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Student Artwork Guide

Dyson Brig Tacking

Name Class Date

Samuel Walters, Dyson Brig Tacking. Public domain.

The facts

Artist
Samuel Walters originaluniqueart.com/en/artists/samuel-walters/
Artist’s dates
1811 – 1882

In context

Dyson Brig Tacking — Samuel Walters

When might this have been painted?

  1. 1810
  2. 1820
  3. 1830
  4. 1840
  5. 1850
  6. 1860
  7. 1870
  8. 1880

Shaded: the lifetime of Samuel Walters (1811–1882)

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

  • Amy, The Artist's Sister originaluniqueart.com/en/art/samuel-walters-amy-the-artist-s-sister-9FJJUX-en/
  • Css 'florida' originaluniqueart.com/en/art/samuel-walters-css-florida-9FJJVA-en/
  • Will She Hold On originaluniqueart.com/en/art/samuel-walters-will-she-hold-on-9FJMPD-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/samuel-walters-dyson-brig-tacking-9FJJVF-en/

Colours

Measured from the image

    Main colour

    Gray #958e82

    Catalogued palette

    • #958E82
    • #24231C
    • #635B4A
    • #B5B1AA
    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Gray
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    Samuel Walters

    Born in London, United Kingdom

    Samuel Walters: A Master of Victorian Maritime Painting

    Samuel Walters (1811 – 1882) stands as a pivotal figure in the history of British art, particularly renowned for his evocative and meticulously detailed depictions of maritime life during the Victorian era. Born into a family deeply rooted in shipbuilding and artistry—his father, Miles Walters, was himself a respected marine artist—Walters’ artistic journey began within this rich tradition, ultimately establishing him as one of the most enduring figures of the Liverpool School of Marine Art. His legacy resides not just in the sheer volume of his work, but also in his ability to capture the dynamism and grandeur of ships at sea, imbued with a sense of realism and romanticism that resonated deeply with Victorian audiences.

    Early Life and Training

    Born in London in 1811, Samuel Walters’ formative years were spent immersed in the world of shipbuilding and artistic craftsmanship. His father's profession provided a unique environment for his development; he witnessed firsthand the intricate processes involved in constructing these magnificent vessels and gained an appreciation for their beauty and power. While his father imparted foundational skills, Walters largely pursued his artistic education independently, demonstrating a remarkable self-discipline and innate talent. Crucially, he moved to Liverpool in 1826, a city then at the heart of Britain’s burgeoning maritime trade, providing him with unparalleled access to subject matter and inspiration. This relocation coincided with his enrollment at the Liverpool Academy of Arts, where he honed his skills and began exhibiting his work publicly.

    The Liverpool School and Artistic Style

    Walters’ arrival in Liverpool marked a turning point in his career and aligned him perfectly with the flourishing “Liverpool School” of marine art. This movement distinguished itself through its focus on depicting ships—particularly large merchant vessels—in their operational context, rather than solely as static subjects. Walters embraced this approach wholeheartedly, mastering the techniques necessary to convey not just the physical appearance of a ship but also its motion, atmosphere, and the skill of its crew. His paintings are characterized by a remarkable attention to detail – from the rigging and sails to the textures of the hull and the expressions on the faces of the sailors—creating an immersive experience for the viewer. He frequently employed watercolor as his medium, lending a luminous quality to his scenes and allowing him to capture the subtle shifts in light and shadow upon the water’s surface.

    Notable Works and Commissions

    Walters' career spanned several decades, during which he produced an extensive body of work. His paintings frequently depicted vessels engaged in transatlantic trade, highlighting the vital role Liverpool played as a global hub. Key works include “The Brazil Packet In Two Positions Off The Coast,” a dramatic portrayal of a merchant ship battling a storm, and “The Full-rigged Merchantman Vespasian At Sea,” which showcases his mastery of capturing the scale and complexity of these impressive vessels. He also produced numerous portraits of individual ships, many commissioned by shipping companies eager to celebrate their fleet’s achievements. The artist's work was exhibited at the Royal Academy from 1842 to 1861, solidifying his reputation within the established art world.

    Legacy and Historical Significance

    Samuel Walters’ contribution to British art extends beyond his individual paintings. He played a crucial role in shaping the visual representation of maritime history during a period of immense technological and economic change. His work offers valuable insights into Victorian shipbuilding practices, trade routes, and the lives of those who worked aboard these magnificent vessels. His influence can be seen in subsequent generations of marine artists, and his paintings continue to be admired for their technical skill, atmospheric quality, and evocative portrayal of a bygone era. Walters’ enduring popularity is testament to his ability to capture not just the appearance of ships at sea, but also the spirit of adventure and the human drama inherent in maritime life.

    Where to read more

    • The artist Samuel Walters originaluniqueart.com/en/artists/samuel-walters/
    • Similar works More works to compare originaluniqueart.com/en/art/similar/samuel-walters-dyson-brig-tacking-9FJJVF-en/

    Find this online

    QR code linking to the download page for Dyson Brig Tacking

    originaluniqueart.com/en/art/download/samuel-walters-dyson-brig-tacking-9FJJVF-en/

    Cite this artwork

    MLA
    Walters, Samuel. Dyson Brig Tacking. n.d., https://originaluniqueart.com/en/art/samuel-walters-dyson-brig-tacking-9FJJVF-en/
    APA
    Walters, Samuel (n.d.). Dyson Brig Tacking [Painting]. https://originaluniqueart.com/en/art/samuel-walters-dyson-brig-tacking-9FJJVF-en/
    Chicago
    Samuel Walters. Dyson Brig Tacking. n.d. https://originaluniqueart.com/en/art/samuel-walters-dyson-brig-tacking-9FJJVF-en/
    Harvard
    Walters, Samuel (n.d.) Dyson Brig Tacking. Available at: https://originaluniqueart.com/en/art/samuel-walters-dyson-brig-tacking-9FJJVF-en/

    Look closely

    Dyson Brig Tacking — Samuel Walters

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Amy, The Artist's Sister, earlier in this guide. Name two things it shares with this work, and one that is different.
    4. What might the artist have wanted you to feel?
    5. If you could ask the artist one question about this work, what would it be?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.