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Student Artwork Guide

Steve Hart

Name Class Date

Sir Sidney Robert Nolan, Steve Hart, Canberra Museum and Gallery. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Sir Sidney Robert Nolan originaluniqueart.com/en/artists/sir-sidney-robert-nolan/
Artist’s dates
1917 – 1992
Medium
Painting
Original size
63 x 76 cm
Movement
Modernism The broad twentieth-century push to break with tradition and find forms that matched a changed world.
Period
Modern
Held at
Canberra Museum and Gallery originaluniqueart.com/en/museums/canberra-museum-and-gallery-canberra/
Notable elements
Man riding side-saddle in a spotted dress
Subject or theme
Australian outlaw and Ned Kelly associate

In context

Steve Hart — Sir Sidney Robert Nolan

How big is it?

The original measures 63 × 76 cm (height × width), drawn here beside an adult of average height.

When might this have been painted?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960
  7. 1970
  8. 1980
  9. 1990

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 75 at death.

Shaded: the lifetime of Sir Sidney Robert Nolan (1917–1992) every dated painting, decade by decade

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

  • Ern Malley, 1973 originaluniqueart.com/en/art/sir-sidney-robert-nolan-ern-malley-D4CL5V-en/
  • Kelly and horse originaluniqueart.com/en/art/sir-sidney-robert-nolan-kelly-and-horse-D9A9BP-en/
  • Return to Glenrowan originaluniqueart.com/en/art/sir-sidney-robert-nolan-return-to-glenrowan-D9AAJ5-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/sir-sidney-robert-nolan-steve-hart-D9AASJ-en/

Colours

Measured from the image

    Main colour

    Steel Blue #569092

    Catalogued palette

    • #569092
    • #51441F
    • #DFD9B3
    • #7E6C31

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Dark The dominant colour family in the image.
    Main colour name
    Steel Blue
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Balanced How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Sir Sidney Robert Nolan over the last twelve months — 4 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 86.7%
    2. 2 Kazakhstan 6.7%
    3. 3 United Kingdom 3.3%
    4. 4 United States of America 3.3%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Sir Sidney Robert Nolan

    1. 1 Central Australia 14.7%
    2. 2 Sir Richard and Lady Devine 8.8%
    3. 3 Steve Hart this painting 5.9%
    4. 4 Death of Captain Fraser 5.9%
    5. 5 Kelly and horse 5.9%
    6. 6 Untitled 5.9%
    7. 7 Ern Malley, 1973 2.9%
    8. 8 Central Australia, 1949 2.9%
    9. 9 Policeman in wombat hole 2.9%
    10. 10 Durack Ranges, 1950 2.9%
    11. 11 Glenrowan 2.9%
    12. 12 Kelly 2.9%
    13. 13 Rimbaud 2.9%
    14. 14 Kelly and horse 2.9%
    15. 15 Return to Glenrowan 2.9%
    16. 16 Rimbaud and his brother in a boat as boys 2.9%
    17. 17 Kelly and Sergeant Kennedy 2.9%
    18. 18 Rimbaud on his litter 2.9%
    19. 19 Camel and Figure, 1966 2.9%
    20. 20 Antarctica, 1964 2.9%

    Together these works take 87.7% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 57 works by this artist, of which 24 were looked at at least once. This painting ranks 3 of them, with 5.9% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Steve Hart — Sir Sidney Robert Nolan

    A Legend Reimagined: The Outlaw Spirit in Nolan's Vision

    In the vast, sun-drenched expanse of the Australian psyche, few figures loom as large or as mythic as the bushrangers of the nineteenth century. Sir Sidney Robert Nolan, a master of modern storytelling, captures this rugged essence in his evocative work, Steve Hart. This painting is far more than a mere portrait; it is a window into a turbulent era of rebellion and folklore. Through Nolan’s unique lens, we encounter Steve Hart, the son of Irish immigrants and a close companion to the legendary Ned Kelly. The scene vibrates with the tension of the outlaw life, presenting a moment that feels both deeply historical and hauntingly timeless.

