Paper

Student Artwork Guide

Thomas Corbett

Name Class Date

Samuel Hawksett, Thomas Corbett (1847), Belfast Harbour Commissioners. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Samuel Hawksett originaluniqueart.com/en/artists/samuel-hawksett/
Artist’s dates
1801 – 1859
Painted
1847
Original size
98 x 78 cm
Held at
Belfast Harbour Commissioners originaluniqueart.com/en/museums/belfast-harbour-commissioners-belfast/

In context

Thomas Corbett — Samuel Hawksett

How big is it?

The original measures 98 × 78 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1800
  2. 1810
  3. 1820
  4. 1830
  5. 1840
  6. 1850

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 58 at death.

Painted when the artist was 46. The artist lived to 58. 5 of the 7 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Samuel Hawksett (1801–1859) ▲ this work, 1847 every dated painting, decade by decade

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/samuel-hawksett-thomas-corbett-AR23KJ-en/

Colours

Measured from the image

    Main colour

    Driftwood #ab8a5e

    Catalogued palette

    • #AB8A5E
    • #5B4831
    • #2C261B
    • #EFD8AD

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Driftwood
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Samuel Hawksett over the last twelve months — 2 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 60.0%
    2. 2 Canada 40.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 4 most looked-at works by Samuel Hawksett

    1. 1 John Dunn (1793–1874), 1850 60.0%
    2. 2 Martha Wentworth, 1846 20.0%
    3. 3 Professor James Seaton Reid (1798–1851), Professor of Ecclesiastical and Civil History, 1841 20.0%
    4. — Thomas Corbett, 1847 this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 7 works by this artist, of which 3 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Samuel Hawksett

    Samuel Hawksett (1801–1859): A Lichfield Guildhall Legacy

    Samuel Hawksett, born in Lichfield, Staffordshire, England, was a prolific portrait painter active during the Victorian era, leaving behind a notable collection of canvases that capture the spirit of his time. While biographical details remain somewhat sparse—records indicate he died in 1859—his artistic output speaks volumes about his skill and dedication to documenting prominent figures within British society. Hawksett’s work primarily focused on commissioned portraits, reflecting the social conventions of the period where commissioning artwork was a symbol of status and prestige.

    Early Life & Training: Precise information regarding Hawksett's formative years is elusive. However, he apprenticed under William Birch, a respected Lichfield artist known for his landscapes and portraits, establishing a foundation in classical artistic principles.

    Notable Commissions & Subjects: Hawksett gained recognition for his meticulous depictions of individuals from diverse professions—scholars, clergymen, businessmen—and nobility. Among his most celebrated commissions were portraits of Thomas Corbett, a barrister and Member of Parliament, and Robert Langtry, a theatrical performer who achieved fame as Lord Lansdowne’s mistress.

    Technique & Style: Hawksett employed a refined technique characterized by careful observation and meticulous detail. His portraits often utilized chiaroscuro—the dramatic interplay of light and shadow—to convey depth and emotion, reflecting the influence of Rembrandt and Caravaggio. He skillfully rendered fabrics and textures with remarkable accuracy, demonstrating an understanding of anatomy and perspective.

    Influence & Legacy: Hawksett’s artistic legacy resides in his contribution to Lichfield Guildhall Art and Dr Johnson's House Art collections. His portraits serve as invaluable records of Victorian social life and offer insights into the personalities and aspirations of influential figures. Although overshadowed by more flamboyant contemporaries, Hawksett remains a testament to the enduring power of classical portraiture and its ability to preserve visual representations of history.

    Exploring Lichfield Guildhall & Dr Johnson's House Art Collections

    Hawksett’s paintings found their home in prestigious institutions like Lichfield Guildhall and Dr Johnson's House, showcasing his artistic prowess alongside other celebrated artists of the era. These collections provide invaluable context for understanding Hawksett’s work within a broader cultural landscape—a testament to Lichfield’s commitment to preserving artistic heritage. The Guildhall houses an impressive assemblage of paintings reflecting various artistic movements, while Dr Johnson's House celebrates the literary achievements of Samuel Johnson and his contemporaries. Examining these artworks alongside Hawksett’s portraits illuminates the interconnectedness of art and intellectual life during Victorian England.

    Key Achievements & Artistic Recognition

    Despite limited biographical documentation, Hawksett achieved considerable acclaim for his artistic skill and dedication to portraying prominent individuals. His meticulous attention to detail and masterful use of chiaroscuro established him as a respected portraitist within Lichfield’s artistic community. Furthermore, the inclusion of his canvases in notable art collections—Lichfield Guildhall and Dr Johnson's House—solidified his place in British art history. Hawksett’s enduring legacy lies not only in his individual artworks but also in their contribution to documenting a pivotal period in Victorian culture.

