Paper

Student Artwork Guide

The Trial

Name Class Date

Sir Sidney Robert Nolan, The Trial (1947), National Gallery of Australia. Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
Sir Sidney Robert Nolan originaluniqueart.com/en/artists/sir-sidney-robert-nolan/
Artist’s dates
1917 – 1992
Painted
1947
Medium
Enamel
Original size
91 x 121 cm
Movement
Surrealism Dream logic painted with waking precision: impossible things shown as if they were ordinary.
Period
Modern
Held at
National Gallery of Australia originaluniqueart.com/en/museums/national-gallery-of-australia-canberra/
Artistic style
Expressionist Surrealism
Influences
Rimbaud, Cézanne
Notable elements or techniques
Stylized figures, Dramatic lighting
Subject or theme
Justice, Oppression

In context

The Trial — Sir Sidney Robert Nolan

How big is it?

The original measures 91 × 121 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960
  7. 1970
  8. 1980
  9. 1990

Shaded: the lifetime of Sir Sidney Robert Nolan (1917–1992) ▲ this work, 1947

Compare with

  • Ern Malley, 1973 originaluniqueart.com/en/art/sir-sidney-robert-nolan-ern-malley-D4CL5V-en/
  • Kelly and horse originaluniqueart.com/en/art/sir-sidney-robert-nolan-kelly-and-horse-D9A9BP-en/
  • Return to Glenrowan originaluniqueart.com/en/art/sir-sidney-robert-nolan-return-to-glenrowan-D9AAJ5-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/sir-sidney-robert-nolan-the-trial-D2R3D4-en/

Colours

Measured from the image

    Main colour

    Black #0f1212

    Catalogued palette

    • #0F1212
    • #645D37
    • #882E14
    • #968F5F
    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Black
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Softly Mixed Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    The Trial — Sir Sidney Robert Nolan

    A Surrealist Confrontation with Justice

    In the annals of Australian modernism, few works possess the unsettling psychological depth of Sir Sidney Nolan’s 1947 masterpiece, The Trial. This is not merely a depiction of a courtroom; it is a fever dream rendered in enamel, a profound meditation on the crushing weight of legal scrutiny and the fragility of human identity. As one gazes upon this composition, they are immediately thrust into a theatrical stage of anxiety, where the boundaries between reality and nightmare blur. Nolan, a master storyteller of the Australian landscape and psyche, utilizes a distorted, compressed perspective to create a space that feels both vast in its symbolic implications and claustrophobically tight in its execution. The viewer is not an observer standing at a distance, but a witness trapped within the same suffocating atmosphere as the figures on the board.

    The composition is anchored by a striking, almost grotesque central figure—a character with a box-like head that stares directly at the viewer, stripping away the comfort of anonymity. This figure is flanked by the rigid authority of a judge perched upon an elevated platform and a watchful uniformed guard, creating a hierarchy of power that feels both ancient and inescapable. Behind this primary drama, rows of faceless silhouettes and exaggeratedly expressive faces emerge from the shadows, suggesting a society of silent observers and complicit bystanders. The use of thick, black outlines lends the figures a graphic, almost primitive quality, while the abrupt termination of a checkered floor pattern at the bottom of the frame serves as a visual metaphor for the psychological confinement experienced by those caught in the gears of justice.

    The Language of Shadow and Symbol

    Nolan’s technical mastery is evident in his restrained yet evocative color palette. By leaning heavily into muted browns, creams, and deep blacks, he establishes a somber, funereal mood that reflects the bleakness of judgment. However, it is the strategic placement of small, piercing splashes of red and blue within the uniforms and background details that prevents the work from descending into mere monochrome; these accents act like sudden jolts of adrenaline in an otherwise numbing landscape. The smooth, enamel-like texture of the paint provides a deceptive sense of calm, contrasting sharply with the rough, underlying grain of the composition board, much like the polished veneer of legal procedure masking the raw, jagged emotions of the accused.

    For the collector or the interior designer, The Trial offers more than just visual intrigue; it provides a profound emotional resonance that can anchor a room with intellectual gravity. The painting’s fusion of Surrealism and Expressionism makes it a versatile piece for sophisticated spaces—it speaks to those who appreciate art that challenges the status quo and invites deep contemplation. Whether placed in a private study or a contemporary gallery setting, the work serves as a conversation starter about themes of innocence, guilt, and the dehumanizing nature of institutional power. To own a reproduction of this work is to possess a fragment of Australian art history, a piece that captures the restless, myth-making energy of one of the 20th century's most vital artistic voices.

