Paper

Student Artwork Guide

Tremadoc

Name Class Date

Raymond James Coxon, Tremadoc (1938), Ferens Art Gallery. Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
Raymond James Coxon originaluniqueart.com/en/artists/raymond-james-coxon/
Artist’s dates
1896 – 1997
Painted
1938
Original size
54 x 64 cm
Held at
Ferens Art Gallery originaluniqueart.com/en/museums/ferens-art-gallery-hull/

In context

Tremadoc — Raymond James Coxon

How big is it?

The original measures 54 × 64 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960
  9. 1970
  10. 1980
  11. 1990

Shaded: the lifetime of Raymond James Coxon (1896–1997) ▲ this work, 1938

Compare with

  • Playing Marbles, 1928 originaluniqueart.com/en/art/raymond-james-coxon-playing-marbles-AQSE2Z-en/
  • Midday, 1927 originaluniqueart.com/en/art/raymond-james-coxon-midday-AQSE37-en/
  • Dewpond, Surrey, 1929 originaluniqueart.com/en/art/raymond-james-coxon-dewpond-surrey-AQSE35-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/raymond-james-coxon-tremadoc-AQSE3H-en/

Colours

Measured from the image

    Main colour

    Phthalo Green #2a3032

    Catalogued palette

    • #2A3032
    • #CDCFCC
    • #90928B
    • #706C4C
    Main colour name
    Phthalo Green
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Tremadoc — Raymond James Coxon

    The painting Tremadoc is a stunning example of the artistic skill of Raymond James Coxon, a British artist known for his landscape and portrait paintings. Created in 1938, this oil on canvas piece measures 54 x 64 cm and is currently housed at the Ferens Art Gallery in Kingston Upon Hull, United Kingdom.

    Artistic Style and Technique

    Raymond James Coxon's style is characterized by his use of bold colors and brushstrokes, which are evident in Tremadoc. The painting depicts a small town with red roof houses situated in front of a large mountain, surrounded by lush green hills. The artist's attention to detail and ability to capture the essence of a scene are notable features of his work. Key Features of the painting include:

    The use of warm colors to create a sense of coziness and tranquility

    The depiction of everyday life in the town, with people walking and cars parked on the street

    The majestic mountain landscape in the background, which adds depth and perspective to the painting

    Artist's Background and Inspiration

    Raymond James Coxon was a British artist who enrolled at the Leeds School of Art and the Royal College of Art. He became a teacher in the Richmond School of Art and had a long and successful career, creating landscape and portrait paintings, abstract works, and more. His inspiration for Tremadoc may have come from his love of nature and his desire to capture the beauty of the Welsh countryside. For more information on Raymond James Coxon and his work, visit https://AllPaintingsStore.com/@/Raymond-James-Coxon. To learn more about the Ferens Art Gallery, check out /art/list/?Filter=A@D3BNFF-Ferens-Art-Gallery:-A-Hidden-Gem-in-Kingston-Upon-Hull-United-Kingdom.

    The painting Tremadoc is a must-see for art lovers and those interested in the work of Raymond James Coxon. Its beauty and charm make it a standout piece in the collection of the Ferens Art Gallery.

    Artist and museum

    Artist

    Raymond James Coxon

    Born in Hanley, United Kingdom

    A Century of Vision: The Life and Legacy of Raymond James Coxon

    The history of twentieth-century British art is often told through the lens of sudden movements and radical shifts, yet few lives embody the enduring spirit of artistic evolution as profoundly as that of Raymond James Coxon. Born in Hanley, Staffordshire, in 1896, Coxon’s journey was one of remarkable longevity and stylistic breadth, spanning nearly a full century of creative exploration. His life was shaped by the tumultuous tides of history, from the harrowing experiences of the Great War to the quiet, contemplative moments of post-war reconstruction. This vast temporal canvas allowed him to witness—and participate in—the transformation of the British aesthetic landscape, moving from the rigorous classical foundations of his youth toward a more nuanced and experimental modernism.

    Coxon’s artistic identity was forged in the prestigious halls of the Leeds School of Art and the Royal College of Art. It was during these formative years that he developed a deep-seated respect for technical mastery, a trait nurtured under the guidance of influential figures such as Sir William Rothenstein. His early academic achievements were nothing short of ambitious; his diploma submission, a monumental mural inspired by Masaccio’s Expulsion from Paradise, revealed a young artist capable of grappling with grand, classical narratives and complex human emotion. This period was also marked by significant social connections, most notably a friendship with the legendary sculptor Henry Moore, which placed Coxon within a vibrant circle of artists who would redefine the boundaries of British sculpture and painting.

    From the Battlefield to the Canvas

    The trajectory of Coxon’s career was irrevocately altered by his service in the Machine Gun Corps during World War I. While the conflict brought immense hardship, it also provided a unique, visceral perspective that would forever inform his observational skills. Serving within the cavalry section, Coxon utilized watercolor miniatures to document the fleeting, often brutal realities of the front lines. These small-scale works served as intimate windows into a world in chaos, demanding a precision and an ability to capture atmosphere that would later become hallmarks of his broader repertoire. This period of documentation instilled in him a profound sense of the importance of the "moment"—the ability to freeze time through the tip of a brush.

    As the decades progressed, Coxon’s work began to reflect a fascinating departure from purely representational forms. While he remained deeply rooted in the traditions of landscape and portraiture, there was an unmistakable pull toward abstraction. His landscapes, such as the evocative Dewpond, Surrey, demonstrate a masterful command over light and topography, yet they also hint at a deeper, more structural understanding of the natural world. Similarly, his portraits, exemplified by the elegant Model Resting, showcase a sophisticated use of tone and form to convey character and presence, blending the classical discipline of his training with a modern sensibility for texture and space.

