Paper

Student Artwork Guide

Borough and Trinity

Name Class Date

Simon Callery, Borough and Trinity (1993), Arts Council Collection. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Simon Callery originaluniqueart.com/en/artists/simon-callery/
Artist’s dates
1960 –
Painted
1993
Original size
260 x 366 cm
Held at
Arts Council Collection originaluniqueart.com/en/museums/arts-council-collection-london/

In context

Borough and Trinity — Simon Callery

How big is it?

The original measures 260 × 366 cm (height × width), drawn here beside an adult of average height. It is too large to draw to scale on this page.

When was this painted?

  1. 1960
  2. 1970
  3. 1980
  4. 1990

Row above: the years. Row below: how old the artist was at the start and at the end of each span, counting 0 from birth.

Painted when the artist was 33. 0 of the 3 dated works by this artist in our catalogue came earlier.

▲ this work, 1993 every dated painting, decade by decade

Compare with

  • Nefos, 1993 originaluniqueart.com/en/art/simon-callery-nefos-ARD6U7-en/
  • Archive, 1996 originaluniqueart.com/en/art/simon-callery-archive-ARD6U9-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/simon-callery-borough-and-trinity-ARD6U5-en/

Colours

Measured from the image

    Main colour

    Gray #9d9773

    Catalogued palette

    • #9D9773
    • #AAA37D
    • #A69C6F
    • #9A9166

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Gray
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    The 2 most looked-at works by Simon Callery

    1. 1 Archive, 1996 100.0%
    2. — Borough and Trinity, 1993 this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 3 works by this artist, of which 1 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Simon Callery

    Simon Callery: Mapping the Urban Landscape Through Abstract Vision

    Simon Callery (born 1960) is an English artist whose distinctive approach to painting—characterized by fragmented, layered textures and evocative depictions of urban environments—has cemented his place as a pivotal figure within the Young British Artists movement and established him as one of Britain’s most respected contemporary painters. His work transcends mere representation; instead, it delves into psychological landscapes, exploring themes of memory, perception, and the elusive nature of experience.

    Born in London, Callery pursued formal artistic training at Cardiff College of Art, where he honed his skills in oil painting and developed a fascination with architectural forms and textures—influences that would profoundly shape his subsequent artistic endeavors. Early exhibitions showcased his burgeoning talent, establishing him within the vibrant milieu of British art during the nineties, alongside contemporaries like Liam Gilliland and Rachel Harrison. This period marked an initial foray into abstraction, where Callery began to dismantle recognizable imagery, prioritizing surface qualities and tonal harmonies over narrative content.

    Callery’s artistic trajectory gained considerable momentum with his inclusion in “Young British Artists III” at Saatchi Gallery (1994), a landmark exhibition that propelled him onto the international stage. This collective showcased a bold rejection of traditional art conventions, embracing experimentation and challenging viewers to reconsider established aesthetic boundaries. Subsequent projects—including collaborations with architects on the Segsbury Project—further solidified his commitment to exploring spatial relationships and materiality. The Segsbury project involved creating sculptural installations alongside archeologists at two significant sites in Wiltshire and Oxfordshire, reflecting Callery’s interest in engaging with history and uncovering hidden narratives within familiar landscapes.

    His work has been exhibited extensively across Europe and North America, garnering critical acclaim for its conceptual depth and visual impact. Notably, his paintings reside in the Tate Collection, a testament to their enduring artistic merit and contribution to British art history. Callery’s distinctive style—characterized by meticulous layering of pigment and textured surfaces—employs techniques reminiscent of Venetian Renaissance masters like Titian and Tintoretto, subtly referencing traditions of illusionistic painting while simultaneously forging an entirely original visual language. Through his exploration of urban spaces and psychological states, Simon Callery continues to provoke contemplation and inspire dialogue about the complexities of human perception and experience.

    Notable Exhibitions: Young British Artists III (1994), Art Now at Tate Britain (2002), Galerie Philippe Casini, Paris (2002)

    Collection Holdings: Tate Collection

    Influences: Venetian Renaissance Masters (Titian & Tintoretto); Architectural Forms and Textures

    Museum

    Arts Council Collection

    On show in London, United Kingdom

    A Living Legacy: The Pulse of British Creativity

    To encounter the

    Arts Council Collection

    is to step into a vibrant, breathing narrative of British artistic evolution. Unlike traditional institutions that confine masterpieces within the silent, static halls of a fortress-like museum, this collection operates as a "museum without walls." Founded in 1946 amidst the transformative shadows of post-war austerity, it was conceived not merely as a repository for aesthetic contemplation, but as an active conduit of cultural vitality. Its very essence lies in its movement; it is a curated circulation of inspiration that breathes life into universities, hospitals, and public buildings across the United Kingdom. This democratic approach ensures that exceptional art is never sequestered away from the public eye, but instead becomes an integral part of the communal landscape, fostering a deep-seated appreciation for the creative spirit that defines the nation.