    Artist and museum

    Artist

    Sir Sidney Robert Nolan

    Born in Melbourne, Australia

    A Life Painted in Myth and Landscape

    Sir Sidney Robert Nolan, born in Melbourne in 1917, stands as a monumental figure in 20th-century Australian art. His journey was not one of conventional artistic training but rather an explosive emergence from the working-class streets of St Kilda into a world of vibrant imagination and relentless experimentation. Nolan wasn’t simply a painter; he was a visual storyteller, a mythmaker who wrestled with Australia's history, its landscapes, and its very identity. From his early days as a runner for an illegal betting ring to his eventual acclaim on the international stage, Nolan’s life was marked by a restless energy and a refusal to be confined by artistic norms. He absorbed influences from diverse sources – the poetry of Rimbaud, the spatial innovations of Cézanne, the raw emotion of Danila Vassilieff – yet forged a style uniquely his own, one that resonated with a distinctly Australian sensibility. His early exposure to the harsh realities of Melbourne life and the allure of its underbelly would profoundly shape his artistic vision, imbuing his work with a sense of both defiance and vulnerability.

    The Shaping of an Iconoclast

    Nolan’s formative years were steeped in intellectual ferment. The Heide Circle, centered around patrons John and Sunday Reed, proved pivotal. This haven for artists and writers fostered a spirit of radical experimentation and provided Nolan with crucial support during his developing phase. It was at Heide that he encountered kindred spirits – Albert Tucker, Joy Hester, Arthur Boyd – all grappling with the challenge of creating a distinctly Australian modernism. The influence of modernist literature, particularly the Symbolist poets, cannot be overstated. Rimbaud’s call for a “systematic derangement of the senses” became a guiding principle for Nolan, liberating him from representational constraints and encouraging him to explore the emotional power of color, form, and symbolism. His early works demonstrate this influence, often featuring fragmented figures and dreamlike landscapes that hint at deeper psychological truths. He wasn’t interested in merely depicting reality; he sought to capture its essence, its underlying emotions, and its hidden narratives. This period also saw Nolan experimenting with various media, from stage design for the Ballet Russes to commercial art, each experience contributing to his growing technical prowess and artistic vocabulary.

    Ned Kelly and the Australian Myth

    While Nolan’s oeuvre is remarkably diverse, he is perhaps best known for his series of paintings depicting Ned Kelly, the infamous Australian bushranger. This wasn't simply a historical retelling; it was a profound exploration of Australian identity, lawlessness, and the romanticized figure of the outlaw. Nolan stripped away the conventional heroic imagery associated with Kelly, presenting him as an enigmatic, almost spectral presence encased in iconic armor. The flattened planes of color, the stark contrasts, and the simplified forms create a powerful visual statement that transcends mere representation. The Ned Kelly series became a defining moment in Australian art, transforming the bushranger from a historical figure into a national symbol. It sparked debate, challenged conventional narratives, and forced Australians to confront their complex relationship with their past. Beyond Kelly, Nolan repeatedly returned to themes drawn from Australian history and folklore – The First Fleet, The Burke and Wills Expedition – each series imbued with his signature blend of poetic intensity and historical awareness.

    A Prolific and Restless Vision

    Nolan’s artistic output was astonishingly prolific, spanning painting, sculpture, ceramics, stage design, and even opera sets. He refused to be pigeonholed, constantly reinventing his style and exploring new avenues of expression. His landscapes, often stark and desolate, capture the vastness and harsh beauty of the Australian outback. Works like “Antarctica” demonstrate his ability to convey a sense of isolation and existential unease through minimalist forms and evocative color palettes. He traveled extensively throughout his life – Europe, Africa, America – each journey informing his art with new perspectives and influences. His later works often reflect a more introspective mood, grappling with themes of mortality, memory, and the search for meaning. Despite achieving international recognition, Nolan remained deeply connected to Australia, viewing his art as a means of understanding and interpreting its unique character. He received numerous accolades throughout his career, including appointments as an Officer of the Order of Merit (OM), a Companion of the Order of Australia (AC), and a Commander of the Order of the British Empire (CBE).

    Legacy and Enduring Influence

    Sir Sidney Nolan’s impact on Australian art is undeniable. He challenged conventional artistic norms, embraced experimentation, and created a body of work that continues to resonate with audiences today. His bold depictions of Ned Kelly have become iconic images, instantly recognizable as symbols of Australia's rebellious spirit and complex history. His influence can be seen in the work of countless contemporary artists, who continue to draw inspiration from his innovative techniques and his commitment to exploring Australian identity. Nolan’s paintings are held in major museums and collections around the world, ensuring that his legacy will endure for generations to come. To explore more of his artwork, platforms like AllPaintingsStore offer a wide range of reproductions, allowing art lovers to experience the power and beauty of his vision firsthand. He left behind not just a collection of paintings but a new way of seeing Australia – a land of myth, mystery, and enduring artistic potential.

