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Student Artwork Guide

Spring in Hammersmith

Name Class Date

Ruskin Spear, Spring in Hammersmith, Towner. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Ruskin Spear originaluniqueart.com/en/artists/ruskin-spear/
Artist’s dates
1911 – 1990
Original size
53 x 39 cm
Held at
Towner originaluniqueart.com/en/museums/towner-eastbourne/

In context

Spring in Hammersmith — Ruskin Spear

How big is it?

The original measures 53 × 39 cm (height × width), drawn here beside an adult of average height.

When might this have been painted?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960
  7. 1970
  8. 1980
  9. 1990

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 79 at death.

Shaded: the lifetime of Ruskin Spear (1911–1990) every dated painting, decade by decade

First works: up to 1940 Main working years: 1940–1949 Late works: from 1949

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/ruskin-spear-spring-in-hammersmith-AQUNZX-en/

Colours

Measured from the image

    Main colour

    Phthalo Green #2e2c21

    Catalogued palette

    • #2E2C21
    • #7C6532
    • #89886B
    • #524629

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Phthalo Green
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Balanced How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Ruskin Spear over the last twelve months — 3 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 66.7%
    2. 2 United States of America 20.0%
    3. 3 France 13.3%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 15 most looked-at works by Ruskin Spear

    1. 1 The Curious Cat 20.0%
    2. 2 Director General Portrait – Sir Hugh Carlton Greene 12.0%
    3. 3 Paul Cairn Vellacott, Master (1939–1954) 8.0%
    4. 4 Ecstasy 8.0%
    5. 5 Mr Hollingbery's Canary, 1950 8.0%
    6. 6 Cat on a Roof 8.0%
    7. 7 Siesta, 1938 4.0%
    8. 8 Mackerel, 1943 4.0%
    9. 9 Portrait of Ida, 1940 4.0%
    10. 10 Sir Harold Wilson (1916–1995), Prime Minister 4.0%
    11. 11 Hammersmith Bridge 4.0%
    12. 12 Spring in Hammersmith this painting 4.0%
    13. 13 Airgraphs on Drying Drums in the Dark Room 4.0%
    14. 14 Cherries and Pear 4.0%
    15. 15 Hollingberry's Canary 4.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 53 works by this artist, of which 15 were looked at at least once. This painting ranks 12 of them, with 4.0% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Ruskin Spear

    Ruskin Spear: A Life Sculpted in Sound and Vision

    Roger Ruskin Spear (1943-1990) wasn’t merely an artist; he was a conjurer of experiences, a delightfully eccentric inventor of sound and form. Born into a family steeped in artistic rebellion – his father, Ruskin Spear CBE RA, was a celebrated portrait painter known for his satirical observations of London life – Roger inherited a legacy of playful subversion and a deep fascination with the mechanics of both art and reality. His career, spanning decades and encompassing music, sculpture, performance, and design, defies easy categorization, revealing a restless spirit constantly pushing the boundaries of creative expression.

    Spear’s early life was shaped by a physical challenge: contracted polio at the age of two, he navigated the world with a wheelchair. This experience profoundly influenced his artistic vision, imbuing his work with a sense of observation rooted in the everyday, often exploring themes of limitation and adaptation. He attended Brook Green School for the “Physically Defective,” an institution that fostered both creativity and a unique perspective on society. His formal training at the Hammersmith School of Art and later the Royal College of Art provided him with technical skills, but it was his father’s influence – particularly the Camden Town Group's embrace of urban realism and social commentary – that truly ignited his artistic fire.

    The Bonzo Dog Doo-Dah Band and Early Musical Explorations

    Spear’s career gained significant momentum with his involvement in the Bonzo Dog Doo-Dah Band, a satirical musical collective known for its irreverent humor and theatrical performances. Joining the band in 1964 after dissolving his own jazz ensemble, “New Jungle Orchestra,” he quickly became an integral part of their sound and visual identity. Spear’s contributions extended beyond songwriting; he was responsible for much of the band's distinctive stage presence, including elaborate costumes, robotic creations, and a penchant for theatrical absurdity. Songs like "Shirt," "Tubas in the Moonlight," and “Trouser Press” became iconic examples of the band’s witty and often surreal lyrics.