    Further Research & Resources

    For deeper exploration of Samuel Hawksett’s life and artistic endeavors, consult Art UK () for comprehensive biographical information and detailed analyses of his oeuvre. WahooArt.com () offers valuable insights into his artistic style and showcases reproductions of his paintings.

    Museum

    Belfast Harbour Commissioners

    On show in Belfast, United Kingdom

    A Gateway Whispering of Steel and Dreams

    Stepping into the Belfast Harbour Commissioners is akin to entering a time capsule—a meticulously preserved echo chamber resonating with the clang of hammers, the shouts of dockworkers, and the ambition that once defined this pivotal corner of Northern Ireland. More than just a collection of artifacts, it is a profound narrative woven from the very fabric of Belfast's identity, inextricably linked to its harbor, a dynamic artery that has pulsed through the city’s veins for centuries. Housed within remarkably preserved offices that once governed the bustling activity of one of Ireland’s most vital ports, the space offers an immersive journey into industrial ingenuity, maritime legacy, and the resilient spirit of a city forged on the edge of the sea.

    The architecture itself serves as a silent narrator of Belfast's golden age. Constructed in sections during the 19th century, the building is a masterclass in Victorian confidence. The initial structures, designed by engineer George Smith and opened in 1854, provided the foundation for what would become an imposing maritime headquarters. Later, the celebrated architect William Lynn added a section reflecting the elegance of an Italian palazzo, completed in 1895. This architectural duality—blending industrial utility with palatial grandeur—is visible in the soaring ceilings and the ornate Barnett Room, where curved ceilings and stained-glass windows catch the light. Throughout the halls, the subtle motif of the flax flower appears, a delicate artistic nod to the linen industry that once drove the prosperity of both the port and the city.

    Maritime Legacies and Industrial Artistry

    At the heart of the collection lies an artifact of unparalleled emotional weight: the Captain’s Table from the RMS Titanic. This is not merely a piece of furniture; it is a tangible link to a defining moment in human history, a poignant reminder of Belfast’s immense pride in its shipbuilding prowess and the tragic loss that followed. The table embodies the exquisite craftsmanship and technological ambition of the Edwardian era, serving as a stark symbol of both human innovation and fallibility. Surrounding this centerpiece are exhibits detailing the monumental engineering feats of the 1840s, such as the creation of the Victoria Channel. Through intricate models and diagrams, visitors can appreciate the sheer scale of vision required to reshape the very geography of the harbor.

    For the discerning visitor, the collection delves into the broader economic landscape, showcasing the diverse cargoes—from timber and grain to textiles and machinery—that transformed Belfast into a global hub for trade. The history is further enriched by details regarding the Belfast Harbour Police, established in 1847, which remains the oldest continuously operating law enforcement agency on the island of Ireland. This site serves as a sanctuary for those who appreciate the intersection of industrial grit and aesthetic beauty, making it an essential destination for anyone seeking to understand the soul of a port city that continues to shape Northern Ireland's identity.

    Where to read more

    Find this online

    QR code linking to the download page for Thomas Corbett

    originaluniqueart.com/en/art/download/samuel-hawksett-thomas-corbett-AR23KJ-en/

    Cite this artwork

    MLA
    Hawksett, Samuel. Thomas Corbett. 1847, Belfast Harbour Commissioners. https://originaluniqueart.com/en/art/samuel-hawksett-thomas-corbett-AR23KJ-en/
    APA
    Hawksett, Samuel (1847). Thomas Corbett [Painting]. Belfast Harbour Commissioners. https://originaluniqueart.com/en/art/samuel-hawksett-thomas-corbett-AR23KJ-en/
    Chicago
    Samuel Hawksett. Thomas Corbett. 1847. Belfast Harbour Commissioners. https://originaluniqueart.com/en/art/samuel-hawksett-thomas-corbett-AR23KJ-en/
    Harvard
    Hawksett, Samuel (1847) Thomas Corbett. Belfast Harbour Commissioners. Available at: https://originaluniqueart.com/en/art/samuel-hawksett-thomas-corbett-AR23KJ-en/

    Look closely

    Thomas Corbett — Samuel Hawksett

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Robert Langtry (d.1859) (1843), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Samuel Hawksett was about 46 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Is "Thomas Corbett" more bright or more dark overall?

    The recorded values for "Thomas Corbett" by Samuel Hawksett are: deep_shadow brightness, dark luminance.

    At what age did Samuel Hawksett make "Thomas Corbett"?

    When "Thomas Corbett" was created in 1847, Samuel Hawksett - born in 1801 - was 46 years old.

    In what year was "Thomas Corbett" by Samuel Hawksett created?

    The creation of "Thomas Corbett" by Samuel Hawksett is dated 1847.