Paper

Student Artwork Guide

Eileen

Name Class Date

Ronald Ossory Dunlop, Eileen (1912). Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Ronald Ossory Dunlop originaluniqueart.com/en/artists/ronald-ossory-dunlop/
Artist’s dates
1894 – 1973
Painted
1912
Original size
59 x 39 cm

In context

Eileen — Ronald Ossory Dunlop

How big is it?

The original measures 59 × 39 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960
  9. 1970

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 79 at death.

Painted when the artist was 18. The artist lived to 79. 0 of the 32 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Ronald Ossory Dunlop (1894–1973) ▲ this work, 1912 every dated painting, decade by decade

First works: up to 1931 Main working years: 1931–1945 Late works: from 1945

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/ronald-ossory-dunlop-eileen-AQS7WT-en/

Colours

Measured from the image

    Main colour

    Driftwood #968860

    Catalogued palette

    • #968860
    • #32302C
    • #6B6549
    • #C5AD84

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Driftwood
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Ronald Ossory Dunlop over the last twelve months — 3 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 87.1%
    2. 2 United States of America 9.7%
    3. 3 Spain 3.2%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Ronald Ossory Dunlop

    1. 1 Self Portrait, 1947 8.1%
    2. 2 Dorothy Wynne Wiggin (1882–1957), Lady Elton, 1930 5.4%
    3. 3 The Orange Scarf, 1934 5.4%
    4. 4 Martigues, France 5.4%
    5. 5 The Harbour, Leigh on Sea 5.4%
    6. 6 Still Life, 1950 2.7%
    7. 7 Winter Sunshine, Wales, 1944 2.7%
    8. 8 My New Teapot, 1942 2.7%
    9. 9 Southwold from Walberswick Beach, 1938 2.7%
    10. 10 The Lake at Swanbourne Park, 1947 2.7%
    11. 11 The Bevis Tree of Arundel 2.7%
    12. 12 Les deux bateaux 2.7%
    13. 13 Myself with Cadger's Pipe, 1950 2.7%
    14. 14 Head of a Girl 2.7%
    15. 15 Eileen, 1912 this painting 2.7%
    16. 16 Head of a Woman 2.7%
    17. 17 Near Cannes, France 2.7%
    18. 18 The Thames at Lambeth, London 2.7%
    19. 19 Boat Creek at Shepperton 2.7%
    20. 20 September Landscape 2.7%

    Together these works take 70.2% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 99 works by this artist, of which 31 were looked at at least once. This painting ranks 15 of them, with 2.7% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Ronald Ossory Dunlop

    Born in Dublin, Ireland

    Ronald Ossory Dunlop: A Life in Paint

    Early Life and Education

    Born: Dublin, Ireland, June 28, 1894.

    Dunlop came from a Scottish-Irish Quaker family with artistic inclinations; his mother was a watercolour painter.

    His early life was steeped in the atmosphere of the Irish Literary Renaissance, as his father was close friends with prominent figures like W.B. Yeats and George Russell (Æ).

    The family moved to New York in 1899, then London in 1902, maintaining a strong connection to Dublin through annual visits.

    He studied at Manchester School of Art, Wimbledon College of Art, and Paris, gaining a diverse artistic foundation.

    Artistic Development & Influences

    Dunlop’s early career involved time in an advertising agency before dedicating himself fully to painting.

    Influences: The artistic and literary environment of his upbringing, particularly the mystical and spiritualist currents surrounding figures like Yeats and Russell, profoundly shaped his aesthetic sensibility.

    He associated with a group of young artists exhibiting at the Hurricane Lamp Gallery in Chelsea, contributing to the development of ‘Emotionism’.

    His style evolved towards a painterly exuberance, characterized by bold brushwork and vibrant color palettes. He became known as an 'alla prima' painter – working directly onto the canvas in a single session.

    The Emotionist Group & Artistic Philosophy

    In 1923, Dunlop founded the Emotionist Group, advocating for art as an expression of inner essence and emotional experience.

    He penned a manifesto for the group, stating “Art is the expression of the essence of life,” reflecting their belief in subjective interpretation and artistic freedom.

    Dunlop joined The London Group in 1931, further solidifying his position within the avant-garde art scene.

    Exhibition & Recognition

    Dunlop was a prolific exhibitor, showcasing his work at prestigious venues including the Royal Academy, New English Art Club, Leicester Galleries, and the Royal Hibernian Academy.

    His first one-man show took place in 1928 at the Redfern Gallery in London.

    Major Achievement: Elected a full member of the Royal Academy in 1950, marking the pinnacle of his professional recognition.

    His work is held in numerous public collections, including the Tate Gallery, Crawford Gallery (Cork), Cheltenham Art Gallery & Museum, and the National Portrait Gallery (London).

    Themes & Style

    Dunlop’s oeuvre encompasses landscapes, seascapes, figure studies, portraits, and still life.

    He frequently depicted scenes of the English countryside, particularly around Barnham, West Sussex, where he lived later in life.

    Style: Characterized by a vibrant palette, energetic brushwork, and an emphasis on capturing atmosphere and emotional resonance. His work often possesses a sense of immediacy and spontaneity.

    Later Life & Legacy

    Dunlop spent much of his life in England, eventually settling in Barnham, West Sussex.

    He continued to paint and exhibit until his death on May 18, 1973.

    Historical Significance: Dunlop’s work represents a bridge between traditional painting techniques and the expressive freedom of modernism. His vibrant style and dedication to capturing emotional truth continue to resonate with audiences today. However, his popularity has also led to numerous forgeries appearing on the market.

    Where to read more

    Find this online

    QR code linking to the download page for Eileen

    originaluniqueart.com/en/art/download/ronald-ossory-dunlop-eileen-AQS7WT-en/

    Cite this artwork

    MLA
    Dunlop, Ronald Ossory. Eileen. 1912, https://originaluniqueart.com/en/art/ronald-ossory-dunlop-eileen-AQS7WT-en/
    APA
    Dunlop, Ronald Ossory (1912). Eileen [Painting]. https://originaluniqueart.com/en/art/ronald-ossory-dunlop-eileen-AQS7WT-en/
    Chicago
    Ronald Ossory Dunlop. Eileen. 1912. https://originaluniqueart.com/en/art/ronald-ossory-dunlop-eileen-AQS7WT-en/
    Harvard
    Dunlop, Ronald Ossory (1912) Eileen. Available at: https://originaluniqueart.com/en/art/ronald-ossory-dunlop-eileen-AQS7WT-en/

    Look closely

    Eileen — Ronald Ossory Dunlop

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Melita (1931), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Ronald Ossory Dunlop was about 18 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Can the image of "Eileen" by Ronald Ossory Dunlop be freely reproduced?

    "Eileen" by Ronald Ossory Dunlop is still protected by copyright. This status governs how the image of the work may be reproduced.

    Where can I download "Eileen" by Ronald Ossory Dunlop?

    A download is available for "Eileen": the artwork's Download page offers a high-resolution digital image download.

    Can I preview "Eileen" by Ronald Ossory Dunlop before ordering?

    The Preview page of "Eileen" lets you preview the artwork before ordering.