    However, Spear’s artistic ambitions extended far beyond the confines of the Bonzos. He was a prolific inventor, creating bizarre contraptions – most famously the “Theremin Leg,” a robotic appendage controlled by a theremin – that appeared in performances and recordings. This fascination with mechanics and automation permeated his work, leading to projects like "Noises for the Leg," a series of experimental soundscapes designed to be experienced through this unusual instrument. His exploration of robotics wasn’t simply about technological novelty; it was a way of questioning human interaction and exploring alternative forms of expression.

    Sculptural Innovations and Performance Art

    Following the Bonzos' dissolution, Spear continued to experiment with diverse media. He formed biGGrunt with Vivian Stanshall, a short-lived but influential band known for its dark humor and theatrical performances. He also took on solo projects, including “Roger Ruskin Spear and his Giant Kinetic Wardrobe,” a spectacular stage show featuring elaborate costumes, robotic figures, and orchestral music – a testament to his boundless imagination. This performance piece, often referred to as "Giant Orchestral Wardrobe," became a signature of his work, showcasing his ability to blend art, technology, and spectacle.

    In the 1980s, Spear collaborated with Dave Glasson on “The Slightly Dangerous Brothers,” producing a single, “Let’s Talk Basic,” accompanied by a music video featuring his robot creations. He also participated in The Cut Price Comedy Show, a television program known for its corny sketches and ironic humor, demonstrating his versatility as a performer and collaborator.

    Legacy and Artistic Significance

    Ruskin Spear's artistic legacy is one of playful innovation and unconventional vision. He wasn’t confined by traditional categories; he seamlessly blended music, sculpture, performance art, and design into a singular, often bewilderingly delightful, body of work. His exploration of robotics, his satirical wit, and his unique perspective on the human condition continue to resonate with audiences today. His influence can be seen in contemporary artists who embrace experimentation, challenge conventions, and seek to create immersive and thought-provoking experiences.

    Spear’s paintings, particularly works like “Portrait of Mother” and “Mr Hollingberry's Canary,” reveal a subtle yet powerful narrative sensibility. His early training with Walter Sickert and the Camden Town Group informed his approach to portraiture, but he infused his work with a distinctive sense of humor and social commentary. His official war artist commission during World War II further solidified his place in British art history, documenting the everyday lives of Londoners amidst wartime austerity.

    Ruskin Spear’s life and work stand as a testament to the power of creative freedom and the enduring appeal of artistic eccentricity. He remains a singular figure – a sculptor of sound, a conjurer of visions, and a champion of delightfully strange ideas.

    Museum

    Towner

    On show in Eastbourne, United Kingdom

    A Coastal Sanctuary of Light and Line

    Perched elegantly along the sun-drenched Sussex coastline,

    Towner Eastbourne

    serves much more than a mere repository for canvas and clay; it is a vibrant cultural heartbeat where the rhythmic pulse of the English Channel meets the profound stillness of artistic contemplation. The architecture itself is a striking testament to contemporary design, specifically engineered to invite the outside world in. Through expansive windows that frame breathtaking vistas of the South Downs, the gallery creates a seamless dialogue between the curated masterpieces within and the raw, natural beauty of the landscape without, ensuring that every visitor feels an immediate, visceral connection to the environment.

    The soul of the institution resides in its unparalleled dedication to the legacy of British modernism, most notably through its magnificent holdings of

    Eric Ravilious

    . To wander through these galleries is to embark on a lyrical journey through the Sussex countryside, where meticulous detail and rhythmic, stylized observations transform the pastoral into something poetic and otherworldly. This regional devotion extends far beyond a single artist; the collection acts as a champion for the South East, nurturing local talent while simultaneously hosting cutting-edge contemporary works from global icons.

