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Student Artwork Guide

Rabbits

Name Class Date

Ronald Everett English, Rabbits (2012), Nuart Festival. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Ronald Everett English originaluniqueart.com/en/artists/ronald-everett-english/
Artist’s dates
1959 –
Painted
2012
Movement
Pop Art Art made from advertising, comics and packaging, treating supermarket images as worth a gallery wall.
Held at
Nuart Festival originaluniqueart.com/en/museums/nuart-festival-stavanger/

In context

Rabbits — Ronald Everett English

When was this painted?

  1. 1950
  2. 1960
  3. 1970
  4. 1980
  5. 1990
  6. 2000
  7. 2010

Row above: the years. Row below: how old the artist was at the start and at the end of each span, counting 0 from birth.

Painted when the artist was 53. 0 of the 1 dated works by this artist in our catalogue came earlier.

▲ this work, 2012 every dated painting, decade by decade

Colours

Measured from the image

    Main colour

    Gray #8b8d8c

    Catalogued palette

    • #8B8D8C
    • #272320
    • #FCFCFC
    • #62544C

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Gray
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Ronald Everett English over the last twelve months — 1 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 100.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 1 most looked-at works by Ronald Everett English

    1. 1 Rabbits, 2012 this painting 100.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 1 works by this artist, of which 1 were looked at at least once. This painting ranks 1 of them, with 100.0% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Rabbits — Ronald Everett English

    During Nuart 2012, American artist Ron English contributed a psychedelic piece showcasing his well-known rabbit figures on an abstract camouflage-patterned background. Because the wall was located next to a popular footpath for schoolchildren in the area, English decided to contribute a piece that would brighten up their day.Ron English is best-known for his multidisciplinary practice exploring brand imagery, street art and advertising. He coined the term POPaganda to describe his unique blend of high and low brow imagery, mixing pop-cultural imagery with art-historical iconography. English frequently pulls subjects from his ever-expanding cast of characters, including an obese fast-food mascot, demented Disney figures and three-eyed rabbits. The artist

    Artist and museum

    Artist

    Ronald Everett English

    Born in Chicago, United States of America

    The Unfolding Canvas: Exploring the World of Ron English

    Ron English isn’t simply an artist; he's a provocateur, a commentator, and a master manipulator of imagery. Born in Decatur, Illinois, in 1959, his career trajectory defies easy categorization – straddling the lines between street art, commercial design, pop surrealism, and even a surprising foray into football coaching. His work isn’t about pretty pictures; it's a relentless interrogation of consumer culture, advertising saturation, and the very nature of iconography. From colossal billboard takeovers to meticulously crafted studio paintings, English consistently challenges our perceptions, forcing us to confront the often-uncomfortable truths lurking beneath the glossy veneer of modern life.

    English’s early artistic explorations were rooted in a punk rock sensibility – a rejection of the established art world and a desire to disrupt convention. He began creating characters in high school, initially using them as a means of expressing his discontent with societal norms. This rebellious spirit carried over into his street art practice, where he quickly gained notoriety for his unauthorized interventions on public billboards. These weren’t simply graffiti; they were elaborate, often humorous, and frequently subversive reinterpretations of corporate logos and advertising slogans. He coined the term “POPaganda” to describe this approach – a deliberate blending of pop culture references, advertising imagery, and art history, creating a visual language that was both instantly recognizable and deeply critical.

    The Rise of POPaganda: Characters and Critique

    At the heart of English’s work lies a cast of recurring characters—a gallery of meticulously designed figures that have become synonymous with his artistic vision. MC Supersized, a grotesquely obese fast-food mascot, is perhaps his most iconic creation, embodying the excesses and anxieties of American consumerism. Alongside him are temper tots, perpetually enraged children representing the pressures of parenting; camo deer, enigmatic creatures blending woodland imagery with military camouflage; and combrats, anthropomorphic rabbits sporting military uniforms. These aren’t just doodles; they're complex symbols, each imbued with a specific narrative and often serving as vehicles for social commentary.

