Paper

Student Artwork Guide

1554 Walnut Avenue

Name Class Date

Robert Priseman, 1554 Walnut Avenue (2011), Swindon Art Gallery. Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
Robert Priseman originaluniqueart.com/en/artists/robert-priseman/
Artist’s dates
1965 – ?
Painted
2011
Original size
7 x 6 cm
Held at
Swindon Art Gallery originaluniqueart.com/en/museums/swindon-art-gallery-swindon/

In context

1554 Walnut Avenue — Robert Priseman

How big is it?

The original measures 7 × 6 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1960
  2. 1970
  3. 1980
  4. 1990
  5. 2000
  6. 2010

Shaded: the lifetime of Robert Priseman (1965–?) ▲ this work, 2011

Compare with

  • Helen Fowler originaluniqueart.com/en/art/robert-priseman-helen-fowler-D5GLSM-en/
  • Marie Porter originaluniqueart.com/en/art/robert-priseman-marie-porter-D5GLRQ-en/
  • Marilyn Plantz originaluniqueart.com/en/art/robert-priseman-marilyn-plantz-D5GLQP-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/robert-priseman-1554-walnut-avenue-AQSGZX-en/

Colours

Measured from the image

    Main colour

    Espresso #37322b

    Catalogued palette

    • #37322B
    • #999FA4
    • #FEFEFE
    • #646065
    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Espresso
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    Robert Priseman

    Robert Priseman: A Life in Provocative Art

    Robert Priseman (born 1965) is a British artist, collector, writer, curator and publisher who lives and works in Essex, England. His career spans diverse artistic pursuits, marked by a consistent engagement with challenging socio-political themes and a dedication to fostering dialogue within the contemporary art landscape.

    Early Life and Artistic Beginnings

    Priseman’s academic foundation was laid at the University of Essex, where he studied Aesthetics and Art Theory under the influential Professor Michael Podro. This theoretical grounding profoundly shaped his artistic approach. He began his professional life as a book designer for Longman Publishers (1989-1992), concurrently developing his skills as a portrait painter in oils. During this period, he created portraits of notable figures including the Dalai Lama, Phil Collins, Jeremy Paxman and Cardinal Basil Hume. These early works are held in prestigious collections such as the Royal Collection at Windsor Castle and Corpus Christi College Cambridge.

    A Shift Towards Thematic Exploration

    In 2004, Priseman underwent a significant artistic shift, abandoning portraiture to embark on thematic series designed to provoke thought and engage viewers in critical discussions. This marked the beginning of his most recognized work, characterized by its unflinching exploration of difficult subjects.

    Major Series and Artistic Themes

    The Hospital Paintings: Early explorations into institutional spaces and their psychological impact.

    Subterraneans: Investigations into hidden worlds and marginalized communities.

    The Francis Bacon Interiors: A deeply personal series depicting the Paris hotel room where George Dyer, Bacon’s lover, committed suicide, the hospital room where Bacon died, and his studios – a poignant exploration of grief, loss, and artistic creation.

    No Human Way to Kill: Perhaps Priseman's most impactful work, this series presents the five methods of execution used in the USA (hanging, firing squad, gassing, lethal injection, and electrocution), alongside etchings detailing other global practices. It argues that execution is a socially constructed act.

    The Troubles: A powerful reflection on the conflict in Northern Ireland.

    Nazi Gas Chambers: An unflinching confrontation with the horrors of the Holocaust.

    Championing Contemporary British Painting

    Priseman’s commitment extends beyond his own artistic practice. In 2013, he co-founded Contemporary British Painting with artist Simon Carter – a platform dedicated to promoting and contextualizing current painting practices in the UK through exhibitions, talks, publications, and an art prize. He also established ‘east contemporary art’ at University Campus Suffolk.

    Collecting and Philanthropy

    Priseman is an avid collector of British paintings, owning the “Priseman Seabrook Collection of 21st Century British Painting,” which debuted at Huddersfield Art Gallery in 2014. In 2013, he generously donated ‘The Robert Priseman Gift’ – a collection of twenty paintings by contemporary British artists – to Falmouth Art Gallery.

