Paper

Student Artwork Guide

Devil

Name Class Date

Ryszard Biel, Devil (1985), Museum of Folk Musical Instruments in Szydlowiec. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Ryszard Biel originaluniqueart.com/en/artists/ryszard-biel/
Artist’s dates
1946 –
Painted
1985
Movement
Folk Art
Held at
Museum of Folk Musical Instruments in Szydlowiec originaluniqueart.com/en/museums/museum-of-folk-musical-instruments-in-szydlowiec-siedlce/

In context

Devil — Ryszard Biel

When was this painted?

  1. 1940
  2. 1950
  3. 1960
  4. 1970
  5. 1980

Row above: the years. Row below: how old the artist was at the start and at the end of each span, counting 0 from birth.

Painted when the artist was 39. 0 of the 1 dated works by this artist in our catalogue came earlier.

▲ this work, 1985 every dated painting, decade by decade

Colours

Measured from the image

    Main colour

    White #f3f4f6

    Catalogued palette

    • #F3F4F6
    • #E5BCAF
    • #5A3C2E
    • #CB9277

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Pastels The dominant colour family in the image.
    Main colour name
    White
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Devil — Ryszard Biel

    The base in the form of a long stick, decorated with a painted geometric motif in green and red colors. A metal resonance box in the form of a lying cylinder is attached to the base at a height of approx. 20 cm from the bottom. A metal string is passed through the box, attached to the base with a hook. At the top, there are two tin plates, decorated with a painted geometric motif. A tassel of ribbons is attached under the head, made of strips of crimped tissue. Wooden bow. Cut teeth along one side of the bow rod. The bow is decorated with a painted geometric and floral motif.

    Artist and museum

    Artist

    Ryszard Biel

    Born in Żywice, Poland

    A Life Rooted in Polish Folk Tradition: The Art of Ryszard Biel

    Ryszard Biel, born on December 6, 1946, in Żywiec, Poland, is an artist whose work embodies a profound connection to the rich cultural heritage of his homeland. His journey as a sculptor, painter, and builder of traditional folk instruments isn’t simply a career path; it's a lifelong dedication to preserving and revitalizing the artistic spirit of Polish rural life. Biel’s upbringing in Żywiec, nestled within the Beskid Mountains, instilled in him an early appreciation for the craftsmanship and symbolism woven into the fabric of local traditions. This formative environment would become the cornerstone of his creative identity, shaping a body of work that seamlessly blends artistry with cultural preservation. He continues to live and create, a testament to his enduring passion.

    Sculpting Stories from Wood: Biel’s Artistic Development

    Biel's artistic expression is remarkably diverse, encompassing wooden sculpture, paintings on glass – a particularly cherished Polish folk art form – and the construction of authentic traditional instruments. However, it is perhaps his sculptures that most powerfully convey his unique vision. Initially self-taught, Biel honed his skills through dedicated practice and immersion in local woodworking traditions. His early works often depicted scenes from rural life—farmers tending their land, families gathered for celebrations, and animals integral to the agricultural landscape. These pieces weren’t merely representations; they were imbued with a sense of reverence for the rhythms and values of traditional Polish society. Over time, his style evolved, incorporating influences from Dogon art – as evidenced in works like his striking 1985 “Devil” Yawa instrument—and exploring more abstract forms while retaining the raw energy and tactile quality characteristic of wood carving. The vibrant geometric patterns adorning many of his sculptures and instruments are a testament to his mastery of color and design, echoing the intricate motifs found in Polish folk embroidery and painted decorations.

    Instruments as Vessels of Culture: Beyond Visual Art

    What sets Biel apart is his commitment to not only depicting Polish folk culture but also actively recreating it through the construction of traditional instruments. He doesn’t simply build replicas; he meticulously researches historical designs, employing time-honored techniques and materials to ensure authenticity. These instruments—from fiddles and flutes to more obscure regional variations—are not intended for museum display alone. They are meant to be played, bringing the sounds of Polish folk music back to life and fostering a renewed appreciation for this vital aspect of cultural heritage. This dedication extends beyond mere craftsmanship; Biel actively encourages others to learn these traditional skills, passing on his knowledge to future generations. He views himself not just as an artist but as a custodian of a disappearing art form.

    Recognition and Legacy: A Champion of Polish Folk Art

    Ryszard Biel’s contributions have been widely recognized within Poland and beyond. His works are held in the collections of several museums, including the Museum in Bielsko-Biała, the Municipal Museum in Żywiec, and the Museum of Folk Instruments in Szydłowiec—institutions dedicated to preserving Polish cultural treasures. He has received numerous awards for his work in various competitions focusing on traditional folk art, sculpture, and painting on glass, solidifying his reputation as a leading figure in the field.

    Museum Collections: Museum in Bielsko-Biała, Municipal Museum in Żywiec, Museum of Folk Instruments in Szydłowiec.

    Awards: Multiple awards for traditional folk art, sculpture, and glass painting.

    His significance lies not only in the aesthetic quality of his creations but also in his unwavering commitment to cultural preservation. In a rapidly changing world, Biel’s work serves as a powerful reminder of the importance of honoring tradition and safeguarding the artistic heritage that defines a nation's identity. He is more than an artist; he is a storyteller, a craftsman, and a vital link to Poland’s vibrant past—a legacy that will continue to resonate for generations to come. His art embodies a spirit of continuity, ensuring that the sounds and stories of Polish folk culture are not lost to time.

