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Student Artwork Guide

Self Portrait

Name Class Date

Richard Augustus Clack, Self Portrait (1851), Royal Albert Memorial Museum. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Richard Augustus Clack originaluniqueart.com/en/artists/richard-augustus-clack/
Artist’s dates
1801 – 1880
Painted
1851
Original size
77 x 64 cm
Held at
Royal Albert Memorial Museum originaluniqueart.com/en/museums/royal-albert-memorial-museum-exeter/

In context

Self Portrait — Richard Augustus Clack

How big is it?

The original measures 77 × 64 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1800
  2. 1810
  3. 1820
  4. 1830
  5. 1840
  6. 1850
  7. 1860
  8. 1870
  9. 1880

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 79 at death.

Painted when the artist was 50. The artist lived to 79. 5 of the 9 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Richard Augustus Clack (1801–1880) ▲ this work, 1851 every dated painting, decade by decade

First works: up to 1841 Main working years: 1841–1853 Late works: from 1853

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/richard-augustus-clack-self-portrait-AQU6UN-en/

Colours

Measured from the image

    Main colour

    Espresso #412820

    Catalogued palette

    • #412820
    • #925D2B
    • #211D1D
    • #D49F56

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Espresso
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Richard Augustus Clack over the last twelve months — 2 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 80.0%400 visits
    2. 2 United Kingdom 20.0%100 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 4 most looked-at works by Richard Augustus Clack

    1. 1 William Wills Hooper (1807–1872), Mayor of Exeter (1850–1852), 1853 40.0%200 visits
    2. 2 Major General Alfred Richards (1781–1852), CB, Colonel Commandant 31st Bengal Native Infantry, 1841 40.0%200 visits
    3. 3 A Landscape, 1825 20.0%100 visits
    4. — Self Portrait, 1851 this painting 0.0%0 visits

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 11 works by this artist, of which 3 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Self Portrait — Richard Augustus Clack

    The Royal Albert Memorial Museum in Exeter, United Kingdom, is home to a fascinating oil on canvas painting, Self Portrait, created by Richard Augustus Clack in 1851. This captivating artwork measures 77 x 64 cm and showcases the artist's remarkable skill in capturing his own likeness.

    The subject of the painting, Richard Augustus Clack, is depicted wearing a suit and tie, with a beard and mustache that lend an air of sophistication to his overall demeanor. His direct gaze seems to engage the viewer, inviting them to ponder the depths of his personality. The frame surrounding the painting adds an artistic touch, elevating the piece to a level of refined elegance.

    Artistic Significance

    Richard Augustus Clack's Self Portrait is a testament to his mastery of oil on canvas. The painting's attention to detail and the artist's ability to convey his own character make it a remarkable work of art. For those interested in exploring more of Clack's works, https://AllPaintingsStore.com offers a range of handmade oil painting reproductions, including his notable piece, Self Portrait by Sir Joshua Reynolds in the Robes of a DCL Oxford.

    Comparison with Other Artists

    Other notable artists, such as Rembrandt Van Rijn, have also created iconic self-portraits that showcase their artistic prowess. Rembrandt Van Rijn's Self-portrait detalj ng washington is a prime example of his skill in capturing the subtleties of human expression. Similarly, Luis Ricardo Falero's works, like Faust's Vision, demonstrate a unique blend of fantasy and reality. These artists' styles and techniques can be explored further through https://AllPaintingsStore.com's extensive collection of handmade oil painting reproductions.

    View Richard Augustus Clack's Self Portrait at /en/art/show/art-aqu6un-en/

    Discover more about Royal Albert Memorial Museum and its collection

    Explore https://AllPaintingsStore.com's range of handmade oil painting reproductions, including works by Rembrandt Van Rijn and Luis Ricardo Falero

    The artistic value of Richard Augustus Clack's Self Portrait lies in its ability to capture the essence of the artist's personality, making it a compelling piece for art enthusiasts and collectors alike. Through https://AllPaintingsStore.com, art lovers can experience the beauty and significance of this painting, as well as other notable works by renowned artists.

    Artist and museum

    Artist

    Richard Augustus Clack

    Richard Augustus Clack: A Pioneer of Victorian Symbolism

    Richard Augustus Clack (1801-1880) stands as a quietly significant figure in 19th-century British art, a master of evocative landscapes and psychologically astute portraits who often operated outside the mainstream artistic circles of his time. Born into a modest family in London, Clack’s early life offered little indication of the profound impact he would eventually have on the visual language of his era. While not widely celebrated during his lifetime, a closer examination of his oeuvre reveals a sophisticated artist deeply influenced by Romanticism, Symbolism, and a keen observation of human nature – qualities that continue to resonate with viewers today.

