Paper

Student Artwork Guide

Moonlight and Lighthouse

Name Class Date

Robert W. Salmon, Moonlight and Lighthouse (1836). Public domain.

The facts

Artist
Robert W. Salmon originaluniqueart.com/en/artists/robert-w-salmon/
Artist’s dates
1775 – 1845
Painted
1836

In context

Moonlight and Lighthouse — Robert W. Salmon

When was this painted?

  1. 1770
  2. 1780
  3. 1790
  4. 1800
  5. 1810
  6. 1820
  7. 1830
  8. 1840

Row above: the year. Row below: the artist's age in that year.

Painted when the artist was 61. The artist lived to 70. 99 of the 122 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Robert W. Salmon (1775–1845) ▲ this work, 1836

First works: up to 1812 Main working years: 1812–1833 Late works: from 1833

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell.

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/robert-w-salmon-moonlight-and-lighthouse-8CEGQL-en/

Colours

Measured from the image

    Main colour

    Gray #868a6a

    Catalogued palette

    • #868A6A
    • #222529
    • #CCBF7E
    • #545953
    Main colour name
    Gray
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Robert W. Salmon over the last twelve months — 7 countries in all.

    The ten leading countries

    1. 1 China 62.5%
    2. 2 Hong Kong 14.6%
    3. 3 United States of America 10.4%
    4. 4 Singapore 6.2%
    5. 5 United Kingdom 2.1%
    6. 6 Saudi Arabia 2.1%
    7. 7 Ukraine 2.1%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Robert W. Salmon

    1. 1 Shipping off Greenock, 1818 12.5%
    2. 2 Picture of the 'Dream Poleasure Yacht'', 1839 7.1%
    3. 3 A Sailing Ship in the Mersey, 1811 5.4%
    4. 4 Boston Harbor from Castle Island ( Ship Charlotte ), (painting), 1839 5.4%
    5. 5 Shipwrecked, 1821 5.4%
    6. 6 HMS Revenue Cutter 'Wickham', 1825 3.6%
    7. 7 A Schooner with a View of Boston, 1832 3.6%
    8. 8 American Schooner under Sail with Heavy Seas 3.6%
    9. 9 Armed Merchantman Entering Liverpool Harbor, (painting), 1819 3.6%
    10. 10 Dismal Swamp Canal with Lake Drummond Hotel, (painting), 1830 1.8%
    11. 11 View of the Middle Church and Harbour, Greenock, 1812 1.8%
    12. 12 A Coastal Scene, 1827 1.8%
    13. 13 Liverpool Town Hall Illuminated, 1806, 1807 1.8%
    14. 14 A Packet off Liverpool, 1809 1.8%
    15. 15 Bidston, Wirral, Old Lighthouse and Flagpoles, 1825 1.8%
    16. 16 Scottish Coastline, 1841 1.8%
    17. 17 View of Palermo, 1845 1.8%
    18. 18 Taking Down the Sails, 1841 1.8%
    19. 19 Custom House at Greenock, Scotland, (painting), 1828 1.8%
    20. Moonlight and Lighthouse, 1836 this painting 0.0%

    Together these works take 68.2% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 173 works by this artist, of which 37 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank.

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Robert W. Salmon

    Born in Whitehaven, United Kingdom

    Early Life and Artistic Training

    Origins: Salmon was born Robert Salomon to Francis Salomon, a jeweler. Whitehaven's bustling port provided an early influence on his artistic development.

    Early Influences: His training is not extensively documented but it’s believed he studied Dutch marine painters of the 17th century, Italian vedute artists, and Claude Lorrain.

    Early Works: His earliest known works, “Two Armed Merchantmen Leaving Whitehaven Harbor” (1800) and “The ‘Estridge’ off Dover,” demonstrate his early skill in capturing maritime scenes.

    Royal Academy Debut: Salmon first exhibited at the Royal Academy in 1802, marking a significant step in his career.

    Career Development and Style

    Move to Liverpool (1806): Salmon settled in Liverpool and changed his name to Salmon. This period saw him produce numerous marine paintings now housed in the National Maritime Museum in London.

    Ship Portraits: His ship portraits reveal a deep familiarity with sailing ships and their mechanics, often depicting the same vessel from multiple angles on a single canvas.

