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Student Artwork Guide

Eight Apostles

Name Class Date

Raphael Coxcie, Eight Apostles (1514). Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Raphael Coxcie originaluniqueart.com/en/artists/raphael-coxcie/
Artist’s dates
1540 – 1616
Painted
1514
Original size
8 x 23 cm
Movement
Early Renaissance The first generation to rebuild depth and lifelike bodies in painting after the Middle Ages.

In context

Eight Apostles — Raphael Coxcie

How big is it?

The original measures 8 × 23 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1510
  2. 1520
  3. 1530
  4. 1540
  5. 1550
  6. 1560
  7. 1570
  8. 1580
  9. 1590
  10. 1600
  11. 1610

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 76 at death.

Shaded: the lifetime of Raphael Coxcie (1540–1616) ▲ this work, 1514 every dated painting, decade by decade

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/raphael-coxcie-eight-apostles-D3SMW3-en/

Colours

Measured from the image

    Main colour

    Driftwood #a47d5c

    Catalogued palette

    • #A47D5C
    • #B39B7B
    • #AA9071
    • #97684B

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Driftwood
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Raphael Coxcie over the last twelve months — 3 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 75.0%
    2. 2 Singapore 12.5%
    3. 3 United States of America 12.5%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 12 most looked-at works by Raphael Coxcie

    1. 1 Virgin and Child with the Young Saint John the Baptist (The Esterházy Madonna), 1508 11.1%
    2. 2 Portrait of the Young Cardinal Ippolito I d, 1505 11.1%
    3. 3 Portrait of Pope Julius II, 1512 11.1%
    4. 4 Eight Seated Bishops, 1516 11.1%
    5. 5 Madonna of the Pomegranate, c. 1504, 1504 11.1%
    6. 6 A Kneeling Nude Woman with her Left Arm Raised, 1518 11.1%
    7. 7 Study for the figure of Diogenes in the, 1510 5.6%
    8. 8 Madonna Terranuova, 1505 5.6%
    9. 9 The Miraculous Draft of Fishes, 1516 5.6%
    10. 10 Young Man Carrying an Old Man on His Back, c. 1514, 1514 5.6%
    11. 11 Eight Apostles, 1514 this painting 5.6%
    12. 12 The creation of Eve. 5.6%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 32 works by this artist, of which 12 were looked at at least once. This painting ranks 11 of them, with 5.6% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Raphael Coxcie

    Born in Mechelen, Belgium

    The Legacy of Raphael Coxcie: A Renaissance Visionary

    Born in the historic city of Mechelen, Belgium, around 1540, Raphael Coxcie stands as a pivotal figure within the artistic landscape of the High Renaissance—a period characterized by unparalleled creativity and humanist ideals. His legacy extends far beyond his individual paintings, shaping stylistic trends and influencing generations of artists who followed him. While biographical details remain somewhat sparse compared to contemporaries like Michelangelo or Leonardo da Vinci, Coxcie’s contribution to Flemish art is undeniable, marking him as a significant voice in the burgeoning artistic fervor of his time.

    Coxcie's formative years were steeped in profound artistic tradition. He received instruction from Raffaello Sanzio da Urbino—commonly known as Raphael—a master whose influence permeated Coxcie’s early oeuvre. This connection to the Italian masters provided him with a meticulous attention to detail and a masterful command of chiaroscuro, the dramatic interplay between light and dark. This technique became a cornerstone of his approach, allowing him to imbue his canvases with palpable emotion and depth, mirroring the humanist spirit that dominated Renaissance thought. The stylistic echoes of Raphael’s work are particularly evident in Coxcie’s initial compositions, demonstrating a profound respect for classical ideals and a dedication to capturing the human form with remarkable accuracy.

    Mastery of Form and Sacred Narrative

    The breadth of Coxcie's artistic output spanned various mediums, most notably frescoes and oil paintings, each serving as a testament to his technical versatility. His work often sought to bridge the gap between the earthly and the divine, utilizing landscape and light to elevate religious subjects. In works such as his Reading Madonna and Child in a Landscape, one can observe a serene depiction of motherhood and faith, where the natural world serves as a quiet backdrop to spiritual contemplation. His ability to integrate figures into lush, atmospheric settings highlights his mastery of perspective and color theory.