    Clack’s artistic journey began modestly, initially apprenticed to a portrait painter in London. This foundational training instilled in him a solid understanding of technique and composition, but it was his exposure to the works of artists like Turner and Constable that truly ignited his creative spirit. Turner's atmospheric landscapes and Constable's ability to capture the subtle nuances of light profoundly shaped Clack’s approach to depicting the natural world. He quickly developed a distinctive style characterized by a rich palette, meticulous detail, and an almost preternatural sensitivity to mood and atmosphere. Unlike many of his contemporaries who focused on purely representational art, Clack sought to imbue his paintings with deeper meaning, often employing symbolic imagery to convey complex emotions and psychological states.

    The Language of Landscape

    Clack’s landscapes are arguably the most compelling aspect of his artistic output. He wasn't simply rendering scenes; he was translating feelings onto canvas. His depictions of the English countryside – from rolling hills and dramatic coastlines to serene woodlands and misty moorlands – are imbued with a palpable sense of melancholy, introspection, and spiritual yearning. He frequently utilized atmospheric perspective—a technique borrowed from Turner—to create a profound sense of depth and distance, drawing the viewer into the heart of his compositions. His use of color is particularly noteworthy; he favored muted tones of grey, blue, and green, often juxtaposing them with flashes of vibrant crimson or gold to heighten the emotional impact of his work.

    Furthermore, Clack’s landscapes are rarely devoid of symbolic elements. A solitary tree might represent isolation or resilience, a stormy sea could symbolize inner turmoil, and a winding path could embody the journey of life. These subtle yet potent symbols invite viewers to engage with the paintings on multiple levels, uncovering layers of meaning beyond the purely visual.

    Portraits of Character

    Alongside his landscapes, Clack produced a remarkable body of portraiture. He possessed an extraordinary ability to capture not just physical likeness but also the inner character and psychological state of his subjects. His portraits are often characterized by a sense of intimacy and vulnerability, as if he were peering directly into the souls of those he depicted. He avoided the conventional formality of many Victorian-era portraits, instead favoring a more relaxed and conversational style. His use of light and shadow is particularly effective in creating dramatic effects, highlighting key features and revealing subtle expressions.

    Notable among his portrait subjects are Mrs. Rhoda Richards, wife of Major General Alfred Richards, a commission that showcases Clack’s skill in capturing the dignity and grace of a prominent figure, and numerous self-portraits which offer intimate glimpses into the artist's own thoughts and emotions. These portraits demonstrate his ability to convey not just outward appearance but also inner life.

    Influence and Legacy

    Despite never achieving widespread fame during his lifetime, Richard Augustus Clack’s influence can be discerned in the works of later artists who embraced Symbolism and a more psychologically driven approach to painting. His emphasis on atmosphere, symbolism, and emotional depth paved the way for subsequent generations of British painters. His work is now recognized as a significant contribution to Victorian art, particularly within the context of landscape painting and psychological portraiture.

    Today, Clack’s paintings can be found in prestigious collections such as the Musée Richard Anacréon in Granville, France, and are increasingly appreciated for their quiet beauty, profound emotional resonance, and enduring artistic merit. His legacy lies not in grand pronouncements or public acclaim, but in the subtle yet powerful ways he captured the spirit of his time and continues to speak to our own.

    Museum

    Royal Albert Memorial Museum

    On show in Exeter, United Kingdom

    A Gothic Jewel in the Heart of Exeter

    Nestled within the historic heart of Exeter, the

    Royal Albert Memorial Museum

    stands as a breathtaking testament to Victorian ambition and an enduring beacon of cultural significance. To approach its imposing facade is to encounter a masterpiece of

    Gothic Revival

    architecture, where the rich, warm hues of local New Red Sandstone create an atmosphere of solemn beauty and scholarly contemplation. Designed by the visionary John Hayward, the building itself serves as a profound dialogue between the past and the present. Its soaring walls, intricate carvings, and delicate rose windows evoke the grandeur of medieval cathedrals, offering a sanctuary for those seeking refuge in art and history.