    Popularity & Collectors: Salmon's work gained popularity among prominent Bostonians like Samuel Cabot, Robert Bennett Forbes, and John Newmarch Cushing, indicating his growing recognition in America.

    Luminism Pioneer: He is considered a key figure in the development of American Luminism, influencing artists like William Bradford and Fitz Henry Lane. His emphasis on light and atmosphere created serene and tranquil scenes.

    Notable Works and Artistic Significance

    Key Paintings: Some of Salmon's most recognized works include "The Brig 'Ariel'," "Sailing Ship 'Trelawney'," and “View of Liverpool from Cheshire.” These paintings exemplify his skill in capturing the beauty and complexity of sailing vessels.

    Boston Harbor Series: He produced a significant body of work depicting Boston Harbor, showcasing maritime life and historical Boston. “Boston Harbor from Castle Island (Ship Charlotte)” is a notable example.

    Influence on American Art: Salmon's style profoundly influenced subsequent generations of American seascape painters, contributing to the development of Luminism as an important artistic movement.

    Legacy and Recognition

    Museum Holdings: Salmon’s works are held in prestigious institutions including the U.S. Naval Academy, Museum of Fine Arts, Boston, and the National Maritime Museum, Greenwich.

    Lasting Impact: His paintings continue to inspire artists today, serving as a testament to his skill and artistry.

    Father of American Luminism: Salmon’s legacy is firmly established as a pioneer of American Luminism, leaving an indelible mark on the art world.

    Where to read more

    • The artist Robert W. Salmon originaluniqueart.com/en/artists/robert-w-salmon/
    • Similar works More works to compare originaluniqueart.com/en/art/similar/robert-w-salmon-moonlight-and-lighthouse-8CEGQL-en/

    Find this online

    QR code linking to the download page for Moonlight and Lighthouse

    originaluniqueart.com/en/art/download/robert-w-salmon-moonlight-and-lighthouse-8CEGQL-en/

    Cite this artwork

    MLA
    Salmon, Robert W.. Moonlight and Lighthouse. 1836, https://originaluniqueart.com/en/art/robert-w-salmon-moonlight-and-lighthouse-8CEGQL-en/
    APA
    Salmon, Robert W. (1836). Moonlight and Lighthouse [Painting]. https://originaluniqueart.com/en/art/robert-w-salmon-moonlight-and-lighthouse-8CEGQL-en/
    Chicago
    Robert W. Salmon. Moonlight and Lighthouse. 1836. https://originaluniqueart.com/en/art/robert-w-salmon-moonlight-and-lighthouse-8CEGQL-en/
    Harvard
    Salmon, Robert W. (1836) Moonlight and Lighthouse. Available at: https://originaluniqueart.com/en/art/robert-w-salmon-moonlight-and-lighthouse-8CEGQL-en/

    Look closely

    Moonlight and Lighthouse — Robert W. Salmon

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Dismal Swamp Canal (1830), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Robert W. Salmon was about 61 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Who is the artist behind "Moonlight and Lighthouse"?

    "Moonlight and Lighthouse" is attributed to Robert W. Salmon.

    When was "Moonlight and Lighthouse" made?

    "Moonlight and Lighthouse" by Robert W. Salmon was created in 1836.

    Why is the copyright status of "Moonlight and Lighthouse" what it is?

    "Moonlight and Lighthouse" by Robert W. Salmon is in the public domain - its copyright has expired. Copyright terms are measured from the artist's death, and Robert W. Salmon died in 1845.

    What saturation and intensity does "Moonlight and Lighthouse" by Robert W. Salmon show?

    "Moonlight and Lighthouse" by Robert W. Salmon is recorded with a subtle color saturation and a balanced intensity.

    Is a download available for "Moonlight and Lighthouse"?

    The image of "Moonlight and Lighthouse" by Robert W. Salmon can be downloaded from the artwork's Download page: a high-resolution digital image download.

    Where can I buy a print of "Moonlight and Lighthouse" by Robert W. Salmon?

    A print of "Moonlight and Lighthouse" by Robert W. Salmon can be ordered directly on this page: a fine art print on cotton canvas or archival canvas paper.

    How old was Robert W. Salmon when creating "Moonlight and Lighthouse" in 1836?

    Robert W. Salmon was 61 years old when creating "Moonlight and Lighthouse" in 1836. The age is computed from the artist's birth year, 1775.