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Student Artwork Guide

Keynsham lock

Name Class Date

Samuel Bough, Keynsham lock. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Samuel Bough originaluniqueart.com/en/artists/samuel-bough/
Artist’s dates
1822 – 1878
Movement
Romanticism Art that puts feeling, wildness and the power of nature above calm order and rules.

In context

Keynsham lock — Samuel Bough

When might this have been painted?

  1. 1820
  2. 1830
  3. 1840
  4. 1850
  5. 1860
  6. 1870

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 56 at death.

Shaded: the lifetime of Samuel Bough (1822–1878) every dated painting, decade by decade

First works: up to 1855 Main working years: 1855–1869 Late works: from 1869

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/samuel-bough-keynsham-lock-9HTSKQ-en/

Colours

Measured from the image

    Main colour

    Gray #5e767d

    Catalogued palette

    • #5E767D
    • #2C3024
    • #090A06
    • #475A5D

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Gray
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Samuel Bough over the last twelve months — 4 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 50.0%700 visits
    2. 2 United States of America 28.6%400 visits
    3. 3 Singapore 14.3%200 visits
    4. 4 Hong Kong 7.1%100 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 13 most looked-at works by Samuel Bough

    1. 1 Children In The Stream - 14.3%200 visits
    2. 2 Pittenweem, Fife 14.3%200 visits
    3. 3 Snowballing Outside Edinburgh University, 1853 7.1%100 visits
    4. 4 Dumbarton Rock from above Port Glasgow Looking North, 1878 7.1%100 visits
    5. 5 East Lothian Landscape, 1874 7.1%100 visits
    6. 6 A Gaggle of Geese, 1856 7.1%100 visits
    7. 7 The Hayfield, Coming Storm 7.1%100 visits
    8. 8 Cadzow Burn 7.1%100 visits
    9. 9 The mail coach 7.1%100 visits
    10. 10 Wetheral - View Of The River Eden Showing Wetheral 7.1%100 visits
    11. 11 Newhaven Pier 7.1%100 visits
    12. 12 Rob Roy At The Ford 7.1%100 visits
    13. — Keynsham lock this painting 0.0%0 visits

    Together these works take 99.6% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 53 works by this artist, of which 12 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Samuel Bough

    Born in Carlisle, United Kingdom

    Early Life and Artistic Beginnings

    Samuel Bough, born in Carlisle, England in 1822, was destined to become one of the most celebrated landscape painters of his generation. His early life unfolded against the backdrop of a rapidly industrializing Britain, yet it was the untamed beauty of Scotland that would ultimately capture his artistic soul. Though initially trained as a topographical draughtsman – a practical skill in demand for engineering projects and estate maps – Bough’s inherent sensitivity to light and atmosphere soon steered him towards a more expressive form of landscape painting. He wasn't merely recording what he saw; he was striving to convey the feeling of a place, the very essence of its character. This nascent artistic inclination led him to study under prominent artists like David Roberts, whose influence is visible in Bough’s early attention to detail and architectural elements within his compositions. However, it wasn't long before Bough began to forge his own distinct path, drawn inexorably towards the dramatic landscapes of Scotland.

    The Scottish Highlands: A Defining Influence

    Bough’s relocation to Scotland in 1847 proved pivotal. The rugged grandeur of the Highlands, with its towering mountains, shimmering lochs, and ever-changing skies, ignited a passion that would define his artistic career. He settled in Edinburgh, becoming deeply immersed in the Scottish art scene and quickly gaining recognition for his evocative depictions of the country’s natural beauty. Unlike many of his contemporaries who focused on idealized or picturesque scenes, Bough embraced the raw, often melancholic power of the Scottish landscape. His paintings weren't simply pretty views; they were imbued with a sense of atmosphere, capturing the fleeting effects of light and weather – a dramatic sunset over a turbulent sea, the mist clinging to a lonely glen, the golden glow of autumn on a heather-covered hillside. He became particularly adept at rendering water, whether it was the crashing waves of the coastline or the still reflections of inland lochs.