    The composition centers on the striking figure of Hart, perched atop his horse in a manner that defies the typical ruggedness associated with outlaws. Clad in a spotted dress and riding side-saddle, the subject presents a startling juxtaposition of vulnerability and defiance. This deliberate choice by Nolan invites the viewer to look beyond the surface of criminality to find the human complexity beneath. The horse, positioned with its head bowed, adds a sense of heavy, grounded stillness to the piece, contrasting with the bustling activity in the background where other figures and animals populate the landscape, creating a layered narrative of a community caught in the orbit of legend.

    Mastery of Line and the Australian Landscape

    Nolan’s technique is a masterclass in the use of color and form to evoke atmosphere. His style, heavily influenced by modernism, eschews rigid realism in favor of a more expressive, almost dreamlike quality. The brushwork serves to blend the subjects into their environment, suggesting that the outlaws are an inseparable part of the Australian bush itself. There is a rhythmic flow to the painting, where the presence of a solitary bird in the upper corner and the distant figures create a sense of depth and vastness, reminding us of the isolation that defined the lives of those living on the fringes of colonial society.

    For the discerning collector or interior designer, this work offers a profound emotional resonance. It is a piece that commands attention not through loud colors, but through its quiet, simmering intensity. The painting serves as an exquisite focal point for any space, bringing with it a sense of historical weight and artistic sophistication. Whether placed in a contemporary gallery setting or a classic study, Steve Hart acts as a conversation starter, inviting contemplation on themes of identity, heritage, and the enduring power of myth. To possess a reproduction of this work is to hold a fragment of Australia's soul, rendered with the incomparable genius of Sir Sidney Robert Nolan.

    Artist and museum

    Artist

    Sir Sidney Robert Nolan

    Born in Melbourne, Australia

    A Life Painted in Myth and Landscape

    Sir Sidney Robert Nolan, born in Melbourne in 1917, stands as a monumental figure in 20th-century Australian art. His journey was not one of conventional artistic training but rather an explosive emergence from the working-class streets of St Kilda into a world of vibrant imagination and relentless experimentation. Nolan wasn’t simply a painter; he was a visual storyteller, a mythmaker who wrestled with Australia's history, its landscapes, and its very identity. From his early days as a runner for an illegal betting ring to his eventual acclaim on the international stage, Nolan’s life was marked by a restless energy and a refusal to be confined by artistic norms. He absorbed influences from diverse sources – the poetry of Rimbaud, the spatial innovations of Cézanne, the raw emotion of Danila Vassilieff – yet forged a style uniquely his own, one that resonated with a distinctly Australian sensibility. His early exposure to the harsh realities of Melbourne life and the allure of its underbelly would profoundly shape his artistic vision, imbuing his work with a sense of both defiance and vulnerability.

    The Shaping of an Iconoclast

    Nolan’s formative years were steeped in intellectual ferment. The Heide Circle, centered around patrons John and Sunday Reed, proved pivotal. This haven for artists and writers fostered a spirit of radical experimentation and provided Nolan with crucial support during his developing phase. It was at Heide that he encountered kindred spirits – Albert Tucker, Joy Hester, Arthur Boyd – all grappling with the challenge of creating a distinctly Australian modernism. The influence of modernist literature, particularly the Symbolist poets, cannot be overstated. Rimbaud’s call for a “systematic derangement of the senses” became a guiding principle for Nolan, liberating him from representational constraints and encouraging him to explore the emotional power of color, form, and symbolism. His early works demonstrate this influence, often featuring fragmented figures and dreamlike landscapes that hint at deeper psychological truths. He wasn’t interested in merely depicting reality; he sought to capture its essence, its underlying emotions, and its hidden narratives. This period also saw Nolan experimenting with various media, from stage design for the Ballet Russes to commercial art, each experience contributing to his growing technical prowess and artistic vocabulary.

