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Student Artwork Guide

Still Life with Oranges

Name Class Date

Raphaelle Peale, Still Life with Oranges (1818), Toledo Museum of Art. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Raphaelle Peale originaluniqueart.com/en/artists/raphaelle-peale/
Artist’s dates
1774 – 1825
Painted
1818
Held at
Toledo Museum of Art originaluniqueart.com/en/museums/toledo-museum-of-art-toledo/

In context

Still Life with Oranges — Raphaelle Peale

When was this painted?

  1. 1770
  2. 1780
  3. 1790
  4. 1800
  5. 1810
  6. 1820

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 51 at death.

Painted when the artist was 44. The artist lived to 51. 34 of the 55 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Raphaelle Peale (1774–1825) ▲ this work, 1818 every dated painting, decade by decade

First works: up to 1805 Main working years: 1805–1819 Late works: from 1819

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/raphaelle-peale-still-life-with-oranges-8YE2R7-en/

Colours

Measured from the image

    Main colour

    Espresso #4a3226

    Catalogued palette

    • #4A3226
    • #875132
    • #181715
    • #D38242

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Espresso
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Raphaelle Peale over the last twelve months — 7 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 56.5%1,300 visits
    2. 2 Germany 17.4%400 visits
    3. 3 United States of America 8.7%200 visits
    4. 4 Argentina 4.3%100 visits
    5. 5 Canada 4.3%100 visits
    6. 6 Hong Kong 4.3%100 visits
    7. 7 Japan 4.3%100 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 19 most looked-at works by Raphaelle Peale

    1. 1 Still Life with Peach, 1816 16.7%400 visits
    2. 2 Portrait of a Gentleman, 1805 12.5%300 visits
    3. 3 Margaret George McGlathery (died about 1830) 8.3%200 visits
    4. 4 Orange and Book, 1817 4.2%100 visits
    5. 5 Melons and Morning Glories, 1813 4.2%100 visits
    6. 6 Melons and Morning Glories, 1813 4.2%100 visits
    7. 7 Still Life with Wine Glass, 1818 4.2%100 visits
    8. 8 George Fisher, 1795 4.2%100 visits
    9. 9 Still Life with Cake, 1818 4.2%100 visits
    10. 10 Still Life with Celery and Wind, 1816 4.2%100 visits
    11. 11 Robert Oliphant, 1799 4.2%100 visits
    12. 12 A Dessert, 1814 4.2%100 visits
    13. 13 Still Life with Grapes and Dish, 1814 4.2%100 visits
    14. 14 Still Life with Cake, 1822 4.2%100 visits
    15. 15 Cheese and Three Crakers, 1813 4.2%100 visits
    16. 16 Still Life with Apples, Sherry and Tea Cakke, 1822 4.2%100 visits
    17. 17 Strawberries and Cream, 1816 4.2%100 visits
    18. 18 Portrait of a Gentleman, 1800 4.2%100 visits
    19. — Still Life with Oranges, 1818 this painting 0.0%0 visits

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 58 works by this artist, of which 18 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Raphaelle Peale

    Born in Annapolis, United States of America

    The Pioneer of the American Still Life

    In the burgeoning landscape of early nineteenth-century American art, where portraiture reigned supreme as the primary vehicle for status and legacy, Raphaelle Peale dared to turn his gaze toward the quiet, often overlooked beauty of the inanimate. Born in Annapolis in 1774, Peale was not merely a painter but a pioneer who carved out a specialized niche that had previously been neglected in the young nation's artistic repertoire. As the son of the legendary Charles Willson Peale, his very existence was intertwined with the pulse of American scientific and artistic discovery. Growing up within the orbit of one of America’s most influential artistic dynasties, Raphaelle was immersed in an environment where meticulous observation was considered both a fine art and a scientific necessity.

    His early training was deeply rooted in this dual tradition of naturalism and craftsmanship. Under the watchful eye of his father, Peale learned to see the world through a lens of profound detail, a skill that would later become the hallmark of his mature style. While his siblings often pursued paths in medicine or natural history, Raphaelle channeled this inherited passion for documentation into the medium of oil on canvas. He did not merely seek to represent objects; he sought to elevate them. By focusing on the textures of fruit, the sheen of porcelain, and the subtle decay of organic matter, he brought a sense of permanence to the ephemeral, transforming simple kitchen items into subjects of high art.