    English doesn’t simply slap these characters onto canvases or billboards; he develops elaborate backstories and visual universes around them. He’s created entire fictional worlds—Delusionville, a sprawling landscape populated by his creations—and has even launched musical projects centered on these characters, most notably “The Rabbbits,” whose songs offer satirical glimpses into the lives of his figures. This layered approach elevates his work beyond mere illustration, transforming it into a fully realized artistic ecosystem.

    From Street Art to Studio: A Broadening Palette

    While street art remains a crucial component of English’s practice, he has steadily expanded his creative horizons over the years. He's collaborated with major brands like Nickelodeon, Burton, and Puma, translating his POPaganda aesthetic into designer toys, apparel, and limited-edition merchandise. These commercial ventures, while sometimes controversial, have provided him with a wider platform to disseminate his ideas and reach a broader audience.

    His work has also been exhibited in prestigious galleries around the world, solidifying his position as a significant contemporary artist. He’s explored fine art painting, creating large-scale canvases that showcase his signature style—a vibrant blend of pop surrealism, meticulous detail, and often unsettling humor. Documentaries like “POPaganda: The Art and Crimes of Ron English” and “Living in Delusionville” have offered insightful glimpses into the creative process behind his work, revealing a deeply thoughtful and intellectually rigorous artist.

    Legacy and Influence

    Ron English’s impact on contemporary art is undeniable. He's not just an artist; he’s a cultural commentator who has redefined the boundaries of street art and challenged our relationship with advertising and consumerism. His work continues to resonate with audiences around the world, sparking conversations about identity, representation, and the pervasive influence of visual culture. His willingness to push boundaries, embrace experimentation, and consistently subvert expectations ensures that Ron English will remain a vital and provocative voice in the art world for years to come.

    Museum

    Nuart Festival

    On show in Stavanger, Norway

    Nuart Festival: A Living Canvas of Urban Expression

    Nestled within the vibrant coastal city of Stavanger, Norway, lies a phenomenon that has irrevocably altered the landscape – both physical and artistic – of this Nordic gem: the Nuart Festival. More than simply an art exhibition, it’s a dynamic, ever-evolving celebration of contemporary urban art, a testament to the power of street art as a legitimate and profoundly impactful form of expression. Founded in 2001 with a bold vision to legitimize this often-marginalized medium, Nuart has blossomed into one of the world's foremost platforms for showcasing cutting-edge murals, stencil work, and a breathtaking spectrum of urban artistic techniques. The festival isn’t confined to galleries or pristine white walls; it explodes onto the streets, transforming Stavanger into an open-air museum where art breathes alongside daily life.

    At its core, Nuart is driven by a commitment to supporting artists who push the boundaries of their craft. The festival consistently attracts globally recognized street artists – from established masters to emerging talents – each invited to create site-specific artworks that engage with their environment in unique and often thought-provoking ways. These aren’t fleeting tags or temporary installations; they are carefully considered pieces designed to spark dialogue, challenge perspectives, and contribute meaningfully to the urban fabric. A key element of Nuart's success is its dedication to “site-specificity,” ensuring that each artwork is intrinsically linked to its location, responding to architectural details, social contexts, and the very spirit of Stavanger.

    The Ever-Changing Collection

    Unlike traditional museums with fixed collections, Nuart’s ‘collection’ exists in a perpetual state of becoming. Each September, as the festival unfolds, Stavanger is adorned with a new constellation of murals, stencils, and installations – a living testament to the creativity and dynamism of contemporary urban art. These artworks aren't simply painted onto walls; they are integrated into the city’s architecture, often utilizing building facades as canvases for intricate designs and powerful messages. The festival also incorporates indoor exhibitions, workshops, talks, and film screenings, expanding its reach far beyond the streets and offering a comprehensive experience that delves deeper into the world of street art.

