Paper

Student Artwork Guide

Convoy

Name Class Date

Raymond James Coxon, Convoy (1942). Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Raymond James Coxon originaluniqueart.com/en/artists/raymond-james-coxon/
Artist’s dates
1896 – 1997
Painted
1942
Original size
61 x 51 cm

In context

Convoy — Raymond James Coxon

How big is it?

The original measures 61 × 51 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960
  9. 1970
  10. 1980
  11. 1990

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 101 at death.

Painted when the artist was 46. The artist lived to 101. 13 of the 16 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Raymond James Coxon (1896–1997) ▲ this work, 1942 every dated painting, decade by decade

First works: up to 1927 Main working years: 1927–1940 Late works: from 1940

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

  • Playing Marbles, 1928 originaluniqueart.com/en/art/raymond-james-coxon-playing-marbles-AQSE2Z-en/
  • Midday, 1927 originaluniqueart.com/en/art/raymond-james-coxon-midday-AQSE37-en/
  • Dewpond, Surrey, 1929 originaluniqueart.com/en/art/raymond-james-coxon-dewpond-surrey-AQSE35-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/raymond-james-coxon-convoy-AQSE3K-en/

Colours

Measured from the image

    Main colour

    Driftwood #8b7f5a

    Catalogued palette

    • #8B7F5A
    • #2D361B
    • #605B39
    • #B4A378

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Driftwood
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Raymond James Coxon over the last twelve months — 2 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 83.3%
    2. 2 Malaysia 16.7%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 7 most looked-at works by Raymond James Coxon

    1. 1 Cumberland, 1934 14.3%
    2. 2 Tremadoc, 1938 14.3%
    3. 3 Chrysanthemums, 1950 14.3%
    4. 4 Convoy, 1942 this painting 14.3%
    5. 5 Playing Marbles, 1928 14.3%
    6. 6 Crackpot Hill, Swaledale, 1940 14.3%
    7. 7 Muker Village, Swaledale 14.3%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 34 works by this artist, of which 7 were looked at at least once. This painting ranks 4 of them, with 14.3% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Raymond James Coxon

    Born in Hanley, United Kingdom

    A Century of Vision: The Life and Legacy of Raymond James Coxon

    The history of twentieth-century British art is often told through the lens of sudden movements and radical shifts, yet few lives embody the enduring spirit of artistic evolution as profoundly as that of Raymond James Coxon. Born in Hanley, Staffordshire, in 1896, Coxon’s journey was one of remarkable longevity and stylistic breadth, spanning nearly a full century of creative exploration. His life was shaped by the tumultuous tides of history, from the harrowing experiences of the Great War to the quiet, contemplative moments of post-war reconstruction. This vast temporal canvas allowed him to witness—and participate in—the transformation of the British aesthetic landscape, moving from the rigorous classical foundations of his youth toward a more nuanced and experimental modernism.

    Coxon’s artistic identity was forged in the prestigious halls of the Leeds School of Art and the Royal College of Art. It was during these formative years that he developed a deep-seated respect for technical mastery, a trait nurtured under the guidance of influential figures such as Sir William Rothenstein. His early academic achievements were nothing short of ambitious; his diploma submission, a monumental mural inspired by Masaccio’s Expulsion from Paradise, revealed a young artist capable of grappling with grand, classical narratives and complex human emotion. This period was also marked by significant social connections, most notably a friendship with the legendary sculptor Henry Moore, which placed Coxon within a vibrant circle of artists who would redefine the boundaries of British sculpture and painting.

    From the Battlefield to the Canvas

    The trajectory of Coxon’s career was irrevocately altered by his service in the Machine Gun Corps during World War I. While the conflict brought immense hardship, it also provided a unique, visceral perspective that would forever inform his observational skills. Serving within the cavalry section, Coxon utilized watercolor miniatures to document the fleeting, often brutal realities of the front lines. These small-scale works served as intimate windows into a world in chaos, demanding a precision and an ability to capture atmosphere that would later become hallmarks of his broader repertoire. This period of documentation instilled in him a profound sense of the importance of the "moment"—the ability to freeze time through the tip of a brush.

    As the decades progressed, Coxon’s work began to reflect a fascinating departure from purely representational forms. While he remained deeply rooted in the traditions of landscape and portraiture, there was an unmistakable pull toward abstraction. His landscapes, such as the evocative Dewpond, Surrey, demonstrate a masterful command over light and topography, yet they also hint at a deeper, more structural understanding of the natural world. Similarly, his portraits, exemplified by the elegant Model Resting, showcase a sophisticated use of tone and form to convey character and presence, blending the classical discipline of his training with a modern sensibility for texture and space.

    An Enduring Artistic Impression

    The significance of Raymond James Coxon lies not only in the breadth of his subject matter but in his ability to remain relevant across shifting artistic epochs. His oeuvre serves as a bridge between the traditionalist values of the late Victorian era and the experimental spirit of the mid-twentieth century. Whether capturing the rugged beauty of Tremadoc or exploring the complexities of the human figure, Coxon’s work remains anchored by a sincere commitment to the craft of painting.

    To reflect on his life is to trace the evolution of British art itself:

    Technical Mastery: A foundation built upon classical principles and rigorous academic training.

    Historical Witness: An artist whose vision was sharpened by the direct experience of global conflict.

    Stylistic Versatility: A seamless transition from detailed watercolor miniatures to bold, abstract explorations.

    Lasting Influence: A legacy defined by a lifelong dedication to observing and interpreting the world around him.

    Through his landscapes, portraits, and abstract experiments, Coxon left behind a body of work that continues to resonate with those seeking the intersection of historical depth and timeless beauty.

    Where to read more

    Find this online

    QR code linking to the download page for Convoy

    originaluniqueart.com/en/art/download/raymond-james-coxon-convoy-AQSE3K-en/

    Cite this artwork

    MLA
    Coxon, Raymond James. Convoy. 1942, https://originaluniqueart.com/en/art/raymond-james-coxon-convoy-AQSE3K-en/
    APA
    Coxon, Raymond James (1942). Convoy [Painting]. https://originaluniqueart.com/en/art/raymond-james-coxon-convoy-AQSE3K-en/
    Chicago
    Raymond James Coxon. Convoy. 1942. https://originaluniqueart.com/en/art/raymond-james-coxon-convoy-AQSE3K-en/
    Harvard
    Coxon, Raymond James (1942) Convoy. Available at: https://originaluniqueart.com/en/art/raymond-james-coxon-convoy-AQSE3K-en/

    Look closely

    Convoy — Raymond James Coxon

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Playing Marbles (1928), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Raymond James Coxon was about 46 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Where can I download "Convoy" by Raymond James Coxon?

    "Convoy" by Raymond James Coxon can be downloaded from the artwork's Download page, as a high-resolution digital image download.

    In what year was "Convoy" by Raymond James Coxon created?

    The creation of "Convoy" by Raymond James Coxon is dated 1942.

    Does "Convoy" show strong light-dark contrasts?

    The contrast level of "Convoy" by Raymond James Coxon is gentle.