    Beyond religious devotion, Coxcie demonstrated an exceptional ability to capture the weight of political and historical authority. His Portrait of Pope Julius II is a masterful study of detail, showcasing the Renaissance pope in rich red robes with a focus on the texture of fabric and the play of light across the face. This capacity for realism extended even to his more contemplative studies, such as his poignant depiction of the figure of Diogenes. In this work, Coxcie utilizes a somber mood and classical style to explore themes of philosophy and solitude, proving that his skill was as much about psychological depth as it was about physical accuracy.

    Historical Significance and Artistic Impact

    The historical significance of Raphael Coxcie lies in his role as a conduit between the Italian Renaissance traditions and the evolving Flemish school. By synthesizing the monumental scale and dramatic lighting of the South with the detailed observational skills characteristic of Northern art, he helped create a unique stylistic language. His contributions to large-scale works, including his involvement in significant fresco projects, left an indelible mark on the decorative and narrative traditions of European art.

    To understand the breadth of his impact, one might consider the following pillars of his career:

    Technical Innovation: The sophisticated use of chiaroscuro to create three-dimensional depth and emotional resonance.

    Classical Influence: A lifelong dedication to the humanist ideals and anatomical precision inherited from the great Italian masters.

    Versatility of Subject: An ability to move seamlessly between the intimate tenderness of Madonnas and the imposing gravity of papal portraiture.

    Cultural Bridge: His role in bringing the refined aesthetics of the High Renaissance to the burgeoning artistic centers of Belgium.

    Though centuries have passed since his death in 1616, the works of Raphael Coxcie continue to captivate the modern eye. They remain vital windows into a period of human history where art, science, and spirituality were inextricably linked, inviting viewers to rediscover the beauty of a master who captured the very essence of the Renaissance spirit.

    Where to read more

    Find this online

    QR code linking to the download page for Eight Apostles

    originaluniqueart.com/en/art/download/raphael-coxcie-eight-apostles-D3SMW3-en/

    Cite this artwork

    MLA
    Coxcie, Raphael. Eight Apostles. 1514, https://originaluniqueart.com/en/art/raphael-coxcie-eight-apostles-D3SMW3-en/
    APA
    Coxcie, Raphael (1514). Eight Apostles [Painting]. https://originaluniqueart.com/en/art/raphael-coxcie-eight-apostles-D3SMW3-en/
    Chicago
    Raphael Coxcie. Eight Apostles. 1514. https://originaluniqueart.com/en/art/raphael-coxcie-eight-apostles-D3SMW3-en/
    Harvard
    Coxcie, Raphael (1514) Eight Apostles. Available at: https://originaluniqueart.com/en/art/raphael-coxcie-eight-apostles-D3SMW3-en/

    Look closely

    Eight Apostles — Raphael Coxcie

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: religious figures, apostles, renaissance art. Do you agree? What would you add, or take away?
    4. Look back at Portraits of Leo X, Cardinal Luigi de' Rossi and Giulio de Medici (1518), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Early Renaissance: The first generation to rebuild depth and lifelike bodies in painting after the Middle Ages. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    How light is "Eight Apostles" overall?

    Overall, "Eight Apostles" is recorded as brilliant. Perceived brightness describes how light or dark the work appears.

    What does "Eight Apostles" share with the rest of Raphael Coxcie's output?

    Within Raphael Coxcie's output, "Eight Apostles" sits in the Early Renaissance style, alongside the themes of renaissance ideals, biblical narrative, religious devotion, humanism's influence, patronage & power, coecke's early style, proto-reformist themes, devotional panel art.

    Where do the visitors of "Eight Apostles" by Raphael Coxcie come from?

    The Stats page of "Eight Apostles" by Raphael Coxcie presents public visit statistics: monthly visits of this artwork, a comparison with the artist's most viewed works, and where its visitors come from.