    Mastery of Texture and Trompe l'oeil

    The true brilliance of Peale’s work lies in his technical command over light and surface. He became a master of trompe l'oeil—a technique designed to "deceive the eye"—creating illusions so convincing that viewers were often tempted to reach out and touch the depicted objects. His compositions, such as those featuring peaches, raisins, or fish, are studies in tactile reality. One can almost sense the velvety skin of a ripening peach or the cool, smooth surface of a ceramic jug through his masterful application of glaze and shadow.

    Peale’s stylistic development was significantly shaped by an awareness of European traditions, particularly the influence of Spanish masters who had long perfected the art of the still life. By blending this Old World sophistication with a uniquely American sensibility, he created works that felt both globally informed and locally grounded. His paintings often feature:

    Meticulous Detail: An unwavering commitment to capturing the minute imperfections of nature, from tiny blemishes on an apple to the delicate veins in a leaf.

    Dramatic Lighting: The use of chiaroscuro to pull subjects forward from dark, atmospheric backgrounds, lending each object a sculptural presence.

    Compositional Balance: A careful arrangement of elements that guides the viewer's eye through a silent, contemplative narrative of abundance and mortality.

    A Lasting Legacy in American Art

    Though his career was relatively brief, ending with his death in 1825, Raphaelle Peale’s impact on the trajectory of American art cannot be overstated. He broke the monopoly of portraiture, proving that the domestic and the naturalistic were worthy of the highest level of artistic devotion. In doing so, he laid the groundwork for generations of American still-life painters who would follow in his footsteps, exploring themes of abundance, decay, and the beauty of the everyday.

    Today, Peale is remembered not just as a member of a famous family, but as a singular talent who possessed the courage to find greatness in the small. His works remain vital testaments to a period of American history when the nation was still defining its visual identity. Through his brushes, the simple contents of a basket or the humble arrangement of a tabletop became enduring symbols of a burgeoning culture's ability to observe, appreciate, and immortalize the world around it.

    Museum

    Toledo Museum of Art

    On show in Toledo, United States of America

    A Legacy of Visionary Glass and Artistic Innovation

    The Toledo Museum of Art stands as a luminous beacon in Ohio’s cultural landscape, born from the profound conviction of Edward Drummond Libbey—a visionary glassmaker who believed that art should transcend social barriers to enrich every life. Established in 1901, the museum has maintained a steadfast commitment to accessibility through its enduring policy of free general admission, ensuring that generations of seekers can encounter the transformative power of visual culture. This institution is far more than a mere repository for masterpieces; it is a vibrant, breathing community hub where the historical weight of the past meets the experimental energy of the present. From its origins as a Greek Revival monument to its modern, light-filled expansions, the museum’s story is one of continuous evolution, mirroring the rich and complex tapestry of the global art history it preserves.

    The heart of the museum’s identity beats most vibrantly within its unparalleled holdings of glass art. This extraordinary narrative traces a path from the delicate whispers of ancient Mesopotamian artifacts to the bold, cutting-edge provocations of contemporary glasswork. This fascination was deeply personal for Libbey, whose passion for Venetian glassware laid the foundation for what would become one of the world's most significant glass collections. Visitors can witness the alchemy of light and form within the breathtaking Glass Pavilion, a structure designed by SANAA that seems to float effortlessly above the landscape. Here, the museum’s commitment to living craft is realized through hundreds of annual public glassblowing demonstrations, allowing art lovers to watch the raw, molten medium transform into delicate sculpture before their very eyes.