    The collection’s historical journey is one of profound growth and intentionality. What began as a modest inheritance of paintings bequeathed by earlier councils has blossomed into a monumental holding of nearly 8,000 works by over 2,000 artists. This vast archive serves as a chronicle of the twentieth and twenty-first centuries, capturing the shifts in societal values and the radical transformations in visual language. For the collector or the art enthusiast, the collection offers an unparalleled window into the soul of British modernism, tracing the lineage from the visceral, psychological depths of

    Francis Bacon

    to the luminous, sun-drenched landscapes of

    David Hockney

    . It is a place where the monumental weight of

    Henry Moore’s

    sculptures meets the unflinching, textured intimacy of

    Lucian Freud’s

    portraits, creating a dialogue between form and emotion that transcends time.

    Innovation and the Contemporary Vanguard

    What truly distinguishes the Arts Council Collection is its fearless embrace of the contemporary and the emerging. It does not merely look backward with nostalgia; it actively shapes the future of art through visionary initiatives like the

    Frieze Acquisition Fund

    . By empowering curators to procure groundbreaking works from the prestigious Frieze London art fair, the collection ensures that the voices of the next generation are woven into the permanent fabric of British heritage. This commitment to innovation means that visitors—and those inspired by its works for interior curation—are always encountering the cutting edge of sculpture, photography, video, and installation. The collection thrives on tension and discovery, often presenting challenging or controversial pieces that provoke thought and ignite debate.

    Beyond its physical holdings, the institution’s impact is amplified through a sophisticated program of touring exhibitions and global partnerships. Through collaborations with entities such as the

    Coventry Biennial

    , the collection explores themes of urban identity and community outreach, bringing curated excellence to regional galleries far beyond the central hubs of London. This spirit of accessibility is further extended into the digital realm via the

    Google Arts & Culture

    partnership, allowing a global audience to wander through its treasures from any corner of the world. For the interior designer seeking to evoke a sense of sophisticated modernism or the scholar tracing the threads of artistic lineage, the Arts Council Collection remains an inexhaustible source of profound beauty and intellectual rigor.

    Where to read more

    • The artist Simon Callery originaluniqueart.com/en/artists/simon-callery/
    • The museum Arts Council Collection originaluniqueart.com/en/museums/arts-council-collection-london/
    • Similar works More works to compare originaluniqueart.com/en/art/similar/simon-callery-borough-and-trinity-ARD6U5-en/

    Find this online

    QR code linking to the download page for Borough and Trinity

    originaluniqueart.com/en/art/download/simon-callery-borough-and-trinity-ARD6U5-en/

    Cite this artwork

    MLA
    Callery, Simon. Borough and Trinity. 1993, Arts Council Collection. https://originaluniqueart.com/en/art/simon-callery-borough-and-trinity-ARD6U5-en/
    APA
    Callery, Simon (1993). Borough and Trinity [Painting]. Arts Council Collection. https://originaluniqueart.com/en/art/simon-callery-borough-and-trinity-ARD6U5-en/
    Chicago
    Simon Callery. Borough and Trinity. 1993. Arts Council Collection. https://originaluniqueart.com/en/art/simon-callery-borough-and-trinity-ARD6U5-en/
    Harvard
    Callery, Simon (1993) Borough and Trinity. Arts Council Collection. Available at: https://originaluniqueart.com/en/art/simon-callery-borough-and-trinity-ARD6U5-en/

    Look closely

    Borough and Trinity — Simon Callery

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Nefos (1993), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Simon Callery was about 33 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Who made "Borough and Trinity", and when?

    "Borough and Trinity" was created by Simon Callery in 1993.

    How is "Borough and Trinity" by Simon Callery proportioned, and how big is it?

    "Borough and Trinity" by Simon Callery is proportioned as a landscape work of 260 x 366 cm.

    What orientation does "Borough and Trinity" by Simon Callery have?

    The format of "Borough and Trinity" is landscape. This is useful when planning where a reproduction will be placed.