    Ned Kelly and the Australian Myth

    While Nolan’s oeuvre is remarkably diverse, he is perhaps best known for his series of paintings depicting Ned Kelly, the infamous Australian bushranger. This wasn't simply a historical retelling; it was a profound exploration of Australian identity, lawlessness, and the romanticized figure of the outlaw. Nolan stripped away the conventional heroic imagery associated with Kelly, presenting him as an enigmatic, almost spectral presence encased in iconic armor. The flattened planes of color, the stark contrasts, and the simplified forms create a powerful visual statement that transcends mere representation. The Ned Kelly series became a defining moment in Australian art, transforming the bushranger from a historical figure into a national symbol. It sparked debate, challenged conventional narratives, and forced Australians to confront their complex relationship with their past. Beyond Kelly, Nolan repeatedly returned to themes drawn from Australian history and folklore – The First Fleet, The Burke and Wills Expedition – each series imbued with his signature blend of poetic intensity and historical awareness.

    A Prolific and Restless Vision

    Nolan’s artistic output was astonishingly prolific, spanning painting, sculpture, ceramics, stage design, and even opera sets. He refused to be pigeonholed, constantly reinventing his style and exploring new avenues of expression. His landscapes, often stark and desolate, capture the vastness and harsh beauty of the Australian outback. Works like “Antarctica” demonstrate his ability to convey a sense of isolation and existential unease through minimalist forms and evocative color palettes. He traveled extensively throughout his life – Europe, Africa, America – each journey informing his art with new perspectives and influences. His later works often reflect a more introspective mood, grappling with themes of mortality, memory, and the search for meaning. Despite achieving international recognition, Nolan remained deeply connected to Australia, viewing his art as a means of understanding and interpreting its unique character. He received numerous accolades throughout his career, including appointments as an Officer of the Order of Merit (OM), a Companion of the Order of Australia (AC), and a Commander of the Order of the British Empire (CBE).

    Legacy and Enduring Influence

    Sir Sidney Nolan’s impact on Australian art is undeniable. He challenged conventional artistic norms, embraced experimentation, and created a body of work that continues to resonate with audiences today. His bold depictions of Ned Kelly have become iconic images, instantly recognizable as symbols of Australia's rebellious spirit and complex history. His influence can be seen in the work of countless contemporary artists, who continue to draw inspiration from his innovative techniques and his commitment to exploring Australian identity. Nolan’s paintings are held in major museums and collections around the world, ensuring that his legacy will endure for generations to come. To explore more of his artwork, platforms like AllPaintingsStore offer a wide range of reproductions, allowing art lovers to experience the power and beauty of his vision firsthand. He left behind not just a collection of paintings but a new way of seeing Australia – a land of myth, mystery, and enduring artistic potential.

    Museum

    Canberra Museum and Gallery

    On show in Canberra, Australia

    A Sanctuary of Storytelling in the Heart of the Capital

    Nestled within the vibrant pulse of Australia's capital, the

    Canberra Museum and Gallery

    serves much more than a mere repository for artifacts; it is a living, breathing chronicle of place, people, and the profound evolution of a nation. To step through its doors is to enter a curated dialogue between the ancient past and the unfolding future. The museum operates with a unique dual identity, acting simultaneously as a guardian of historical memory and a dynamic stage for contemporary artistic expression. For the art lover, it offers a sanctuary where the tangible remnants of history meet the ephemeral beauty of modern installation, creating an immersive experience that resonates long after one has departed its halls.

    The architecture of the museum reflects this very duality, offering a sophisticated space where the structural permanence of a gallery meets the fluid energy of a community hub. It is a place designed for contemplation and discovery, where light and shadow play across curated displays to evoke the rugged landscapes and urban complexities of the Australian Capital Territory. For interior designers and collectors seeking inspiration, the museum provides a masterclass in how narrative can be woven into physical space, demonstrating how objects—whether they be delicate indigenous carvings or bold contemporary paintings—can transform an environment into a vessel for storytelling.

