Student Artwork Guide
Copyright This work is in the public domain. Samuel Bough died in 1878; copyright lasts 70 years after the artist’s death, so it ended in 1948.
In context
Going through the Lock — Samuel Bough
Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 56 at death.
Painted when the artist was 30. The artist lived to 56. 0 of the 18 dated works by this artist in our catalogue came earlier.
Shaded: the lifetime of Samuel Bough (1822–1878) ▲ this work, 1852 every dated painting, decade by decade
First works: up to 1855 Main working years: 1855–1869 Late works: from 1869
Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them
Pick one work above: name two things it shares with this one, and one thing that's different.
More works to set beside this one: originaluniqueart.com/en/art/similar/samuel-bough-going-through-the-lock-AQZD2L-en/
Measured from the image
Main colour
Rosy Brown #959da8
Catalogued palette
These colours inside the artist’s whole palette Find other paintings by colour
The ten leading countries
Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.
Together these works take 99.6% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 53 works by this artist, of which 12 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month
Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.
Artist and museum
Born in Carlisle, United Kingdom
Samuel Bough, born in Carlisle, England in 1822, was destined to become one of the most celebrated landscape painters of his generation. His early life unfolded against the backdrop of a rapidly industrializing Britain, yet it was the untamed beauty of Scotland that would ultimately capture his artistic soul. Though initially trained as a topographical draughtsman – a practical skill in demand for engineering projects and estate maps – Bough’s inherent sensitivity to light and atmosphere soon steered him towards a more expressive form of landscape painting. He wasn't merely recording what he saw; he was striving to convey the feeling of a place, the very essence of its character. This nascent artistic inclination led him to study under prominent artists like David Roberts, whose influence is visible in Bough’s early attention to detail and architectural elements within his compositions. However, it wasn't long before Bough began to forge his own distinct path, drawn inexorably towards the dramatic landscapes of Scotland.
Bough’s relocation to Scotland in 1847 proved pivotal. The rugged grandeur of the Highlands, with its towering mountains, shimmering lochs, and ever-changing skies, ignited a passion that would define his artistic career. He settled in Edinburgh, becoming deeply immersed in the Scottish art scene and quickly gaining recognition for his evocative depictions of the country’s natural beauty. Unlike many of his contemporaries who focused on idealized or picturesque scenes, Bough embraced the raw, often melancholic power of the Scottish landscape. His paintings weren't simply pretty views; they were imbued with a sense of atmosphere, capturing the fleeting effects of light and weather – a dramatic sunset over a turbulent sea, the mist clinging to a lonely glen, the golden glow of autumn on a heather-covered hillside. He became particularly adept at rendering water, whether it was the crashing waves of the coastline or the still reflections of inland lochs.
Bough’s artistic style represents a fascinating blend of realism and romanticism. He possessed a remarkable technical skill, evident in his precise rendering of detail – the texture of rocks, the foliage of trees, the intricate patterns of waves. Yet, this meticulous attention to accuracy was always subservient to his overriding goal of capturing mood and atmosphere. His brushwork is often loose and expressive, particularly in his skies, where he masterfully employed a range of tones and textures to convey the drama of changing weather conditions. Watercolour became his preferred medium, allowing him to achieve the delicate washes and luminous effects that were so central to his vision. While influenced by earlier masters like J.M.W. Turner in his exploration of light and atmosphere, Bough developed a uniquely Scottish sensibility, characterized by a more restrained palette and a focus on the specific qualities of the Highland landscape. He wasn’t interested in grand, theatrical displays; rather, he sought to capture the subtle nuances of nature, the quiet beauty that often goes unnoticed.
Throughout his career, Samuel Bough enjoyed considerable success and recognition. He exhibited extensively at the Royal Scottish Academy and other prestigious venues, quickly establishing himself as a leading landscape painter. His works were highly sought after by collectors, both in Britain and abroad.
He became an Associate of the Royal Scottish Academy in 1861.
In 1870 he was elected a full Academician – a testament to his artistic achievements and standing within the art community.
Bough’s paintings were particularly popular with Queen Victoria, who acquired several of his works for her private collection. This royal patronage further cemented his reputation as one of Britain's foremost landscape artists.
Beyond these accolades, Bough’s most significant achievement lies in his ability to capture the spirit of Scotland – its wild beauty, its dramatic weather, and its enduring sense of mystery. His paintings offer a powerful glimpse into a bygone era, evoking a deep connection with the natural world.
Samuel Bough’s work occupies an important place in the history of British landscape painting. He stands as a key figure in the development of Scottish art, bridging the gap between the traditions of earlier topographical painters and the more expressive approaches of later generations. His paintings are not merely historical records of specific locations; they are evocative interpretations of nature, imbued with emotion and atmosphere. Bough’s influence can be seen in the work of numerous subsequent landscape artists who sought to capture the beauty and drama of Scotland. Today, his paintings continue to captivate audiences with their serene compositions, masterful technique, and enduring sense of place. He remains a beloved artist, celebrated for his ability to transport viewers to the heart of the Scottish Highlands and evoke a deep appreciation for the natural world.
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Look closely
Going through the Lock — Samuel Bough
Answer in your own words. There are no wrong answers here — only answers you can explain.
Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.
"Going through the Lock" leans toward an amber to saffron tone.
Artworks similar to "Going through the Lock" by Samuel Bough are gathered on the artwork's Similars page.
Regarding copyright, "Going through the Lock" is in the public domain - its copyright has expired.