    Museum

    Museum of Folk Musical Instruments in Szydlowiec

    On show in Siedlce, Poland

    A Symphony of Wood and Stone: The Soul of Szydłowiec

    In the heart of Poland’s Mazovia province, where history breathes through the ancient stones of the Szydłowiecki and Radziwiłł Castle, lies a sanctuary dedicated to the ephemeral beauty of sound. The

    Museum of Folk Musical Instruments in Szydłowiec

    is not merely a repository of artifacts; it is a living archive of the Polish spirit, capturing the rhythmic pulse of rural life that has echoed through the centuries. To step into this museum is to embark on a sensory journey where the visual grandeur of Renaissance architecture meets the intimate, tactile stories of folk tradition. For the art lover and the collector of cultural narratives, this institution offers a rare glimpse into a world where music was not just entertainment, but the very heartbeat of community identity.

    The setting itself provides a dramatic backdrop that elevates the museum experience to something truly cinematic. Housed within a magnificent example of Renaissance architecture, the castle’s revitalized halls offer an immersive atmosphere of prestige and antiquity. The restoration of the Szydłowiecki and Radziwiłł Castle has breathed new life into these historic walls, creating a space where the weight of history complements the lightness of musical notation. This architectural splendor serves as a silent conductor, guiding visitors through an environment where every corridor feels like a passage through time, connecting the modern observer to the era of the Polish nobility and the humble folk musicians alike.

    A Tapestry of Craftsmanship and Sound

    The museum’s collection is a breathtaking tapestry of craftsmanship, showcasing an astonishing array of instruments that bridge the gap between nature and art. Visitors are greeted by the delicate silhouettes of stringed instruments—fiddles and lutes that carry the ghosts of ancient melodies—alongside the breathy, evocative tones of flutes and clarinets. Percussion pieces, from resonant drums to rhythmic rattles, complete a collection that celebrates the ingenuity of local artisans. Each instrument serves as a sculptural masterpiece, reflecting the textures of the wood and the meticulous hands of the craftsmen who shaped them. This collection is particularly significant for its focused dedication to the Szydłowiec region, offering an unparalleled depth of study into how specific geographic landscapes influence the very sounds produced by their people.

    What truly distinguishes this institution is its innovative approach to preservation, most notably seen in its landmark exhibition,

    Instrumenty… – zobaczyć i usłyszeć tradycję

    . Moving beyond the traditional static display, the museum utilizes multimedia elements—such as touchscreens featuring authentic instrument soundtracks and film footage documenting historical lineages—to ensure that the music is not just seen, but heard. This marriage of the ancient and the contemporary makes the museum a vital destination for interior designers seeking inspiration in heritage motifs and for scholars pursuing the nuances of ethnographic research. It remains a singular, world-class institution, standing as a beacon of artistic preservation and a profound testament to the enduring power of Poland's musical legacy.

    Where to read more

    Find this online

    QR code linking to the download page for Devil

    originaluniqueart.com/en/art/download/ryszard-biel-devil-DD35PY-en/

    Cite this artwork

    MLA
    Biel, Ryszard. Devil. 1985, Museum of Folk Musical Instruments in Szydlowiec. https://originaluniqueart.com/en/art/ryszard-biel-devil-DD35PY-en/
    APA
    Biel, Ryszard (1985). Devil [Painting]. Museum of Folk Musical Instruments in Szydlowiec. https://originaluniqueart.com/en/art/ryszard-biel-devil-DD35PY-en/
    Chicago
    Ryszard Biel. Devil. 1985. Museum of Folk Musical Instruments in Szydlowiec. https://originaluniqueart.com/en/art/ryszard-biel-devil-DD35PY-en/
    Harvard
    Biel, Ryszard (1985) Devil. Museum of Folk Musical Instruments in Szydlowiec. Available at: https://originaluniqueart.com/en/art/ryszard-biel-devil-DD35PY-en/

    Look closely

    Devil — Ryszard Biel

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: african art, stringed instrument, geometric design. Do you agree? What would you add, or take away?
    4. Ryszard Biel was about 39 when this was made. What in it looks like the work of an artist at that stage?
    5. Themes that come back through the work of Ryszard Biel: dogon musical tradition, polish folk ornamentation, african tribal symbolism. Which of them do you see here?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Can the image of "Devil" by Ryszard Biel be freely reproduced?

    The copyright answer for "Devil" by Ryszard Biel: the work is still protected by copyright. This determines whether reproductions of the image may be freely made.

    Where does "Devil" stand among Ryszard Biel's recurring subjects?

    "Devil" depicts african art, stringed instrument, geometric design, tribal motif, polish craftsmanship, musical instrument, folk tradition, ritual object, while Ryszard Biel's recorded themes are dogon musical tradition, polish folk ornamentation, african tribal symbolism, ritualistic instrument", geometric spirituality, biel's folk art exploration, traditional polish craftsmanship, exploring cultural identity. Comparing the two shows how the work relates to the artist's usual subjects.

    Where can I see the original "Devil" by Ryszard Biel?

    The original "Devil" by Ryszard Biel is held at the Museum of Folk Musical Instruments in Szydlowiec, Siedlce, Poland. A reproduction allows the work to be displayed at home.