    This magnificent structure is far more than a mere repository for artifacts; it is a living, breathing monument that whispers tales of Exeter’s evolution. Having once served as the very cradle for the city's university, library, and college of art, the museum carries a legacy of intellectual growth. The architecture itself, characterized by its heavy doors and meticulous craftsmanship, invites visitors into a world where the boundaries between natural history, archaeology, and fine art dissolve into a single, cohesive narrative.

    A Tapestry of Human Achievement and Natural Wonder

    Stepping through its threshold, one enters a meticulously curated world where centuries collide. The museum’s collection is a vast tapestry of human achievement, encompassing over one million objects that span millennia and continents. For the discerning art lover or collector, the galleries offer an exquisite journey through the evolution of British creativity. The halls are graced by the masterful strokes of

    Gilded Age legends

    such as Gainsborough and Reynolds, alongside the evocative works of Joseph Wright of Derby. As one wanders deeper, the narrative shifts seamlessly into the twentieth century, where the bold innovations of Walter Sickert, the sculptural prowess of Barbara Hepworth, and the vibrant abstractions of Patrick Heron invite a more modern, visceral engagement.

    Beyond the fine arts, the museum offers a profound connection to the natural world and the archaeological mysteries of the earth. The collections are as diverse as they are deep, providing an intellectual landscape where a single visit can transport a visitor from the ancient depths of the ocean to the refined elegance of a Victorian drawing room. Notable highlights include:

    The Percy Sladen echinoderm collection

    , which provides a window into the hidden wonders of marine biology.

    Significant

    textile and costume collections

    , offering a delicate glimpse into the sartorial history of eras gone by.

    Fascinating geological finds and archaeological treasures that reveal the deep history of the region.

    A Modern Marvel of Cultural Connection

    What truly distinguishes the Royal Albert Memorial Museum is its unwavering commitment to accessibility and its role as a dynamic cultural hub. Following a transformative £24 million redevelopment, the museum has emerged as a modern marvel that balances historical charm with state-of-the-art exhibition spaces. It remains a place where notable exhibitions—ranging from the romanticism of the past to the cutting-edge sculpture of today—continually ignite curiosity and inspire new generations of designers and thinkers.

    For the interior designer seeking inspiration in form and color, or the art enthusiast searching for a moment of quiet reflection, the museum offers an unparalleled experience. It is a place where Devon's rich heritage intertwines with global artistic excellence, ensuring that every corner turned reveals a new, breathtaking discovery. In this intersection of anthropology, zoology, and fine art, the museum continues to serve as a vital sanctuary for the soul of Exeter.

    Where to read more

    Find this online

    QR code linking to the download page for Self Portrait

    originaluniqueart.com/en/art/download/richard-augustus-clack-self-portrait-AQU6UN-en/

    Cite this artwork

    MLA
    Clack, Richard Augustus. Self Portrait. 1851, Royal Albert Memorial Museum. https://originaluniqueart.com/en/art/richard-augustus-clack-self-portrait-AQU6UN-en/
    APA
    Clack, Richard Augustus (1851). Self Portrait [Painting]. Royal Albert Memorial Museum. https://originaluniqueart.com/en/art/richard-augustus-clack-self-portrait-AQU6UN-en/
    Chicago
    Richard Augustus Clack. Self Portrait. 1851. Royal Albert Memorial Museum. https://originaluniqueart.com/en/art/richard-augustus-clack-self-portrait-AQU6UN-en/
    Harvard
    Clack, Richard Augustus (1851) Self Portrait. Royal Albert Memorial Museum. Available at: https://originaluniqueart.com/en/art/richard-augustus-clack-self-portrait-AQU6UN-en/

    Look closely

    Self Portrait — Richard Augustus Clack

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Portrait of a Young Man (1824), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Richard Augustus Clack was about 50 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Which museum holds the original "Self Portrait"?

    "Self Portrait" by Richard Augustus Clack is on display at the Royal Albert Memorial Museum, Exeter, United Kingdom. The museum listing refers to the original work, not to reproductions.

    Is "Self Portrait" by Richard Augustus Clack a portrait, landscape or square composition?

    "Self Portrait" by Richard Augustus Clack is a portrait composition. The proportions are worth checking before choosing a print size.

    Is "Self Portrait" by Richard Augustus Clack in the public domain, and why?

    "Self Portrait" by Richard Augustus Clack is in the public domain - its copyright has expired. Copyright terms are measured from the artist's death, and Richard Augustus Clack died in 1880.