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Student Artwork Guide

Thicket No. 2

Name Class Date

Roni Horn, Thicket No. 2 (1990), Tate Modern. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Roni Horn originaluniqueart.com/en/artists/roni-horn/
Artist’s dates
1955 –
Painted
1990
Movement
Minimalism Stripping a work back to the fewest possible elements, so nothing is there for decoration.
Held at
Tate Modern originaluniqueart.com/en/museums/tate-modern-london/

In context

Thicket No. 2 — Roni Horn

When was this painted?

  1. 1950
  2. 1960
  3. 1970
  4. 1980
  5. 1990
  6. 2000

Row above: the years. Row below: how old the artist was at the start and at the end of each span, counting 0 from birth.

Painted when the artist was 35. 0 of the 4 dated works by this artist in our catalogue came earlier.

▲ this work, 1990 every dated painting, decade by decade

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/roni-horn-thicket-no-2-D2PRVW-en/

Colours

Measured from the image

    Main colour

    Espresso #4d5862

    Catalogued palette

    • #4D5862
    • #828EA9
    • #A3AFD0
    • #D0D249

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Espresso
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    Roni Horn

    Born in New York, United States of America

    The Convergence of Heritage and Horizon

    Born in the vibrant, complex landscape of New York City in 1955, Roni Horn carries within her a heritage shaped by the profound stories of Eastern European immigrants. Yet, it was not the urban sprawl of her birthplace that would most fundamentally define her artistic gaze, but rather the stark, elemental beauty of Iceland. Following a transformative fellowship from Yale, Horn found herself intimately entwared with the island’s singular geography and geology. This encounter with the North Atlantic landscape became more than a mere subject; it became a fundamental component of her creative consciousness, where the shifting climates and rugged terrains began to mirror the complexities of human perception and the ephemeral nature of existence.

    Sculpting Perception and Presence

    Horn’s practice is characterized by an extraordinary fluidity, moving effortlessly across the disciplines of sculpture, photography, and installation art. Her work does not merely exist as a static object but functions as a site for interaction, where the viewer's presence completes the piece. By utilizing materials that evoke the qualities of water, light, and stone, she captures the essence of post-minimalism and conceptual depth. Through her lens, concepts of transience and identity are rendered tangible. Her ability to manipulate perception allows her to present subjects that seem to change depending on the angle of sight or the quality of light, mirroring the way human memory and identity are constantly being reconstructed. This mastery of the ephemeral has made her a pivotal figure in the evolution of contemporary art throughout the late 20th century.

    A Legacy of Conceptual Depth

    The historical significance of Roni Horn lies in her ability to bridge the gap between the physical and the metaphysical, leaving an indelible mark on the history of conceptual art. Her work continues to challenge the boundaries of medium and meaning, creating spaces where the observer is an active participant in the creation of meaning.

    Exploration of Place: A unique synthesis of Icelandic geography and American conceptualism.

    Medium Fluidity: The seamless integration of photography, sculpture, and written word.

    Thematic Resonance: An enduring investigation into the nature of identity, permanence, and change.

    Museum

    Tate Modern

    On show in London, United Kingdom

    Tate Modern: A Chronicle of Urban Innovation

    Nestled within the skeletal remains of a colossal Bankside power station, Tate Modern stands as more than just a gallery; it’s a testament to London's relentless reinvention and a vibrant hub for contemporary art. Completed in 2000 after a painstaking fifteen-year transformation, the building itself is an immediate draw – a dramatic juxtaposition of brutalist concrete and shimmering glass that dominates the Southwark skyline. Designed by Herzog & de Meuron, it’s a structure that doesn't simply house art; it becomes part of the artwork, reflecting the city’s dynamic energy and its ongoing dialogue with the past. The power station’s original industrial heart – the Turbine Hall, now a cavernous space capable of hosting monumental installations – remains a powerful reminder of London’s manufacturing heritage, while the surrounding exhibits celebrate the evolution of artistic expression in the 20th and 21st centuries.

    Key Architectural Features:

    The iconic sawtooth roof, a deliberate nod to the power station's original design, is perhaps Tate Modern’s most recognizable element. Its vast expanse provides ample space for large-scale exhibitions and offers breathtaking views of the city.

    The Turbine Hall:

    This immense space serves as a dynamic stage for immersive installations, often pushing the boundaries of artistic convention and challenging viewers' perceptions.

    The Boiler House:

    Originally housing the power station’s boilers, this area now hosts more intimate exhibitions and offers a fascinating glimpse into the building’s transformation.