    An Enduring Artistic Impression

    The significance of Raymond James Coxon lies not only in the breadth of his subject matter but in his ability to remain relevant across shifting artistic epochs. His oeuvre serves as a bridge between the traditionalist values of the late Victorian era and the experimental spirit of the mid-twentieth century. Whether capturing the rugged beauty of Tremadoc or exploring the complexities of the human figure, Coxon’s work remains anchored by a sincere commitment to the craft of painting.

    To reflect on his life is to trace the evolution of British art itself:

    Technical Mastery: A foundation built upon classical principles and rigorous academic training.

    Historical Witness: An artist whose vision was sharpened by the direct experience of global conflict.

    Stylistic Versatility: A seamless transition from detailed watercolor miniatures to bold, abstract explorations.

    Lasting Influence: A legacy defined by a lifelong dedication to observing and interpreting the world around him.

    Through his landscapes, portraits, and abstract experiments, Coxon left behind a body of work that continues to resonate with those seeking the intersection of historical depth and timeless beauty.

    Museum

    Ferens Art Gallery

    On show in Hull, United Kingdom

    A Legacy Etched in Hull: The Soul of Ferens Art Gallery

    Nestled within the vibrant coastal embrace of Hull, United Kingdom, the

    Ferens Art Gallery

    stands as a profound testament to the transformative power of beauty and the enduring legacy of human creativity. To step through its doors is to embark on a journey that transcends time, moving seamlessly from the meticulous precision of the Old Masters to the evocative abstractions of the modern era. Established in 1927 by the visionary industrialist

    Thomas Robinson Ferens

    , the gallery was born from a philanthropic dream to democratize art, ensuring that the treasures of the past and present remain accessible to all. It is not merely a repository for canvas and pigment; it is a living narrative of cultural evolution, where every brushstroke whispers stories of maritime adventure, societal shifts, and the eternal quest for aesthetic truth.

    The collection itself is a breathtaking tapestry of European excellence, anchored by works that define entire epochs. Visitors are often captivated by the gallery’s exceptional holdings in

    Dutch and Flemish art

    , where the masterful manipulation of light and shadow creates an almost tactile reality. One cannot help but feel the pulse of human emotion in the dynamic portraiture of

    Frans Hals

    , whose ability to capture a fleeting glance or a subtle smile remains unparalleled. This dialogue with light continues through the luminous Venetian landscapes of

    Canaletto

    , whose atmospheric perspectives transport the viewer to sun-drenched canals and bustling piazzas. For those drawn to the sea, the gallery’s collection of British Marine paintings offers a poignant connection to Hull’s own seafaring heritage, presenting dramatic scenes of naval life and the formidable, unpredictable force of the ocean.

    Beyond the classical splendors, the Ferens Art Gallery serves as a vital bridge to the 20th century and beyond. The halls resonate with the stylistic shifts of Impressionism and the intellectual rigors of Conceptual Art, featuring works by luminaries such as

    Frederic Lord Leighton

    ,

    Stanley Spencer

    , and the contemporary provocations of

    Helen Chadwick

    and

    Gillian Wearing

    . This curated tension between tradition and innovation makes the gallery a sanctuary for both the seasoned art historian and the modern collector seeking inspiration. The museum’s ability to host significant temporary exhibitions—ranging from explorations of the Royal Collection to celebrated features on artists like Francis Bacon—ensures that the gallery remains a dynamic, breathing entity within the global art discourse.

    The architectural experience of the gallery is as much a part of the art as the paintings themselves. The building, a

    Grade II listed structure

    , exudes an understated grandeur and a sense of tranquil permanence. Following a significant restoration and extension in 1991 and a major £4.5 million makeover in preparation for the 2017 Turner Prize, the space has been transformed into a light-filled sanctuary designed for deep contemplation. The spacious galleries allow expansive canvases to breathe, while the architectural harmony of the building provides a serene backdrop that encourages visitors to linger. Whether wandering through the quietude of the permanent collections or engaging with the lively atmosphere of the children's gallery and cafe, one finds that the Ferens Art Gallery is more than a destination; it is an immersive experience where history, art, and architecture converge to inspire a lifelong passion for the sublime.

    Where to read more

    Find this online

    QR code linking to the download page for Tremadoc

    originaluniqueart.com/en/art/download/raymond-james-coxon-tremadoc-AQSE3H-en/

    Cite this artwork

    MLA
    Coxon, Raymond James. Tremadoc. 1938, Ferens Art Gallery. https://originaluniqueart.com/en/art/raymond-james-coxon-tremadoc-AQSE3H-en/
    APA
    Coxon, Raymond James (1938). Tremadoc [Painting]. Ferens Art Gallery. https://originaluniqueart.com/en/art/raymond-james-coxon-tremadoc-AQSE3H-en/
    Chicago
    Raymond James Coxon. Tremadoc. 1938. Ferens Art Gallery. https://originaluniqueart.com/en/art/raymond-james-coxon-tremadoc-AQSE3H-en/
    Harvard
    Coxon, Raymond James (1938) Tremadoc. Ferens Art Gallery. Available at: https://originaluniqueart.com/en/art/raymond-james-coxon-tremadoc-AQSE3H-en/

    Look closely

    Tremadoc — Raymond James Coxon

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Playing Marbles (1928), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Raymond James Coxon was about 42 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.