative woven from groundbreaking movements and individual genius.

    A Tapestry of Artistic Innovation

    At the heart of MoMA’s breathtaking collection lies a carefully curated panorama spanning the late 19th century to the present day. Iconic works resonate across generations, each piece a window into a specific moment in art history. Vincent van Gogh's Starry Night, with its turbulent brushstrokes and swirling vortex of emotion, embodies the raw intensity of Expressionism. The canvas seems to breathe, capturing not just a night sky but the artist’s profound inner turmoil. Pablo Picasso’s Les Demoiselles d’Avignon shattered artistic conventions, laying the foundation for Cubism and forever altering our perception of representation. Its fragmented forms and jarring perspectives challenged traditional notions of beauty and perspective, ushering in an era of unprecedented experimentation. And Andy Warhol’s iconic silkscreen prints – particularly Campbell Soup Cans – capture the electric energy of postwar America with their bold colors and playful engagement with popular culture. These seemingly mundane objects, elevated to the realm of art, became symbols of consumerism and mass production, reflecting a rapidly changing society.

    Beyond these monumental figures, MoMA boasts an astonishing breadth: from the delicate brushstrokes of early Impressionists like Monet, whose Water Lilies evoke a serene contemplation of nature, to the abstract explorations of Kandinsky, who pioneered non-representational art; the pioneering photography of Alfred Stieglitz, documenting the dawn of modern photography; and the architectural designs that have shaped our world. Each gallery unfolds as a new chapter in this ongoing story, revealing the diverse voices and perspectives that have defined modern artistic expression.

    A Space Designed for Contemplation

    The transformation of MoMA in 2004, spearheaded by Japanese architect Yoshio Taniguchi, was more than just a renovation; it was a reimagining of the museum’s very soul. Taniguchi's design prioritized natural light, creating an atmosphere of luminous serenity that profoundly enhances the impact of the artwork. The atrium, bathed in sunlight streaming through expansive windows, serves as a central gathering area – a space designed for quiet contemplation and a deeper engagement with the art on display. This deliberate architectural choice reflects MoMA’s commitment to fostering a holistic experience, recognizing that the environment itself can contribute significantly to our understanding and appreciation of artistic expression. The careful consideration given to light, space, and flow creates an immersive setting where visitors are invited to lose themselves in the world of modern art.

    Shaping Art Historical Narratives Through Landmark Exhibitions

    MoMA’s legacy extends far beyond its permanent collection; it has consistently been a catalyst for groundbreaking exhibitions that have fundamentally reshaped public perception and redefined art historical narratives. Alfred H. Barr Jr.’s “Cubism and Abstract Art” (1936) stands as a watershed moment, introducing audiences to Picasso, Braque, Kandinsky, and Mondrian – artists who dared to transcend representational limitations and explore uncharted territories of expression. This exhibition wasn’t simply an exposition; it was a bold assertion that art could move beyond mere imitation and delve into the realm of pure feeling and form. Later exhibitions have continued this legacy, tackling contemporary issues with remarkable insight and fostering critical dialogue about our world – from explorations of Surrealism to the rise of Pop Art and Minimalism. The museum’s curatorial team has consistently demonstrated a willingness to challenge conventional wisdom and present new perspectives on art history.

    A Museum for Our Time

    Today, MoMA remains deeply engaged with pressing social issues through exhibitions that address climate change, identity, and justice. It champions artistic innovation and fosters dialogue globally, recognizing the vital role of art in shaping a more equitable and sustainable future. The museum’s commitment to inclusivity is evident not only in its collection but also in its programming, which actively seeks to amplify diverse voices and perspectives. Furthermore, MoMA's dedication extends beyond the purely aesthetic; it embraces a responsibility to engage with the complexities of our time, using art as a tool for critical reflection and social change. The museum’s ongoing efforts to connect with contemporary concerns underscore its role as a vital cultural institution in the 21st century.

    Where to read more

    • The artist Solomon Lewitt originaluniqueart.com/en/artists/solomon-lewitt/
    • The museum MOMA - Museum of Modern Art originaluniqueart.com/en/museums/moma-museum-of-modern-art-new-york-city/
    • Similar works More works to compare originaluniqueart.com/en/art/similar/solomon-lewitt-serial-project-1-abcd-D3JGXP-en/

    Find this online

    QR code linking to the download page for Serial Project #1 ABCD

    originaluniqueart.com/en/art/download/solomon-lewitt-serial-project-1-abcd-D3JGXP-en/

    Cite this artwork

    MLA
    Lewitt, Solomon. Serial Project #1 ABCD. 1966, MOMA - Museum of Modern Art. https://originaluniqueart.com/en/art/solomon-lewitt-serial-project-1-abcd-D3JGXP-en/
    APA
    Lewitt, Solomon (1966). Serial Project #1 ABCD [Painting]. MOMA - Museum of Modern Art. https://originaluniqueart.com/en/art/solomon-lewitt-serial-project-1-abcd-D3JGXP-en/
    Chicago
    Solomon Lewitt. Serial Project #1 ABCD. 1966. MOMA - Museum of Modern Art. https://originaluniqueart.com/en/art/solomon-lewitt-serial-project-1-abcd-D3JGXP-en/
    Harvard
    Lewitt, Solomon (1966) Serial Project #1 ABCD. MOMA - Museum of Modern Art. Available at: https://originaluniqueart.com/en/art/solomon-lewitt-serial-project-1-abcd-D3JGXP-en/

    Look closely

    Serial Project #1 ABCD — Solomon Lewitt

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Wall Drawing #831 (1997), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Minimalism: Stripping a work back to the fewest possible elements, so nothing is there for decoration. Where can you see that in this work?
    5. Solomon Lewitt was about 38 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    When was "Serial Project #1 ABCD" created, and to which movement does it belong?

    "Serial Project #1 ABCD" by Solomon Lewitt is dated 1966 and belongs to Minimalism.

    Where can I see the original "Serial Project #1 ABCD" by Solomon Lewitt?

    "Serial Project #1 ABCD" by Solomon Lewitt is on display at the MOMA - Museum of Modern Art, New York City, United States of America. The museum listing refers to the original work, not to reproductions.

    How can I get a print of "Serial Project #1 ABCD" by Solomon Lewitt?

    A print of "Serial Project #1 ABCD" by Solomon Lewitt can be ordered directly on this page: a fine art print on cotton canvas or archival canvas paper.

    Can I examine "Serial Project #1 ABCD" in more detail?

    "Serial Project #1 ABCD" can be examined layer by layer on the artwork's X-Ray page, a viewer inspired by a conservator's light bench with eleven optical readings of the image.

    How many people view "Serial Project #1 ABCD"?

    A Stats page exists for "Serial Project #1 ABCD". It charts the monthly visits of the artwork and of the artist's other works, with country and language breakdowns.

    What art movement does "Serial Project #1 ABCD" by Solomon Lewitt belong to?

    "Serial Project #1 ABCD" is a work of Minimalism. The movement indicates the artistic tradition the work is part of.

    What color harmony does "Serial Project #1 ABCD" by Solomon Lewitt display?

    The color harmony of "Serial Project #1 ABCD" is recorded as unified palette.

    How do movement and era meet in "Serial Project #1 ABCD" by Solomon Lewitt?

    "Serial Project #1 ABCD" by Solomon Lewitt is placed in the Minimalism movement, within the Modern era of its creator.