    A Dialogue Between Classical Grandeur and Modern Light

    To walk through the Toledo Museum of Art is to experience a profound architectural dialogue between tradition and innovation. The original structure, designed by Edward B. Green and Harry W. Wachter, serves as a stately homage to classical ideals, featuring an imposing facade and majestic Ionic columns that evoke the timelessness of antiquity. This sense of permanence provides a grounding force for the museum's more radical architectural achievements. In striking contrast, Frank Gehry’s Center for the Visual Arts introduces a dynamic, sculptural counterpoint, offering modern studio spaces and libraries that challenge the viewer's perception of form. The Glass Pavilion, with its curved, transparent walls, acts as the ultimate synthesis of these styles, creating an ethereal atmosphere where the boundaries between the interior gallery and the surrounding natural world dissolve into a singular, immersive experience.

    Beyond the brilliance of glass, the museum’s European paintings form a cornerstone of Western artistic heritage. The halls are graced by the dramatic religious fervor of Peter Paul Rubens’

    The Crowning of Saint Catherine

    and the playful, Rococo elegance found in Fragonard’s

    Blind Man’s Bluff

    . Collectors and enthusiasts will find themselves captivated by the spiritual depth of El Greco and the technical mastery of Rembrandt, works that offer windows into the profound psychological landscapes of previous centuries. This journey through time is further enriched by a significant American collection, showcasing the evolving narrative of a nation through the eyes of luminaries such as Monet, Degas, Cézanne, and Matisse, alongside modern masters like Picasso, Calder, and Bearden.

    For the interior designer or the dedicated art lover, the Toledo Museum of Art offers an endless source of inspiration, blending the monumental with the intimate. Whether one is contemplating the serene Impressionist landscapes of Renoir or exploring the complex, indigenous-inspired themes in the works of Francisco Toledo, the museum provides a sanctuary for aesthetic contemplation. It remains a living cultural center where the Peristyle concert hall echoes with the melodies of the Toledo Symphony Orchestra, ensuring that the museum’s mission—to foster a deep, multi-sensory appreciation for beauty—continues to resonate far beyond its magnificent walls.

    Where to read more

    • The artist Raphaelle Peale originaluniqueart.com/en/artists/raphaelle-peale/
    • The museum Toledo Museum of Art originaluniqueart.com/en/museums/toledo-museum-of-art-toledo/
    • Similar works More works to compare originaluniqueart.com/en/art/similar/raphaelle-peale-still-life-with-oranges-8YE2R7-en/

    Find this online

    QR code linking to the download page for Still Life with Oranges

    originaluniqueart.com/en/art/download/raphaelle-peale-still-life-with-oranges-8YE2R7-en/

    Cite this artwork

    MLA
    Peale, Raphaelle. Still Life with Oranges. 1818, Toledo Museum of Art. https://originaluniqueart.com/en/art/raphaelle-peale-still-life-with-oranges-8YE2R7-en/
    APA
    Peale, Raphaelle (1818). Still Life with Oranges [Painting]. Toledo Museum of Art. https://originaluniqueart.com/en/art/raphaelle-peale-still-life-with-oranges-8YE2R7-en/
    Chicago
    Raphaelle Peale. Still Life with Oranges. 1818. Toledo Museum of Art. https://originaluniqueart.com/en/art/raphaelle-peale-still-life-with-oranges-8YE2R7-en/
    Harvard
    Peale, Raphaelle (1818) Still Life with Oranges. Toledo Museum of Art. Available at: https://originaluniqueart.com/en/art/raphaelle-peale-still-life-with-oranges-8YE2R7-en/

    Look closely

    Still Life with Oranges — Raphaelle Peale

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: life. Do you agree? What would you add, or take away?
    4. Look back at Still Life with Wine Glass (1818), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Raphaelle Peale was about 44 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Is "Still Life with Oranges" by Raphaelle Peale in the public domain?

    "Still Life with Oranges" by Raphaelle Peale is in the public domain - its copyright has expired. This status governs how the image of the work may be reproduced.

    Why is the copyright status of "Still Life with Oranges" what it is?

    "Still Life with Oranges" by Raphaelle Peale is in the public domain - its copyright has expired. Copyright duration runs from the artist's death, which occurred in 1825.

    Where is "Still Life with Oranges" by Raphaelle Peale on display today?

    "Still Life with Oranges" by Raphaelle Peale is on display at the Toledo Museum of Art, Toledo, United States of America. The museum listing refers to the original work, not to reproductions.