    Academic and Professional Recognition

    Priseman's contributions have been recognized through several academic appointments: Fellow at the Human Rights Centre, University of Essex (2010); Visiting Professor in Fine Art at the Department of Art and Humanities, University Campus Suffolk (2015); and a Visiting Research Fellow at the University of Leeds (2017).

    Legacy and Historical Significance

    With over 200 works held in major international collections – including the V&A, Museum der Moderne Salzburg, Art Gallery of New South Wales, Musée de Louvain la Neuve, and the National Galleries of Scotland – Robert Priseman has established himself as a significant voice in contemporary British art. His willingness to confront difficult subjects, combined with his dedication to supporting other artists and fostering critical dialogue, ensures his lasting impact on the artistic landscape.

    Museum

    Swindon Art Gallery

    On show in Swindon, United Kingdom

    A Modernist Sanctuary in the Heart of Swindon

    Stepping into the

    Museum & Art Swindon

    is an experience of architectural grace and historical resonance. Housed within the striking 1938

    Moderne

    structure of the Civic Offices, the museum offers a sanctuary where the geometric optimism of the mid-twentieth century meets the profound depth of British artistic heritage. The building itself, a Grade II listed masterpiece of red brick and reinforced concrete, serves as more than just a container for art; its symmetrical bays and elegant lines provide a rhythmic backdrop that echoes the structured yet expressive nature of the works held within. For the discerning visitor or interior designer seeking inspiration, the museum’s very walls whisper stories of industrial progress and aesthetic refinement.

    The soul of the gallery lies in its remarkable collection, a curated journey through the evolution of British Modernism. The legacy of the

    Bomford Foundation

    , established in 1944, provides a cornerstone of unparalleled significance, offering intimate encounters with luminaries such as

    L.S. Lowery

    and

    Ben Nicholson

    . These works do not merely hang on walls; they breathe life into the space, inviting contemplation through their masterful use of form, texture, and light. The collection seamlessly weaves together the raw energy of mid-century painting with the delicate precision of studio pottery and the evocative power of photography, creating a panoramic view of an era that redefined how we perceive the world around us.

    Beyond its foundational treasures, the museum thrives as a living, breathing entity that bridges the gap between historical mastery and contemporary vision. The galleries frequently host exhibitions that explore the complex intersections of

    British Surrealism

    and

    Abstract Expressionism

    , challenging viewers to find meaning in the relationship between humanity and the natural landscape. By spotlighting emerging talents alongside established masters like

    Graham Sutherland

    and

    Paul Nash

    , the museum fosters a continuous dialogue between the past and the present. This commitment to artistic evolution ensures that every visit offers a fresh perspective, making Museum & Art Swindon an essential destination for those who find beauty in the interplay of memory, perception, and the enduring power of the creative spirit.

    Where to read more

    • The artist Robert Priseman originaluniqueart.com/en/artists/robert-priseman/
    • The museum Swindon Art Gallery originaluniqueart.com/en/museums/swindon-art-gallery-swindon/
    • Similar works More works to compare originaluniqueart.com/en/art/similar/robert-priseman-1554-walnut-avenue-AQSGZX-en/

    Find this online

    QR code linking to the download page for 1554 Walnut Avenue

    originaluniqueart.com/en/art/download/robert-priseman-1554-walnut-avenue-AQSGZX-en/

    Cite this artwork

    MLA
    Priseman, Robert. 1554 Walnut Avenue. 2011, Swindon Art Gallery. https://originaluniqueart.com/en/art/robert-priseman-1554-walnut-avenue-AQSGZX-en/
    APA
    Priseman, Robert (2011). 1554 Walnut Avenue [Painting]. Swindon Art Gallery. https://originaluniqueart.com/en/art/robert-priseman-1554-walnut-avenue-AQSGZX-en/
    Chicago
    Robert Priseman. 1554 Walnut Avenue. 2011. Swindon Art Gallery. https://originaluniqueart.com/en/art/robert-priseman-1554-walnut-avenue-AQSGZX-en/
    Harvard
    Priseman, Robert (2011) 1554 Walnut Avenue. Swindon Art Gallery. Available at: https://originaluniqueart.com/en/art/robert-priseman-1554-walnut-avenue-AQSGZX-en/

    Look closely

    1554 Walnut Avenue — Robert Priseman

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Helen Fowler, earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Robert Priseman was about 46 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.