    A Legacy of Visionary Bequests

    The history of this institution is rooted in a profound act of generosity, born from the visionary bequest of

    Alderman John Chisholm Towner

    . What began as a modest collection housed in a charming local manor has evolved into a modernist architectural marvel that stands as the region's most significant art destination. This evolution reflects a constant state of metamorphosis, where the museum’s exhibition program acts as a rotating tapestry of fresh perspectives, frequently challenging the boundaries of how we perceive art's role in society.

    For the discerning collector or interior designer, the institution offers a masterclass in how art can define a space. The collection presents works that range from the delicate precision of printmaking to the bold, immersive textures of modern installations, all unified by a shared sense of light and atmosphere. Notable elements of its cultural landscape include:

    The Ravilious Legacy:

    A deep exploration of the Sussex landscape through the lens of British modernist masters.

    Architectural Integration:

    A purpose-built facility that utilizes the surrounding South Downs to enhance the viewing experience.

    Contemporary Dialogue:

    A commitment to hosting international showcases and large-scale commissions, such as evocative sculptures integrated into the gallery grounds.

    Whether discovering the intricate beauty of a print or standing before a large-scale contemporary installation, visitors find themselves in a place where history and modernity coexist. It remains an enduring destination for anyone seeking inspiration, discovery, and a deeper connection to the aesthetic wonders of our world.

    Where to read more

    • The artist Ruskin Spear originaluniqueart.com/en/artists/ruskin-spear/
    • The museum Towner originaluniqueart.com/en/museums/towner-eastbourne/
    • Similar works More works to compare originaluniqueart.com/en/art/similar/ruskin-spear-spring-in-hammersmith-AQUNZX-en/

    Find this online

    QR code linking to the download page for Spring in Hammersmith

    originaluniqueart.com/en/art/download/ruskin-spear-spring-in-hammersmith-AQUNZX-en/

    Cite this artwork

    MLA
    Spear, Ruskin. Spring in Hammersmith. n.d., Towner. https://originaluniqueart.com/en/art/ruskin-spear-spring-in-hammersmith-AQUNZX-en/
    APA
    Spear, Ruskin (n.d.). Spring in Hammersmith [Painting]. Towner. https://originaluniqueart.com/en/art/ruskin-spear-spring-in-hammersmith-AQUNZX-en/
    Chicago
    Ruskin Spear. Spring in Hammersmith. n.d. Towner. https://originaluniqueart.com/en/art/ruskin-spear-spring-in-hammersmith-AQUNZX-en/
    Harvard
    Spear, Ruskin (n.d.) Spring in Hammersmith. Towner. Available at: https://originaluniqueart.com/en/art/ruskin-spear-spring-in-hammersmith-AQUNZX-en/

    Look closely

    Spring in Hammersmith — Ruskin Spear

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Director General Portrait – Sir Hugh Carlton Greene, earlier in this guide. Name two things it shares with this work, and one that is different.
    4. What might the artist have wanted you to feel?
    5. If you could ask the artist one question about this work, what would it be?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What saturation and intensity does "Spring in Hammersmith" by Ruskin Spear show?

    The colors of "Spring in Hammersmith" by Ruskin Spear show a subtle color saturation with a balanced intensity.

    Who sells hand-painted copies of "Spring in Hammersmith" by Ruskin Spear?

    Hand-painted copies of "Spring in Hammersmith" by Ruskin Spear are sold on this website: a hand-painted oil reproduction on linen canvas, ordered from its Hand-Painted Reproduction page.

    How is "Spring in Hammersmith" by Ruskin Spear proportioned, and how big is it?

    The format of "Spring in Hammersmith" is portrait, and the original measures 53 x 39 cm. Both are useful when planning a reproduction.