    Museum

    National Gallery of Australia

    On show in Canberra, Australia

    A Sanctuary of Australian Soul and Global Vision

    Nestled within the heart of Canberra, the National Gallery of Australia stands as much more than a mere repository for fine art; it is a vibrant, breathing articulation of Australian identity and a crucial bridge connecting the nation’s unique artistic heritage with the world's most profound masterpieces. Since its establishment in 1967, this institution has blossomed from modest beginnings into a powerhouse of visual culture, now safeguarding over 166,000 works that span centuries and continents. To walk through its halls is to embark on an unparalleled journey through Australia’s story, told through the delicate nuances of brushstrokes, the weight of sculpted forms, and the ephemeral beauty of captured moments. For the collector or the lover of fine aesthetics, the gallery offers a profound dialogue between the local and the universal.

    The architectural experience of the NGA is an essential prelude to the art it houses. Designed by Colin Madigan and Partners and completed in 19ey82, the building itself is a striking monument of Brutalist architecture. Its deliberate embrace of raw concrete forms creates a powerful, sculptural presence that contrasts beautifully with the surrounding landscape, offering a sense of permanence and strength. This rugged, tactile exterior serves as a protective shell for the delicate treasures within, creating an atmosphere where the weight of history meets the lightness of contemporary thought. For interior designers and architects, the gallery stands as a masterclass in how structure can embody the very spirit of its contents.

    A Tapestry of Identity and Technique

    The collection highlights are truly captivating, offering a window into the evolving Australian psyche. Visitors can trace the romantic evolution of the landscape through the works of

    Tom Roberts

    and

    Arthur Streeton

    , whose canvases capture the golden, shimmering light of the bush and the pioneering spirit of early settlement. This narrative shifts dramatically as one encounters the bold, psychological experiments of

    Sidney Nolan

    , particularly his iconic

    Ned Kelly

    series, which continues to challenge perceptions of myth and reality. Yet, perhaps most vital is the gallery’s unparalleled collection of Indigenous art. These works—ranging from intricate bark paintings to sacred ceremonial objects—provide invaluable insights into the rich spiritual traditions and artistic practices of Australia’s Aboriginal and Torres Strait Islander peoples, placing local stories within a broader global context.

    What truly distinguishes the National Gallery of Australia is its unique dual focus: celebrating the deep roots of Australian tradition while simultaneously showcasing an international collection that invites global comparison. The gallery regularly hosts groundbreaking exhibitions that explore diverse themes, from the nuances of Australian Impressionism to the profound depths of Indigenous storytelling, drawing international acclaim and enriching the visitor experience. It is a place where ideas migrate and transform, fostering a deeper understanding of our shared human heritage. For anyone seeking inspiration, the NGA offers a journey into the heart of culture itself, a testament to the enduring power of creativity to define who we are and where we belong in the world's artistic conversation.

    Where to read more

    Find this online

    QR code linking to the download page for The Trial

    originaluniqueart.com/en/art/download/sir-sidney-robert-nolan-the-trial-D2R3D4-en/

    Cite this artwork

    MLA
    Nolan, Sir Sidney Robert. The Trial. 1947, National Gallery of Australia. https://originaluniqueart.com/en/art/sir-sidney-robert-nolan-the-trial-D2R3D4-en/
    APA
    Nolan, Sir Sidney Robert (1947). The Trial [Painting]. National Gallery of Australia. https://originaluniqueart.com/en/art/sir-sidney-robert-nolan-the-trial-D2R3D4-en/
    Chicago
    Sir Sidney Robert Nolan. The Trial. 1947. National Gallery of Australia. https://originaluniqueart.com/en/art/sir-sidney-robert-nolan-the-trial-D2R3D4-en/
    Harvard
    Nolan, Sir Sidney Robert (1947) The Trial. National Gallery of Australia. Available at: https://originaluniqueart.com/en/art/sir-sidney-robert-nolan-the-trial-D2R3D4-en/

    Look closely

    The Trial — Sir Sidney Robert Nolan

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 6 — do you agree?)
    4. Our catalogue files this work under: courtroom, justice, prisoner. Do you agree? What would you add, or take away?
    5. Look back at Ern Malley (1973), earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.