    Technique and Style: A Blend of Realism and Romanticism

    Bough’s artistic style represents a fascinating blend of realism and romanticism. He possessed a remarkable technical skill, evident in his precise rendering of detail – the texture of rocks, the foliage of trees, the intricate patterns of waves. Yet, this meticulous attention to accuracy was always subservient to his overriding goal of capturing mood and atmosphere. His brushwork is often loose and expressive, particularly in his skies, where he masterfully employed a range of tones and textures to convey the drama of changing weather conditions. Watercolour became his preferred medium, allowing him to achieve the delicate washes and luminous effects that were so central to his vision. While influenced by earlier masters like J.M.W. Turner in his exploration of light and atmosphere, Bough developed a uniquely Scottish sensibility, characterized by a more restrained palette and a focus on the specific qualities of the Highland landscape. He wasn’t interested in grand, theatrical displays; rather, he sought to capture the subtle nuances of nature, the quiet beauty that often goes unnoticed.

    Major Achievements and Recognition

    Throughout his career, Samuel Bough enjoyed considerable success and recognition. He exhibited extensively at the Royal Scottish Academy and other prestigious venues, quickly establishing himself as a leading landscape painter. His works were highly sought after by collectors, both in Britain and abroad.

    He became an Associate of the Royal Scottish Academy in 1861.

    In 1870 he was elected a full Academician – a testament to his artistic achievements and standing within the art community.

    Bough’s paintings were particularly popular with Queen Victoria, who acquired several of his works for her private collection. This royal patronage further cemented his reputation as one of Britain's foremost landscape artists.

    Beyond these accolades, Bough’s most significant achievement lies in his ability to capture the spirit of Scotland – its wild beauty, its dramatic weather, and its enduring sense of mystery. His paintings offer a powerful glimpse into a bygone era, evoking a deep connection with the natural world.

    Historical Significance and Legacy

    Samuel Bough’s work occupies an important place in the history of British landscape painting. He stands as a key figure in the development of Scottish art, bridging the gap between the traditions of earlier topographical painters and the more expressive approaches of later generations. His paintings are not merely historical records of specific locations; they are evocative interpretations of nature, imbued with emotion and atmosphere. Bough’s influence can be seen in the work of numerous subsequent landscape artists who sought to capture the beauty and drama of Scotland. Today, his paintings continue to captivate audiences with their serene compositions, masterful technique, and enduring sense of place. He remains a beloved artist, celebrated for his ability to transport viewers to the heart of the Scottish Highlands and evoke a deep appreciation for the natural world.

    Where to read more

    Find this online

    QR code linking to the download page for Keynsham lock

    originaluniqueart.com/en/art/download/samuel-bough-keynsham-lock-9HTSKQ-en/

    Cite this artwork

    MLA
    Bough, Samuel. Keynsham lock. n.d., https://originaluniqueart.com/en/art/samuel-bough-keynsham-lock-9HTSKQ-en/
    APA
    Bough, Samuel (n.d.). Keynsham lock [Painting]. https://originaluniqueart.com/en/art/samuel-bough-keynsham-lock-9HTSKQ-en/
    Chicago
    Samuel Bough. Keynsham lock. n.d. https://originaluniqueart.com/en/art/samuel-bough-keynsham-lock-9HTSKQ-en/
    Harvard
    Bough, Samuel (n.d.) Keynsham lock. Available at: https://originaluniqueart.com/en/art/samuel-bough-keynsham-lock-9HTSKQ-en/

    Look closely

    Keynsham lock — Samuel Bough

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: scottish landscape, rural scene”, “horse painting”. Do you agree? What would you add, or take away?
    4. Look back at Edinburgh from Leith Roads (1854), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Romanticism: Art that puts feeling, wildness and the power of nature above calm order and rules. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What is the dominant hue of "Keynsham lock" by Samuel Bough?

    A green to violet spectrum hue runs through "Keynsham lock" by Samuel Bough.

    Is there a slideshow for "Keynsham lock" by Samuel Bough?

    The diaporama of "Keynsham lock" can be watched on the artwork's Diaporama page.

    Can I examine "Keynsham lock" in more detail?

    The X-Ray page of "Keynsham lock" by Samuel Bough is an interactive viewer that lets you slide through eleven optical layers of the artwork's image, including an X-ray style view.