    A Collection Rooted in Modernism

    Tate Modern’s collection is deliberately focused on international modern and contemporary art created from 1900 onwards, offering a panoramic view of artistic movements and styles that have shaped our world. It's not simply a chronological survey; instead, the gallery prioritizes works that embody innovation, experimentation, and social commentary. You’ll find iconic pieces by Picasso, Matisse, Warhol, Rothko, and countless others – artists whose work continues to resonate with audiences today. The collection isn’t limited to painting and sculpture; it encompasses photography, film, performance art, and digital media, reflecting the evolving nature of artistic practice.

    Picasso's "Les Demoiselles d'Avignon":

    A pivotal work in the development of Cubism, this painting exemplifies Picasso’s radical experimentation with form and perspective.

    Warhol’s “Campbell’s Soup Cans”:

    This seminal Pop Art piece challenged traditional notions of art and elevated everyday objects to the status of high culture.

    Rothko's Color Field Paintings:

    These large-scale canvases evoke a sense of contemplation and spirituality through their immersive use of color.

    Exhibitions That Spark Dialogue

    Tate Modern’s strength lies not just in its permanent collection but also in its consistently thought-provoking temporary exhibitions. The gallery regularly hosts major retrospectives, thematic group shows, and site-specific installations that engage with current social and political issues. These exhibitions often invite dialogue and debate, prompting visitors to consider their own perspectives on the world around them. Recent highlights have included explorations of identity, climate change, and the role of art in society. The gallery’s commitment to showcasing diverse voices and perspectives ensures that there's always something new and exciting to discover.

    Notable Past Exhibitions:**

    Marina Abramović: Artist as Activist

    Ai Weiwei: Made in China

    Jeff Koons: Balloon Dog

    A Space for the Future of Art

    Tate Modern isn’t merely a repository of art; it's an active participant in shaping its future. The gallery invests heavily in research, education, and community engagement, fostering a vibrant ecosystem of artistic creativity. Its ongoing expansion projects – including the planned completion of the Southern Extension – demonstrate a commitment to providing ever-evolving spaces for artists and audiences alike. More than just a museum, Tate Modern is a dynamic cultural landmark that embodies London’s spirit of innovation, resilience, and its unwavering belief in the power of art to transform our understanding of ourselves and the world.

    Where to read more

    • The artist Roni Horn originaluniqueart.com/en/artists/roni-horn/
    • The museum Tate Modern originaluniqueart.com/en/museums/tate-modern-london/
    • Similar works More works to compare originaluniqueart.com/en/art/similar/roni-horn-thicket-no-2-D2PRVW-en/

    Find this online

    QR code linking to the download page for Thicket No. 2

    originaluniqueart.com/en/art/download/roni-horn-thicket-no-2-D2PRVW-en/

    Cite this artwork

    MLA
    Horn, Roni. Thicket No. 2. 1990, Tate Modern. https://originaluniqueart.com/en/art/roni-horn-thicket-no-2-D2PRVW-en/
    APA
    Horn, Roni (1990). Thicket No. 2 [Painting]. Tate Modern. https://originaluniqueart.com/en/art/roni-horn-thicket-no-2-D2PRVW-en/
    Chicago
    Roni Horn. Thicket No. 2. 1990. Tate Modern. https://originaluniqueart.com/en/art/roni-horn-thicket-no-2-D2PRVW-en/
    Harvard
    Horn, Roni (1990) Thicket No. 2. Tate Modern. Available at: https://originaluniqueart.com/en/art/roni-horn-thicket-no-2-D2PRVW-en/

    Look closely

    Thicket No. 2 — Roni Horn

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Untitled (from the series Still Water (The River Thames, for Example)) (1999), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Minimalism: Stripping a work back to the fewest possible elements, so nothing is there for decoration. Where can you see that in this work?
    5. Roni Horn was about 35 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What national origin stands behind the Minimalism of "Thicket No. 2"?

    "Thicket No. 2" was created by Roni Horn, born in United States of America, within the Minimalism movement. The artist's origin links the work to Minimalism as practiced by artists from United States of America.

    Can I see "Thicket No. 2" by Roni Horn under different lights?

    "Thicket No. 2" can be examined layer by layer on the artwork's X-Ray page, a viewer inspired by a conservator's light bench with eleven optical readings of the image.

    Is "Thicket No. 2" by Roni Horn a bright or a dark artwork?

    In terms of perceived brightness, "Thicket No. 2" by Roni Horn is balanced.