    A Tapestry of Local Significance and Cultural Depth

    The collection itself is a breathtaking tapestry of local significance, highlighting the intricate relationship between the land and its inhabitants. Visitors are often moved by the profound depth of the museum's holdings, which range from significant

    Aboriginal and Torres Strait Islander

    cultural items to the poignant records of Canberra’s rapid urban development. The highlights of the permanent collection are not merely objects to be viewed, but voices to be heard; each piece carries the weight of its origin, inviting a deep emotional connection. This seamless blend of ethnographic importance and aesthetic brilliance ensures that every exhibition feels like an intimate encounter with the soul of the region.

    Beyond the historical artifacts, the museum serves as a vital platform for the visual arts, where the textures of the earth meet the sharp lines of modernism. The curation invites a sensory journey through the following elements:

    Cultural Heritage:

    A profound exploration of Indigenous legacies and their enduring presence in the Australian landscape.

    Urban Evolution:

    A captivating look at the transformation of Canberra from a planned capital to a bustling metropolitan center.

    Contemporary Dialogue:

    An ever-changing landscape of modern installations that challenge the viewer's perception of space and medium.

    The Pulse of the Contemporary Moment

    What truly distinguishes the Canberra Museum and Gallery is its commitment to the

    "now."

    The museum is renowned for hosting rotating exhibitions that challenge perceptions, often featuring avant-garde works that push the boundaries of medium and meaning. These temporary showcases bring a sense of urgency and freshness to the institution, ensuring that the museum remains a vital participant in the global art conversation. It is this constant state of renewal—this rhythmic pulse of historical reverence and contemporary provocation—that makes the museum an essential pilgrimage for anyone captivated by the transformative power of art and history.

    Where to read more

    Find this online

    QR code linking to the download page for Steve Hart

    originaluniqueart.com/en/art/download/sir-sidney-robert-nolan-steve-hart-D9AASJ-en/

    Cite this artwork

    MLA
    Nolan, Sir Sidney Robert. Steve Hart. n.d., Canberra Museum and Gallery. https://originaluniqueart.com/en/art/sir-sidney-robert-nolan-steve-hart-D9AASJ-en/
    APA
    Nolan, Sir Sidney Robert (n.d.). Steve Hart [Painting]. Canberra Museum and Gallery. https://originaluniqueart.com/en/art/sir-sidney-robert-nolan-steve-hart-D9AASJ-en/
    Chicago
    Sir Sidney Robert Nolan. Steve Hart. n.d. Canberra Museum and Gallery. https://originaluniqueart.com/en/art/sir-sidney-robert-nolan-steve-hart-D9AASJ-en/
    Harvard
    Nolan, Sir Sidney Robert (n.d.) Steve Hart. Canberra Museum and Gallery. Available at: https://originaluniqueart.com/en/art/sir-sidney-robert-nolan-steve-hart-D9AASJ-en/

    Look closely

    Steve Hart — Sir Sidney Robert Nolan

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: portrait, outlaw, australian history. Do you agree? What would you add, or take away?
    4. Look back at Ern Malley (1973), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Modernism: The broad twentieth-century push to break with tradition and find forms that matched a changed world. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    How is "Steve Hart" recommended to be printed - what size, what orientation?

    medium size, landscape orientation: that is the print setup suggested for "Steve Hart" by Sir Sidney Robert Nolan.

    What is the emotional tone of "Steve Hart" by Sir Sidney Robert Nolan?

    "Steve Hart" is associated with a dramatic feeling. The emotional tone describes the impression the work gives.

    What national origin stands behind the Modernism of "Steve Hart"?

    The Modernism work "Steve Hart" was made by an artist born in Australia.