    The history of Nuart is intertwined with Stavanger’s own transformation. Initially met with skepticism, the festival quickly gained momentum, attracting both artists and visitors alike. Over the years, it has played a significant role in shaping the city's cultural identity, fostering a sense of community pride and establishing Stavanger as a global hub for contemporary art. The influence extends beyond Norway’s borders, inspiring similar initiatives in cities around the world – a testament to Nuart’s pioneering spirit.

    A Community-Driven Experience

    What truly distinguishes Nuart from other festivals is its unwavering commitment to accessibility and community engagement. Art isn't confined to viewing rooms; it’s brought directly to the public, free of charge, making it available to everyone – regardless of background or circumstance. The festival actively involves local residents in the creative process through workshops, collaborative projects, and open-door events, fostering a sense of ownership and connection with the artwork. Furthermore, Nuart serves as a vital platform for dialogue about urban spaces, social issues, and the role of art in shaping our society – prompting reflection on themes ranging from environmental sustainability to social justice.

    Exploring Stavanger Through Nuart

    Visiting Nuart Festival is an immersive experience. The festival’s footprint extends across Stavanger, Utsira, and even reaches into Oslo, creating a sprawling network of artistic interventions. Beyond the stunning murals, visitors can delve deeper through guided walking tours, artist talks, and workshops that offer insights into the creative process and the stories behind each piece. Don't miss the opportunity to explore Nuart’s Google Arts & Culture project, which provides a virtual journey through the festival’s history and highlights some of its most iconic artworks. For more information on upcoming festivals, artists, and events, please visit

    the official website

    .

    Beyond the Streets: Nuart's Legacy

    Nuart’s impact extends beyond its annual festival run. The organization has fostered a thriving street art scene in Stavanger, encouraging local artists and promoting public art initiatives throughout the city. The “Vlek” project, for example, utilizes stickers to create temporary interventions on public spaces, sparking conversations about urban design and community engagement. Nuart’s commitment to supporting emerging talent and fostering a vibrant artistic ecosystem ensures that its legacy will continue to shape Stavanger's cultural landscape for years to come.

    Where to read more

    Find this online

    QR code linking to the download page for Rabbits

    originaluniqueart.com/en/art/download/ronald-everett-english-rabbits-D7RHSV-en/

    Cite this artwork

    MLA
    English, Ronald Everett. Rabbits. 2012, Nuart Festival. https://originaluniqueart.com/en/art/ronald-everett-english-rabbits-D7RHSV-en/
    APA
    English, Ronald Everett (2012). Rabbits [Painting]. Nuart Festival. https://originaluniqueart.com/en/art/ronald-everett-english-rabbits-D7RHSV-en/
    Chicago
    Ronald Everett English. Rabbits. 2012. Nuart Festival. https://originaluniqueart.com/en/art/ronald-everett-english-rabbits-D7RHSV-en/
    Harvard
    English, Ronald Everett (2012) Rabbits. Nuart Festival. Available at: https://originaluniqueart.com/en/art/ronald-everett-english-rabbits-D7RHSV-en/

    Look closely

    Rabbits — Ronald Everett English

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: psychedelic art, street art mural, cartoon animals. Do you agree? What would you add, or take away?
    4. Pop Art: Art made from advertising, comics and packaging, treating supermarket images as worth a gallery wall. Where can you see that in this work?
    5. Ronald Everett English was about 53 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What is the format of "Rabbits"?

    "Rabbits" by Ronald Everett English is a landscape composition. The proportions are worth checking before choosing a print size.

    What does "Rabbits" by Ronald Everett English depict?

    The subjects of "Rabbits" are psychedelic art, street art mural, cartoon animals, brand imagery, pop culture art, urban design, camouflage style.

    What is the dominant color of "Rabbits" by Ronald Everett English?

    gray (#8b8d8c) is the leading color of "Rabbits" by Ronald Everett English.